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Vous avez sélectionné:
Where Have I Known You Before
Partitions à imprimer
22 partitions trouvées
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1
Where Have I Known You Before
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.585464 By…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.585464 By Chick Corea. By Chick Corea. Arranged by Jeff Tincher. Jazz. Score and parts. 11 pages. Jeff Tincher #6274505. Published by Jeff Tincher (A0.585464). On February 9, 2021, Chick Corea passed. He was a great pianist and musician. He also pioneered the Jazz-Rock Fusion genre. He created many different musical groups with fantastic musicians. Return to Forever is probably the best known of these groups. This is the title cut from their third studio LP. In the original key this is one of 3 piano solos from this LP. A beautiful ballad. Duration = 2:38. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.68 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Chick Corea
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Jeff Tincher
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Where Have I Known You Before
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Jeff Tincher
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SheetMusicPlus
Where Have I Known You Before
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.585462 By Chick Corea. By Chick Corea. Arranged by Jeff Tincher. Jazz. 11 pages. Jeff Tincher #6274501. Published by Jeff Tincher (A0.585462). On February 9, 2021, Chick Corea passed. He was a great pianist and musician. He also pioneered the Jazz-Rock Fusion genre. He created many different musical groups with fantastic musicians. Return to Forever is probably the best known of these groups. This is the title cut from their third studio LP. In the original key this is one of 3 piano solos from this LP. A beautiful ballad. Duration = 2:38. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.68 €
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Quatuor de Saxophones: 4 saxophones
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Chick Corea
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Jeff Tincher
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Where Have I Known You Before
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Jeff Tincher
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SheetMusicPlus
Where Have I Known You Before
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.585463 By Chick Corea. By Chick Corea. Arranged by Jeff Tincher. Jazz. 10 pages. Jeff Tincher #6274503. Published by Jeff Tincher (A0.585463). On February 9, 2021, Chick Corea passed. He was a great pianist and musician. He also pioneered the Jazz-Rock Fusion genre. He created many different musical groups with fantastic musicians. Return to Forever is probably the best known of these groups. This is the title cut from their third studio LP. In the original key this is one of 3 piano solos from this LP. A beautiful ballad. Duration = 2:38. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.68 €
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Flûte, Hautbois, Clarinette, Basson
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Chick Corea
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Jeff Tincher
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Where Have I Known You Before
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Jeff Tincher
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SheetMusicPlus
Where Have I Known You Before
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.585461 By Chick Corea. By Chick Corea. Arranged by Jeff Tincher. Jazz. Score and parts. 10 pages. Jeff Tincher #6274495. Published by Jeff Tincher (A0.585461). On February 9, 2021, Chick Corea passed. He was a great pianist and musician. He also pioneered the Jazz-Rock Fusion genre. He created many different musical groups with fantastic musicians. Return to Forever is probably the best known of these groups. This is the title cut from their third studio LP. In the original key this is one of 3 piano solos from this LP. A beautiful ballad. Duration = 2:38. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.68 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Chick Corea
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Jeff Tincher
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Where Have I Known You Before
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Jeff Tincher
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SheetMusicPlus
Where Have I Known You Before
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.585460 By Chick Corea. By Chick Cor…
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Piano Solo - Level 3 - Digital Download SKU: A0.585460 By Chick Corea. By Chick Corea. Arranged by Jeff Tincher. Jazz. Score. 4 pages. Jeff Tincher #6274481. Published by Jeff Tincher (A0.585460).
$5.99
5.38 €
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Piano seul
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Chick Corea
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Jeff Tincher
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Where Have I Known You Before
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Jeff Tincher
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
26.92 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Where Have I Danced With You Before
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1275397 By Return To Forever…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1275397 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score and Parts. 26 pages. Jeff Tincher #867324. Published by Jeff Tincher (A0.1275397). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$50.00
44.95 €
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Orchestre de chambre
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Return To Forever
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Jeff Tincher
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Where Have I Danced With You Before
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Jeff Tincher
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SheetMusicPlus
Where Have I Danced With You Before
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1275388 By Return To Forever. By Ch…
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Piano Solo - Level 2 - Digital Download SKU: A0.1275388 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score. 4 pages. Jeff Tincher #867315. Published by Jeff Tincher (A0.1275388). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$5.99
5.38 €
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Piano seul
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Return To Forever
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Jeff Tincher
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Where Have I Danced With You Before
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Jeff Tincher
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SheetMusicPlus
Where Have I Danced With You Before
Quatuor de Cuivres
Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1275396 By…
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Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1275396 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. 9 pages. Jeff Tincher #867322. Published by Jeff Tincher (A0.1275396). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.68 €
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Quatuor de Cuivres
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Return To Forever
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Jeff Tincher
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Where Have I Danced With You Before
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Jeff Tincher
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SheetMusicPlus
Where Have I Danced With You Before
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1275394 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. 9 pages. Jeff Tincher #867320. Published by Jeff Tincher (A0.1275394). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.68 €
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Quatuor de Saxophones: 4 saxophones
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Return To Forever
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Jeff Tincher
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Where Have I Danced With You Before
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Jeff Tincher
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SheetMusicPlus
Where Have I Danced With You Before
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1275395 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. 9 pages. Jeff Tincher #867321. Published by Jeff Tincher (A0.1275395). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.68 €
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Flûte, Hautbois, Clarinette, Basson
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Return To Forever
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Jeff Tincher
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Where Have I Danced With You Before
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Jeff Tincher
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SheetMusicPlus
Where Have I Danced With You Before
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1275393 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. 9 pages. Jeff Tincher #867318. Published by Jeff Tincher (A0.1275393). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.68 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Return To Forever
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Jeff Tincher
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Where Have I Danced With You Before
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Jeff Tincher
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SheetMusicPlus
O Lord, you have searched me out
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1496253 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1496253 Composed by Philip Le Bas. A Cappella,Christian,Praise & Worship,Religious,Sacred. 7 pages. Philip Le Bas #1072778. Published by Philip Le Bas (A0.1496253). A new setting of Psalm 139 by Philip Le Bas, which begins O Lord, you have searched me out and known me - text printed below. The psalm is a deeply personal reflection by the psalmist on the wonder of my being and on the inescapability of God's love, wherever we might try to hide, and whatever we might do ourselves or might experience - even death. This gentle setting for unaccompanied SATB choir uses the full range of all four choral voices, with just one divisi passage at the end of the composition in the tenor and bass parts. The piece should be sung meditatively, without too much drama, even in the fortissimo passages, aiming for a sense of wonder and inner peace. Psalm 139 O Lord, you have searched me out and known me; you know all my sitting down and rising; you discern my thoughts from afar. You mark all my journeys and my resting place and are acquainted with all my ways. For not a word is on my tongue but, Lord, you know it altogether. You encompass me, behind and before me, you lay you hand upon me. O where can I go from your spirit? Or where can I flee from your presence? If I climb up to heaven you are there; you are there if the grave is where I lie. If I take the wings of the morning, or dwell in the depths of the sea, even there your hand shall lead me, your right hand hold me fast. You created my innermost parts; you knit me together in my mother's womb. I thank you for the wonder of my being, I marvel at all your works. Amen.
$2.99
2.69 €
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Chorale SATB
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Philip Le Bas
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O Lord, you have searched me out
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Philip Le Bas
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SheetMusicPlus
WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.13 €
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Chorale TTBB
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Paisley's Sonata
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brow…
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Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99
4.49 €
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Piano seul
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
29.62 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
Merry Xmas Everybody
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749235 By Slade.…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 15 pages. Helen Marple-Horvat #6134105. Published by Helen Marple-Horvat (A0.749235). youtube.com/watch?v=b74tCHtcmFM‘Merry Christmas Everybody' is a major hit in the UK, and the familiar song heralds the festive season with all the ‘feel good’ emotions that come with it. We hear it in shops, supermarkets, and radio stations all over the country for the weeks in the run up to the celebrations, as it is part of a popular compilation of hits. It was a Christmas number one in 1973 and stayed there for nine weeks. Although it was recorded in New York it is not so well known in the USA which is a surprise to me. I have always loved it because of the unusual chord progressions at the end of the Chorus, and because Noddy Holder is from the West Midlands where I was born and bred. We don’t have too many famous people from around there!It is important to keep a steady tempo but it doesn’t need to be as fast as the original (120 bpm) However It *is* in the same key as the original and follows the structure exactly, so it may be possible to play along with it before coming to rehearsal, which is always helpful. It is useful to feel the syncopation that way. We planned to record this last March but that was before Lockdown!The tune is shared between first violin, viola and cello. The second violinist needs to keep a rock steady pulse. Although it is suitable for a professional quartet to play, and the first violinist often plays the tune up an octave, I feel that it is easy enough for a quartet of Grade 5 ABRSM to play with a few modifications such as playing open strings. The cellist will need to be able to play in fourth position and to stretch for the F sharps on the C string, but feel free to change the octaves or use pizzicato in the bass part if it makes things easier.The bowing is a guide only, based on the rehearsal with Capriccio Quartet, so all players should take as many bows as they need in order to feel comfortable. Enjoy playing the piece and send me any recordings on Facebook. I love to hear from people who have played my arrangements.You can hear Capriccio Quartet play my other arrangements at the Youtube Channel, Helen Marple-Horvat Songwriter, Arranger, Composer, Capriccio Quartet. All but two are available from Sheet Music Plus.
$15.00
13.48 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Slade
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HELEN MARPLE-HORVAT
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Merry Xmas Everybody
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Helen Marple-Horvat
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.15 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Those Magic Changes
Chorale 3 parties
Choral 3-Part Mixed Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1491537
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Choral 3-Part Mixed Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1491537 Composed by Jim Jacobs and Warren Casey. Arranged by Tabitha Beaven. A Cappella,Broadway,Film/TV,Musical/Show,Pop. 13 pages. Tabitha Beaven #1068259. Published by Tabitha Beaven (A0.1491537). Three part arrangement for mixed voice. Designed to be relatively simple for a quick win! Parts labelled Upper, Middle and Lower relate best to SAT, but also accessible to SAA. Note range for each part shown by the clef at the start of the score. Chords provided for simple accompaniment on piano/guitar/ukulele but is also fun with A Cappella with accompanying finger clicks. Originally arranged for a one-off 'come and sing' session for an unknown mix of voices, therefore designed to be simple and accessible for a mix of male and female voices. Lower male (Bass) voices can adapt any part at a lower octave. In Grease the movie this song is featured played by Sha Na Na as the school dance. However this version is based on the Grease The Stage Musical version where it's a song sung by Doody - listen here. I've not found an exact backing track for this version so simple chords have been included on the score (a repeating pattern of C / Am / F / G7 until the last 6 bars when switches to F / Fm / C). If want to use a backing track the film version by Sha Na Na is available on Karaoke Version but would need to adjust the ending slightly moving from end of bar 61 to bar 66 and then do bar 67, bar 69 and bar 71 and 72 to end. An optional middle section is included which keeps the Lower part riff from bar 38 - 42 and layers a four bar section from 'We Go Together' for interest! Build this up and strip it back down before moving onto Verse 2. Provided: - PDF score with all three parts- Upper, Middle, Lower part separated out to separate sheetsEnjoy! Please tag @tunefultabitha in any song snippets on social media!YouTube link - learnt in under an hour at a 'Come & Sing' session for a group of strangers!
$2.99
2.69 €
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Chorale 3 parties
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Jim Jacobs and Warren Casey
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Tabitha Beaven
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Those Magic Changes
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Tabitha Beaven
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SheetMusicPlus
Fifteen Safari Duets for Tubas
2 Tubas (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
17.98 €
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2 Tubas (duo)
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Nineteen Skeletal Duets for Trombones
2 Trombones (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.<br> <br> 1. Cranium<br> This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.<br> <br> 2. Stirrup<br> This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.<br> 3. Humerus<br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.<br> 4. Vertebra<br> This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.<br> 5. Axis<br> Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.<br> 6. Tibia<br> This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.<br> 7. Clavicle<br> The key of A for this duet provides variation for the students.<br> 8. Fibula nd<br> This duet uses the easiest of rhythms and range, especially for the 2<br> 9. Scapula<br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.<br> 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.<br> <br> (student) part.<br> <br> 11. Radius<br> This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.<br> 12. Femur<br> This duet works on double time and half time tempo changes.<br> 13. Patella<br> This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.<br> 14. Anvil<br> This gallop displays different types of articulation.<br> 15. Hammer<br> This duet is in the style of a fanfare.<br> 16. Rib<br> This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.<br> 17. Sacrum<br> This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.<br> 18. Ulna<br> This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.<br> 19. Ilium<br> This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.<br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
17.98 €
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2 Trombones (duo)
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Gregory Fritze
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Nineteen Skeletal Duets for Trombones
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Musica Nova USA
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SheetMusicPlus
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1
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