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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Where We Are
Non classifié
483
Piano & claviers
Piano, Voix et Guitare
150
Piano seul
134
Piano, Voix
72
Piano Facile
27
2 Pianos, 4 mains
21
Instruments en Do
10
1 Piano, 4 mains
5
Orgue
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Piano grosses notes
1
+ 8 instrumentations
Retracter
Guitares
Guitare
25
Guitare notes et tablatures
20
Ligne De Mélodie, (Paroles) et Accords
3
Basse electrique
3
Ukulele
2
Paroles et Accords
2
2 Guitares (duo)
1
Piano, Guitare (duo)
1
Mandoline
1
Guitare (partie séparée)
1
4 Guitares (Quatuor)
1
+ 6 instrumentations
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Voix
Chorale SATB
114
Chorale 3 parties
32
Chorale 2 parties
24
Voix Alto, Piano
10
Chorale TTBB
9
Chorale SSAA
8
Voix duo, Piano
4
Chorale Unison
4
Voix haute
4
Voix Soprano, Piano
3
Voix duo
3
Voix Tenor, Piano
3
Voix basse, Piano
2
Voix seule
1
Voix Baryton, Piano
1
Voix Tenor
1
+ 11 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
90
Quintette de Saxophone: 5 saxophones
62
Quatuor de Saxophones: 4 saxophones
47
2 Saxophones (duo)
26
Quintette de Flûte : 5 flûtes
26
Quatuor de Clarinettes: 4 clarinettes
22
Hautbois, Piano (duo)
19
Flûte traversière
17
Quintette de Clarinettes: 5 clarinettes
16
Flûte traversière et Piano
16
Flûte, Hautbois, Clarinette, Basson
14
Quatuor de Flûtes : 4 flûtes
14
Saxophone Alto et Piano
13
Saxophone Alto
11
Hautbois (partie séparée)
11
2 Clarinettes (duo)
11
Saxophone Tenor et Piano
11
Clarinette
9
Saxophone Tenor
9
3 Saxophones (trio)
9
Clarinette et Piano
9
Saxophone Baryton, Piano
8
Saxophone Soprano et Piano
8
Ensemble de Clarinettes
8
2 Flûtes traversières (duo)
7
Flûte et Guitare
7
Flûte à bec Soprano
5
Ensemble de Flûtes
5
Saxophone (partie séparée)
5
2 Hautbois (duo)
5
Ensemble de saxophones
5
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Clarinette et Basson
4
Saxophone Baryton
4
Saxophone, Clarinette (duo)
4
Clarinette, Guitare (duo)
4
Hautbois
4
Flûte, Clarinette (duo)
3
Hautbois, Guitare (duo)
3
Saxophone Soprano
3
Clarinette, Violon (duo)
3
Clarinette et Alto
3
Clarinette, Trompette (duo)
2
Hautbois, Basson (duo)
2
Flûte, Violon
2
Ocarina
2
Clarinette Basse
1
Clarinette, Basson (duo)
1
Flute (partie séparée)
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
Cor anglais, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
Cor anglais, Piano
1
Harmonica
1
Flûte, Hautbois (duo)
1
Hautbois, violon (duo)
1
Hautbois, Flûte
1
Flûte à bec Alto
1
Clarinette Basse, Piano
1
Flûte, Alto (duo)
1
Flûte, Trompette (duo)
1
Flûte à bec Soprano, Piano
1
+ 59 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
50
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Ensemble de Trombones
22
Trompette
11
Trombone et Piano
11
Cor
10
Tuba
10
Quatuor de cuivres: 4 trombones
9
Trombone
9
Cor et Piano
9
Trompette, Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Tuba et Piano
6
2 Trombones (duo)
6
2 Cors (duo)
6
2 Trompettes (duo)
5
Euphonium, Piano (duo)
3
Trompette, Trombone (duo)
3
2 Tubas (duo)
3
Trompette, Saxophone (duo)
3
Cor, Tuba (duo)
2
Trompette, Cor (duo)
2
Ensemble de Trompettes
2
Trompette (partie séparée)
2
Cor anglais, Guitare (duo)
1
Tuba et Orgue
1
Cor anglais, Piano
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums et 2 Tubas
1
+ 25 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
68
Violon
23
Violon et Piano
21
Violoncelle, Piano
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Alto, Piano
13
Violon, Violoncelle (duo)
12
Harpe
11
Violoncelle
10
Alto seul
9
Trio à Cordes: violon, alto, violoncelle
8
2 Violons (duo)
8
Contre Basse
7
2 Altos (duo)
7
Contrebasse, Piano (duo)
7
2 Violoncelles (duo)
6
Violon, Alto (duo)
5
Ensemble de Violons
4
Ensemble d'Altos
4
Alto (partie séparée)
4
Violon, Guitare (duo)
3
4 Violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle , Guitare (duo)
3
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes: 4 violons
2
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Voix
1
Violon, Violoncelle, Clarinette
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
71
Orchestre
26
Orchestre à Cordes
21
Orchestre de chambre
11
Ensemble de cuivres
10
Cloches
5
Ensemble Jazz
4
Ensemble de Percussions
4
Jazz combo
4
Fanfare
3
Piano et Orchestre
1
Instrumentation Flexible
1
Vibraphone
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
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Vous avez sélectionné:
Where We Are
Partitions à imprimer
2 499 partitions trouvées
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2476
Extinction Events - Clarinet Quartet - Mvt 4 - Yaguarete Surprise
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Contemporain
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John Gibson
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Extinction Events - Clarinet Q
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - SKU: A0.581937 Composed by John Gibson. Contemporary. 17 pages. JB Linear #3459833. Publish...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - SKU: A0.581937 Composed by John Gibson. Contemporary. 17 pages. JB Linear #3459833. Published by JB Linear (A0.581937). Extinction Events (4th movement - Yaguaretê* Surprise) by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players. This is the fourth movement only...the others may be purchased separately: Buzzy Delights, It Isn't Easy Being a Cuckoo, and Walrus Jump. The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top. *(Yaguartë = Argentine Jaguar)Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved.Argentine Jaguars (Yaguareté) are experiencing shrinking habitats due to human population growth and cutting of forests. In this piece I imagined a Jaguar slowly stalking its prey, moving silently on velvet paws. She moves carefully but with barely hidden energy, pausing, then freezing, then suddenly pouncing. Surprise! Sadly, the Dies Irae music plays on. .
$15.00
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
Where We Are
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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The Lumineers
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PianoPraxis/Brayden Ford
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Where We Are
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PianoPraxis
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1075955 By The Lumineers. By Jeremy Fraites and Wesley Schultz. Arranged by PianoPraxis/Brayden Ford. Folk,Rock. Score. 1...
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Piano Solo - Level 4 - SKU: A0.1075955 By The Lumineers. By Jeremy Fraites and Wesley Schultz. Arranged by PianoPraxis/Brayden Ford. Folk,Rock. Score. 12 pages. PianoPraxis #680127. Published by PianoPraxis (A0.1075955). Download this sheet to learn my version of WHERE WE ARE by The Lumineers.
$4.99
28 Hours/wherever We Are
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Comédie Musicale
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Come From Away Company
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Talitha Broughton
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28 Hours/wherever We Are
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Boxed Goblin Music
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1491809 By Come From Away Company. By David Hein and Irene Sankoff. Arranged by Tal...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1491809 By Come From Away Company. By David Hein and Irene Sankoff. Arranged by Talitha Broughton. Broadway,Musical/Show. 31 pages. Boxed Goblin Music #1068489. Published by Boxed Goblin Music (A0.1491809). Clarinet quartet (Bb/Bb/Bb/Bass) arrangement of 28 Hours/Wherever We Are from the musical Come From Away.
$12.99
28 Hours/wherever We Are
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Comédie Musicale
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Come From Away Company
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Talitha Broughton
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28 Hours/wherever We Are
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Boxed Goblin Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1492306 By Come From Away Co...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1492306 By Come From Away Company. By David Hein and Irene Sankoff. Arranged by Talitha Broughton. Broadway,Musical/Show. 31 pages. Boxed Goblin Music #1068972. Published by Boxed Goblin Music (A0.1492306). Saxophone quartet (SATB) arrangement of 28 Hours/Wherever We Are from the musical Come From Away.
$12.99
Somewhere We Could Fall
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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John Michael Ferrari
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John Michael Ferrari
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Somewhere We Could Fall
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Pepper Jay Productions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1153289 By John Michael Ferrari. By John Michael Ferrari. Arranged by John Michael Ferrari. Contemporary,Co...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1153289 By John Michael Ferrari. By John Michael Ferrari. Arranged by John Michael Ferrari. Contemporary,Country,Pop. Score. 6 pages. Pepper Jay Productions #753538. Published by Pepper Jay Productions (A0.1153289). Many of John Michael Ferrari's songs are about being in love or wanting to be in love. Somewhere We Could Fall is one of the latter. Somewhere we could fall ... in love!.
$1.99
Let’s Get Back (Where We Belong)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Pop musique
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Zane Kuchera
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Let’s Get Back
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Zane Kuchera Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1239834 By Zane Kuchera. By Words by John Longmuir , music & performance by Zane Kucher...
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Guitar,Piano,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1239834 By Zane Kuchera. By Words by John Longmuir , music & performance by Zane Kuchera. This edition: Interactive Download. Pop. Score. 15 pages. Duration 158. Zane Kuchera Music #6FQaaBGr4MfDIysPxOeXaH. Published by Zane Kuchera Music (A0.1239834). Key: F major.5/27/23 Zane Kuchera Music released “Let’s Get Back (Where We Belong)†(Pop/Folk/Jazz) - “So, let’s get back, back to the way it was before, let’s get back, back to the days when love meant more, yes, let’s get back, let’s get back where we belong, back where we belongâ€, Words by John Longmuir , music & performance by Zane Kuchera. Watch: https://youtu.be/Oc_3HwthlS4 Listen: https://album.link/bdvqhqrjjnvms More: https://ZaneKuchera.com.
$4.99
O Jesus, We Adore You
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Chorale SATB
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Musique Sacrée
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Mark Hill
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O Jesus, We Adore You
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, Piano - SKU: LX.10-4825L Composed by Mark Hill. Sacred Anthem, Holy Week, Lent. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e...
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SATB choir, Piano - SKU: LX.10-4825L Composed by Mark Hill. Sacred Anthem, Holy Week, Lent. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/4825L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-4825L). ISBN 9780787753153.This expressive anthem by Mark Hill takes us to the cross of Christ, where we are reminded of the sacrifice made for our redemption. From the contemplative opening to the dramatic climax, this piece is a stunning addition to Holy Week worship.
$2.50
We Can Work It Out
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Rock
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The Beatles
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Ray Thompson
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We Can Work It Out
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RayThompsonMusic
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SheetMusicPlus
Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.771560 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Th...
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Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.771560 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. Score and parts. 8 pages. RayThompsonMusic #379203. Published by RayThompsonMusic (A0.771560). We Can Work It Out is a song by the English rock band the Beatles, written by Paul McCartneyand John Lennon. It was first issued as a double A-side single with Day Tripper in December 1965. It also appeared on the 1966 US release Yesterday and Today. The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides.The song was recorded during the sessions for the band's Rubber Soul album. The single was number 1 in Britain (where it won the Ivor Novello Award for the top-selling A-side of 1965), the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s. We Can Work It Out is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, A Day in the Life, Baby, You're a Rich Man and I've Got a Feeling, are among the notable exceptions. Arranged brass quartet: 2 tpt,tbn and tuba Melody is shared amongst 3 treble clef instruments, tuba provides steady bass line. Alt. horn in F part for tbn. Video is the clarinet quartet version.
$17.95
We Can Work It Out
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Rock
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The Beatles
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Ray Thompson
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We Can Work It Out
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.763033 By The Beatles. By John Lennon and Paul McCartney. Arranged by...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.763033 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 8 pages. RayThompsonMusic #370744. Published by RayThompsonMusic (A0.763033). We Can Work It Out is a song by the English rock band the Beatles, written by Paul McCartneyand John Lennon. It was first issued as a double A-side single with Day Tripper in December 1965.It also appeared on the 1966 US release Yesterday and Today. The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides.The song was recorded during the sessions for the band's Rubber Soul album. The single was number 1 in Britain (where it won the Ivor Novello Award for the top-selling A-side of 1965), the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s. We Can Work It Out is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, A Day in the Life, Baby, You're a Rich Man and I've Got a Feeling, are among the notable exceptions. Arranged wind quartet: fl, ob, cl and bsn. Melody is shared amongst 3 treble clef instruments, bassoon provides steady bass line. Video is the clarinet quartet version.
$14.95
Up Where We Belong
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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BeBe and CeCe Winans
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John Fries
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Up Where We Belong
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1199563 By BeBe and CeCe Winans. By Buffy Sainte-Marie, Jack Nitzche, and Will Jennings. Arranged by John F...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1199563 By BeBe and CeCe Winans. By Buffy Sainte-Marie, Jack Nitzche, and Will Jennings. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 2 pages. John Fries #798632. Published by John Fries (A0.1199563). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Up Where We Belong is a song written by Jack Nitzsche, Buffy Sainte-Marie and Will Jennings that was recorded by Joe Cocker and Jennifer Warnes for the 1982 film An Officer and a Gentleman. The song reached number one on the Billboard Hot 100 in the US and topped the charts in several other countries. It also sold more than one million copies in the US and was recognized by the Recording Industry Association of America as one of the Songs of the Century.
$4.99
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
Let's Go Where We Can Have Some Fun
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Piano, Voix
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Tom Kelley
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Let's Go Where We Can Have Som
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.8215 Composed by Tom Kelley. Fabric shops, Couples, Occupations, Clocks & watches, Portraits, Recreation, Leisure. Lester S. L...
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Piano and voice - SKU: LV.8215 Composed by Tom Kelley. Fabric shops, Couples, Occupations, Clocks & watches, Portraits, Recreation, Leisure. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8215). Let's Go Where We Can Have Some Fun. words by Will D. Cobb. Music by Tom Kelley. Published 1911 by Shapiro Music Publishers, Cor. Broadway & Thiry Ninth Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Fabric shops, Couples, Occupations, Clocks & watches, Portraits, Recreation, Leisure. First line reads Dorothy Dilks, sells satins and silks.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
What a Friend we have in Jesus 何等恩友
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Instruments en Do
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DÉBUTANT
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JOSEPH SCRIVEN 1819-1886 CHARL
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What a Friend we have in Jesus
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Steven See
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1517562 By JOSEPH SCRIVEN 1819-1886 CHARLS C. CONVERSE 1832-1918. By JOSEPH SCRIVEN 1819-1886 CHARLS C. CONVERSE 1832-1...
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C Instrument - Level 1 - SKU: A0.1517562 By JOSEPH SCRIVEN 1819-1886 CHARLS C. CONVERSE 1832-1918. By JOSEPH SCRIVEN 1819-1886 CHARLS C. CONVERSE 1832-1918. Arranged by JOSEPH SCRIVEN 1819-1886 CHARLS C. CONVERSE 1832-1918. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1091724. Published by Steven See (A0.1517562). 279 何等恩友慈仁救主 What A Friend We Have in Jesus1何等恩友慈仁救主负我罪愆担我忧何等权利能将万事来到耶稣座前求多少平安 我们坐失多少痛苦冤枉受都是因为未将万事来到耶稣座前求2我们有无试探引诱有无难过苦关头决不应当因此灰心仍当到主座前求何处能寻这般良友同尝一切苦与愁我们弱点主都知道放心到主座前求3我们是否软弱多愁千斤重担压肩头主仍做我避难处所奔向耶稣座前求你若正逢友叛亲离快向耶稣座前求到他怀中他必保护有他安慰便无忧1 What a Friend we have in JesusAll our sins and grief to bearWhat a privilege to carryEv’ry thing to God in prayerO what peace we often forfeitO what needless pain we bearAll because we do not carryEv’ry thing to God in prayer2 Have we trials and temptationsIs there trouble any whereWe should never be discouragedTake it to the Lord in prayerCan we find a friend so faithfulWho will all our sorrows shareJesus knows our ev’ry weaknessTake it to the Lord in prayer3 Are we weak and heavy ladenCumbered with a load of carePrecious Savior still our refugeTake it to the Lord in prayerDo thy friends despise for sake theeTake it to the Lord in prayerIn His arms He’ll take and shield theeThou wilt find a solace there.
$3.99
We Can Work It Out
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Rock
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The Beatles
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Ray Thompson
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We Can Work It Out
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RayThompsonMusic
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1042755 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1042755 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Rock. 7 pages. RayThompsonMusic #647539. Published by RayThompsonMusic (A0.1042755). We Can Work It Out is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon.It was first issued as a double A-side single with Day Tripper in December 1965.It also appeared on the 1966 US release Yesterday and Today.The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides.The song was recorded during the sessions for the band's Rubber Soul album. The single was number 1 in Britain (where it won the Ivor Novello Award for the top-selling A-side of 1965), the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s.We Can Work It Out is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, A Day in the Life, Baby, You're a Rich Man and I've Got a Feeling, are among the notable exceptions.Arranged string quartet Video is the clarinet quartet version.
$14.99
We Are Golden
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Mika
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Clare Wyatt
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We Are Golden
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Clare Wyatt
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.914000 By Mika. By Mika. Arranged by Clare Wyatt. A Cappella,Dance,Pop. Octavo. 15 pages. Clare Wyatt #4812691. ...
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Choral Choir (SATB) - Level 4 - SKU: A0.914000 By Mika. By Mika. Arranged by Clare Wyatt. A Cappella,Dance,Pop. Octavo. 15 pages. Clare Wyatt #4812691. Published by Clare Wyatt (A0.914000). We Are Golden is the opening song from Mika's 2009 album, The Boy Who Knew Too Much. This catchy and upbeat collegiate-style a cappella arrangement is suitable for intermediate to advanced groups. The score challenges range but includes optional easier adjustments. Vocal percussion should be used in performance where possible!
$4.00
The House We Build
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Lukas C Jaeger
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The House We Build
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Lukas C Jaeger
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.   So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.   School is a time of great change in our lives and often we are so focused on “getting through†that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house†being our self.
$3.00
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
in fondo al mare
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Piano seul
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DÉBUTANT
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Classique
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Gianluca Giovannetti
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Gianluca Giovannetti
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in fondo al mare
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Gianluca Giovannetti
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1079630 By Gianluca Giovannetti. By Gianluca Giovannetti. Arranged by Gianluca Giovannetti. Classical. Score. 2 pages. Gi...
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Piano Solo - Level 1 - SKU: A0.1079630 By Gianluca Giovannetti. By Gianluca Giovannetti. Arranged by Gianluca Giovannetti. Classical. Score. 2 pages. Gianluca Giovannetti #683811. Published by Gianluca Giovannetti (A0.1079630). Background music for piano that is compared to molluscs and shells found at the bottom of the sea where we often do not notice but we delude ourselves that they were there.
$5.74
We are all a Nod-din"
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Piano seul
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INTERMÉDIAIRE
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Trad
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Paul Taylor
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We are all a Nod-din"
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Paul Taylor
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1175864 Composed by Trad. American. Arranged by Paul Taylor. Barbershop,Folk,Historic. Score. 2 pages. Paul Taylor #77598...
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Piano Solo - Level 3 - SKU: A0.1175864 Composed by Trad. American. Arranged by Paul Taylor. Barbershop,Folk,Historic. Score. 2 pages. Paul Taylor #775986. Published by Paul Taylor (A0.1175864). All of us probably have attended gatherings, where things went along a little bit too long. The result of course was that we might start nodding off, as the title indicates. I found only the tune and two verses in an old Glee Club anthology in my great Grandfather's affects some years ago. The words are included in case the pianists would like to sing the lyrics as they play. There is some evidence to support that some portions of the lyrics appeared in a poem of Robert Burns, the Scottish poet, . Other tunes from the mid 18th century where traces of this tune can be found in the tunes, Nid Noddin, The Whigs are Rinnen, General Scott asleep and quartz on the brain (we're all cranky, mad, mad, cranky)..
$1.99
We Are Climbing Jacob’s Ladder for 8-note Bells and Boomwhackers® (with Color Coded Notes)
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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We Are Climbing Jacob’s
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Sharon Wilson
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SheetMusicPlus
Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565155 By Sharon Wilson. B...
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Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565155 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Spiritual. Score and parts. 9 pages. Sharon Wilson #3499691. Published by Sharon Wilson (A0.565155). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – all 8 ~ C D E F G A B C* where C* is high C, one octave above middle C  Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 6 to 15 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
If We Knew When - Director's Score/Resource
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Ruth Elaine Schram
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If We Knew When - Director's S
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Jubilate Music Group - Digital
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SheetMusicPlus
SKU: JX.JMG1376 Composed by Ruth Elaine Schram. Children's Anthems. Director's Score. 6 pages. Jubilate Music Group - Digital #JMG1376. Published by Jub...
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SKU: JX.JMG1376 Composed by Ruth Elaine Schram. Children's Anthems. Director's Score. 6 pages. Jubilate Music Group - Digital #JMG1376. Published by Jubilate Music Group - Digital (JX.JMG1376). This offering presents a humble and beautiful message of preparation for the coming of the Christ Child. If we knew when, if we knew where...we would be ready, we would be prepared! The Advent themes of preparation and anticipation are clearly present in the lovely text. Add the optional flute obbligato to enrich the moment.
$7.95
Somewhere My Love (Lara's Theme)
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Piano, Voix et Guitare
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Maurice Jarre
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Somewhere My Love
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015637 Somewhere My Love - (Lara's Theme). Composed by Maurice Jarre. Standards. 3 pages. Alfred Music - Digi...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015637 Somewhere My Love - (Lara's Theme). Composed by Maurice Jarre. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015637. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015637). ISBN 9780739094860. UPC: 038081456881. Paul Francis Webster.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99
Black Key Square Dance
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Piano Facile
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DÉBUTANT
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Sarah Bonsignore
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Sarah Bonsignore
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Black Key Square Dance
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Sarah Bonsignore
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1100463 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. Children,Comedy,Country,Instructional. Sc...
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Easy Piano - Level 1 - SKU: A0.1100463 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. Children,Comedy,Country,Instructional. Score. 3 pages. Sarah Bonsignore #704239. Published by Sarah Bonsignore (A0.1100463). Here is a song that will be in Sarah's Ready To Shine songs for Children book 2. It is written for all the black notes, and includes a line of rests for improvizing on the black notes, as well as a simple dance to go along with it for group classes. Use the link to hear the interactive backing track and dance tutorial. Students can play the song as a solo, or try it with some class mates as a game where some are playing and some are dancing (it's pretty fun when the music speeds up). We cover quarter notes and eighth notes in the tutorial as well. Find more of Sarah's music books for beginners and adults on Amazon.
$2.99
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