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Vous avez sélectionné:
Whispering Silence
Partitions à imprimer
16 partitions trouvées
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Whispering Silence
Guitar - Level 2 - Digital Download SKU: A0.1452131 By As I Lay Dying. By Jordan Ma…
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Guitar - Level 2 - Digital Download SKU: A0.1452131 By As I Lay Dying. By Jordan Mancino, Josh Gilbert, Phillip Joseph Sgrosso, Samuel Hipa, and Timothy Lambesis. Arranged by koki31. Rock. Guitar Tab. 9 pages. Koki31 #1031449. Published by koki31 (A0.1452131). Turning: C#-G#-C#-F#-A#-D#song: Whispering Silenceartist: AS I LAY DYING.
$5.99
5.45 €
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As I Lay Dying
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koki31
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Whispering Silence
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koki31
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SheetMusicPlus
Whispering Silence
Guitar - Level 2 - Digital Download SKU: A0.1455216 By As I Lay Dying. By Jordan Ma…
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Guitar - Level 2 - Digital Download SKU: A0.1455216 By As I Lay Dying. By Jordan Mancino, Josh Gilbert, Phillip Joseph Sgrosso, Samuel Hipa, and Timothy Lambesis. Arranged by koki31. Rock. Guitar Tab. 9 pages. Koki31 #1034302. Published by koki31 (A0.1455216). Turning: (Low to high) C#-G#-C#-F#-A#-D# song : Whispering Silence artist : As I Lay Dying.
$4.99
4.54 €
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As I Lay Dying
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koki31
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Whispering Silence
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koki31
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SheetMusicPlus
Summer Silence
Chorale SATB
SATB choir, Piano - Digital Download SKU: LX.15-3578H Composed by Timothy P. Cooper…
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SATB choir, Piano - Digital Download SKU: LX.15-3578H Composed by Timothy P. Cooper. General. Octavo. 16 pages. Heritage Music Press #e15/3578H. Published by Heritage Music Press (LX.15-3578H). ISBN 9780787761028.This exceptional early work of E. E. Cummings enjoys a brilliant musical setting that effectively captures its raw energy (Eruptive lightnings flutter to and fro above the heights of immemorial hills) and exquisite peace (No whisper mars the utter silence of the untranslated stars) with diverse choral textures and divisi in all parts. An impressive concert piece for the mature ensemble!
$2.75
2.5 €
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Chorale SATB
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Timothy P
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Summer Silence
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Heritage Music Press
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SheetMusicPlus
Whispering Silence
Guitare notes et tablatures
By As I Lay Dying. Metal; Pop. Guitar TAB. 13 pages. Published by Hal Leonard - Digital Sh…
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By As I Lay Dying. Metal; Pop. Guitar TAB. 13 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.54 €
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Guitare notes et tablatures
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As I Lay Dying
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Pop
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Whispering Silence
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Seek the Spirit - an original hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701439 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701439 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3111093. Published by Kevin G. Pace (A0.701439). An original hymn. SATB. 3 verses. The text by Mark Fotheringham below beautifully teaches the importance of seeking the spirit.YouTube video: https://youtu.be/KuA5ro5NGUM1. Kneeling in darkness, searching for answers, pondering questions, and looking for light.Seek for the Spirit. He will reveal to you, leading you onto the path of the right. There in the silence, softly He whispers, reaching inside to inspire the heart, He will uncover wisdom and mercy, silently speaking, all truth to impart. 2. In pain or anguish, suffering sorrow, longing for comfort, in search of relief. Jesus, our Savior, sent forth a Comforter, giving you strength to endure every grief. Staying beside you, He'll never leave you, even when all men far from you have flown. Whispering softly, Christ knows your suff'ring, helping you know you are never alone. 3. Living the gospel, praying for guidance, searching the scriptures, preparing to teach. Ask for the Spirit. He'll testify to all, truth ever piercing each heart as you preach. One with The Father, one with our Savior, true revelation cannot be denied. Seek for the Spirit. Each day He'll point you back to our Father, with Him to reside.
$1.99
1.81 €
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Chorale SATB
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Kevin G
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Seek the Spirit - an original hymn
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Kevin G. Pace
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SheetMusicPlus
Reh-im-Park-Blues
Chorale SATB
Mixed choir (SATB) a cappella - intermediate - Digital Download SKU: S9.Q46988 Comp…
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Mixed choir (SATB) a cappella - intermediate - Digital Download SKU: S9.Q46988 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q46988. Published by Schott Music - Digital (S9.Q46988). German.Alwin Michael Schronen again proves his great versatility as a (choral) composer with Reh-im-Park-Blues for men's choir or mixed a cappella choir. Using swing and blues elements, 'babbabbadada', 'daduahuhah' and other vocalises adding a jazz drive to the work, 'swinging shake eggs' ad libitum, and even a wine glass (or, as an alternative, a triangle), as well as stage directions like snapping the fingers, whispering, exhaling, inhaling, kissing, and 'asking for silence with the index finger', he has created an entertaining and extremely amusing choral piece. It reflects, with much wit and charm, the humorous content of Ringelnatz's poem about a little deer which eventually turns out to be a plaster figure. A piece of music that is perfect for performances at convivial gatherings and lives on many small but nice show acts.
$3.99
3.63 €
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Chorale SATB
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Alwin Michael Schronen
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Reh-im-Park-Blues
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Schott Music - Digital
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SheetMusicPlus
Reh-im-Park-Blues
Chorale TTBB
TTBB chorus a cappella - intermediate - Digital Download SKU: S9.Q46987 Composed by…
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TTBB chorus a cappella - intermediate - Digital Download SKU: S9.Q46987 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q46987. Published by Schott Music - Digital (S9.Q46987). German.Alwin Michael Schronen again proves his great versatility as a (choral) composer with Reh-im-Park-Blues for men's choir or mixed a cappella choir. Using swing and blues elements, 'babbabbadada', 'daduahuhah' and other vocalises adding a jazz drive to the work, 'swinging shake eggs' ad libitum, and even a wine glass (or, as an alternative, a triangle), as well as stage directions like snapping the fingers, whispering, exhaling, inhaling, kissing, and 'asking for silence with the index finger', he has created an entertaining and extremely amusing choral piece. It reflects, with much wit and charm, the humorous content of Ringelnatz's poem about a little deer which eventually turns out to be a plaster figure. A piece of music that is perfect for performances at convivial gatherings and lives on many small but nice show acts.
$3.99
3.63 €
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Chorale TTBB
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Alwin Michael Schronen
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Reh-im-Park-Blues
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Schott Music - Digital
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SheetMusicPlus
Silent Night, Holy Night - a sacred, original Christmas hymn
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1322852 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1322852 Composed by Kevin G. Pace (ASCAP), Krista Mason Pace. Christian,Christmas,Praise & Worship,Religious,Sacred. 3 pages. Kevin G. Pace #911120. Published by Kevin G. Pace (A0.1322852). A beautiful, sacred, original Christmas hymn with music by Kevin G. Pace and text by Krista Mason Pace.Text:Silent Night, Holy Night, bright star above, For whom are you silent or holy in love? The babe in the manger surrounded by hay? Could He be The Wonder still sought in my day? The chorus of angels that pierce through your veil, You welcome them humbly, your silence a trail. Their presence and glory grants holiness now; No wonder those shepherds so reverently bow.Silence then there again widens the glow; A silence to wonder that many will know, And holier still is the stillness inside; When silencing hearts that too often have cried. So silent a whisper, so holy a call; The wisemen come seeking one blessed above all. Their gifts grant a blessing to help in the way; Can they even imagine the depth He would pay?The world's not silent or holy just now. It takes conscious effort to reverently bow. I welcome you Silent Night, Holy Night. Star; Come dwell deep inside me. I feel who you are. The chorus of angels that piece through your veil. You welcome them humbly, your silence a trail. Their presence and glory grants holiness now; No wonder those shepherds so reverently bow.
$1.99
1.81 €
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Chorale SATB
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Kevin G
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Silent Night, Holy Night - a sacred, original Christmas hymn
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Kevin G. Pace
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SheetMusicPlus
The Garden, The Sea
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1486274 Composed by Nathan Hall. 21…
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Piano Solo - Level 4 - Digital Download SKU: A0.1486274 Composed by Nathan Hall. 21st Century,Classical. Score. 12 pages. Abundant Silence #1063335. Published by Abundant Silence (A0.1486274). 24 Preludes, by Nathan HallFor Solo Piano, Early Advanced, 35 PagesThe Garden, The Sea was commissioned by pianist Rose Lachman, evoking the lush Californian climate around her coastal hometown, with gardens, grasses, and bougainvillea tumbling down to the ocean nearby. It cascades into various moods and tonalities from subtle minimalism to Impressionism, and peaks with a bombastic climax before returning to a quiet whisper. You might also hear a changing but memorable line from another famous rose piece, by Edward MacDowell.
$20.00
18.19 €
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Piano seul
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Nathan Hall
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The Garden, The Sea
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Abundant Silence
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SheetMusicPlus
As I Lay Dying: Whispering Silence - guitar (tablature)
Guitare notes et tablatures
Instantly printable sheet music by As I Lay Dying for guitar (tablature) of MEDIUM skill l…
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Instantly printable sheet music by As I Lay Dying for guitar (tablature) of MEDIUM skill level. / metal,pop
$8.97
8.16 €
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Guitare notes et tablatures
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As I Lay Dying
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Virtualsheetmusic
Evanescent (For Flute Choir)
Ensemble de Flûtes
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Digital Download SKU: A0.1460263
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Digital Download SKU: A0.1460263 Composed by Elaine Wong. 21st Century,Chamber,Classical,Contemporary. 10 pages. Elaine Wong Music #1039191. Published by Elaine Wong Music (A0.1460263). Evanescent – (adj.) a fleeting moment of beauty, like a whisper of mist at dawn or a firefly's brief glow, here for an instant before fading away.Evanescent is heavily influenced by Chinese musical idioms to honour the memory of the composer's deceased grandmothers. The piece begins with bated breath, transitioning to a wistful theme on the bass flute. Out of the grief, a bright melody emerges, recalling the innocence of childhood. The return of the first theme overlaps with the second, turning the carefree tune into a bittersweet recollection. The introduction returns like a sigh, and the time I had with my grandmothers vanishes into silence. This piece is suitable for an intermediate flute ensemble or choir.
$19.65
17.87 €
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Ensemble de Flûtes
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Elaine Wong
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Evanescent
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Elaine Wong Music
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.24 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95
27.24 €
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Orchestre
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Carson Cooman
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Carson Cooman: Remembering Tomorrow: Trombone Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95
23.6 €
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Orchestre
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Carson Cooman
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Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Royal Winter Music
Guitare
Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Compo…
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Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Guitar Archive. Downloadable. Duration 25 minutes. Schott Music - Digital #Q4978. Published by Schott Music - Digital
My idea of developing music from Richard of Gloucester's monologue 'Now is the winter of our discontent', and of generating more music from that material, was conceived during the 1960s. Ten years later it took a more concrete form, when Julian Bream suggested to me that I should write a substanial new guitar work for him. More time went by, and only having finished 'We Come to the River' could I begin to realise our plan. Then began a collaboration with the instrumentalist that went through various phases, from which I gained a more profound knowledge of the technicalities and of the sound-world of the guitar. I would even go so far as to say that this collaboration gave me a new concept of how to write for an instrument with a rich tradition. The guitar is a 'knowing' or 'knowledgeable' instrument, with many limitations but also many unexplored spaces and depths within these limits. It possesses a richness of sound capable of embracing everything one might find in a gigantic contemporary orchestra. but one has to start from silence in order to notice this: one has to pause, and completely exclude noise.<br> The dramatis personae of this piece enter through the sound of the guitar as if it were curtain. Through masks, voices and gestures, they speak to us of great passion, of tenderness, sadness and comedy: strange events in people's lives. Into this, the whispering voices of spirits are mingled. The epilogue is spoken by Oberon, pacified and reconciled, as though Nature had been subjected to Man.<br> - Hans Werner Henze.
$19.99
18.18 €
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Guitare
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Hans Werner Henze
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Royal Winter Music
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Schott Music - Digital
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SheetMusicPlus
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