This is a mega-bundle of string quartet repertoire, totalling 21 pieces and over 250 pages of music. Full scores and parts are provided for all pieces, covering weddings, Christmas music, slow melodies, traditional Welsh melodies and baroque classics. This is the full list:

1. WeddingMarch (from A Midsummer Night?s Dream) (Mendelssohn)

2. WeddingMarch (Bridal Chorus from Lohengrin) (RichardWagner)

3. BrandenburgConcerto No. 3, complete (Bach)

4. BrandenburgConcerto No. 5, mvt. 3 (Bach)

5. Canon(Pachelbel)

6. LaR�jouissance from ?Music for the Royal Fireworks? (Handel)

7. Rondofrom ?Abdelazer? (Purcell)

8. Largofrom ?Xerxes? (Handel)

9. Toccata(from Symphony V) (Widor)

10. AllThrough The Night (Welsh trad.)

11. ArLan y M�r (Welsh trad.)

12. Davidof the White Rock (Welsh trad.)

13. Myfanwy(Welsh trad.)

14. SuoGan (Welsh trad.)

15. Andante(Gluck)

16. Gymnop�dieNo.1 (Satie)

17. PianoSonata No.8 Op.13 ?Path�tique? - 2nd mvt. (Beethoven)

18. HappyBirthday

19. 15Christmas Carols

20. SilentNight (Gruber)

21. JoyTo The World (Mason)

This pack represents a huge saving over the individually priced music.


Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):
www.ralphsonstrings.com

This is a mega-bundle of brass quintet repertoire, totalling 34 pieces and over 500 pages of music. Full scores and parts are provided for all pieces, covering weddings, Christmas music, slow melodies, traditional Welsh melodies and baroque classics. The hymns include freshly-composed descants and there are some pieces which aren't in the 'usual' brass repertoire such as the Mozart Variations and the extract from Borghild's Dream. This is the full list: 1. Wedding March (from A Midsummer Night?s Dream) (Mendelssohn) 2. Wedding March (Bridal Chorus from Lohengrin) (RichardWagner) 3. 9 Popular Hymn Tunes 4. Amazing Grace (Newton) 5. Triumphal March (Karg-Elert) 6. Brandenburg Concerto No. 3 (Bach) 7. Prelude in C (Bach) 8. Canon (Pachelbel) 9. Let The Bright Seraphim from ?Samson? (Handel) 10. Fanfarefrom ?Water Music? (Handel) 11. LaR�jouissance from ?Music for the Royal Fireworks? (Handel) 12. Rondofrom ?Abdelazer? (Purcell) 13. Largofrom ?Xerxes? (Handel) 14. ArLan y M�r (Welsh trad.) 15. Davidof the White Rock (Welsh trad.) 16. Myfanwy(Welsh trad.) 17. SuoGan (Welsh trad.) 18. PianoSonata No.8 Op.13 ?Path�tique? - 2nd mvt. (Beethoven) 19. 12Variations on ?Twinkle Twinkle Little Star? (Mozart) 20. Borghild?sDream from ?Sigurd Jorsalfar? (Grieg) 21. Pizzicatifrom ?Sylvia? (Delibes) 22. Preludein C minor (Chopin) 23. Concerto for Mandolin and Strings - 1st mvt. (Ugolino) 24. Gymnop�dieNo.1 (Satie) 25. GnossienneNo.1 (Satie) 26. AmericanPatrol (Meacham) 27. HappyBirthday 28. 15Christmas Carols 29. DeckThe Halls With Catchy Rhythms! (Welsh trad.) 30. DingDong Bing Bong! (French trad.) 31. JingleThose Bells! (Pierpoint) 32. OChristmas Tree 33. SilentNight (Gruber) 34. JoyTo The World (Mason) This pack represents a huge saving over the individually priced music, which would cost over $150.

Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.

Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.

In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.

The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", J�ger being German for hunter.

In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Path�tique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."

This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The ?Nimrod? variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.

An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the score

Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.

Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.

In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.

The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", J�ger being German for hunter.

In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Path�tique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."

This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The ?Nimrod? variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.

An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the score