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Vous avez sélectionné:
Who's That?
Partitions à imprimer
16 partitions trouvées
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1
Yes Sir, That's My Baby
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1078406 Composed by Wal…
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1078406 Composed by Walter Donaldson. Arranged by Frank Stubbs. Contemporary. Score and parts. 13 pages. Frank Stubbs #6198009. Published by Frank Stubbs (A0.1078406). Yes Sir, Thats My Baby is a popular song from the 1920's made famous by Frank Sinatra and Bing Crosby who both recorded the song. This version for Flexible Brass Ensemble has parts for Trumpet/Cornet, French Horn, Tenor Horn, Baritone, Euphonium, Trombone and Tuba (the lower parts in Treble and Bass Clef) will also work as a Trumpet/Cornet Quartet. Will suit players from a Grade 5 standard. A roaring piece from the roaring 20's!! .
$16.99
15.58 €
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Walter Donaldson
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Frank Stubbs
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Yes Sir, That's My Baby
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Frank Stubbs
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SheetMusicPlus
My Old Thatched Cot
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3288 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3288 Composed by Frank Drayton. Dwellings, Gates, Homecomings, Hunters, Silhouettes, Birdhouses, Mountains. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3288). My Old Thatched Cot. By Frank Drayton. Published 1858 by Lee & Walker, 722 Chesnut St. in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Dwellings, Gates, Homecomings, Hunters, Silhouettes, Birdhouses, Mountains. First line reads The old thatch'd cot my dear old home the home that gave me birth.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.49 €
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Chorale SATB
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Frank Drayton
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Frank Drayton
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My Old Thatched Cot
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Thatcher Primrose & West's Triumphal March
Piano seul
Piano - Digital Download SKU: LV.10473 Composed by Harry C. Talbert. Portraits. Les…
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Piano - Digital Download SKU: LV.10473 Composed by Harry C. Talbert. Portraits. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10473). Thatcher Primrose & West's Triumphal March. Composed by Harry C. Talbert. Published 1887 by T.B. Harms & Co., 819 Broadway in New York. Composition of da capo with piano instrumentation. Subject headings for this piece include Portraits. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.49 €
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Piano seul
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Harry C
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Thatcher Primrose & West's Triumphal March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
All About That Bass
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1101929 By Meghan Trainor.…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1101929 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Leanne Johnson. A Cappella,Comedy,Contemporary,Country,Pop. Octavo. 7 pages. Blokes Notes Music Director #705316. Published by Blokes Notes Music Director (A0.1101929). This TTBB acapella rendition has fun with the tenors envy of the basses Let's bring the treble back, and lower voices respond We've tried to tell them that they're just too high, also has an optional percussive beat. 6 pages. Difficulty: mostly Medium. The range for this piece has a few extreme options . If you have any tenors who happily sing falsetto theres a C5 moment, or any bass who can manage a low C thats how the piece would impressively end. Rest of piece is normal range. Youtube link is in the similar fun spirit, though not replica. All arrangements have been successfully performed by Blokes Notes a non-auditioned community mens choir in Port Macquarie Australia .
$8.00
7.34 €
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Chorale TTBB
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Meghan Trainor
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Leanne Johnson
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All About That Bass
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Blokes Notes Music Director
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SheetMusicPlus
Mary the Dawn (Downloadable Choral Score)
Chorale SATB
SATB choir divisi and organ, with optional string quintet - Medium - Digital Download S…
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SATB choir divisi and organ, with optional string quintet - Medium - Digital Download SKU: MQ.50-0074-E Composed by Charles S. Thatcher. Advent, Easter, Triduum/Three Days. Instrument parts. 15 pages. MorningStar Music Publishers - Digital Sheet Music #50-0074-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-0074-E). English, German, Latin.The poem Mary the Dawn, while simple in its form, explores rich poetic images of the relationship between Christ and his mother. Charles Thatcher's charming, gentle tune is an apt vehicle for the words. Each stanza is followed by an interlude—a traditional hymn reflecting a key moment in salvation history (Birth, Passion, and Resurrection). Taken as a whole, this celebration of Mary is fitting for liturgy or concert and is also successful when one or more of the interludes are omitted. Parts for string quintet are optional but add to the warmth of the piece. The choral writing is satisfying, with some divisi parts; the interlude hymns are presented in their original language as well as English.
$2.85
2.61 €
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Chorale SATB
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Charles S
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Mary the Dawn
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
The Souls of the Righteous (Downloadable)
Double choir SATB choir a cappella - Difficult - Digital Download SKU: MQ.50-6066-E…
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Double choir SATB choir a cappella - Difficult - Digital Download SKU: MQ.50-6066-E Composed by David M. Cherwien. All Saints/All Souls, Lent, Funeral. 15 pages. MorningStar Music Publishers - Digital Sheet Music #50-6066-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6066-E). In remembering those who have passed away, this anthem reminds us thatthey are at peace. Using two choirs, the first choir sings a moving text found on the gravestone of Mark Twain's daughter, which instructs nature to show kindness and gentleness to the one who has passed. The second choir sings the angelic message thatthe souls of the righteous are in the hands of God from the Wisdom of Solomon 3. Appropriate for memorial services, funerals, Lent, All Saints, General and Fall Festivals. Two Choirs.
$2.85
2.61 €
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David M
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The Souls of the Righteous
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.5 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.5 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.42 €
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Saxophone Alto et Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Express Galop
Piano seul
Piano - Digital Download SKU: LV.15983 Composed by J. M. Thatcher. United States Ca…
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Piano - Digital Download SKU: LV.15983 Composed by J. M. Thatcher. United States Capitol, Panoramic views--Washington-D.C., Caricatures, Postal service. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15983). Express Galop. Composed by J.M. Thatcher. Published 1867 by Jas. A. M'Clure in Nashville, Tenn. Composition of da capo with piano instrumentation. Subject headings for this piece include United States Capitol, Panoramic views--Washington-D.C., Caricatures, Postal service. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.49 €
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Piano seul
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J
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Express Galop
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Only a Pansy Blossom. Waltz Song
Piano, Voix
Piano and voice - Digital Download SKU: LV.4962 Composed by Frank Howard. Flowers, …
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Piano and voice - Digital Download SKU: LV.4962 Composed by Frank Howard. Flowers, Keepsakes, Love. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4962). Only a Pansy Blossom. Waltz Song. By Frank Howard, of Thatcher, Primrose & West's Minstrels.. Published 1882 by John Church & Co. in Cincinnati. Composition of da capo with piano and voice instrumentation. Subject headings for this piece include Flowers, Keepsakes, Love. First line reads Ah! 'Tis only a pansy blossom, only a withered flower.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.49 €
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Piano, Voix
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Frank Howard, of Thatcher, Primrose & West's Minstrels
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Frank Howard
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Only a Pansy Blossom. Waltz Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Three Latin Elegies to Lesbia
Chorale SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.58 €
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Chorale SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Passionate Piano Moments: Emotional Piano Music
2 Pianos, 4 mains
Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recit…
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Composed by Tito Abeleda. 21st Century, Contemporary Classical, Neo-Classical, Recital. Individual Part, Score, Set of Parts. 156 pages. Published by Visionary Quest Records
Addnew life to your piano repertoire, piano recital, and next concert withPassionate Piano Moments, #1 new release in New Age Music on Amazon. Get the PDF digital download version here onSheet Music Plus. Perfect gift for the pianist in your life. On sale here until 12/31/2020. Listen to the music inPassionate Piano Moments on Spotify - https://bit.ly/PassionatePianoMoments_Spotify.<br> <br> PassionatePiano Moments is a 155-page collection of emotional, dramatic piano music forintermediate to advanced pianists. Passionate Piano Moments will add new lifeto your piano repertoire, recital, or next concert with its 10 impassionedpiano solos, 1 two piano duet, and 1 four piano quartet. The music was composedby Tito Abeleda. Each piece reflects the emotions he was feeling at the timeeach piece was written. Passionate Piano Moments includes 1) Drifting; 2) DyingBreath; 3) Missing You; 4) Beautiful Memories; 5) a new intimate yet cinematicarrangement of Silent Night, Holy Night; 6) Forever Touched by Your Love; 7)Running, Searching; 8) Phoenix Rising; 9) a new dramatic arrangement of O HolyNight; 10) Tempus Fugit; 11) Descensus ad Infero for two pianos including scoreplus parts; and 12) Procession in D Minor for four pianos also including scoreplus parts.<br> <br> Awardwinning Film/TV composer Rob Pottorf writes in the book's Foreword"...This book is truly one of a kind. It will inspire, as he takes you notonly through his collection of music, but into his own journey of creating.Mozart was the guy who said, ‘Neither a lofty degree of intelligence norimagination nor both together go to the making of genius. Love, love, love thatis the soul of genius.’ And so my friend Tito has made with love, thiscollection of music."<br> <br> CustomerReviews:<br> <br> "Purepiano, pure inspiration" D.B. Rose - Read full review - http://amzn.to/34xPHv0<br> <br> "Qualitypiano music" Audrey - Read full review - http://amzn.to/2KoEiXK<br> <br> "Destinedto be classics" Rene Gigon - Read full review - http://amzn.to/3nDPVs5<br> <br> "Exceptional"Jason Laureno - Read full review - http://amzn.to/3pcWwua<br> <br> "Fantastic!"Jason - Read full review - http://amzn.to/3rkBMSQ<br> <br> "Beautiful!"Healthy Mama - Read full review - http://amzn.to/3rhX8QT<br> <br> EditorialReview:<br> <br> "TitoAbeleda has an exciting new way to enjoy his music. The Fort Lauderdale,Florida-based musician and composer is releasing a new piano sheet music booktitled Passionate Piano Moments, a collection of original musicas well as unique arrangements of holiday classics just in time for Christmas… PassionatePiano Moments is an incredible opportunity to better understand thecomplexities of Tito Abeleda’s compositions. Intermediate and advanced pianistscan benefit greatly from playing these stunning songs as they are demystifiedfrom soundwaves to notes on a page. This publication contains only masterpiecesthat will be an exciting addition to the modern pianist’s repertoire.” Katrina Charles, Jukebox Mind Magazine. Read full review - https://bit.ly/PassionatePianoMoments_JukeboxmindReview<br> <br> About SMP Press<br> <br> This product was created by a member of SMP Press, our global community of independent composers, arrangers, and songwriters. Our independent musicians have created unique compositions and arrangements for the Sheet Music Plus community, many of which are not available anywhere else.<br> <br> Click here to see more titles from these independent creators and to learn more about SMP Press.<br> <br> Please note this product may not be eligible for all sales, promotions or coupons offered through Sheet Music Plus - please check promotional details for specifics.
$12.95
11.88 €
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2 Pianos, 4 mains
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Tito Abeleda
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Passionate Piano Moments: Emotional Piano Music
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Visionary Quest Records
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SheetMusicPlus
A Hymn of Beginnings
Basson, Piano (duo)
Piano Accompaniment, Bassoon - Intermediate - Digital Download Composed by Traditiona…
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Piano Accompaniment, Bassoon - Intermediate - Digital Download Composed by Traditional Gaelic Melody. Arranged by Robert Myers. Contemporary Classical, Sacred, General Worship, Christmas, Easter. Score, Solo Part. 11 pages. Published by WheatMyer Music
The tune BUNESSAN is a traditional Gaelic melody firstprinted in 1888 as the setting of Mary MacDonald's carol "Child in theManger." The tune was named after Mary's birthplace on the Isle of Mulloff Scotland's western coast. BUNESSAN is commonly associated with hymnscelebrating new beginnings: the aforementioned "Child in the Manger,"then the 1931 creation-celebrating hymn "Morning Has Broken," and themore recent but lesser-known 1982 hymn “Baptized in Water.” The title of this piece, “A Hymn of Beginnings,”recognizes that association.<br> <br> Sacred bassoon solos aren’t common and those that exist tendto be quite pedestrian. With a new bassoonist in our church orchestra whosetalents go well beyond the pedestrian it seemed opportune to try something newand thus, “A Hymn of Beginnings” took shape. The music has a conventional feelbut with a palpable dash of the unfamiliar, achieved through subdued bi-tonalcoloring, matching the major-key melody with a minor-key harmonization thatmoves by descending thirds. Still, it remains quite accessible to the casuallistener with its familiar melody and obvious tonality.<br> <br> “A Hymn of Beginnings” is suitable for intermediate leveland above musicians and works well at any time of the church year with itscontemplative yet varied moods. Its association with new beginnings makes itparticularly suited to Christmas, Easter, baptismal services, weddings, andothers.<br> <br> Find more music at https://wheatmyermusic.com/portfolio/ and my Facebook page: https://www.facebook.com/WheatMyerMusic
$7.99
7.33 €
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Basson, Piano (duo)
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Traditional Gaelic Melody
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Robert Myers
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A Hymn of Beginnings
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WheatMyer Music
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SheetMusicPlus
007 - From the 1963 motion picture 'FROM RUSSIA WITH LOVE'
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download By John Barry. Arranged by …
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Full Orchestra - Advanced Intermediate - Digital Download By John Barry. Arranged by Gregory John Harper. Score, Set of Parts. 56 pages. Published by Gregory Harper
Programme notes: Although John Barry had written 50% of the original 'James Bond' theme for 1962's Dr. No (and orchestrated the whole thing), he felt the need to create a new piecefor 007's second on-screen outing that was entirely his own. Using Elmer Bernstein's'Magnificent Seven' theme as inspiration, he crafted a tune that was full of adventure and awe. Although the '007' theme presented here was not adopted by the cinema-goers as the definitive Bond music, it demonstrates Barry's ability to orchestrate and compose in the style of the classic 40s & 50s Hollywood pictures. The theme has been used in several Bondmovies since - mainly as a secondary theme for scenes that wish to depict Bond's heroism more than his swagger and charisma.<br> <br> Conductor's Notes: When the strings take the melody at 'D', they should 'soar'! While the piece lacks melodic or harmonic development, it does show off each section of the orchestra.Make sure all dynamic markings are strictly adhered to as the melody may get overpowered otherwise. The lead trumpet part is a transcription of Derek Watkins' original performance and is very high in places. In the event of having no harpist, the glissandos may be played on a transposed electronic keyboard so thatthe white notes are tuned to a E Major scale (transpose up a major 3rd). The rest of the harp part should be played on a non-transposed keyboard. The piece should fade out to nothing so make sure all eyes areon the conductor as they will need to guide each player through the dynamic changes from 'G' onwards.
$69.99
64.2 €
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Orchestre
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John Barry
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Gregory John Harper
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007 - From the 1963 motion picture 'FROM RUSSIA WITH LOVE'
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Gregory Harper
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SheetMusicPlus
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