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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Who I Was Born To Be
Non classifié
25
Piano & claviers
Piano seul
28
Piano, Voix
8
Piano, Voix et Guitare
4
1 Piano, 4 mains
2
Guitares
Basse electrique
1
Voix
Chorale SATB
15
Chorale 3 parties
3
Chorale TTBB
1
Chorale Unison
1
Vents
Quatuor de Saxophones: 4 saxophones
5
Flûte, Hautbois, Clarinette, Basson
2
Flûte traversière
1
Saxophone et Orgue
1
Clarinette
1
Saxophone Tenor
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Alto et Piano
1
Saxophone Alto
1
+ 4 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trombone et Piano
1
Quatuor de cuivres: 4 trombones
1
Tuba et Piano
1
Cor et Piano
1
Trombone
1
+ 3 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violon et Piano
2
4 Violoncelles
2
Quatuor à cordes : 4 altos
1
Harpe
1
Trio à Cordes: violon, alto, violoncelle
1
Violon
1
Violoncelle, Piano
1
Quatuor à cordes: 4 violons
1
Alto, Piano
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Orchestre
9
Orchestre d'harmonie
4
Orchestre à Cordes
3
Ensemble de cuivres
2
2 Marimbas
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
Who I Was Born To Be
Partitions à imprimer
152 partitions trouvées
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Who I Was Born To Be by Susan Boyle - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Susan Boyle
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Who I Was Born To Be
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Musicnotes
Performed by: Susan Boyle: Who I Was Born To Be Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music fi...
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Performed by: Susan Boyle: Who I Was Born To Be Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 6 pages -- Pop~~Adult Contemporary~~Vocal Pop
$5.50
(Tuck Me To Sleep In My Old) Tucky Home
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Piano, Voix
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George W
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Charles N
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(Tuck Me To Sleep In My Old) T
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.6393 Composed by George W. Meyer. Arranged by Charles N. Grant. Dwellings, Moonlight, Silhouettes, Trees, Homesickness, Mother...
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Piano and voice - SKU: LV.6393 Composed by George W. Meyer. Arranged by Charles N. Grant. Dwellings, Moonlight, Silhouettes, Trees, Homesickness, Mothers & children. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6393). (Tuck Me To Sleep In My Old) Tucky Home. Words by Joe Young and Sam M. Lewis. Music by Geo. W. Meyer. Arranged by Chas. N. Grant. Published 1921 by Irving Berlin, Inc., Music Publishers, 1587 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Dwellings, Moonlight, Silhouettes, Trees, Homesickness, Mothers & children. First line reads Old Kentucky cradled me when I was born.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
I Know Whom I Have Believed - Flex Orchestra
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Musique Sacrée
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having one or more instruments
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James McGranahan
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Kristin Campbell
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I Know Whom I Have Believed -
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Horsehair Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - SKU: A0.596386 Composed by James McGranahan. Arranged by Kristin Campbell....
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - SKU: A0.596386 Composed by James McGranahan. Arranged by Kristin Campbell. Sacred. Score and parts. 30 pages. Horsehair Music #4301947. Published by Horsehair Music (A0.596386). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination.Set in the key of D and modulating to G. The finger patterns change after the modulations, the melody part also includes a B-flat for the modulation, allowing the player to experience using a low first finger. The melody part has one section of motif between the stanzas and choruses of the hymn. Also included are the words to the hymn, so that players who may not know the lyrics can learn them.
$9.99
The Last Time I Saw Paris
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Piano seul
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AVANCÉ
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Classique
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,...
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Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$8.99
Obelisk: A Tribute to Ukraine
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Eugene Astapov
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Obelisk: A Tribute to Ukraine
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EAMUSIC
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SheetMusicPlus
B-Flat Clarinet,Cello,Flute,Percussion,Piano,Violin - Level 5 - SKU: A0.1283414 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 49 pages....
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B-Flat Clarinet,Cello,Flute,Percussion,Piano,Violin - Level 5 - SKU: A0.1283414 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 49 pages. EAMUSIC #874599. Published by EAMUSIC (A0.1283414). Obelisk is a work that was built as a response to the atrocious events happening in the war between Russia and Ukraine. As a composer who was born in Ukraine, I felt very deeply for the hardships of the people of my country and this work is a direct emotional response to the images I see and stories I hear. The central part of the work features pre-recorded interviews with some of the Ukrainian civilians telling their harrowing stories of loss, struggles, and fight for survival.  When I was a child, my parents made the difficult decision to leave the country due to the beginning of another war Russia’s Putin started in Chechnya and my parents knew - one day he would be coming for Ukraine. As someone who immigrated to Canada at a young age, I experienced all the difficulties associated with finding new life in a new country. I saw the struggles of my parents and now I see the struggles being experienced by people fleeing Ukraine.  Throughout the work you will hear the sonic accompaniment to the pain and suffering that Ukrainians undergo on daily basis, you will hear their voices and see images of the brutality committed against the people of Ukraine. This is a heavy work to experience, but as an artist I feel it is only appropriate to raise awareness around the issue and show the people the horrors going on in the world.    The title of the work was inspired by the famous monument erected in 2001 to mark the occasion of the 10thanniversary of Ukraine’s Independence from the Soviet Union. At that point it appropriately replaced the monument of Vladimir Lenin. Towering on top of Kyiv’s Independence Square (famously known as Maidan) at 200 feet, this obelisk celebrates the nature of the Ukrainian independent spirit and directly reflects my ideas through this musical composition with the hope that the powerful Ukrainian nation will prevail over its enemy once again.  This PDF includes Score and Parts.
$50.00
Waiting to hear from William - Score Only
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Orchestre
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INTERMÉDIAIRE
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Malcolm D Robertson
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Waiting to hear from William -
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Mr Malcolm D Robertson
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1322866 Composed by Malcolm D Robertson. 21st Century,Classical. 29 pages. Mr Malcolm D Robertson #911133. Published ...
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Full Orchestra - Level 3 - SKU: A0.1322866 Composed by Malcolm D Robertson. 21st Century,Classical. 29 pages. Mr Malcolm D Robertson #911133. Published by Mr Malcolm D Robertson (A0.1322866). This simple straightfoward work for orchestra originated in a work for the local Youth Orchestra, of which I was a member, back in 1985. Of the original work only the melody, heard first on oboe along with some of the accompaniment, remains along with parts of the opening & closing of the work. I've kept the original scoring, 2 Flutes, Oboe, 2 Clarinets, 2 Bassoons, 2 Horns, Harp & Strings. The title comes from an artwork by British born artist Tim White (who is particularly known for his science fiction & fantasy works), which inspired the original composition & is also the first name of my father to whose memory this work is dedicated.Orchestral can be supplied upon request.
$7.99
Heaven's Here to Stay (Vocal Solo/Piano, opt. Choral Unison, Opt. Violin)
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Chorale Unison
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INTERMÉDIAIRE/AVANCÉ
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Renee Allsbrook
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Heaven's Here to Stay
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Renee Allsbrook Music
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.915827 Composed by Renee Allsbrook. Children,Christian,Christmas,Sacred. Octavo. 27 pages. Renee Allsbrook Music ...
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Choral Choir (SAB) - Level 4 - SKU: A0.915827 Composed by Renee Allsbrook. Children,Christian,Christmas,Sacred. Octavo. 27 pages. Renee Allsbrook Music #4795863. Published by Renee Allsbrook Music (A0.915827). Looking for the perfect song for your Christmas Eve service? As music director and pianist at my church, I was too! So one year I decided to write this one. Perhaps the ideal way to present this song is with a soloist who is joined by a choir of adults (or children!) singing in unison on the second and third choruses--emulating a choir of angels. When used this way, this song provides an easy way to stretch your rehearsal time at the Christmas season, as the choir can easily participate, yet there is no learning of extra parts. Brimming with worship of the Christ Child from the very first lyric, Heaven's Here to Stay begins by quietly evoking the atmosphere of the stable. When the chorus arrives, the jubilant singing of the angels arrives as well: Glory in the highest, for the Peace of heaven comes to earth! Glory in the highest--Hope itself was born in Jesus's birth. For Death is dying, Fear is cowering, Light is chasing Night away. The burning love of heaven's here to stay. The second verse takes us from the manger scene to the hills of Judea, where we hear Jesus's words: Come, you weary ones to me, I will give you rest. Trade your tattered rags for my robes of purest white. Come, you hungry, eat, be satisfied. You're all need, but I'm all giving; be still and just receive. The PDF contains parts in this order: 1.Voice/Piano full score in C 2.Violin part in C 3.Lead Sheet in C 4.Lead Sheet in D 5.Violin part in D 6.Piano/Violin/Voice full score in C.
$4.99
May 1974, a Greyhound Bus (The Majik Bus to Cohoes)
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Brett L
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May 1974, a Greyhound Bus
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - SKU: A0.837494 Composed by Brett L. Wery. Concert,Contemporary,Rock. Score and parts....
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Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - SKU: A0.837494 Composed by Brett L. Wery. Concert,Contemporary,Rock. Score and parts. 13 pages. Sonata Grendel Publishing #5731611. Published by Sonata Grendel Publishing (A0.837494). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 2. May 1974, a Greyhound Bus (duration – 4:08) The Majik Bus to Cohoes A young stage manager takes a long bus ride to a new job in Cohoes, NY only to be visited in a dream by the ghost of Eva. There was a girl with wild eyes glaring from the house. She looked so wounded!
$9.99
I Did Not See Temple Spires - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Did Not See Temple Spires -
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G....
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Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99
"O White Folks I Was Never Born." Quickstep
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Piano seul
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Van Der Weyde
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Van Der Weyde
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"O White Folks I Was Neve
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.6748 Composed by Van Der Weyde. Literature, Fictitious characters. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins Univer...
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Piano - SKU: LV.6748 Composed by Van Der Weyde. Literature, Fictitious characters. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6748). Young Pianist's Companion. Topsy's Song O White Folks I Was Never Born. Quickstep. Choice Melodies Composed and Arranged by Van Der Weyde. Published 1854 by Horace Waters, 333 Broadway in New York. Composition of sectional with piano instrumentation. Subject headings for this piece include Literature, Fictitious characters. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Rachel's Song (I Will Dance)
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Musique Sacrée
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Christian contemporain
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Leon deVose, Jr
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Rachel's Song
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Leon deVose
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SheetMusicPlus
Small Ensemble Guitar,Hand Percussion - Level 3 - SKU: A0.1028579 Composed by Leon deVose, Jr. Christian,Contemporary,Praise & Worship. Score and parts....
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Small Ensemble Guitar,Hand Percussion - Level 3 - SKU: A0.1028579 Composed by Leon deVose, Jr. Christian,Contemporary,Praise & Worship. Score and parts. 25 pages. Leon deVose #6404447. Published by Leon deVose (A0.1028579). I wrote this song when I reunited with an acquaintance I had not seen in about 20 years. She told me about her daughter, Rachel, who was born with two extremely rare diseases. The first is Subcortical Band Heterotopia. The other is Lennox Gastaut Syndrome. The latter, likely consequential to the first, is the more lethal of the two, as it causes severe seizures and is not controlled for long by drugs. The first, the most devastating and life-affecting is characterized by abnormal brain development which causes this delightful young woman of 25 to be locked in the brain of a pre-pubescent child or younger.Dad has left, and his legal obligation to child support ended in 2019. In NJ, disability, no matter how severe, only extends the legal child support obligation to age 23. Of course child support payments cannot possibly fulfill or replace the financial, emotional and moral support needed to care for a child without such severe disability. How much less when the child has such severe disabilities.All proceeds from sales of this song, including licensing and royalties, will be gifted to Rachel's Mom until 31 December 2032 or ten years after Rachel's decease, whichever is later.
$4.99
With You I'm Born Again
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Billy Preston & Syreeta
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Bobby Hesch
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With You I'm Born Again
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Bobby Hesch
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.839538 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bo...
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Trombone Solo - Level 4 - SKU: A0.839538 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6331675. Published by Bobby Hesch (A0.839538). WITH YOU I'M BORN AGAIN!!! I WAS HALF NOT WHOLE IN STEP WITH NONE, REACHING THROUGH THIS WORLD IN NEED OF ONE!!! LET'S PLAY SOME JAZZ!!! KEY OF E/F!!LOW G/HIGH Bb !!! MP3 FOR JAZZ STYLE &INTERPRETATION!!! THIS WAS WRITTEN TO BE PLAYED AS A SOLO & DOES NOT INCLUDE A DUET PART!!! A BEAUTIFUL LOVE SONG WITH MANY TENDER MOMENTS & BIG CLIMAXES. TONE & STYLE ARE KEY!!! CONTACT INFORMATION:bobbyhesch@yahoo.com :IG@bobbyhesch HAVE FUN, GREAT TUNE!!!
$4.99
It Is Not Death to Die - Orchestration
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Robert Myers
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It Is Not Death to Die - Orche
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WheatMyer Music
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SheetMusicPlus
Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by ...
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Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
It Is Not Death to Die
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Robert Myers
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It Is Not Death to Die
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music...
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Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
$2.25
With You I'm Born Again
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Billy Preston & Syreeta
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Bobby Hesch
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With You I'm Born Again
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Bobby Hesch
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.839537 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby...
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Flute Solo - Level 4 - SKU: A0.839537 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6331653. Published by Bobby Hesch (A0.839537). WITH YOU I'M BORN AGAIN !!! I WAS HALF NOT WHOLE IN STEP WITH NONE, REACHING THROUGH THIS WORLD IN NEED OF ONE!!!LET'S PLAY SOME JAZZ!!! KEY OF E/F!!!THIS IS WRITTEN TO BE PLAYED AS A SOLO & DOES NOT INCLUDE A DUET PART!!! LOW G#/HIGH C#!!!MP3 FOR JAZZ STYLE & INTERPRETATION!! A BEAUTIFUL LOVE SONG WITH MANY TENDER MOMENTS AND BIG CLIMAXES!!! STYLE AND TONE ARE VERY IMPORTANT!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch!! HAVE FUN !!
$4.99
With You I'm Born Again
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Billy Preston & Syreeta
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Bobby Hesch
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With You I'm Born Again
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Bobby Hesch
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.839541 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bo...
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Clarinet Solo - Level 4 - SKU: A0.839541 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6332323. Published by Bobby Hesch (A0.839541). WITH YOU I'M BORN AGAIN!!! I WAS HALF NOT WHOLE IN STEP WITH NONE, REACHING THROUGH THIS WORLD IN NEED OF ONE!!!LET'S PLAY SOME JAZZ!!! KEY OF F#/G!!! COURTESY ACCIDENTALS!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! WRITTEN TO BE PLAYED AS A SOLO & DOES NOT INCLUDE A DUET PART!!!BEAUTIFUL LOVE SONG WITH MANY TENDER MOMENTS & BIG CLIMAXES CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch HAVE FUN!!!GREAT TUNE!!!
$4.99
With You I'm Born Again
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Billy Preston & Syreeta
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Bobby Hesch
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With You I'm Born Again
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Bobby Hesch
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.839536 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pag...
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Alto Saxophone Solo - Level 4 - SKU: A0.839536 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6329085. Published by Bobby Hesch (A0.839536). With You I'm Born Again!!! I WAS HALF NOT WHOLE IN STEP WITH NONE REACHING THROUGH THIS WORLD IN NEED OF ONE!!! LET'S PLAY SOME JAZZ!!! KEY OF Db/D!!! THIS IS WRITTEN TO BE PLAYED AS A SOLO & DOES NOT INCLUDE A DUET PART. IT IS A BEAUTIFUL LOVE SONG WITH MANY TENDER MOMENTS AND BIG CLIMAXES. STYLE & TONE ARE VERY IMPORTANT. LOW F-HIGH Bb! MP3 FOR JAZZ STYLE & INTERPRETATION. CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch HAVE FUN! GREAT TUNE
$4.99
With You I'm Born Again
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Saxophone Tenor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Billy Preston & Syreeta
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Bobby Hesch
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With You I'm Born Again
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Bobby Hesch
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SheetMusicPlus
Tenor Saxophone Solo - Level 4 - SKU: A0.839539 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pa...
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Tenor Saxophone Solo - Level 4 - SKU: A0.839539 By Billy Preston & Syreeta. By David Shire. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6331777. Published by Bobby Hesch (A0.839539). WITH YOU I'M BORN AGAIN!!! I WAS HALF NOT WHOLE IN STEP WITH NONE, REACHING THROUGH THIS WORLD IN NEED OF ONE !!! LET'S PLAY SOME JAZZ!!! KEY F#/G COURTESY ACCIDENTALS!!! LOW A#/HIGHD#!!! MP3 FOR JAZZ STYLE &INTERPRETATION!!! THIS IS WRITTEN TO BE PLAYED AS A SOLO & DOES NOT INCLUDE A DUET PART. A BEAUTIFUL LOVE SOME WITH MANY TENDER MOMENTS & BIG CLIMAXES!!! CONTACT INFORMATION: bobbyhesch@yahoo.com :IG @bobbyhesch HAVE FUN!!!GREAT TUNE!!!
$4.99
A Sailor's Yarn, or, "When First I Went to Sea."
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Piano, Voix
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J
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A Sailor's Yarn, or, "Whe
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.16668 Composed by J. Monro. Portraits, Waterfronts, Cliff, Ships, Rowboats, Seamen, Storytelling, Storms, Military officers, C...
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Piano and voice - SKU: LV.16668 Composed by J. Monro. Portraits, Waterfronts, Cliff, Ships, Rowboats, Seamen, Storytelling, Storms, Military officers, Courage, Heroes. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16668). A Sailor's Yarn, or, When First I Went to Sea. Events in the life of Adml. Lord Exmouth, (supposed to be related by himself). Written by S. Richards, Esqr.; Composed by J. Monro. Published [n.d.] by Monro and May, Wester City Musical Repository, 11 Holborn Bars in London. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Waterfronts, Cliff, Ships, Rowboats, Seamen, Storytelling, Storms, Military officers, Courage, Heroes. First line reads When first I went to sea An orphan lad was I.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Old Rocking Chair
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Piano, Voix et Guitare
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FACILE
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Anne Britt, Gay Tregaskis
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Old Rocking Chair
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Anne Britt
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.741158 Composed by Anne Britt, Gay Tregaskis. Children,Folk,Holiday,Pop. Score. 6 pages. Anne Britt #338198...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.741158 Composed by Anne Britt, Gay Tregaskis. Children,Folk,Holiday,Pop. Score. 6 pages. Anne Britt #3381981. Published by Anne Britt (A0.741158). When an acquaintance of mine, Gay Tregaskis, sent me a poem she’d written and told me the story behind it, I was honored to be able to put her beautiful and touching words to music. The story is best told in her own words: When I was expecting my first baby, I wanted an antique rocking chair. I found one listed in the newspaper that said, ‘old, but loved.’ I remember going to look at it with my husband in November. It was old and worn… the seat springs were broken, the fabric was faded and torn. I loved it! We bought it for a forgotten amount and my sweet mother-in-law had it repaired and re-upholstered for my Christmas gift. Our little son was born on January 31st. I spent hours and hours just rocking God’s little miracle. On Mother’s Day that year, I woke up and just began writing. There were only one or two lines I shifted. It felt like all the babes and parents who ever sat in the old chair wanted me and mommies-to-be to understand the precious moments spent rocking and bonding. It still brings tears to my eyes. These words are a gift given to me for my children and all who they touch. Our moments to share pass on fleet feet… especially with our children. Please – if any of my poems can be given forward in song, this is the one I want parents to share and to be impressed to never forget how quickly time passes – to cherish the ‘now.’ If singing our song will give pause for parents to bond, then those souls passed on who visited and inspired this verse will have peace. 6 pages.Visit the composer's website for contact info and some free sheet music downloads: https://annebrittmusic.com/
$3.99
Audra Mae Butts: Who I Was Born to Be - piano, voice or other instruments
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Piano, Voix
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FACILE
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Rock
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Audra Mae Butts
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Virtualsheetmusic
Instantly printable sheet music by Audra Mae Butts for piano, voice or other instruments of EASY/MEDIUM skill level. / pop,rock
Instantly printable sheet music by Audra Mae Butts for piano, voice or other instruments of EASY/MEDIUM skill level. / pop,rock
$6.97
Who I Was Born To Be
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Piano, Voix et Guitare
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Susan Boyle
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Who I Was Born To Be
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Susan Boyle. Pop; Standards. Piano/Vocal/Guitar (chords only). 7 pages. Published by Hal Leonard - Digital Sheet Music (HX.365344). - Piano/Vocal/Guitar (cho...
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By Susan Boyle. Pop; Standards. Piano/Vocal/Guitar (chords only). 7 pages. Published by Hal Leonard - Digital Sheet Music (HX.365344). - Piano/Vocal/Guitar (chords only) - Pop; Standards - Hal Leonard - Digital Sheet Music
$4.99
Who I Was Born to Be
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Piano, Voix et Guitare
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Rock
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Susan Boyle
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Who I Was Born to Be
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Susan Boyle. By Audra Mae Butts, Johan Fransson, Tobias Lundgren, and Mikael Larsson. For Piano/Vocal/Chords. Pop/Rock. 6 pages. Published by Alfred Music - ...
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By Susan Boyle. By Audra Mae Butts, Johan Fransson, Tobias Lundgren, and Mikael Larsson. For Piano/Vocal/Chords. Pop/Rock. 6 pages. Published by Alfred Music - Digital Sheet Music
$3.99
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Sco...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
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