Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Who Popular Dance
Sheetmusicplus
Non classifié
63
Piano & claviers
Piano seul
222
Piano, Voix
51
Piano Facile
9
1 Piano, 4 mains
5
Piano, Voix et Guitare
4
Orgue
3
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
+ 3 instrumentations
Retracter
Guitares
Guitare
5
Guitare notes et tablatures
4
Ukulele
1
Paroles et Accords
1
Voix
Chorale SATB
9
Chorale TTBB
1
Vents
Flûte traversière et Piano
18
Hautbois, Piano (duo)
12
Saxophone Alto et Piano
11
Clarinette
10
Clarinette et Piano
10
Saxophone Tenor et Piano
9
Flûte traversière
9
Saxophone Soprano et Piano
9
Saxophone Baryton, Piano
7
Clarinette Basse, Piano
6
Saxophone (partie séparée)
5
Cor anglais, Piano
5
2 Saxophones (duo)
4
Saxophone Alto
4
Hautbois (partie séparée)
3
Flûte, Hautbois, Clarinette, Basson
3
2 Flûtes traversières (duo)
3
Saxophone Tenor
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Hautbois
2
2 Clarinettes (duo)
2
Quatuor de Flûtes à bec
1
Flûte, Clarinette (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Basson (duo)
1
Flûte à bec Alto
1
Quatuor de Saxophones: 4 saxophones
1
+ 22 instrumentations
Retracter
Cuivres
Cor et Piano
9
Trombone et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette, Piano
7
Euphonium, Piano (duo)
7
Tuba
5
Trompette
5
Cor anglais, Piano
5
Cor
4
Tuba et Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone
2
2 Cors (duo)
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Alto, Piano
11
Violon et Piano
10
Violoncelle, Piano
10
Violoncelle
6
Violon
5
Alto seul
5
Contre Basse
4
Contrebasse, Piano (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
2 Violoncelles (duo)
3
2 Violons (duo)
2
Alto (partie séparée)
1
Harpe
1
2 Altos (duo)
1
Violon, Violoncelle (duo)
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
24
Orchestre à Cordes
3
Ensemble Jazz
2
Cloches
1
Quintette de Cuivres: autres combinaisons
1
Orchestre de chambre
1
Orchestre
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
301
Partitions Numériques
729
Librairie Musicale
0
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Who Popular Dance
SheetMusicPlus
Partitions à imprimer
729 partitions trouvées
<
1
26
51
....
726
Sir Henry's Barn Dance
#
Contemporain
#
James Johnston Stewart and Joh
#
Thomas Bidgood & Peet du Toit
#
Sir Henry's Barn Dance
#
Peet du Toit
#
SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802633 Composed by James Johnston Stewart and John Godfrey. Arranged by Thomas Bidgo...
(+)
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802633 Composed by James Johnston Stewart and John Godfrey. Arranged by Thomas Bidgood & Peet du Toit. Contemporary. Score and parts. 22 pages. Peet du Toit #6072097. Published by Peet du Toit (A0.802633). A barn dance is any kind of dance involving traditional or folk music with traditional dancing,occasionally held in a barn, but, these days, much more likely to be in any suitable building.The term barn dance is usually associated with family-oriented or community-oriented events, usually for people who do not normally dance. The caller will, therefore, generally use easy dances so that everyone can join in.A barn dance can be a ceilidh (gathering), with traditional Irish or Scottish dancing, and people unfamiliar with either format often confuse the two terms. However, a barn dancecan also feature square dancing, contra dancing, English country dance, dancing to country and western music, or any other kind of dancing, often with a live band and a caller. Modern western square dance is often confused with barn dancing in Britain.Barn dances, as social dances, were popular in Ireland until the 1950s, and were typically danced to tunes with 44 rhythms.This one is dedicated to my one brother-in-law, Ken Bain, a Scott. He is a great person with a beautiful voice and even a more beautiful heart. Congrats on your wee birthday, Heavy, and may you have many more Scottish barn dances!
$18.00
Dances of the Viennoise Children. Pas Des Fleurs. Flower Dance
#
Piano seul
#
Dances of the Viennoise Childr
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - SKU: LV.9449 Ballerinas, Flowers, Dancers, Wreaths. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries...
(+)
Piano - SKU: LV.9449 Ballerinas, Flowers, Dancers, Wreaths. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9449). Dances of the Viennoise Children. Pas Des Fleurs. Flower Dance. Maretzek. Published [n.d.] by F.D. Benteen in Baltimore. Composition of introduction, three sectional movements, and coda with piano instrumentation. Subject headings for this piece include Ballerinas, Flowers, Dancers, Wreaths. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Chicken Dance
#
Ensemble Jazz
#
INTERMÉDIAIRE
#
Pop musique
#
Paul Parnes, Terry Rendall, an
#
Daryl McKenzie
#
The Chicken Dance
#
Daryl McKenzie
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1250414 Composed by Paul Parnes, Terry Rendall, and Werner Thomas. Arranged by Daryl McKenzie. Pop. Scor...
(+)
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1250414 Composed by Paul Parnes, Terry Rendall, and Werner Thomas. Arranged by Daryl McKenzie. Pop. Score and Parts. 24 pages. Daryl McKenzie #844734. Published by Daryl McKenzie (A0.1250414). Arranged in the traditional novelty dance style but heavily reharmonized! (just for fun!)For Big Band (Clarinet, 4 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums, Percussion) Key of FFull audio demo (Sibelius sounds): Click HereThe Chicken Dance, also known and recorded as Der Ententanz, Tchip Tchip, Vogerltanz, the Bird Song, the Chicken Song, the Birdie Song, the Bird Dance, Danse des Canards, the Duck Dance, El Baile de los Pajaritos, Il Ballo del Qua Qua, Check Out the Chicken, or Dance Little Bird, is an oom-pah song; its associated fad dance has become familiar throughout the Western world. The song was composed by accordion player Werner Thomas from Davos, Switzerland, in the 1950s.The Chicken Dance is a well-known drinking and dancing song at American Oktoberfest events. It is also a popular dance at weddings, particularly in whose culture includes polka music. More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$49.99
Salome Tanz (Dance of the Seven Veils)
#
Flûte traversière et Piano
#
AVANCÉ
#
James Strauss
#
James Strauss
#
Salome Tanz
#
James Strauss
#
SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred...
(+)
Flute,Piano - Level 5 - SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99
Damerons Dance
#
Jazz
#
Horace Silver
#
George Kaplan
#
Damerons Dance
#
George Kaplan
#
SheetMusicPlus
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081005 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interac...
(+)
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081005 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 4 pages. Duration 63. George Kaplan #7Iri8FTj5liweYDJZtdWVT. Published by George Kaplan (A0.1081005). Key: B major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
(+)
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
(+)
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
El Zapateado. Celebrated Spanish Dance
#
Piano seul
#
Henri Rosellen
#
El Zapateado. Celebrated Spani
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - SKU: LV.9460 Arranged by Henri Rosellen. Portraits, Dancers. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan ...
(+)
Piano - SKU: LV.9460 Arranged by Henri Rosellen. Portraits, Dancers. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9460). El Zapateado. Celebrated Spanish Dance. Arranged by Henri Rosellen. Published [n.d.] by Geo. W. Hewitt & Co., 184 Chesnut St. in Philadelphia. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits, Dancers. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Aeroplane Waltz; Joan Sawyer's New Dance Creation; Joan Sawyer's Hesitation or Glid
#
Piano seul
#
Chas
#
Charles Konedski-Davis
#
The Aeroplane Waltz; Joan Sawy
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - SKU: LV.19290 Composed by Charles Konedski-Davis. Dancers, Ballroom dancing, Airplanes. Lester S. Levy Collection. 7 pages. Published by Johns H...
(+)
Piano - SKU: LV.19290 Composed by Charles Konedski-Davis. Dancers, Ballroom dancing, Airplanes. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19290). The Aeroplane Waltz; Joan Sawyer's New Dance Creation; Joan Sawyer's Hesitation or Glid. The Music Specially Written By Chas. Konedski -Davi. Published 1909 by Presto Publishing Co. (REG) in New York. Composition of waltz; with descriptive captions added (e.g. Preparing the Aeroplane, Leaving the Hangar, The Running Glide, etc.) with piano instrumentation. Subject headings for this piece include Dancers, Ballroom dancing, Airplanes. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Charley Sturges' Popular Songs and Dances. She's the Loveliest Girl I Ever Saw! (Song and Dance)
#
Piano, Voix
#
Rollin Howard
#
Charley Sturges' Popular Songs
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.4510 Composed by Rollin Howard. Portraits, Courtship, Love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins Uni...
(+)
Piano and voice - SKU: LV.4510 Composed by Rollin Howard. Portraits, Courtship, Love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4510). Charley Sturges' Popular Songs and Dances. She's the Loveliest Girl I Ever Saw! (Song and Dance). Words and Music by Rollin Howard. Published 1871 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of strophic with chorus (and dance interlude) with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Love. First line reads I was in the public garden, the other afternoon.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Pop Goes the Weasel; La Tempete; and Le Grand Pere. Three Fashionable Dances
#
Piano seul
#
La Tempete
#
Pop Goes the Weasel; La Tempet
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - SKU: LV.9549 Ballroom dancing, Dance parties. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9...
(+)
Piano - SKU: LV.9549 Ballroom dancing, Dance parties. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9549). Pop Goes the Weasel; La Tempete; and Le Grand Pere. Three Fashionable Dances. n. Published [n.d.] by Musical Bouquet Offices in London. Composition of three da capo dances with piano instrumentation. Subject headings for this piece include Ballroom dancing, Dance parties. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Telemann – Polish Dances from the Rostock Manuscript TWV 45
#
Georg Philipp Telemann
#
Sneakwood Editions
#
Telemann – Polish Dances
#
Sneakwood Editions
#
SheetMusicPlus
Small Ensemble - Level 1 - SKU: A0.890779 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Folk,Jewish,World. Score and parts...
(+)
Small Ensemble - Level 1 - SKU: A0.890779 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Folk,Jewish,World. Score and parts. 32 pages. Sneakwood Editions #5799897. Published by Sneakwood Editions (A0.890779). Georg Philipp Telemann – Polish Dances from the Rostock Manuscript TWV 45 (Danse d`Polones / Danse Polonie)Telemann was seduced by Polish music, especially by his dances and popular musicI became acquainted there and also in Krakau with Polish and Moravian music in its true, barbaric beauty […] […] it is impossible to imagine the fantastic musical ideas they presented between dances when the dancers rested and the musicians improvised music together [‘jammed’] to fill out the time. Anyone who paid very close attention could pick up in 8 days sufficient musical ideas to last a lifetime.(Telemann’s autobiography, published in Mattheson’s Ehren-Pforte, Hamburg, 1740)It is easy to understand, through Telemann’s own words, the great influence that Polish music and Polish dances had on Telemann. It was in 1705 when Telemann become Kapellmeister for the court of Count Erdmann II of Promnitz at Sorau (now Żary, in Poland), His career there was cut short in early 1706 by the hostilities of the Great Northern War but his contact with Polish music marked him for life.These Polish dances found in Rostock are a reflection of the music that Telemann heard and transcribed. A reflection of that barbaric beauty.The manuscript was discovered in 1986 at the University of Rostock. It consists of two volumes. One of the volumes contains the violin part and the other the bass part.
$18.00
Three Latin Dances - Score Only
#
Orchestre d'harmonie
#
AVANCÉ
#
Latin/Musique du monde
#
Jeff Tyzik
#
Jeff Tyzik
#
Three Latin Dances - Score Onl
#
Jeff Tyzik/Macaroni Music
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #68...
(+)
Concert Band - Level 5 - SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #686377. Published by Jeff Tyzik/Macaroni Music (A0.1082229). Three Latin Dances was composed for the Eastman Wind Ensemble at the request of Mark Scatterday in September of 2018. In the past twenty years, Mark has been very instrumental in encouraging me to compose wind music. I am grateful for the many wind ensemble projects and recordings we have collaborated on including IMAGES, our CD that was released in October 2018. I've always been attracted to the music of great Latin composers including de Falla, Gimenez, Chapi, Piazzolla, Ginastera, Lacuona and many others. In this short suite, I used three different popular Latin dance forms. The first dance section is based on the Danzón, a Cuban dance that is slow, formal and elegant. The Danzón transitions into a Cha Cha, another Cuban dance that is a medium tempo rhythmic dance that I first experienced during my student days at Eastman when I played in local Latin bands. After a brief recap of the Danzón another transition evolves into a Malambo, an Argentine dance that is exciting, up tempo and whose roots can be traced back to the 1600s. As one might imagine, the percussion section is very busy and featured throughout from the elegant and lyrical introduction to the exciting finish. As an alumni of the EWE under Donald Hunsberger, it is an honor to have this preeminent Eastman ensemble premiere this new suite with Mark Scatterday conducting at Severance Hall in Cleveland on May 7, 2019.
$50.00
Hornpipe. Rustic Dance. Morris Dance. March
#
Piano seul
#
Hornpipe. Rustic Dance. Morris
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - SKU: LV.17150 Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17150). Dances and Marc...
(+)
Piano - SKU: LV.17150 Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17150). Dances and March, In the Melodrama of the Lady of the Lake. Hornpipe. Rustic Dance. Morris Dance. March. n. Published [n.d.] by Carr's Music Store, 36 Baltimore Street in Baltimore. Composition of strophic with chorus with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
I Won't Dance
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Dorothy Fields, Jerome Kern, J
#
Alexander L'Estrange
#
I Won't Dance
#
Alexander L'Estrange
#
SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.877462 Composed by Dorothy Fields, Jerome Kern, Jimmy McHugh, Oscar Hammerstein, and Otto Harbach. Arranged by ...
(+)
Choral Choir (Mixed) - Level 4 - SKU: A0.877462 Composed by Dorothy Fields, Jerome Kern, Jimmy McHugh, Oscar Hammerstein, and Otto Harbach. Arranged by Alexander L'Estrange. A Cappella. Octavo. 18 pages. Alexander L'Estrange #6745463. Published by Alexander L'Estrange (A0.877462). Alexander L’Estrange is a great and innovative arranger, surely one of the best we have around. - Music Teacher Magazine Alexander L’Estrange’s delicious arrangements go naughtily off-piste and the King’s Singers Great American Songbook CD is superb. - The Times Alexander L’Estrange and Joanna Forbes L’Estrange are prolific composers and arrangers of choral music, both individually and as a partnership. Receiving commissions from choral societies, schools, chamber choirs, church choirs and a cappella groups, their music is sung and enjoyed throughout the world. Alexander is regularly commissioned to write arrangements for world-class vocal groups including Voces8, The Queen’s Six, Amarcord and The King’s Singers, for whom he wrote and produced the Great American Songbook album. Joanna began writing music and lyrics during her tenure as soprano and Musical Director of the five-time Grammy® Award-winning vocal group The Swingles. All of Alexander and Joanna’s compositions and arrangements come with excellent learning resources for choirs including part-learning tracks and backing tracks, professionally recorded by the couple in their home studio #OldStableStudios. They also offer expert coaching for choirs, both in person and online. Their popular workshop You can sing…but can you swing?! gives choirs the tools to perform pop and jazz arrangements with greater style and confidence. CONTACT Website www.lestrangemusic.com Enquiries info@lestrangemusic.com To be the first to hear news from L’Estrange Music, follow them on facebook, twitter and instagram This arrangement features classy jazz a cappella writing that will suit experienced chamber choirs, school and high school groups, with a 6-part SSATBarB scoring. The song is a classic jazz standard by Jerome Kern and was commissioned by The King's Singers, who recorded it on their album of Alexander L'Estrange's close-harmony arrangements Great American Songbook https://www.kingssingers.com/products/great-american-songbook/. N.B. This is a higher-key adaptation of Alexander L'Estrange's original arrangement for the King's Singers, with mixed-voice SSATBarB choirs and a cappella groups in mind.
$4.50
They Came Here to Dance (Swing Band Arrangement)
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Mike Strand, ASCAP
T
#
Mike Strand
#
They Came Here to Dance
#
Michael M. Strand
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4...
(+)
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00
The Celebrated Polka Dances
#
Piano seul
#
The Celebrated Polka Dances
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - SKU: LV.9546 Folk dancing, Native dress. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9546)....
(+)
Piano - SKU: LV.9546 Folk dancing, Native dress. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9546). The Celebrated Polka Dances. (1) The Celebrated Polka Dance; (2) Bohemian Polka. n. Published [1839-1851] by F.D. Benteen in Baltimore. Composition of two da capo dances with piano instrumentation. Subject headings for this piece include Folk dancing, Native dress. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Polovetsian Dance #1 from "Prince Igor"
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Opera
#
Classique
#
Alexander Borodin
#
Stephen Levintow
#
Polovetsian Dance #1 from &quo
#
Cypress Publishing
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1333623 Composed by Alexander Borodin (1833-1887). Arranged by Stephen Levintow. 19th Century,Opera,Ro...
(+)
String Quartet String Quartet - Level 3 - SKU: A0.1333623 Composed by Alexander Borodin (1833-1887). Arranged by Stephen Levintow. 19th Century,Opera,Romantic Period. 8 pages. Cypress Publishing #919918. Published by Cypress Publishing (A0.1333623). Borodin, a chemistry professor, composed relatively few works, but they were of high quality, notable for their luscious melody. The Polovetsian Dances from his unfinished opera Prince Igor are particularly fine, and the melody from this one, along with several from other works, was used in the 1953 musical Kismet.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$3.00
Dance of the Comedians
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Opera
#
Classique
#
Bedřich Smetana
#
Stephen Levintow
#
Dance of the Comedians
#
Cypress Publishing
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1335314 Composed by Bedřich Smetana (1824-1884). Arranged by Stephen Levintow. 19th Century,Opera,...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.1335314 Composed by Bedřich Smetana (1824-1884). Arranged by Stephen Levintow. 19th Century,Opera,Romantic Period. 25 pages. Cypress Publishing #921145. Published by Cypress Publishing (A0.1335314). This rousing number is one of the folk dances that helped make The Bartered Bride the most frequently performed of all Czech operas. It is a full length arrangement, a companion piece to the polka from the same opera which is also available in a quartet transcription published by Cypress.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$5.00
Slavonic Dance op 72 no 2 in E minor For Flute Duet and Piano
#
2 Flûtes traversières (duo)
#
FACILE
#
Classique
#
Antonin Dvorak
#
Grant Horsley
#
Slavonic Dance op 72 no 2 in E
#
Grant Horsley
#
SheetMusicPlus
Flute Duet Flute - Level 2 - SKU: A0.1372437 Composed by Antonin Dvorak. Arranged by Grant Horsley. 19th Century,Classical,Contest,Festival,Folk,Romanti...
(+)
Flute Duet Flute - Level 2 - SKU: A0.1372437 Composed by Antonin Dvorak. Arranged by Grant Horsley. 19th Century,Classical,Contest,Festival,Folk,Romantic Period. Score. 20 pages. Grant Horsley #956736. Published by Grant Horsley (A0.1372437). Slavonic dances are inspired by the folk rhythms and styles of Slavic nations, This wonderful piece composed in 1886 is one of the finest and most well known. It has been arranged for early intermediate players, although the whole score is on the youtube link for you to assess. I have written it in 3/4 time instead of the original 3/8 for ease of reading. The phrasing has been adapted to keep as close to the original as possible. There are also small variations in the final section to keep the arrangement cohesive. Â It has been covered in so many ways for such a variety of instrumental combinations as it's such a popular memorable piece. It is useful for concerts, recitals, weddings, incidental music etc.It is roughly 5 minutes in length.Price is for the full score and parts.
$5.99
Slavonic Dance op 72 no 2 Dvorak. For Flute Clarinet and Piano.
#
Classique
#
Antonin Dvorak
#
Grant Horsley
#
Slavonic Dance op 72 no 2 Dvor
#
Grant Horsley
#
SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1372589 Composed by Antonin Dvorak. Arranged by Grant Horsley. 19th C...
(+)
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1372589 Composed by Antonin Dvorak. Arranged by Grant Horsley. 19th Century,Classical,Contest,Festival,Folk,Romantic Period. 20 pages. Grant Horsley #956921. Published by Grant Horsley (A0.1372589). Slavonic dances are inspired by the folk rhythms and styles of Slavic nations, This wonderful piece composed in 1886 is one of the finest and most well known.It has been arranged for early intermediate players, although the whole score is on the youtube link for you to assess. I have written it in 3/4 time instead of the original 3/8 for ease of reading. The phrasing has been adapted to keep as close to the original as possible.There are also small variations in the final section to keep the arrangement cohesive. It has been covered in so many ways for such a variety of instrumental combinations as it's such a popular memorable piece. It is useful for concerts, recitals, weddings, incidental music etc.It is roughly 5 minutes in length.Price is for full score and parts.
$5.99
Slavonic Dance op 72 no 2 in E minor For Violin Duet and Piano
#
2 Violons (duo)
#
FACILE
#
Classique
#
Antonin Dvorak
#
Grant Horsley
#
Slavonic Dance op 72 no 2 in E
#
Grant Horsley
#
SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.1372454 Composed by Antonin Dvorak. Arranged by Grant Horsley. 19th Century,Classical,Contest,Festival,Folk,Roman...
(+)
Violin Duet Violin - Level 2 - SKU: A0.1372454 Composed by Antonin Dvorak. Arranged by Grant Horsley. 19th Century,Classical,Contest,Festival,Folk,Romantic Period. 20 pages. Grant Horsley #956761. Published by Grant Horsley (A0.1372454). Slavonic dances are inspired by the folk rhythms and styles of Slavic nations, This wonderful piece composed in 1886 is one of the finest and most well known.It has been arranged for early intermediate players, although the whole score is on the youtube link for you to assess. I have written it in 3/4 time instead of the original 3/8 for ease of reading. The phrasing has been adapted to keep as close to the original as possible. Bowing has been left to the performers.There are also small variations in the final section to keep the arrangement cohesive. Â It has been covered in so many ways for such a variety of instrumental combinations as it's such a popular memorable piece. It is useful for concerts, recitals, weddings, incidental music etc.It is roughly 5 minutes in length.Price is for the full score and parts.
$5.99
Slavonic Dance op 72 no 2 Dvorak. For Clarinet Duet and Piano.
#
2 Clarinettes (duo)
#
FACILE
#
Grant Horsley
#
Grant Horsley
#
Slavonic Dance op 72 no 2 Dvor
#
Grant Horsley
#
SheetMusicPlus
Clarinet Duet Clarinet - Level 2 - SKU: A0.1373311 By Grant Horsley. By A Dvorak. Arranged by Grant Horsley. 19th Century,Classical,Contest,Festival,Fol...
(+)
Clarinet Duet Clarinet - Level 2 - SKU: A0.1373311 By Grant Horsley. By A Dvorak. Arranged by Grant Horsley. 19th Century,Classical,Contest,Festival,Folk,Romantic Period. 2 scores. 20 pages. Grant Horsley #957657. Published by Grant Horsley (A0.1373311). Slavonic dances are inspired by the folk rhythms and styles of Slavic nations, This wonderful piece composed in 1886 is one of the finest and most well known.It has been arranged for early intermediate players, although the whole score is on the youtube link for you to assess. I have written it in 3/4 time instead of the original 3/8 for ease of reading. The phrasing has been adapted to keep as close to the original as possible.There are also small variations in the final section to keep the arrangement cohesive. It has been covered in so many ways for such a variety of instrumental combinations as it's such a popular memorable piece. It is useful for concerts, recitals, weddings, incidental music etc.It is roughly 5 minutes in length.Price is for full score and parts.
$5.99
<
1
26
51
....
726
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Who Popular Dance
