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Vous avez sélectionné:
Wide, Wide as the Ocean
Partitions à imprimer
18 partitions trouvées
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1
Wide, Wide as the Ocean
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1080408 By Sharon Wilson. By Charle…
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Piano Solo - Level 2 - Digital Download SKU: A0.1080408 By Sharon Wilson. By Charles A. Miles and Charles Austin Miles. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Traditional. Score. 2 pages. Sharon Wilson #684641. Published by Sharon Wilson (A0.1080408). Here is an intermediate piano solo arrangement of the beloved children's song Wide, Wide as the Ocean. Quietly flowing throughout, this song encourages thoughtful reflection making it a treasured addition to the church pianist's sacred repertoire. An optional repeat is included in case a longer selection is desired.This arrangement is one of the 16 songs in the collection Worship Choruses (A Collection of 16 Praise Songs Arranged as Intermediate Piano Solos)Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
3.65 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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Wide, Wide as the Ocean
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Sharon Wilson
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SheetMusicPlus
Wide, Wide as the Ocean
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.829513 By Charles A. Miles. By Char…
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Piano Solo - Level 4 - Digital Download SKU: A0.829513 By Charles A. Miles. By Charles A. Miles. Arranged by David J. Valles. Praise & Worship,Sacred,Spiritual,Traditional. Score. 2 pages. David J. Valles #436322. Published by David J. Valles (A0.829513). This intermediate-level difficultly arrangement of Wide, Wide as the Ocean is a delightful, energetic rendition of the traditional song and is perfect for a church Special or Offertory. The repeated, partial stanza reflects in mysterious awe on God's love for us.
$2.99
2.73 €
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Piano seul
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Charles A
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David J
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Wide, Wide as the Ocean
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David J. Valles
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SheetMusicPlus
Oceans (Where Feet May Fail)
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1502914 By Hill…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1502914 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by Sarah Cellobat Chaffee. Christian,Pop,Praise & Worship,Religious,Wedding. 14 pages. Sarah Cellobat Chaffee #1078584. Published by Sarah Cellobat Chaffee (A0.1502914). Released as a single by the worship band Hillsong United in 2013, Oceans (Where Feet May Fail) has truly captured the hearts of Christians around the world. In addition to spending a record-breaking 61 weeks on the Billboard charts, this stirring anthem was certified quadruple platinum and even named by Billboard as the number one Christian song of the 2010's. So you really can't go wrong adding this one to your gig books! Maintaining the ethereal orchestral vibes, soaring melodies, and slow-build dynamic passion of the original, this Cellobat chart for violin and cello duet is sure to be a hit with your audience. This was originally written for a wedding, but it will also be perfect for church, worship night, solo & ensemble contest, and more! Rated intermediate; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$11.99
10.96 €
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Violon, Violoncelle (duo)
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Hillsong United
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Sarah Cellobat Chaffee
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Oceans
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Sarah Cellobat Chaffee
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SheetMusicPlus
COLUMBIA, THE GEM OF THE OCEAN Medley
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522448 Composed by Columbi…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522448 Composed by Columbia - Thomas A. Becket, Sr. (1843) and Grand Old Flag - George M. Cohan (19. Arranged by Paul A. Jorg. Classical,Folk,Holiday,Instructional,Patriotic. Octavo. 5 pages. Paul A. Jorg #6139811. Published by Paul A. Jorg (A0.522448). This a medley of two older, patriotic songs; both are public domain songs. A little bit of Columbia's history: In the early years of our country's founding, the name was synominous with the United States of America; hense, our nation's capital - The District of Columbia. Columbia, the Gem of the Ocean' is a United States patriotic song which was popular during the mid-19th and early 20th centuries, especially during the Civil War era. It functioned as an unofficial national anthem in competition with Hail, Columbia and The Star-Spangled Banner until the latter's formal adoption as the national anthem of the United States in 1931. IT'S A GRAND OLD FLAG is more widely known; most folks sang it in elementary school.
$4.59
4.2 €
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Chorale TTBB
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Columbia - Thomas A
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Paul A
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both are public domain songs
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COLUMBIA, THE GEM OF THE OCEAN Medley
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Paul A. Jorg
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SheetMusicPlus
There's a Love
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841903 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841903 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #3479229. Published by Andrew Mc Donald (Macka Records) (A0.841903). There's a love is a song about God's love which is deeper than oceans wider than the seas and taller than any mountains. There's no love like it. Only God can love that much.That is how much His love for us is as He died on the cross of us.
$4.99
4.56 €
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Piano, Voix
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Andrew Mc Donald
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There's a Love
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Andrew Mc Donald
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.19 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Perspectives (for Vibraphone Solo)
Vibraphone
Vibraphone Solo - Level 3 - Digital Download SKU: A0.1436071 Composed by Adam Lenha…
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Vibraphone Solo - Level 3 - Digital Download SKU: A0.1436071 Composed by Adam Lenhart. 21st Century,Contemporary,Contest,Early Music,Festival,Instructional. Individual part. 9 pages. Adam Lenhart #1016230. Published by Adam Lenhart (A0.1436071). “I grew up in the small town of Ottawa Lake, Michigan. My perspective of life in the rural midwest of the United States was quite pastoral, peaceful and quiet, but in 2020 I moved to Ann Arbor, Michigan and suddenly had opportunities as well as challenges I had never experienced before. However, many other new music students I spoke to stated how much smaller the city felt to them than their hometown. It was so interesting to see how the places we were raised impacted our view of how we live and communicate as a human race. I began imagining all the places in the universe where my small town would appear to be booming with life from its perspective–a lone farmhouse, the depths of the ocean, the edges of outer space, etc. One incredible thing about perspectives is that they are always changing, just as we are. The unfamiliar can always become familiar, and the familiar can always become unfamiliar.”-Adam Lenhart, 2024---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Associations Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Mens Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$5.99
5.48 €
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Vibraphone
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Adam Lenhart
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Perspectives
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Adam Lenhart
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SheetMusicPlus
Perspectives (for Carillon)
Carillon,Instrumental Solo - Level 2 - Digital Download SKU: A0.1437508 Composed by…
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Carillon,Instrumental Solo - Level 2 - Digital Download SKU: A0.1437508 Composed by Adam Lenhart. 21st Century,Contemporary,Contest,Early Music,Festival,Instructional. Individual part. 14 pages. Adam Lenhart #1017616. Published by Adam Lenhart (A0.1437508). “I grew up in the small town of Ottawa Lake, Michigan. My perspective of life in the rural midwest of the United States was quite pastoral, peaceful and quiet, but in 2020 I moved to Ann Arbor, Michigan and suddenly had opportunities as well as challenges I had never experienced before. However, many other new music students I spoke to stated how much smaller the city felt to them than their hometown. It was so interesting to see how the places we were raised impacted our view of how we live and communicate as a human race. I began imagining all the places in the universe where my small town would appear to be booming with life from its perspective–a lone farmhouse, the depths of the ocean, the edges of outer space, etc. One incredible thing about perspectives is that they are always changing, just as we are. The unfamiliar can always become familiar, and the familiar can always become unfamiliar.”-Adam Lenhart, 2024---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Associations Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Mens Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$5.99
5.48 €
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Adam Lenhart
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Perspectives
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Adam Lenhart
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SheetMusicPlus
Five Songs for Soprano - Song-Cycle, Op. 14
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.  The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...â€Thomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...â€Thomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves.  5. My soul is awakened...â€Â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99
6.39 €
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Piano, Voix
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William Kersten
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Five Songs for Soprano - Song-Cycle, Op. 14
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William Kersten
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SheetMusicPlus
Fastnet Rock
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
2.73 €
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Flûte traversière et Piano
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Australia Our Land - Orchestra with SATB Choir and Piano
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Ellige…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer… Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00
25.6 €
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Orchestre
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Brendan James Elliget NotePerformer 3
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Australia Our Land - Orchestra with SATB Choir and Piano
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BJE Music
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SheetMusicPlus
Soar
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1031420 Composed by Chrystal Cottre…
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Piano Solo - Level 3 - Digital Download SKU: A0.1031420 Composed by Chrystal Cottrell. Christmas,Contemporary,Instructional,Wedding. Score. 7 pages. Chrystal Cottrell #6137159. Published by Chrystal Cottrell (A0.1031420). About Soar: Soar has many useful elements perfect for private piano lessons. It contains the following: Arpeggios A Neo Classical Sound It is much like an exercise, keeping all fingers busy. It contains a fermata for dramatic pause. It uses a wide range of dynamics and phrasing. Composer’s note to you: Please freely use rubato and legato, dynamics and phrasing to make Soar uniquely expressive, as only you can. As you play through the piece, see if you can hear the seashore. Listen for the constant ebb and flow of the ocean. Listen to the seagulls clumsily taking flight, then climbing higher and higher. Hear them crooning high above as the waves crash below. Notice the peaceful surroundings as they fly off into the sunset. I hope you enjoy Soar, and it helps you grow as a musician. With warm thoughts for your safety and happiness, Chrystal Cottrell
$4.99
4.56 €
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Piano seul
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Chrystal Cottrell
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Soar
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Chrystal Cottrell
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SheetMusicPlus
Shaping Metal (percussion duo)
Instrumental Duet Instrumental Duet,Multi-Percussion,Vibraphone - Level 5 - Digital Downlo…
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Instrumental Duet Instrumental Duet,Multi-Percussion,Vibraphone - Level 5 - Digital Download SKU: A0.977038 Composed by Paul SanGregory. Contemporary. Score and parts. 12 pages. Distant Engraver Music #3538593. Published by Distant Engraver Music (A0.977038). This imaginative piece evokes the creation of a large metal sculpture and the various natural sounds that inspired it. Percussion instruments are used to evoke the quiet sounds of water bubbles, rain, ocean waves, a bird call... Then there are also many metallic scraping, tapping, dragging and hammering sounds evoking the sculptures creation. The sculpture itself is represented by a bright colorful chord succession, but the complete succession doesn't immediately appear. While the artist is still gathering metal materials and working on the sculpture, the chords appear as various isolated arpeggios in and around the various other sounds of the piece. It isn't until the sculpture begins taking shape that the tempo increases and the chords become recognizable as a theme. This piece requires performers with good ears for color and a knack for finding just the right way to strike or scrape an instrument (instructions are provided on the score). Also, there is much changing of mallets and/or the way they are held, and at times the vibraphone part requires wide-ranging fast arpeggios.INSTRUMENTATIONPerformer 1:vibraphonelarge suspended cymbal (22 preferred)
$10.00
9.14 €
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Paul SanGregory
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Shaping Metal
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Distant Engraver Music
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SheetMusicPlus
Debussy: Claire de Lune for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550100 Composed by Claude Debussy.…
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Flute,Piano - Level 3 - Digital Download SKU: A0.550100 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4595337. Published by jmsgu3 (A0.550100). Moonlight * лунный Ñвет * 月光 * Σεληνόφωτο * MÄ›sÃÄnà svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day. Claude Debussy's Clair de Lune has been widely used in popular culture, particularly in film and television. It has significantly impacted modern culture, with a resurgence in its use after appearing in movies like Godzilla: King of the Monsters. The piece is favored for its ability to convey emotion and feelings without requiring lyrics, making it a popular choice for filmmakers. Clair de Lune has been featured in various movies, from Ocean's Eleven to Twilight, and has made an undeniable impact on filmmaking over the past 40 years. Its timeless beauty and emotional depth have led to reimaginings as pop songs and countless re-orchestrations, contributing to its ubiquity in cinema. Some notable movies and TV shows using Debussy's Clair de Lune include Ocean's Eleven (2001). Directed by Steven Soderbergh, this heist film showcases Clair de Lune during a pivotal scene where the characters gather to discuss their plans. Twilight: This popular film series has also featured Clair de Lune, contributing to the piece's impact on modern culture. The Shape of Water (2017): This film uses Clair de Lune to establish a dreamlike atmosphere. Moonlight (2016): Directed by Barry Jenkins, this film features Clair de Lune to embody the intense emotions of first love. These are just a few examples of the many movies and TV shows that have used Clair de Lune to enhance the emotional impact of their scenes, showcasing the composition's timeless beauty and evocative nature. Debussy was inspired by this poem by Paul Verlaine to compose this work: Your soul is a chosen landscape Where charming masquerades and dancers are promenading, Playing the lute and dancing, and almost Sad beneath their fantastic disguises. While singing in a minor key Of victorious love, and the pleasant life They seem not to believe in their own happiness And their song blends with the moonlight, With the sad and beautiful moonlight, Which sets the birds in the trees dreaming, And makes the fountains sob with ecstasy, The tall, slim water streams among the marble statues. Paul Verlaine, 1869.
$34.95
31.95 €
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Flûte traversière et Piano
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Claude Debussy
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James M
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Debussy: Claire de Lune for Flute & Piano
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jmsgu3
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SheetMusicPlus
Spectrum Suite for Alto Saxophone and Tuba
Saxophone, Tuba (duo)
Instrumental Duet Alto Saxophone,Instrumental Duet,Tuba - Level 4 - Digital Download SK…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.755233 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 45 pages. Sy Brandon #3534939. Published by Sy Brandon (A0.755233). Spectrum Suite consists of seven short movements that musically depict the seven colors of the spectrum. Red–signifies passion, vitality, enthusiasm and security. This movement is lively and passionateOrange–represents creativity, practicality, playfulness as well as equilibrium or control. This movement is moderate and playful. Yellow–represents clarity of thought, wisdom, orderliness and energy. This movement contains clear counterpoint and is energetic. Green–denotes fertility, growth, balance, health and wealth. This movement has a pastoral nature with rich harmonies. Blue–makes us think of the Unknown. The sky and the wide oceans are in this color and hence it has been associated with Spirituality and Divinity. This movement focuses on the vastness of the oceans. Indigo–Indigo is mystical as it bridges the Gap between Finite and Infinite. Indigo colored gemstones are often used for spiritual attainment, psychic abilities, self-awareness and enhancement of Intuition. This movement is mystical in nature. Violet–is considered the highest element of spirituality. This movement is hopeful and inspirational.
$14.99
13.7 €
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Saxophone, Tuba (duo)
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Sy Brandon
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Spectrum Suite for Alto Saxophone and Tuba
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Sy Brandon
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SheetMusicPlus
Madrigal Book (for unaccompanied choir in up to 12 parts)
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1089116 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1089116 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 24 pages. Colne Edition / BullardMusic #693333. Published by Colne Edition / BullardMusic (A0.1089116). Madrigal Book contains four virtuosic and exciting settings of sixteenth-century texts for unaccompanied choir. The four movements are 1. The lowest trees have tops (Sir Edward Dyer) 2. Hot sun, cool fire (George Peele) 3. Fire, fire! (Thomas Campion) 4. Come, heavy sleep (Anon.) The first poem sings of the richness, but sometimes the incompatibility, of love, and the second is the mysterious song of Bathsheba, mother of Solomon and alleged seductress of David. The third song portrays the scorching pain of love, which all the oceans of the world cannot quench, and finally the heart-broken lover takes refuge in sleep, ‘the image of true death’ Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
3.65 €
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Chorale SATB
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Alan Bullard
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Madrigal Book
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Colne Edition / BullardMusic
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SheetMusicPlus
A Man And A Woman (Un Homme Et Une Femme)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1432400 By Herbie Mann And Tamiko J…
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Piano Solo - Level 4 - Digital Download SKU: A0.1432400 By Herbie Mann And Tamiko Jones. By Frances Lai, Jerry Keller, and Pierre Barouh. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #1012890. Published by Timothy Stapay (A0.1432400). The song “A Man and a Woman” (Une Homme et une Femme) is a timeless classic that holds a special place in the hearts of music lovers worldwide. Written by Pierre Barouh and composed by Francis Lai, this beautiful and romantic composition was first introduced to the world in 1966 as part of the soundtrack for the French film of the same name. The song was featured in the films Ocean's Thirteen and in the Mad Men television series.This arrangement is written for piano solo in the style of famous pianist, Liberace.
$6.99
6.39 €
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Piano seul
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Herbie Mann And Tamiko Jones
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Timothy Stapay/Liberace
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A Man And A Woman
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Timothy Stapay
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SheetMusicPlus
Dance Suite
2 Flöten, Klarinette (Oboe), Trompete (B), Altsaxophon, Fagott, Vl 1, Vl 2, Va, Vc, Kb …
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2 Flöten, Klarinette (Oboe), Trompete (B), Altsaxophon, Fagott, Vl 1, Vl 2, Va, Vc, Kb orchestra - easy to intermediate - Digital Download SKU: S9.Q6683 7 Modern Dances. Composed by Matyas Seiber. Arranged by Wolfgang Lichter. This edition: score. Concertino. Downloadable, Score. Duration 20 minutes. Schott Music - Digital #Q6683. Published by Schott Music - Digital (S9.Q6683). After completing his studies with Zoltan Kodaly, the Hungarian composer Máthiás Seiber (1905-1960) first worked as a musician in a dance orchestra on an ocean liner which gave him the opportunity to listen to jazz music in New York. From 1928 he taught the first jazz class worldwide at Dr. Koch's Conservatoire in Frankfurt. In the winter term of 1928/29, 19 students had registered with whom he gave a public concert on 3 March 1929 which was broadcast by Radio Frankfurt. After the Nazis had seized power, the jazz class was dissolved, Seiber lost his job and emigrated to London. In 1932 he wrote his piano cycle 'Leichte Tänze' (Easy Dances), one of the early examples of the adoption of jazz forms and styles in so-called serious music. The present arrangement for orchestra is easily playable and is aimed at youth and amateur orchestras. Instrumentation: 2 flutes, clarinet, oboe (ad lib.), alto saxophone, trumpet, bassoon and strings. Movements: Cake Walk - Novelty Foxtrot - Gipsy Tango - Waltz - Walzer - Blues - Charleston.
$21.99
20.1 €
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Matyas Seiber
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Wolfgang Lichter
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Dance Suite
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Schott Music - Digital
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SheetMusicPlus
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