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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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FORMATION MUSI…
GUITARE
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HARPE
HAUTBOIS
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MANDOLINE
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PIANO
SAXOPHONE
SYNTHETISEUR
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Non classifié
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PIANO & CLAVIERS
Piano grosses notes
3095
Piano, Voix
1567
Orgue
1483
Piano seul
879
Piano, Voix et Guitare
772
Piano Facile
396
Instruments en Do
140
Clavier
59
Accompagnement Piano
49
1 Piano, 4 mains
22
Piano Trio: piano, violon, violoncelle
11
Accordéon
8
2 Pianos, 4 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Ligne De Mélodie, Piano
2
1 Piano, 6 mains
1
Piano (partie séparée)
1
Accordéon, Piano
1
Accordéon, Voix
1
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GUITARES
Guitare notes et tablatures
171
Ligne De Mélodie, (Paroles) et Accords
111
Guitare
29
Paroles et Accords
27
Ukulele
26
Guitare (partie séparée)
5
Piano, Guitare (duo)
5
2 Guitares (duo)
4
Banjo
4
Basse electrique
4
Ensemble de Ukulélés
3
Dulcimer
2
4 Guitares (Quatuor)
2
Mandoline
1
Ensemble de guitares
1
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VOIX
Chorale SATB
1346
Chorale 2 parties
369
Chorale 3 parties
360
Voix duo, Piano
163
Chorale Unison
152
Chorale TTBB
104
Chorale SSAA
70
Voix duo
57
Voix Soprano, Piano
18
Voix seule
15
Voix haute
8
Chorale
7
Chorale SSAATTBB
6
Voix Tenor, Piano
6
Chorale SSATB
5
Voix Mezzo-Soprano, Piano
4
Voix moyenne, Piano
4
Voix, Guitare
4
Voix basse, Piano
3
Voix Baryton, Piano
2
Soli, choeur mixte et accompagnement
2
Voix Soprano
2
Voix Tenor
1
Chorale SSATTB
1
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VENTS
Flûte traversière et Piano
88
Hautbois, Piano (duo)
68
Flûte, Hautbois, Clarinette, Basson
67
Saxophone Alto et Piano
65
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Clarinette et Piano
56
Quatuor de Saxophones: 4 saxophones
54
Saxophone (partie séparée)
47
Quatuor de Clarinettes: 4 clarinettes
45
Quintette de Saxophone: 5 saxophones
43
2 Saxophones (duo)
41
Clarinette
40
Flûte traversière
32
Saxophone Tenor et Piano
32
2 Clarinettes (duo)
30
Ensemble de saxophones
29
2 Flûtes traversières (duo)
26
Saxophone Soprano et Piano
25
Saxophone Alto
22
Saxophone Baryton, Piano
21
Clarinette (partie séparée)
21
Hautbois (partie séparée)
20
Cor anglais, Piano
20
Quatuor de Flûtes : 4 flûtes
20
Saxophone, Clarinette (duo)
16
Clarinette, Violon (duo)
14
Ensemble de Clarinettes
14
2 Hautbois (duo)
13
Flûte, Clarinette (duo)
13
Clarinette, Trompette (duo)
12
Flute (partie séparée)
10
Ensemble de Flûtes
8
Hautbois, Basson (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
Hautbois, Flûte
8
Hautbois, Clarinette (duo)
8
Flûte et Guitare
7
Clarinette Basse, Piano
7
Flûte, Saxophone (duo)
7
Hautbois
7
3 Clarinettes (trio)
7
Trio de Flûtes: 3 flûtes
7
Clarinette et Alto
7
Flûte, Violon
6
Flûte, Trompette (duo)
6
Quintette de Flûte : 5 flûtes
6
Flûte, Alto (duo)
6
Saxophone et Harpe
5
Saxophone Tenor
4
Piccolo
4
Flûte à bec Soprano
4
Clarinette, Guitare (duo)
4
3 Saxophones (trio)
3
Flûte à bec Alto, Piano
3
Clarinette, Harpe (duo)
3
Flûte à Bec
2
Hautbois, Harpe
2
Cor Anglais
2
2 Flûte à bec (duo)
2
Ocarina
2
Saxophone et Guitare
2
Harmonica
1
Flûte à bec Soprano, Piano
1
5 Flûtes à bec
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte traversière, Orgue (duo)
1
Saxophone et Orgue
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette Basse
1
3 Flûtes à bec (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois (duo)
1
Flûte, Violoncelle
1
2 Clarinettes, Piano
1
Saxophone Baryton
1
Piccolo, Piano
1
Flûte, Basson et Piano
1
2 Flûtes traversières, Piano
1
Saxophone Soprano
1
Quatuor de Flûtes à bec
1
Cor anglais, Guitare (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Trombone et Piano
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
45
Cor et Piano
42
Trompette, Piano
38
Trombone (partie séparée)
30
Trompette
29
Tuba et Piano
27
Cor anglais, Piano
20
Trompette (partie séparée)
19
Trombone
19
2 Trompettes (duo)
18
Euphonium, Piano (duo)
18
Quatuor de cuivres: 4 trombones
18
Cor
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
2 Trombones (duo)
15
Trompette, Saxophone (duo)
14
Cor (partie séparée)
13
Tuba
13
Quatuor de Cuivres
13
2 Cors (duo)
8
Ensemble de Trombones
7
Trompette, Trombone (duo)
7
Tuba (partie séparée)
5
Ensemble de Trompettes
4
Tuba et Orgue
4
Ensemble de Cors
4
Quatuor de cuivres: 4 cors
3
Cor et Harpe
3
Cor Anglais
2
2 Tubas (duo)
2
Bass Clef Instruments
2
Trompette, Harpe
2
3 Trombones (trio)
1
Trompette, Trombone, Piano
1
Euphonium
1
Trompette, Tuba (duo)
1
4 Tubas
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
Cor anglais, Guitare (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
138
Violon et Piano
106
Violoncelle, Piano
79
Alto, Piano
60
Violon
44
2 Harpes (duo)
41
Harpe
41
2 Violons (duo)
34
Violoncelle (partie séparée)
29
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
Violon (partie séparée)
23
Violon, Violoncelle (duo)
20
Contrebasse, Piano (duo)
19
Trio à Cordes: violon, alto, violoncelle
17
Alto seul
16
Contre Basse
14
2 Altos (duo)
13
2 Violoncelles (duo)
13
Violon, Alto (duo)
12
Alto (partie séparée)
11
Trio à Cordes: 2 violons, violoncelle
11
Violoncelle
10
Contrebasse (partie séparée)
9
Harpe, Voix
9
Harpe, Violon (duo)
4
Trio à cordes
3
Piano Trio: Violon, Alto, Piano
3
Violoncelle , Guitare (duo)
3
Violon, Guitare (duo)
3
Harpe, Flûte (duo)
2
Alto et Harpe
2
4 Violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble de Violons
2
2 Contrebasses (duo)
2
Ensemble d'Altos
2
Alto, Guitare (duo)
2
Harpe, Trombone (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
2 Violons, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
310
Orchestre
94
Cloches
91
Orchestre à Cordes
75
Ensemble de cuivres
70
Orchestre de chambre
33
Ensemble Jazz
26
Percussion (partie séparée)
8
Batterie
7
Jazz combo
5
Marimba
5
Fanfare
4
Vibraphone
3
Timbales (partie séparée)
3
Batterie (partie séparée)
2
Xylophone
2
Percussion
1
Marimba et Orgue
1
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AUTRES
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CASSANDRA'S VISION
Violon et Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704…
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Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
4.59 €
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Violon et Piano
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
My Tears Have Been My Food (for concert band) - Score Only
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1039860 Composed by David M. Ster…
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Concert Band - Level 4 - Digital Download SKU: A0.1039860 Composed by David M. Sterrett. Arranged by David M. Sterrett. Sacred. Score and parts. 21 pages. David Sterrett Music #644719. Published by David Sterrett Music (A0.1039860). This passage from Psalm 42 has been a comfort to me in trying times. I set out to compose a musical setting of the text in hopes that the words and music may be of comfort to others too in seasons of grief, adversity, or doubt. “My tears have been my food both day and night, and all the time, people ask, ‘Where is your God?’ But each day, the Lord pours His unfailing love upon me, and through the night, I sing His songs, praying to God who gives me life.†(Psalm 42:3, 8) I composed the piece originally for a cappella choir, but after finishing, I was inspired to create a transcription for Concert Band as well. This transcription may be performed separately, or combined with choir for more impact if desired.
$19.99
18.36 €
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Orchestre d'harmonie
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David M
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David M
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My Tears Have Been My Food
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David Sterrett Music
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SheetMusicPlus
A Franklin Portrait for Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.755096 Composed by Sy Brandon. 20…
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Concert Band - Level 4 - Digital Download SKU: A0.755096 Composed by Sy Brandon. 20th Century,Classical,Contemporary. Score and parts. 149 pages. Sy Brandon #3383523. Published by Sy Brandon (A0.755096). This work was composed for the Royse City High School Band, Dean Bouras, conductor. A Franklin Portrait is modeled after Copland’s Lincoln Portrait in that it has narration and pays tribute to a great patriot through words and music. The score prints on legal size paper and the parts on letter.
$39.99
36.73 €
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Orchestre d'harmonie
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Sy Brandon
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A Franklin Portrait for Concert Band
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Sy Brandon
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Mandoline
Mandolin - Level 2 - Digital Download SKU: A0.1305650 By Tony Bennett. By Bart Howa…
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Mandolin - Level 2 - Digital Download SKU: A0.1305650 By Tony Bennett. By Bart Howard. Arranged by FERNANDO LUIZ NEVES. 20th Century,Contemporary,Film/TV,Jazz,Pop. Score. 6 pages. Fernando Neves #895105. Published by Fernando Neves (A0.1305650). “Fly Me to the Moonâ€, originally titled “In Other Wordsâ€, is a timeless classic that has captured the hearts of many music lovers. The song was written in 1954 by the talented American composer Bart Howard. The first recording of the song was made in the same year by Kaye Ballard. However, it was Frank Sinatra’s 1964 version that became closely associated with the Apollo missions to the Moon. Sinatra’s rendition elevated the song to new heights and it has since been covered by numerous artists including Tony Bennett, Ella Fitzgerald, Diana Krall, and Astrud Gilberto.Now, imagine this beautiful melody being played on a mandolin and guitar. The intricate plucking of the mandolin strings combined with the rich strumming of the guitar would certainly do justice to this iconic tune. Whether you’re a seasoned musician or a beginner, playing “Fly Me to the Moon†on these instruments would be a delightful experience. Enjoy your musical journey! PDF file contains full score and parts for guitar and mandolin. Tablature, chords and guitar fingering inlcuded. 6 pages.
$18.97
17.42 €
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Mandoline
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Tony Bennett
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FERNANDO LUIZ NEVES
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Fly Me To The Moon
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Fernando Neves
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SheetMusicPlus
Lowland Lullabies 1, autorius Gintaras Kavarskas
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1027589 Composed by G…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1027589 Composed by Gintaras Kavarskas. Children,Contemporary. Score. 9 pages. Gintaras Kavarskas #2112069. Published by Gintaras Kavarskas (A0.1027589). Lowland Lullabies 1, autorius Gintaras Kavarskas Copyright © 2016 Gintaras Kavarskas Copyright © 2016 written and words and music by Gintaras Kavarskas License Notes and Intellectual Property This is the original composition, all the music and words are unique, the author is Gintaras Kavarskas; the cover of the book may certainly be copied absolutely free. You can easily buy a sufficient number of books for your institution, school, or university. The author Gintaras Kavarskas is the English writer, English teacher, painter, photographer, musician and composer. The author of photographs is Gintaras Kavarskas, the author of the cover is Gintaras Kavarskas, the author of the texts is Gintaras Kavarskas. The title of the music sheets book is Lowland Lullabies 1, autorius Gintaras Kavarskas. The authorship of the ideas belongs to the author Gintaras Kavarskas as an English writer, musician and composer. The author is truly very grateful to you for respecting lullabies and authentic texts. Once again thank you for respecting the original composition; all the music and words are unique, the author is Gintaras Kavarskas. The author of the music and texts is Gintaras Kavarskas. The music sheets can be photocopied as many times as you wish if you bought the book. Lowland Lullabies 1, autorius Gintaras Kavarskas.
$28.10
25.81 €
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Piano, Voix et Guitare
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Gintaras Kavarskas
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Lowland Lullabies 1, autorius Gintaras Kavarskas
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Gintaras Kavarskas
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelsso…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
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Flûte traversière et Piano
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Felix Mendelssohn
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James M
#
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
#
Flûte traversière et Piano
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549502 Composed by Felix Mendel…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501861. Published by jmsgu3 (A0.549502). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
#
Trombone et Piano
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
#
Saxophone Alto et Piano
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelss…
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Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
#
Violon et Piano
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
#
jmsgu3
#
SheetMusicPlus
The Tortoise and the Hare for Advanced SATB Saxophone Quartet Soloists and Middle School Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.755033 Composed by Sy Brandon. 20…
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Concert Band - Level 2 - Digital Download SKU: A0.755033 Composed by Sy Brandon. 20th Century,Children,Concert,Contemporary. Score and parts. 21 pages. Sy Brandon #3244311. Published by Sy Brandon (A0.755033). This is the full score that prints on legal size paper for a composition for advanced soloists with an easy accompaniment and narrator. It tells this well-known fable through words and music. The narration occurs between the short movements. It is an excellent way for younger band musicians to hear and work with advanced soloists. This is the version where a Saxophone Quartet serves as the soloists. Other versions sold separately have a Clarinet Quartet, Brass Quintet, or Woodwind Quintet as the soloists. Parts that print on letter size paper are available separately.
$3.99
3.66 €
#
Orchestre d'harmonie
#
Sy Brandon
#
The Tortoise and the Hare for Advanced SATB Saxophone Quartet Soloists and Middle School Band
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Sy Brandon
#
SheetMusicPlus
The Tortoise and the Hare for Advanced Clarinet Quartet Soloists and Middle School Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.755034 Composed by Sy Brandon. 20…
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Concert Band - Level 2 - Digital Download SKU: A0.755034 Composed by Sy Brandon. 20th Century,Children,Concert,Contemporary. Score and parts. 21 pages. Sy Brandon #3244317. Published by Sy Brandon (A0.755034). This is the full score that prints on legal size paper for a composition for advanced soloists with an easy accompaniment and narrator. It tells this well-known fable through words and music. The narration occurs between the short movements. It is an excellent way for younger band musicians to hear and work with advanced soloists. This is the version where a Clarinet Quartet serves as the soloists. Other versions sold separately have a Brass Quintet, Saxophone Quartet, or Woodwind Quintet as the soloists. Parts that print on letter size paper are available separately.
$3.99
3.66 €
#
Orchestre d'harmonie
#
Sy Brandon
#
The Tortoise and the Hare for Advanced Clarinet Quartet Soloists and Middle School Band
#
Sy Brandon
#
SheetMusicPlus
The Tortoise and the Hare for Advanced Brass Quintet Soloists and Middle School Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.755030 Composed by Sy Brandon. 20…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.755030 Composed by Sy Brandon. 20th Century,Children,Concert,Contemporary. Score and parts. 21 pages. Sy Brandon #3244305. Published by Sy Brandon (A0.755030). This is the full score that prints on legal size paper for a composition for advanced soloists with an easy accompaniment and narrator. It tells this well-known fable through words and music. The narration occurs between the short movements. It is an excellent way for younger band musicians to hear and work with advanced soloists. This is the version where a Brass Quintet serves as the soloists. Other versions sold separately have a Clarinet Quartet, Saxophone Quartet, or Woodwind Quintet as the soloists. Parts that print on letter size paper are available separately.
$3.99
3.66 €
#
Orchestre d'harmonie
#
Sy Brandon
#
The Tortoise and the Hare for Advanced Brass Quintet Soloists and Middle School Band
#
Sy Brandon
#
SheetMusicPlus
The Tortoise and the Hare for Advanced Brass Quintet Soloists and Middle School Band - Parts
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.755029 Composed by Sy Brandon. 20…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.755029 Composed by Sy Brandon. 20th Century,Children,Concert,Contemporary. Score and parts. 64 pages. Sy Brandon #3244301. Published by Sy Brandon (A0.755029). This is the set of parts that print on letter size paper for a composition for advanced soloists with an easy accompaniment and narrator. It tells this well-known fable through words and music. The narration occurs between the short movements. It is an excellent way for younger band musicians to hear and work with advanced soloists. This is the version where a Brass Quintet serves as the soloists. Other versions sold separately have a Clarinet Quartet, Woodwind Quintet, or Saxophone Quartet as the soloists. The full score that prints on legal size paper is available separately.
$35.99
33.05 €
#
Orchestre d'harmonie
#
Sy Brandon
#
The Tortoise and the Hare for Advanced Brass Quintet Soloists and Middle School Band - Parts
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Sy Brandon
#
SheetMusicPlus
The Tortoise and the Hare for Advanced Clarinet Quartet Soloists and Middle School Band - Parts
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.755032 Composed by Sy Brandon. 20…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.755032 Composed by Sy Brandon. 20th Century,Children,Concert,Contemporary. Score and parts. 61 pages. Sy Brandon #3244315. Published by Sy Brandon (A0.755032). This is the set of parts that print on letter size paper for a composition for advanced soloists with an easy accompaniment and narrator. It tells this well-known fable through words and music. The narration occurs between the short movements. It is an excellent way for younger band musicians to hear and work with advanced soloists. This is the version where a Clarinet Quartet serves as the soloists. Other versions sold separately have a Brass Quintet, Woodwind Quintet, or Saxophone Quartet as the soloists. The full score that prints on legal size paper is available separately.
$35.99
33.05 €
#
Orchestre d'harmonie
#
Sy Brandon
#
The Tortoise and the Hare for Advanced Clarinet Quartet Soloists and Middle School Band - Parts
#
Sy Brandon
#
SheetMusicPlus
The Tortoise and the Hare for Advanced Woodwind Quintet Soloists and Middle School Band - Parts
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.755035 Composed by Sy Brandon. 20…
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Concert Band - Level 2 - Digital Download SKU: A0.755035 Composed by Sy Brandon. 20th Century,Children,Concert,Contemporary. Score and parts. 64 pages. Sy Brandon #3244319. Published by Sy Brandon (A0.755035). This is the set of parts that print on letter size paper for a composition for advanced soloists with an easy accompaniment and narrator. It tells this well-known fable through words and music. The narration occurs between the short movements. It is an excellent way for younger band musicians to hear and work with advanced soloists. This is the version where a Woodwind Quintet serves as the soloists. Other versions sold separately have a Brass Quintet, Saxophone Quartet, or Clarinet Quartet as the soloists. The full score that prints on legal size paper is available separately.
$35.99
33.05 €
#
Orchestre d'harmonie
#
Sy Brandon
#
The Tortoise and the Hare for Advanced Woodwind Quintet Soloists and Middle School Band - Parts
#
Sy Brandon
#
SheetMusicPlus
The Tortoise and the Hare for Advanced SATB Saxophone Quartet Soloists and Middle School Band - Part
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.755031 Composed by Sy Brandon. 20…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.755031 Composed by Sy Brandon. 20th Century,Children,Concert,Contemporary. Score and parts. 61 pages. Sy Brandon #3244309. Published by Sy Brandon (A0.755031). This is the set of parts that print on letter size paper for a composition for advanced soloists with an easy accompaniment and narrator. It tells this well-known fable through words and music. The narration occurs between the short movements. It is an excellent way for younger band musicians to hear and work with advanced soloists. This is the version where a Saxophone Quartet serves as the soloists. Other versions sold separately have a Brass Quintet, Woodwind Quintet, or Clarinet Quartet as the soloists. The full score that prints on legal size paper is available separately.
$35.99
33.05 €
#
Orchestre d'harmonie
#
Sy Brandon
#
The Tortoise and the Hare for Advanced SATB Saxophone Quartet Soloists and Middle School Band - Part
#
Sy Brandon
#
SheetMusicPlus
The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1…
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
27.55 €
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Orchestre d'harmonie
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
#
SheetMusicPlus
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carso…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
30.26 €
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Carson Cooman
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Carson Cooman: The Revelations of Divine Love
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Musik Fabrik Music Publishing
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SheetMusicPlus
No One Ever Cared For Me Like Jesus
Piano, Voix et Guitare
Piano/Vocal/Chords - Advanced Intermediate - Digital Download By Steffany Gretzinger. A…
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Piano/Vocal/Chords - Advanced Intermediate - Digital Download By Steffany Gretzinger. Arranged by Travis J. Gandy. Sheet Music Single. 6 pages. Published by TraviSongs
From the album "Forever Amen" by Steffany Gretzinger. Words and Music by Chandler Moore, Dante Bowe, Jason Ingram and Steffany Gretzinger. CCLI Song No. 7147718. www.travisongs.com.
$4.99
4.58 €
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Piano, Voix et Guitare
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Steffany Gretzinger
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Travis J
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No One Ever Cared For Me Like Jesus
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TraviSongs
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SheetMusicPlus
I’ve Found A New Baby For Wind Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1026069 Composed by Words And Mus…
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Concert Band - Level 4 - Digital Download SKU: A0.1026069 Composed by Words And Music by Jack Palmer and Spencer Williams. Arranged by Arr by Malcolm Jones. Contemporary,Jazz,Ragtime,World. Score and parts. 100 pages. Aeolian Music #6301133. Published by Aeolian Music (A0.1026069). As requested I’ve Found a New Baby arranged for the windband in the style of the razzmatazz of the 1920s. I set about arranging this piece with fun and showmanship very much in mind. I’ve Found A New Baby features mainly the Tuba others are also featured as you can see from the score. I have marked the Score and parts where to stand and sit, but this if course is at the discretion of the MD. I hope you have as much fun playing it as I had arranging it. I have included parts for Treble and Bass Clef Bb Euphonium, Bb Bass Treble and Bass clef , Eb Bass Treble and Bass clefs Tuba in concert pitch bass clef. Trombones in Bb Bass and Treble clefs also in C bass clef ( not bass Trom) Also included are Horn parts in Eb,
$50.00
45.92 €
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Orchestre d'harmonie
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Words And Music by Jack Palmer and Spencer Williams
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Arr by Malcolm Jones
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I’ve Found A New Baby For Wind Band
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Aeolian Music
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SheetMusicPlus
Alexander’s Ragtime Band
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berli…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
9.14 €
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Ensemble de cuivres
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Irving Berlin
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F
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contact him at lessmith@ufl
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Alexander’s Ragtime Band
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Sweetwater Brass Press
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SheetMusicPlus
Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-25E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.95 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
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