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Work in Progress: 1st F Horn
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Vous avez sélectionné:
Work in Progress: 1st F Horn
Partitions à imprimer
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Work in Progress: 1st F Horn
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Cor (partie séparée)
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Jazz
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Gordon Goodwin
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Work in Progress: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017195_H1 1st F Horn. Composed by Gordon Goodwin. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0...
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Jazz Ensemble - SKU: AX.00-PC-0017195_H1 1st F Horn. Composed by Gordon Goodwin. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017195_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017195_H1). UPC: 038081415529.If you want to play original Gordon Goodwin charts but find them too challenging, you have to try this chart! Lead trumpet range to written G on top of the staff with an open solo section and written-out solos provided for E-flat, B-flat instruments and trombone. It's the Gordon Goodwin Big Phat Band sound---but accessible for your band. This title is available in SmartMusic.
$3.00
Star-Rise: 1st F Horn
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Orchestre d'harmonie
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Methodes
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Jeanne Vultaggio
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Star-Rise: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014563_H1 1st F Horn. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Musi...
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Concert Band - SKU: AX.00-PC-0014563_H1 1st F Horn. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014563_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014563_H1). UPC: 038081394978.Star-Rise is a programmatic work depicting the progress of the stars across the night sky. Bells set the tone with a simple three-note melody as twilight falls and the first stars appear. Percussion effects represent crickets and cicadas chirping in the background. The texture becomes more chorale-like as related but distinct themes reveal themselves, representing rising constellations. As the star themes gently roll by, the harmony grows warmer and the melody becomes more grandiose in preparation for the final star-rise: the arrival of the morning sun. The work is a great exercise in part layering. -The Instrumentalist.
$3.00
Dimension Traveler, Op. 150
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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A to B is parallel to J-K
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Dimension Traveler, Op. 150
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress....
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Brass Quintet - Level 4 - SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress.com/ #1066386. Published by https://gildedmusicpress.com/ (A0.1489523). Dimension Traveler, Op. 150, for brass quintet was completed 26 Mar 2024. When I wrote the first few distinctive notes into the computer, my ten-year-old son said that it sounded “futuristic.” Somehow that sparked memories of a novel I had started years ago, titled “Dimension Traveler,” based on dimensional theories I had developed. With that fresh inspiration in mind, the piece wrote itself with opening movie credits in mind.The form is thematically palindromic, the center point being m. 77. The beginning to rehearsal letter A mirrors K to the end; A to B is parallel to J-K; B-C = I-J; C-D = H-I; D-E = G-H; and the central thematic sections E-F = F-G. Concerning that central turning point, the thematic material shifts from the trumpets’ first statement at letter E to low brass with the trumpets taking on the pointillistic accompaniment at letter F. Of interest is the parallel of C-D and H-I wherein the motivic material, including dynamics, is quite literally reversed note for note to a climax.For aural aesthetics in performance, there is an optional cut from letter K to m. 142. Thematically, the structure remains chiastic, but taking the cut simply truncates the end for a motivic flavor rather than repeating the entire opening entrée. There is nothing wrong with purists performing the work in its entirety—it is simply a matter of taste among the performing ensemble members.Stylistically, this piece strays far from my typical compositions. Besides the pervasive echoing eighth-note motifs, the key never changes, and there is no chromaticism. Inspired in that regard by the masterpiece “Quintet” by Michael Kamen, the diatonicism often flows in planed clusters mildly influenced by the choral works of Eric Whitacre. Another deviation from my well-established compositional habits is the instrumentation including bass trombone instead of tuba. Of course the part can be played by a tubist, though the bass trombone meshes more seamlessly with the timbres of the other instruments in passing along the pervasively echoing eighth-notes.The individual brass parts appear deceptively simple, and indeed, they are not technically demanding besides a couple high notes in the trumpets. However, putting this piece together in an ensemble setting is rhythmically treacherous!The four-minute final product indeed sounds like it could be the opening to an epic movie of the same title, based on the novel-in-progress.
$24.95
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Work in Progress: 1st F Horn
