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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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DEEJAY
DIDGERIDOO
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XYLOPHONE
Would You Go With Me
Non classifié
29
Piano & claviers
Piano seul
17
Piano, Voix
9
Piano, Voix et Guitare
8
Instruments en Do
3
1 Piano, 4 mains
1
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1
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1
+ 2 instrumentations
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Guitare notes et tablatures
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11
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1
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1
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1
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1
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8
Clarinette
4
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3
Hautbois (partie séparée)
3
Clarinette, Violon (duo)
2
Clarinette et Piano
2
Flûte à bec Tenor
1
Clarinette et Alto
1
Saxophone Alto et Piano
1
Saxophone Tenor
1
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1
Saxophone Tenor et Piano
1
Flûte traversière et Piano
1
Flûte, Violon
1
Hautbois, Piano (duo)
1
Saxophone Alto
1
2 Hautbois (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Hautbois, Flûte
1
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1
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1
Hautbois
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Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone Soprano et Piano
1
Saxophone
1
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5
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3
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2
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2
Trombone
2
Trompette, Trombone (duo)
1
Tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 7 instrumentations
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Violon et Piano
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Violoncelle, Piano
1
Trio à Cordes: violon, alto, violoncelle
1
2 Altos (duo)
1
2 Violoncelles (duo)
1
Violon
1
2 Violons (duo)
1
Alto, Piano
1
Violon, Violoncelle (duo)
1
+ 5 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
12
Orchestre à Cordes
8
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4
Ensemble Jazz
3
Ensemble de Percussions
3
Jazz combo
2
Ensemble de cuivres
2
Percussion
1
Xylophone ou Marimba ou Vibraphone
1
Xylophone, Piano
1
Orchestre de chambre
1
Cloches
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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Vous avez sélectionné:
Would You Go With Me
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Make You Feel My Love
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.749238 By Bob Dylan. By Bob Dylan…
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Piano,Violin - Level 4 - Digital Download SKU: A0.749238 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. 25 pages. Helen Marple-Horvat #6141419. Published by Helen Marple-Horvat (A0.749238). https://www.youtube.com/watch?v=Pnga6ib32RgBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, as I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read. I have also included a ‘piano only’ score as it falls onto three pages, and is convenient for performing, as well as the two piano scores with each violin version.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Violin’ Part that younger players will enjoy, or perhaps the pupils of those who buy the professional level arrangement. It requires some simple shifts in the Chorus and Bridge section. However, there are some places where an open ‘A’ could slip by unobtrusively in quaver passages too. Feel free to take as many bows as you need and don’t feel bound by my bowing suggestions. I have changed my mind many times! Just do what feels comfortable and enjoy it. Some places I have left out bowing altogether eg Bar 27 where you can experiment or discuss with your teacher.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their bowing.My Youtube Channel has many of my arrangements for String Quartet, recorded by the Worcestershire, UK ‘Capriccio Quartet’, as well as many songs for instrument and piano. All but two are available as Sheet Music Plus products. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00
9.22 €
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Violon et Piano
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Bob Dylan
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HELEN MARPLE-HORVAT
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Make You Feel My Love
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Helen Marple-Horvat
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SheetMusicPlus
Make You Feel My Love
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.749237 By Bob Dylan. By Bob Dylan. …
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Oboe,Piano - Level 3 - Digital Download SKU: A0.749237 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. Score and part. 25 pages. Helen Marple-Horvat #6139947. Published by Helen Marple-Horvat (A0.749237). Https://www.youtube.com/watch?v=JvQMUMBLDgUBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, a great key for the oboe. It is the best I can do because I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Oboe’ Part that younger players will enjoy, or perhaps pupils of those who buy the professional level arrangement. I have also enclosed a ‘piano only’ score as it falls onto three pages and is convenient for performing, as well as the two piano scores with each oboe version.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their breathing.My Youtube Channel has many arrangements for String Quartet, recorded by Capriccio Quartet, plus an arrangement of Downton Abbey for Oboe and Piano available from Sheet Music Plus. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00
9.22 €
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Hautbois, Piano (duo)
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Bob Dylan
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HELEN MARPLE-HORVAT
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Make You Feel My Love
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Helen Marple-Horvat
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SheetMusicPlus
Would You Go With Me?
Chorale SATB
Choir, SATB - Digital Download By Josh Turner. 14 pages. Published by Hugo Madera
Choir, SATB - Digital Download By Josh Turner. 14 pages. Published by Hugo Madera
$1.99
1.83 €
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Chorale SATB
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Josh Turner
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Would You Go With Me?
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Hugo Madera
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SheetMusicPlus
If You Could Go Back Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.83 €
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
If You Could Go Back Guitar Vocal Performance
Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. …
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Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.83 €
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Steven H
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If You Could Go Back Guitar Vocal Performance
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Boothe Publishing
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SheetMusicPlus
If You Could Go Back Piano Minus Vocal
Piano seul
Piano - Digital Download SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by …
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Piano - Digital Download SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop,Rock. Accompaniment. Duration 184. Boothe Publishing #4633665. Published by Boothe Publishing (A0.1069959). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.83 €
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Piano seul
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Won't Go Home Without You
2 Violons (duo)
Violin Duet Violin - Digital Download SKU: A0.955942 By Maroon5. By Adam Levine. Ar…
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Violin Duet Violin - Digital Download SKU: A0.955942 By Maroon5. By Adam Levine. Arranged by Adela Urcan ( CoversFor2Violins). Contemporary. 5 pages. Adela Urcan #6433251. Published by Adela Urcan (A0.955942). I know this is a very famous song and there's not much music transcribed for two violins( also pop music, rock, jazz - but also classical) so I will transcribe many more in the future so stay tuned. You can leave me a comment on my YouTube channel - Adela Urcan - where I play advanced arrangements and let me know what music you would like to play and I will transcribe it.I hope you like this one and have fun with it. The level is relatively easy, intermediate.
$4.99
4.6 €
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2 Violons (duo)
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Maroon5
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Won't Go Home Without You
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Adela Urcan
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SheetMusicPlus
Broke - Chose Money Over Me
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.518631 By GbÄ“r…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
$6.70
6.18 €
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Ensemble Jazz
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Gbērē Dodoh
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Broke - Chose Money Over Me
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Holyone Tombari Dodoh
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SheetMusicPlus
Little Did She Know SSAA Christmas Cantata with optional instruments and piano
Alto Voice,B-Flat Trumpet,Cello,Flute,Horn,Piano,Soprano voice,Violin - Level 2 - Digital …
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Alto Voice,B-Flat Trumpet,Cello,Flute,Horn,Piano,Soprano voice,Violin - Level 2 - Digital Download SKU: A0.1124013 Composed by Connie Boss. Arranged by Connie Boss. Christmas. 116 pages. Connie Boss #724786. Published by Connie Boss (A0.1124013). This cantata has both a total of 8 original and public domain songs in it. It is written for SSAA. It also has optional instruments - flute, cello, violin, french horn or trumpet parts included with the download. All have piano accompaniment. There are lots of moving parts and surprise parts throughout the songs. There is also an optional narration included before each song. You can purchase this on Amazon in book form also. To listen to the entire vocals, listen to the attached YouTube attachment. If you would like to sing to a background accompaniment, please email at cdboss@cvalley.net with proof of purchase and I will email them to you. Also email me with any questions or requests. The optional instruments can be of your choice for the mp3s as well.Little Did She Know 1. O Come All Ye Faithful/Adeste Fideles 2. Little Did She Know 3. How Am I Worthy? (Mary’s Prayer) 4. What Child Is This? 5.Hark the Herald Angels Sing 6. Go Tell it on the Mountain 7. Brightest and Best 8. Joy to The World.
$8.00
7.38 €
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Connie Boss
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Connie Boss
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Little Did She Know SSAA Christmas Cantata with optional instruments and piano
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Connie Boss
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SheetMusicPlus
You Go To My Head
Instruments en Do
C Instrument - Level 5 - Digital Download SKU: A0.499788 Composed by Haven Gillespi…
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C Instrument - Level 5 - Digital Download SKU: A0.499788 Composed by Haven Gillespie and John Frederick Coots. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113081. Published by John Fries (A0.499788). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. You Go to My Head is a 1938 popular song composed by J. Fred Coots with lyrics by Haven Gillespie. Numerous versions of the song have been recorded, and it has since become a pop and jazz standard. Alec Wilder terms Coots' melody a minor masterpiece. According to Ted Gioia, “’You Go to my Head’ is an intricately constructed affair with plenty of harmonic movement. The song starts in a major key, but from the second bar onward, Mr. Coots seems intent on creating a feverish dream quality tending more to the minor mode. The release builds on the drama, and the final restatement holds some surprises as well. The piece would be noteworthy even if it lacked such an exquisite coda, but those last eight bars convey a sense of resigned closure to the song that fittingly matches the resolution of the lyrics.
$3.99
3.68 €
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Instruments en Do
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Haven Gillespie and John Frederick Coots
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John Fries
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You Go To My Head
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John Fries
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SheetMusicPlus
You Go To My Head
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197519 Composed by H…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197519 Composed by Haven Gillespie and John Frederick Coots. Arranged by John Fries. 20th Century,Instructional,Jazz,Standards. Score. 2 pages. John Fries #796693. Published by John Fries (A0.1197519). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. You Go to My Head is a 1938 popular song composed by J. Fred Coots with lyrics by Haven Gillespie. Numerous versions of the song have been recorded, and it has since become a pop and jazz standard. Alec Wilder terms Coots' melody a minor masterpiece. According to Ted Gioia, “’You Go to my Head’ is an intricately constructed affair with plenty of harmonic movement. The song starts in a major key, but from the second bar onward, Mr. Coots seems intent on creating a feverish dream quality tending more to the minor mode. The release builds on the drama, and the final restatement holds some surprises as well. The piece would be noteworthy even if it lacked such an exquisite coda, but those last eight bars convey a sense of resigned closure to the song that fittingly matches the resolution of the lyrics.
$4.99
4.6 €
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Piano, Voix et Guitare
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Haven Gillespie and John Frederick Coots
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John Fries
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You Go To My Head
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John Fries
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SheetMusicPlus
You Can Close Your Eyes
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.841181 By James Taylor. By James Taylor…
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Guitar - Level 3 - Digital Download SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com
$5.99
5.52 €
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Guitare notes et tablatures
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
You Can Close Your Eyes
Guitare notes et tablatures
Guitar - Digital Download SKU: A0.841180 By James Taylor. By James Taylor. Arranged…
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Guitar - Digital Download SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com
$6.99
6.44 €
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Guitare notes et tablatures
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
You Can Close Your Eyes
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.841182 By James Taylor. By James Taylor…
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Guitar - Level 2 - Digital Download SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags : Sheet music, Tab, Pop/Rock, Folk , Country, Acoustic Guitar, Easy Intermediate
$5.99
5.52 €
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Guitare notes et tablatures
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
You Raise Me Up
Cloches
Handbell,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.712608 By Jos…
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Handbell,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.712608 By Josh Groban & The African Children's Choir. By Brendan Graham and Rolf Lovland. Arranged by Sandra Zylstra. Contemporary,Pop,Wedding. Score and individual part. 7 pages. Sandra dee zylstra #6264483. Published by sandra dee zylstra (A0.712608). You Raise Me Up has a beautiful uplifting melody that was made famous by Josh Groban. This piece is arranged as a level 3, 2 octave handbell (25 bells) arrangement with piano accompaniment. A separate handbell part is also included. Purchase of this piece gives you permission to make copies for your bell choir only, it may not be duplicated for multiple groups. You may also purchase an instrument solo or duet that would go with this arrangement. (Approximately 3:30 minutes, 6 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$22.00
20.28 €
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Cloches
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Josh Groban & The African Children's Choir
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Sandra Zylstra
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You Raise Me Up
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sandra dee zylstra
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SheetMusicPlus
Are You Talking With God?
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1000127 Composed by D…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1000127 Composed by Denny Dlabal. Christian,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Denny Dlabal #6414003. Published by Denny Dlabal (A0.1000127). I came up with this song idea when I was going to the super market. I was humming the melody in my head and then started to think of lyrics to go with it. This song would be a great praise and worship song and it would also be good for retreats. I think this song could be suited for a church service, but It would also be suited for campfire sessions and any event where people are wanting to give praise to Jesus Christ. The song is 3 minutes and 29 seconds in duration when played a little faster. Feel free to contact me if you have any questions or comments.jamesdlabal@kc.rr.com913-424-3256Thank you and may the Holy Spirit be with you,Denny Dlabal.
$2.99
2.76 €
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Piano, Voix et Guitare
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Denny Dlabal
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Are You Talking With God?
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Denny Dlabal
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SheetMusicPlus
A froggy would a wooing go (mp3)
Alto Voice,Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1059518 Compos…
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Alto Voice,Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1059518 Composed by Traditional. Arranged by Lorin Nelson, David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 178. David Warin Solomons #3397199. Published by David Warin Solomons (A0.1059518). Jolly version of this famous nursery song by Lorin Nelson and David Warin SolomonsA frog he would a-wooing go, mm mm, mm mm, A frog he would a-wooing go, Whether his mother would let him or no, mm mm, mm mm. He rode right to Miss Mousie's den, mm mm, mm mm, He rode right to Miss Mousie's den, Said he, Miss Mousie are you within? mm mm, mm mm. Oh yes, Sir Frog, I sit and spin, mm mm, mm mm, Oh yes, Sir Frog, I sit and spin, So open the door and walk right in, mm mm, mm mm. He said, Miss Mousie I?ve come to see, mm mm, mm mm, He said, Miss Mousie I?ve come to see, If you, Miss Mousie, will marry me? mm mm, mm mm. I don't know what to say to that, mm mm, mm mm, I don't know what to say to that, 'Til I can see my Uncle Rat, mm mm, mm mm. When Uncle Rat came riding home, mm mm, mm mm, When Uncle Rat came riding home, Said he, Whose been here since I've been gone? mm mm, mm mm. A fine young gentleman has been here, mm mm, mm mm, A fine young gentleman has been here, Who wants to marry me, that is clear, mm mm, mm mm. So Uncle Rat, he rode to town, mm mm, mm mm, So Uncle Rat, he rode to town, And bought his niece a wedding gown, mm mm, mm mm. Where shall our wedding supper be, mm mm, mm mm, Where shall our wedding supper be? Down in the trunk of the hollow tree, mm mm, mm mm. The first to come was the Bumble Bee, mm mm, mm mm, The first to come was the Bumble Bee, He strung his fiddle over his knee, mm mm, mm mm. The next to come was a Crawley Bug, mm mm, mm mm, The next to come was a Crawley bug, He broke the bottle and smashed the jug, mm mm, mm mm. The next to come was the Captain Flea, mm mm, mm mm, The next to come was the Captain Flea, He danced a jig with the Bumble Bee, mm mm, mm mm. The Frog and Mouse, they went to France, mm mm, mm mm, The Frog and Mouse, they went to France, And this is the end of my romance, mm mm, mm mm
$2.00
1.84 €
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Traditional
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A froggy would a wooing go
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David Warin Solomons
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SheetMusicPlus
Would You Go With Me by Josh Turner - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: Josh Turner: Would You Go With Me Digital Sheetmusic - instantly downloadabl…
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Performed by: Josh Turner: Would You Go With Me Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 7 pages -- Americana Country~~Neo-Traditionalist Country~~Contemporary Country
$5.50
5.07 €
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Piano, Voix et Guitare
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Josh Turner
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Piano/Vocal/Guitar
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Musicnotes
Carry Me Back to Old Killarney
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.503488 Composed by John R. Daniel…
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Concert Band - Level 4 - Digital Download SKU: A0.503488 Composed by John R. Daniels. Celtic,Folk,Irish,Multicultural,Traditional,World. Score and parts. 43 pages. John R. Daniels #115597. Published by John R. Daniels (A0.503488). “Carry Me Back to Old Killarney†summons images of life in Ireland - peaceful villages, dancing on the green, or formal processions. Full of emotion and energy, drama and action, it’s ambitious enough to be challenging without being too difficult. IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the composer / arranger and other services, go to www.Salt-Cellar-Creations.com.
$60.00
55.31 €
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Orchestre d'harmonie
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John R
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Carry Me Back to Old Killarney
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John R. Daniels
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Down with the Smokers for voice and guitar
Voix duo
Voice Duet Voice - Level 3 - Digital Download SKU: A0.576909 Composed by David Wari…
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Voice Duet Voice - Level 3 - Digital Download SKU: A0.576909 Composed by David Warin Solomons. 20th Century,Blues,Pop. 14 pages. David Warin Solomons #516085. Published by David Warin Solomons (A0.576909). I am so happy that smoking in enclosed public places is now illegal in the UK and in many other countries, but this song was written in the 1980s when people had to breath the pollution created by inconsiderate smokers, and, of course, there are still countries where this is the case. So I decided to publish the song even though the battle is thankfully won here. The sound sample is my own performance with some additional (un-notated) improvisations on cello and vibraphone. The pdf file contains the score and parts. The music has also been arranged as an instrumental duo called Laid back bounce, also available on this site. I went out this morning along the way to work when without warning I was faced with clouds of murk refrain: Sing Down with the smokers who infect the air with clouds hate their unthinking uncaring unblinking hate the stinking coughing crowds! I went down to the station and was waiting for my train but to my irritation the stinkers were there again. [refrain] Wouldn't it be pleasant to enjoy a drink in a theatre bar discussing the play or wouldn't it be jolly just to sing along with pals in a cozy pub along the way or wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death. [refrain] I was eating my fav'rite curry but the air was getting thick and I felt I had to hurry because the smokers made me feel sick [refrain] It's fine bright hot and sunny and I'd love to have a drink but why spend time and money where the smokers sit and stink? [refrain] Wouldn't it be pleasant just to pass the time at a social do or a meeting hall or wouldn't it be jolly to dance the night away with the one you love at a disco or ball wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death [refrain].
$8.00
7.38 €
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Voix duo
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David Warin Solomons
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Down with the Smokers for voice and guitar
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David Warin Solomons
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SheetMusicPlus
He Who Would Valiant Be
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.497403 Composed by English…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.497403 Composed by English Folk Song. Arranged by John R. Daniels. Classical,Folk,Praise & Worship,Sacred,Traditional. Octavo. 10 pages. John R. Daniels #111293. Published by John R. Daniels (A0.497403). This arrangement of He Who Would Valiant Be is great for a church choir or school chorus. It's strikingly vigorous and uses some mild stretto to add texture. The download includes a separate piano part to make accompaniment easier. IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the arranger and other services, go to www.Salt-Cellar-Creations.com.
$2.00
1.84 €
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Chorale SATB
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English Folk Song
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John R
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He Who Would Valiant Be
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John R. Daniels
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SheetMusicPlus
Pilgrim's Song (He Who Would Valiant Be)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.503482 Composed by Music by C…
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String Orchestra - Level 4 - Digital Download SKU: A0.503482 Composed by Music by Charles Winfred Douglas. Arranged by John R. Daniels. Classical,Sacred,Traditional. Score and parts. 15 pages. John R. Daniels #115593. Published by John R. Daniels (A0.503482). A delightful arrangement of the music to John Bunyan's hymn He Who Would Valiant Be from Pilgrim's Progress. More than a straight transcription, it has alternate voicing and key wanderings. It's an easy enough piece for most string orchestras, but it has enough challenges to keep it interesting.IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the composer / arranger and other services, go to www.Salt-Cellar-Creations.com.
$25.00
23.05 €
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Orchestre à Cordes
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Music by Charles Winfred Douglas
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John R
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Pilgrim's Song
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John R. Daniels
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SheetMusicPlus
Goodnight, Sweetheart, Goodnight (goodnight, It's Time To Go)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1195850 By The Tokens. By Calvin Carter and James Hudson. Arranged by Kevin Hall. Barbershop,Hip-Hop,Pop,R & B,Rock,Standards. 8 pages. Eine kleine Saxmusik #795015. Published by Eine kleine Saxmusik (A0.1195850). One of the most recognizable Doo-Wop songs from the mid-50s, your audience will be singing along as you end your set or gig with this old classic. As soon as people hear the signature bass line played on the bari that starts the song, they'll start tapping their toes and coming over to hear the group perform. This arrangement includes an alternate soprano part for the lead, and an alternate bass sax part for the bari to be able to fit almost any sax quartet configuration. Enjoy!(Copyrighted pieces apparently have some diff. policies from original/public domain:I apologize for the minimum price--it's set by ArrangeMe. Contact me at kevinqhall at netscape dot net, and I'll be happy to give you credit toward another piece.Also, the sample cuts off at 30 secs. I loaded the whole song. If you'd like to hear more of the sample, email me (at the address above), and I'll be happy to send you the sound sample.In addition, I'm unable to edit the title or performer. My preferences (the original title/performer!!) would be:Title: Goodnite, Sweetheart, Goodnite (Goodnight, It's Time To Go) - arr. for Sax Quartet A(S)ATB(Bs)Original Performer: The Spaniels).
$12.99
11.98 €
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Quatuor de Saxophones: 4 saxophones
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The Tokens
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Kevin Hall
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Goodnight, Sweetheart, Goodnight
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Eine kleine Saxmusik
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SheetMusicPlus
Go Tell It - Children's Christmas Cantata with 2 sections - 1 solo and piano and 1 vocal trio and pi
Voix duo
Voice Duet Voice - Level 1 - Digital Download SKU: A0.801726 Composed by Connie Bos…
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Voice Duet Voice - Level 1 - Digital Download SKU: A0.801726 Composed by Connie Boss. Arranged by Connie Boss. Children,Christmas,Sacred. 69 pages. Connie Boss #6505927. Published by Connie Boss (A0.801726). This is a cantata for grades K - 8. It has two sections. The first section is for solo and piano only and the second section is for vocal trio, instruments ( flute, cello, violin, french horn or trumpet - all parts included) and piano. It has 5 songs and narration before each song. There are 2 original songs and 3 public domain songs. All have unique parts in the pieces from the piano accompaniment. cdboss@cvalley.net. I have background accompaniment to these songs. If you purchase a book and would like them, please email me with proof of purchase and I will email them back to you. The YouTube video attached is in SSAA format, but you can hear how the songs sound and the accompaniment etc. The lyrics for the new songs are below.Song list:1.    Little Did She Know - new2.    Away in a Manger3.    Go Tell it on the Mountain4.    In the Stillness of the Night - new5.    Joy to the World
$7.00
6.45 €
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Voix duo
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Connie Boss
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Connie Boss
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Go Tell It - Children's Christmas Cantata with 2 sections - 1 solo and piano and 1 vocal trio and pi
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Connie Boss
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SheetMusicPlus
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Would You Go With Me
