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Yea Though I Walk
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9
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1
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--INSTRUMENTS--
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Vous avez sélectionné:
Yea Though I Walk
Partitions à imprimer
45 partitions trouvées
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26
Yea
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Piano seul
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AVANCÉ
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Musique Sacrée
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Edigles Guedes
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Yea
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Edigles Guedes
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1035507 Composed by Edigles Guedes. Classical,Contemporary,Instructional,Praise & Worship,Spiritual. Score. 24 pages. Edi...
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Piano Solo - Level 5 - SKU: A0.1035507 Composed by Edigles Guedes. Classical,Contemporary,Instructional,Praise & Worship,Spiritual. Score. 24 pages. Edigles Guedes #640723. Published by Edigles Guedes (A0.1035507). This song is a study in classical music. It is ideal for advanced level piano students. Inspired by the Bible verse: “Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me, thy rod and thy staff they comfort me.†(Psalms 23:4 – KJV) Duration of work: 16:15 min.
$24.99
The Lord's My Shepherd, I'll Not Want
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Cloches
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INTERMÉDIAIRE
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Alex Guebert
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Alex Guebert
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The Lord's My Shepherd, I'll N
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, 5, 6, or 7 octaves handbells - Level 3+ - SKU: C7.CGB979 Psalm 23. Composed by Alex Guebert. Arranged by Alex Guebert. General, Estertide. ...
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3, 4, 5, 6, or 7 octaves handbells - Level 3+ - SKU: C7.CGB979 Psalm 23. Composed by Alex Guebert. Arranged by Alex Guebert. General, Estertide. With Flute. Score. 12 pages. Chorister's Guild - Digital #CGB979. Published by Chorister's Guild - Digital (C7.CGB979). UPC: 749193024553.Uplifting and sweet, this arrangement of The Lord’s My Shepherd, I’ll Not Want (BROTHER JAMES’ AIR) makes use of stirring crescendos and orchestral-sounding sweeping musical lines. The quiet waters of the Psalm 23 text are reflected in the shimmering, peaceful first verse. The second verse gains momentum (My soul He doth restore again) and the powerful crescendo into the third verse brings a confident sense of peace (Yea, though I walk in death’s dark vale / yet will I fear no ill). At the final cadence, ethereal, unusual harmonies give way to a serene resolution, symbolizing heaven as a final resting place, calling to mind the last lines of the text: and in God’s house forevermore / my dwelling place shall be. The optional flute part sweetens the lovely soft sections and adds flourish and weight to the majestic third verse and coda.
$5.50
Yea, Though I Walk (Psalm 23)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Kristi Kruse
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Yea, Though I Walk
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Kristi Kruse
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1409227 By Kristi Kruse. By Kristi Kruse. 21st Century,Christian,New Age,Sacred,Spiritual. Score. 5 pages. Kristi Kruse #...
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Piano Solo - Level 4 - SKU: A0.1409227 By Kristi Kruse. By Kristi Kruse. 21st Century,Christian,New Age,Sacred,Spiritual. Score. 5 pages. Kristi Kruse #991867. Published by Kristi Kruse (A0.1409227). An original solo piano work using the text of Psalm 23. Perfect for students, recitals, church services.
$5.99
Yea Though I Walk (Psalm 23)
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Chorale SATB
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INTERMÉDIAIRE
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Ken Burton
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Yea Though I Walk
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Voquality
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.777584 Composed by Ken Burton. A Cappella,Christian,Concert,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Voq...
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Choral Choir (SATB) - Level 3 - SKU: A0.777584 Composed by Ken Burton. A Cappella,Christian,Concert,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Voquality #3023059. Published by Voquality (A0.777584). Style: A cappella Sacred, relaxed close harmony, Venues: Churches - ambient, concert halls, Theme: Comfort, hope, God's presence, Useful for: Services, funerals, concerts .
$4.51
I walk
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Piano seul
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DÉBUTANT
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Musique Sacrée
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Edigles Guedes
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I walk
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Edigles Guedes
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1035506 Composed by Edigles Guedes. Classical,Contemporary,Instructional,Praise & Worship,Spiritual. Score. 20 pages. Edi...
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Piano Solo - Level 1 - SKU: A0.1035506 Composed by Edigles Guedes. Classical,Contemporary,Instructional,Praise & Worship,Spiritual. Score. 20 pages. Edigles Guedes #640721. Published by Edigles Guedes (A0.1035506). This song is a study in classical music. It is ideal for easy level piano students. Inspired by the Bible verse: “Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me, thy rod and thy staff they comfort me.†(Psalms 23:4 – KJV) Duration of work: 16:15 min.
$20.99
Many and Great (3, 4 or 5 oct)
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Cloches
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DÉBUTANT
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Cathy Moklebust
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Cathy Moklebust
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Many and Great
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 1 - SKU: C7.CGB972 Wakantanka Taku Nitawa. Composed by Cathy Moklebust. Arranged by Cathy Moklebust. Thanksg...
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3, 4, or 5 octaves handbells - Level 1 - SKU: C7.CGB972 Wakantanka Taku Nitawa. Composed by Cathy Moklebust. Arranged by Cathy Moklebust. Thanksgiving, General. With Finger cymbals, ankle bells (or sleigh bells), tambourine, buffalo drum (or other American Indian drum). Score. 8 pages. Chorister's Guild - Digital #CGB972. Published by Chorister's Guild - Digital (C7.CGB972). UPC: 749193023075.Uplifting and sweet, this arrangement of The Lord's My Shepherd, I'll Not Want (BROTHER JAMES' AIR) makes use of stirring crescendos and orchestral-sounding sweeping musical lines. The quiet waters of the Psalm 23 text are reflected in the shimmering, peaceful first verse. The second verse gains momentum (My soul He doth restore again) and the powerful crescendo into the third verse brings a confident sense of peace (Yea, though I walk in death's dark vale / yet will I fear no ill). At the final cadence, ethereal, unusual harmonies give way to a serene resolution, symbolizing heaven as a final resting place, calling to mind the last lines of the text: and in God's house forevermore / my dwelling place shall be. The optional flute part sweetens the lovely soft sections and adds flourish and weight to the majestic third verse and coda.
$4.50
Brother James' Air — brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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J
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Todd Marchand
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Brother James' Air — bra
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Con Spirito Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1261270 Composed by J.L. Macbeth Bain. Arranged by Todd Marchand. 19th Century,Christian,Fo...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1261270 Composed by J.L. Macbeth Bain. Arranged by Todd Marchand. 19th Century,Christian,Folk,Sacred,Traditional. 16 pages. Con Spirito Music #854340. Published by Con Spirito Music (A0.1261270). Brother James' Air was composed by James Leith Macbeth Bain (1860-1925), a Scottish-born poet, author, mystic, and healer whose ministry took him to Liverpool and London, where he became known simply as Brother James. The tune is often sung to the metrical paraphrase of Psalm 23, The Lord's My Shepherd, by the Puritan religious author and English politician Francis Rous (c. 1581-1659), published in his The Psalms of David set forth in English meeter (1643). The angular, highly arpeggiated tune in bar form (AAB) is both stark and lovely, rising and falling before ascending to a high tonic cadence in its final phrase. Its harmonic simplicity — consisting primarily of I, IV, and V chords — lends itself to alternate harmonizations with substitute chords. Following a short introduction, this arrangement presents the tune four times: first, alternating between the two trumpets; second, by trio of horn, trombone, and tuba; third, in minor tonality (reflecting the psalm's verse 4 and the text's paraphrase, Yea, though I walk thro' death’s dark vale); and fourth, with powerful extended harmonies and surprise cadences resolving to a quiet, peaceful conclusion.  ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$15.00
Amazing rod
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Piano seul
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AVANCÉ
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Musique Sacrée
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Edigles Guedes
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Amazing rod
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Edigles Guedes
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1073590 Composed by Edigles Guedes. Classical,Film/TV,Instructional,Praise & Worship,Spiritual. Score. 6 pages. Edigles G...
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Piano Solo - Level 5 - SKU: A0.1073590 Composed by Edigles Guedes. Classical,Film/TV,Instructional,Praise & Worship,Spiritual. Score. 6 pages. Edigles Guedes #677826. Published by Edigles Guedes (A0.1073590). This song is a study in classical music. It sounds like a horror movie, not too scary. It is ideal for advanced level piano students. Inspired by the Bible verse: “Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.†(Psalms 23:4 – KJV) Duration of work: 3:51 min.
$6.99
Thy staff
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Piano seul
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DÉBUTANT
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Musique Sacrée
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Edigles Guedes
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Thy staff
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Edigles Guedes
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1034442 Composed by Edigles Guedes. Classical,Contemporary,Instructional,Praise & Worship,Spiritual. Score. 27 pages. Edi...
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Piano Solo - Level 1 - SKU: A0.1034442 Composed by Edigles Guedes. Classical,Contemporary,Instructional,Praise & Worship,Spiritual. Score. 27 pages. Edigles Guedes #639796. Published by Edigles Guedes (A0.1034442). This song is a study in classical music. It is ideal for easy level piano students. Inspired by the Bible verse: “Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me, thy rod and thy staff they comfort me.†(Psalms 23:4 – KJV) Duration of work: 20:05 min.
$27.99
Thy rod
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Piano seul
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DÉBUTANT
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Musique Sacrée
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Edigles Guedes
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Thy rod
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Edigles Guedes
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1034440 Composed by Edigles Guedes. Classical,Contemporary,Instructional,Praise & Worship,Spiritual. Score. 14 pages. Edi...
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Piano Solo - Level 1 - SKU: A0.1034440 Composed by Edigles Guedes. Classical,Contemporary,Instructional,Praise & Worship,Spiritual. Score. 14 pages. Edigles Guedes #639794. Published by Edigles Guedes (A0.1034440). This song is a study in classical music. It is ideal for easy level piano students. Inspired by the Bible verse: “Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me, thy rod and thy staff they comfort me.†(Psalms 23:4 – KJV) Duration of work: 10:07 min.
$14.99
I Did Not See Temple Spires - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Did Not See Temple Spires -
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G....
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Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99
When I'm Sixty-Four
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Piano Facile
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FACILE
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The Beatles
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When I'm Sixty-Four
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Colne Edition / BullardMusic
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1415644 By The Beatles. By John Lennon and Paul McCartney. Arranged by Janet and Alan Bullard (The Janet and Alan Bullard...
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Easy Piano - Level 2 - SKU: A0.1415644 By The Beatles. By John Lennon and Paul McCartney. Arranged by Janet and Alan Bullard (The Janet and Alan Bullard Piano Series). 20th Century,Comedy,Pop. Score. 6 pages. Colne Edition / BullardMusic #997360. Published by Colne Edition / BullardMusic (A0.1415644). Although When I’m Sixty-Four was first released on the Beatles album Sgt. Pepper's Lonely Hearts Club Band (1967) this song was written ten years earlier by the 14-year old Paul McCartney, and presents a quirky view of young love presented in a nostalgic vaudeville style. In this easy-to play arrangement, the left hand is mainly light and staccato with the melody singing out smoothly above. The Janet and Alan Bullard Piano Series is an ever-growing collection of arrangements at easy to intermediate level, designed to complement the authors’ Pianoworks series (Oxford University Press). With Christmas songs such as ‘Chestnuts Roasting on an Open Fire’ and ‘A Spaceman Came Travelling’, songs from the shows such as ‘You’ll Never Walk Alone’, jazz standards such as ‘The Wedding’ and ‘A Child is Born’ songs by bands like Abba and The Kinks, pieces from the classics, and even the theme tunes from James Bond, Desert Island Discs, and The Archers, there is something here for everyone who learns the piano! All arrangements are distributed by Sheet Music Plus and Sheet Music Direct, and are available as individual digital downloads. A full list is available at www.bullardmusic.co.uk
$4.99
Fifth Book of Madrigals ("I Tatti")
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Gavin Bryars
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Fifth Book of Madrigals
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Schott Music - Digital
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SheetMusicPlus
Mixed voices (STTTBarB) - SKU: S9.Q42747 (The I Tatti Madrigals). Composed by Gavin Bryars. Choral Music of Our Time. Downloadable, Choral score....
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Mixed voices (STTTBarB) - SKU: S9.Q42747 (The I Tatti Madrigals). Composed by Gavin Bryars. Choral Music of Our Time. Downloadable, Choral score. Schott Music - Digital #Q42747. Published by Schott Music - Digital (S9.Q42747). Italian.The choice of 16th century texts, by Bronzino and Battiferri, reflects the interests of the dedicatee of these sonnets - Craig Hugh Smyth, a fine art historian and former director of the Villa I Tatti, who was a specialist in Bronzino and Pontormo. Bronzino's sonnet is a lament on the death of Pontormo, his teacher; Laura Battiferri's poem is a direct response to that of Bronzino. As I was also asked to set sonnets by Petrarca, I chose two of his closely linked sonnets, numbers 229 and 230 in the Rime Sparse. I had written a work for I Tatti some five years earlier setting Petrarca (A qualunque animale, the first in my Fourth Book of Madrigals) and was familiar with the context. However, through correspondence with Kathryn Bosi, Music Librarian at I Tatti and, through her, Craig Smyth's family, I became increasingly aware of his unusual and quite special character. From his undergraduate days at Princeton and indeed throughout his life, although a great scholar and writer, he was at the same time an aficionado of jazz, loving above all Louis Armstrong, being photographed with Duke Ellington, taking his children to see Thelonious Monk, listening to Ben Webster and playing the tenor saxophone himself. Indeed, he had told Kathryn Bosi that he had been proud to walk in procession at the funerals of black musicians in New Orleans. In some ways his life was almost an obverse mirror image of parts of my own - I was a professional jazz musician but found myself teaching art history for a time. As Fiorella Superbi of I Tatti has said: Craig was a maestro di vita. I raise a glass in his memory and dedicate these sonnets to him. Gavin Bryars.
$16.99
Thank U, Next
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Piano, Voix
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FACILE
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Pop musique
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Ariana Grande
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Mario Stallbaumer
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99
Sanbutsuge: A Buddhist Motet for Chorus SATB and Piano, with Solo Soprano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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Sanbutsuge: A Buddhist Motet f
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. P...
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Choral Choir (SATB) - Level 4 - SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. Published by Richard St. Clair (A0.939717). This 9-minute motet in which the Buddha-to-be Dharmakara praises His master, Lokeshvaraja Buddha and vows to become the Savior of all Beings (namely, Amida Buddha). The music beings with an extended recitative/aria by solo soprano, and proceeds to the full choral ensemble to its conclusion. The MP3 Audio Clip is a computer-generated soundfile of the entire work. The music is completely tonal and traditional, suitable for good amateur choirs and professional choruses alike.Words from the Larger Sutra on Amida Buddha expounded by Shakyamuni Buddha some 2500 years ago in India.[Setting: Many ages ago, Dharmakara Bhikshu (in his stage before becoming Amida Buddha) declares to his Master, Buddha Lokeshvararaja, his intention to create a Pure Land wherein all suffering beings can be saved.]Text (slightly abridged):Then appeared a Buddha named Lokeshvararaja, the Tathagata, Arhat, Perfectly Enlightened One, Possessed of Wisdom and Practice, Perfected One, Knower of the World, Unsurpassed One, Tamer of Men, Master of Gods and Men, Buddha and World-Honored One.At that time there was a king, who, having heard the Buddha's exposition of the Dharma, rejoiced in his heart and awakened aspiration for the highest, perfect Enlightenment. He renounced his kingdom and the throne, and became a monk named Dharmakara. Having superior intelligence, courage and wisdom, he distinguished himself in the world. He went to see the Tathagata Lokeshvararaja, knelt down at his feet, walked round him three times keeping him always on his right, prostrated himself on the ground, and putting his palms together in worship, praised the Buddha with these verses:The shining face of the Buddha is glorious;Boundless is his magnificence.Radiant splendor such as hisIs beyond all comparison.The sun, the moon and the mani-jewel,Though shining with dazzling brightness,Are completely dimmed and obscuredAs if they were a pile of ink-sticksThe countenance of the TathagataIs beyond compare in the whole world.The great voice of the Enlightened OneResounds throughout the ten regions.His morality, learning, endeavor,Absorption in meditation, wisdomAnd magnificent virtues have no equal;They are wonderful and unsurpassed.I resolve to become a Buddha,Equal in attainment to you, O holy king of the Dharma,To save living beings from birth-and-death,And to lead them all to emancipation.I vow that, when I have become a Buddha,I shall carry out this promise everywhere;And to all fear-ridden beingsShall I give great peace.Even though there are Buddhas,A thousand million kotis in number,And multiudes of great sagesCountless as the sands of the Ganges,I shall make offeringsTo all those Buddhas.I shall seek the supreme WayResolutely and tirelessly.Even though the Buddha-lands are as innumerableAs the sands of the Ganges,And other regions and worldsAre also without number,My light shall shine everywhere,Pervading all those lands.Such being the result of my efforts,My glorious power shall be immeasurable.When I have become a Buddha,My land shall be most exquisite,And its people wonderful and unexcelled;The seat of Enlightenment shall be supreme.My land, being like Nirvana itself,Shall be beyond comparison.I take pity on living beingsAnd resolve to save them all.Those who come from the ten quartersShall find joy and serenity of heart;When they reach my land,They shall dwell in peace and happiness.I beg you, the Buddha, to become my witnessAnd to vouch for the truth of my aspiration.Having now made my vows to you,I will strive to fulfilll them.The World-Honored Ones in the ten quartersHave unimpeded wisdom;I call upon those Honored OnesTo bear witness to my intention.Even though I mu.
$10.99
Mille lune (Dedicato a Eleonora)
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Contemporain
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Monica Bergo
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you are
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Mille lune
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Monica Bergo
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SheetMusicPlus
Small Ensemble Alto Saxophone,Guitar,Piano,Recorder,Synthesizer,Violin - Level 3 - SKU: A0.976832 Composed by Monica Bergo. Contemporary. Score and part...
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Small Ensemble Alto Saxophone,Guitar,Piano,Recorder,Synthesizer,Violin - Level 3 - SKU: A0.976832 Composed by Monica Bergo. Contemporary. Score and parts. 26 pages. Monica Bergo #3235413. Published by Monica Bergo (A0.976832). 2017 Holiday Contest EntryA thousand moons (For Eleonora) My eyes inside your I finally met you your boss laid on my aching belly that miracle you are ... I sought, I thought I invented and imagined and now I tremble at the thought that all this is not true not fade away ... you're mine ... Who will you be (where will you go) where will you go (who will be) of who you'll love? and I lose myself to dream your life to be invented thousand moons (lots of sun) you see And while time changes everything You blossom and you are rose and you are rebel wind and you are fire, sparks sustain me, exalt me and we reverse sides my embrace that melts fear and welcomes the thousand moons that you are the much sun that you are I will dry up your tears of love I will teach you to make quickly heal the heart and I'll be there thoughtful and silent spectator actress you are in this movie that is your life After me you, a thousand moons and sun still forget me if the pains you to think of me pieces of me in your young pain fragments that the time will disappear in your moon I will be Time that you know that know and saw my years be more good to her Wind,you will need Always inflate strong her sails a thousand moons, the sun for her If you love me I death for you defy if you do not want to leave me and you will walk in my own magical balance in your moon and your sun I'll be ... I thought you, I invented you I dreamed and imagined but now that you're next to me I would have hoped for so much because you are.... all this and more ..... Monica Bergo
$3.99
Le Piccadilly
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Ensemble de cuivres
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Classique
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Contemporain
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Erik Satie
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Eric Wilson
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Le Piccadilly
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Woodrow Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.999421 Composed by Erik Satie. Arranged by Eric Wilson. 20th Century. Score and parts. 13 pages. Woodrow Edition #5798355. Publ...
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Brass Ensemble - SKU: A0.999421 Composed by Erik Satie. Arranged by Eric Wilson. 20th Century. Score and parts. 13 pages. Woodrow Edition #5798355. Published by Woodrow Edition (A0.999421). This sweet little march – more of a cakewalk really – was originally written for piano by the famously eccentric French composer Erik Satie but it suits the brass quintet very well. I made this arrangement as long ago as 1987 when I didn’t know much about the composer. Many years later I visited his former home, now a museum, in the Normandy port of Honfleur. It’s well worth a visit and gives a valuable insight into this fascinating composer.The piece makes a delightful short interlude or encore and I’ve tried to share the interest around the players, although the tuba is not exactly pushed to its limits!
$9.95
We Just Figured Out Blue's Clues
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Piano Facile
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DÉBUTANT
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Peter Zizzo and Philip Talman
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Kevin Frecker
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We Just Figured Out Blue's Clu
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Kevin Frecker
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1429539 Composed by Peter Zizzo and Philip Talman Walkley. Arranged by Kevin Frecker. Children,Film/TV,Instructional. Sco...
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Easy Piano - Level 1 - SKU: A0.1429539 Composed by Peter Zizzo and Philip Talman Walkley. Arranged by Kevin Frecker. Children,Film/TV,Instructional. Score. 1 pages. Kevin Frecker #1010236. Published by Kevin Frecker (A0.1429539). Occasionally there are times in the life of a parent when a young child becomes a source of inspiration. Although I was familiar with this song from my growing-up years, I never actually watched Blue's Clues until my son recently discovered episodes from the early seasons. Within a span of a few days, I had heard this song multiple times and figured it would be perfect for a series of arrangements! This is the first - an easy piano solo arrangement ideal for the beginner pianist. Finger numberings are provided, but the piano student and the teacher should feel free to adjust the hand position if necessary.
$4.99
We Just Figured Out Blue's Clues
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Piano Facile
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DÉBUTANT
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Peter Zizzo and Philip Talman
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Kevin Frecker
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We Just Figured Out Blue's Clu
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Kevin Frecker
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1430775 Composed by Peter Zizzo and Philip Talman Walkley. Arranged by Kevin Frecker. Children,Film/TV,Instructional. Sco...
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Easy Piano - Level 1 - SKU: A0.1430775 Composed by Peter Zizzo and Philip Talman Walkley. Arranged by Kevin Frecker. Children,Film/TV,Instructional. Score. 1 pages. Kevin Frecker #1011276. Published by Kevin Frecker (A0.1430775). Occasionally there are times in the life of a parent when a young child becomes a source of inspiration. Although I was familiar with this song from my growing-up years, I never actually watched Blue's Clues until my son recently discovered episodes from the early seasons. Within a span of a few days, I had heard this song multiple times and figured it would be perfect for a series of arrangements! This version is an easy piano solo with basic chords as the accompaniment, ideal for the late beginner piano student. A simpler piano solo version is also available.
$4.99
We Just Figured Out Blue's Clues
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1 Piano, 4 mains
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DÉBUTANT
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Peter Zizzo and Philip Talman
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Kevin Frecker
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We Just Figured Out Blue's Clu
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Kevin Frecker
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.1431618 Composed by Peter Zizzo and Philip Talman Walkley. Arranged by Kevin Frecker. Children,Film/TV,In...
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1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.1431618 Composed by Peter Zizzo and Philip Talman Walkley. Arranged by Kevin Frecker. Children,Film/TV,Instructional. Score. 2 pages. Kevin Frecker #1012093. Published by Kevin Frecker (A0.1431618). Occasionally there are times in the life of a parent when a young child becomes a source of inspiration. Although I was familiar with this song from my growing-up years, I never actually watched Blue's Clues until my son recently discovered episodes from the early seasons. Within a span of a few days, I had heard this song multiple times and figured it would be perfect for a series of arrangements! This piano duet version uses the easy solo edition (available on its own) as the primo part, with the secondo added as a teacher part.
$4.99
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Two Dances from the Opera Aleko for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Opera
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Classique
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Sergei Rachmaninoff
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Charles Decker
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Two Dances from the Opera Alek
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Gordon Cherry
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1295745 Composed by Sergei Rachmaninoff. Arranged by Charles Decker. Opera,Romantic Period....
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1295745 Composed by Sergei Rachmaninoff. Arranged by Charles Decker. Opera,Romantic Period. 18 pages. Gordon Cherry #886045. Published by Gordon Cherry (A0.1295745). Aleko, by Sergei Rachmaninoff, an early composition from 1892 is a one act tragic opera based on a poem by Alexander Pushkin called The Gypsies. The opera was a graduation work for the Moscow Conservatory, winning the highest prizes from the judges that year. Although the music is heavily influenced by the great Tchaikovsky, Rachmaninoff shows that he is quite capable of walking in his own shoes.The dramatic music Two Dances has been beautifully arranged by Charles Decker for traditional Brass Quintet (Trumpet I in B-flat/Piccolo Trumpet, Trumpet II in B-flat, Horn, Trombone and Tuba.) The music is appropriate for advanced performers and is about 6-minutes in length.
$27.50
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Yea Though I Walk
