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Yellow - Cello Solo with Piano Accompaniment
Partitions à imprimer
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26
She Wore A Yellow Ribbon (for trumpet in B flat solo and piano accompaniment)
Trompette, Piano
Piano,Trumpet - Level 2 - Digital Download SKU: A0.642419 Composed by Traditional W…
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.642419 Composed by Traditional Western Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional. Score and part. 2 pages. Kaiserin Rebecca #6480527. Published by Kaiserin Rebecca (A0.642419). For trumpet in B flat solo and piano accompaniment with chords.
$4.99
4.54 €
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Trompette, Piano
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Traditional Western Song
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Kaiserin Rebecca
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She Wore A Yellow Ribbon
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Kaiserin Rebecca
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SheetMusicPlus
She Wore A Yellow Ribbon (for clarinet in B flat solo and piano accompaniment)
Clarinette et Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.642454 Composed by Traditional …
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.642454 Composed by Traditional Western Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional. Score and part. 2 pages. Kaiserin Rebecca #6508147. Published by Kaiserin Rebecca (A0.642454). For clarinet in B flat solo and piano accompaniment with chords.
$4.99
4.54 €
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Clarinette et Piano
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Traditional Western Song
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Kaiserin Rebecca
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She Wore A Yellow Ribbon
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Kaiserin Rebecca
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SheetMusicPlus
She Wore A Yellow Ribbon (for alto saxophone solo and piano accompaniment)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.642276 Composed by Tradit…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.642276 Composed by Traditional Western Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional. Score and part. 2 pages. Kaiserin Rebecca #6428305. Published by Kaiserin Rebecca (A0.642276). For alto saxophone solo and piano accompaniment with chords.
$4.99
4.54 €
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Saxophone Alto et Piano
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Traditional Western Song
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Kaiserin Rebecca
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She Wore A Yellow Ribbon
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Kaiserin Rebecca
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SheetMusicPlus
She Wore A Yellow Ribbon (for tenor sax solo and piano accompaniment)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.642359 Composed by Tradi…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.642359 Composed by Traditional Western Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional. Score and part. 2 pages. Kaiserin Rebecca #6443161. Published by Kaiserin Rebecca (A0.642359). For tenor saxophone solo and piano accompaniment with chords.
$4.99
4.54 €
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Saxophone Tenor et Piano
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Traditional Western Song
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Kaiserin Rebecca
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She Wore A Yellow Ribbon
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Kaiserin Rebecca
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SheetMusicPlus
She Wore A Yellow Ribbon (for oboe solo and piano accompaniment)
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.642431 Composed by Traditional West…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.642431 Composed by Traditional Western Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional. Score and part. 2 pages. Kaiserin Rebecca #6498869. Published by Kaiserin Rebecca (A0.642431). For oboe solo and piano accompaniment with chords.
$4.99
4.54 €
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Hautbois, Piano (duo)
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Traditional Western Song
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Kaiserin Rebecca
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She Wore A Yellow Ribbon
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Kaiserin Rebecca
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SheetMusicPlus
She Wore A Yellow Ribbon (for viola solo and piano accompaniment)
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.642189 Composed by Traditional Wes…
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Piano,Viola - Level 1 - Digital Download SKU: A0.642189 Composed by Traditional Western Song. Arranged by Kaiserin Rebecca. Children,Concert,Folk,Instructional. Score and part. 2 pages. Kaiserin Rebecca #6323629. Published by Kaiserin Rebecca (A0.642189). For viola solo and piano accompaniment with chords.Suitable for children/ junior recital.
$4.99
4.54 €
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Alto, Piano
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Traditional Western Song
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Kaiserin Rebecca
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She Wore A Yellow Ribbon
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Kaiserin Rebecca
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SheetMusicPlus
She Wore A Yellow Ribbon (for violin solo and piano accompaniment)
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.642144 Composed by Traditional We…
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Piano,Violin - Level 2 - Digital Download SKU: A0.642144 Composed by Traditional Western Song. Arranged by Kaiserin Rebecca. Children,Concert,Folk,Instructional. 2 pages. Kaiserin Rebecca #6294069. Published by Kaiserin Rebecca (A0.642144). For violin solo and piano accompaniment with chords.Suitable for children/ junior recital.
$4.99
4.54 €
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Violon et Piano
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Traditional Western Song
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Kaiserin Rebecca
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She Wore A Yellow Ribbon
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Kaiserin Rebecca
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SheetMusicPlus
Yellow Rose of Texas and Variations
Trompette, Piano
By Traditional. Arranged by Lewis Buckley. For Trumpet Solo with Piano. Solo music. Solo p…
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By Traditional. Arranged by Lewis Buckley. For Trumpet Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$20.00
18.19 €
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Trompette, Piano
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Traditional
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Lewis Buckley
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Yellow Rose of Texas and Variations
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Cimarron Music Press
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SheetMusicPlus
Three Chromicons for piano solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
10.92 €
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Piano seul
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
The Yellow Rose Of Texas (with "Dixie") (Duet for Soprano and Tenor Solo)
Voix duo
Voice Duet Voice - Level 2 - Digital Download SKU: A0.624128 Composed by Anonymous,…
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Voice Duet Voice - Level 2 - Digital Download SKU: A0.624128 Composed by Anonymous, Daniel D. Emmett. Arranged by Stephen DeCesare. Folk,Instructional,Standards,Traditional. 8 pages. Exultet Music #4633305. Published by Exultet Music (A0.624128). Two of the most popular Southern American folk songs from the Civil War have been combined and arranged as a duet for a Soprano and Tenor Solo with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$4.99
4.54 €
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Voix duo
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Anonymous, Daniel D
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Stephen DeCesare
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The Yellow Rose Of Texas
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Exultet Music
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SheetMusicPlus
The Yellow Rose Of Texas (with "Dixie") (Duet for Soprano and Alto Solo)
Voix duo
Voice Duet Voice - Level 2 - Digital Download SKU: A0.624130 Composed by Anonymous,…
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Voice Duet Voice - Level 2 - Digital Download SKU: A0.624130 Composed by Anonymous, Daniel D. Emmett. Arranged by Stephen DeCesare. Folk,Instructional,Standards,Traditional. 8 pages. Exultet Music #4633313. Published by Exultet Music (A0.624130). Two of the most popular Southern American folk songs from the Civil War have been combined and arranged as a duet for a Soprano and an Alto Solo with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$4.99
4.54 €
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Voix duo
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Anonymous, Daniel D
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Stephen DeCesare
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The Yellow Rose Of Texas
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Exultet Music
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SheetMusicPlus
The Yellow Rose Of Texas (with "Dixie") (Duet for Tenor and Bass Solo)
Voix duo
Voice Duet Voice - Level 2 - Digital Download SKU: A0.624133 Composed by Anonymous,…
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Voice Duet Voice - Level 2 - Digital Download SKU: A0.624133 Composed by Anonymous, Daniel D. Emmett. Arranged by Stephen DeCesare. Folk,Instructional,Standards,Traditional. 8 pages. Exultet Music #4633325. Published by Exultet Music (A0.624133). Two of the most popular Southern American folk songs from the Civil War have been combined and arranged as a duet for a Tenor and Bass Solo with Piano accompaniment. Accessible and appropriate for any school or concert setting. .
$4.99
4.54 €
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Voix duo
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Anonymous, Daniel D
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Stephen DeCesare
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The Yellow Rose Of Texas
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Exultet Music
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SheetMusicPlus
The Yellow Rose Of Texas (Duet for Tenor and Bass Solo)
Voix duo
Voice Duet Voice - Level 2 - Digital Download SKU: A0.624211 Composed by Anonymous.…
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Voice Duet Voice - Level 2 - Digital Download SKU: A0.624211 Composed by Anonymous. Arranged by Stephen DeCesare. Folk,Instructional,Standards,Traditional. 6 pages. Exultet Music #4716273. Published by Exultet Music (A0.624211). One of the most popular Southern American folk songs from the Civil War has been freshly arranged as a duet for a Tenor and Bass Solo with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$4.99
4.54 €
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Voix duo
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Anonymous
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Stephen DeCesare
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The Yellow Rose Of Texas
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Exultet Music
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SheetMusicPlus
The Yellow Rose Of Texas (Duet for Soprano and Alto Solo)
Voix duo
Voice Duet Voice - Level 2 - Digital Download SKU: A0.624208 Composed by Anonymous.…
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Voice Duet Voice - Level 2 - Digital Download SKU: A0.624208 Composed by Anonymous. Arranged by Stephen DeCesare. Folk,Instructional,Standards,Traditional. 6 pages. Exultet Music #4716263. Published by Exultet Music (A0.624208). One of the most popular Southern American folk songs from the Civil War has been freshly arranged as a duet for a Soprano and an Alto Solo with Piano accompaniment. Accessible and appropriate for any school or concert setting. .
$4.99
4.54 €
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Voix duo
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Anonymous
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Stephen DeCesare
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The Yellow Rose Of Texas
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Exultet Music
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SheetMusicPlus
The Yellow Rose Of Texas (Duet for Soprano and Tenor Solo)
Voix duo
Voice Duet Voice - Level 2 - Digital Download SKU: A0.624206 Composed by Anonymous.…
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Voice Duet Voice - Level 2 - Digital Download SKU: A0.624206 Composed by Anonymous. Arranged by Stephen DeCesare. Folk,Instructional,Standards,Traditional. 6 pages. Exultet Music #4716247. Published by Exultet Music (A0.624206). One of the most popular Southern American folk songs from the Civil War has been arranged as a duet for a Soprano and Tenor Solo with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$4.99
4.54 €
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Voix duo
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Anonymous
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Stephen DeCesare
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The Yellow Rose Of Texas
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Exultet Music
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SheetMusicPlus
Yellowstone Joan (in E flat) for piano solo
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.958504 Composed by Joseph Dillon Fo…
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Piano Solo - Level 3 - Digital Download SKU: A0.958504 Composed by Joseph Dillon Ford. 20th Century,Contemporary,Folk. Score. 3 pages. David Warin Solomons2 #3859491. Published by David Warin Solomons2 (A0.958504). This Country Tune was composed many years ago primarily for my own amusement, although the lyrics weren't written until I prepared these songs for publication in 2001. It is music of the popular sort I occasionally heard on the radio when I was a young man, with singable melodies and guitar-like accompaniments. It would be a shame if anyone took it too seriously, but it is not without a certain charm which I hope recommends them to both singers and audiences in search of new, lighter fare.
$5.00
4.55 €
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Piano seul
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Joseph Dillon Ford
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Yellowstone Joan
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David Warin Solomons2
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SheetMusicPlus
Yellowstone Joan (in B flat) for piano solo
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.958503 Composed by Joseph Dillon Fo…
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Piano Solo - Level 3 - Digital Download SKU: A0.958503 Composed by Joseph Dillon Ford. 20th Century,Contemporary,Folk. Score. 3 pages. David Warin Solomons2 #3859487. Published by David Warin Solomons2 (A0.958503). This Country Tune was composed many years ago primarily for my own amusement, although the lyrics weren't written until I prepared these songs for publication in 2001. It is music of the popular sort I occasionally heard on the radio when I was a young man, with singable melodies and guitar-like accompaniments. It would be a shame if anyone took it too seriously, but it is not without a certain charm which I hope recommends them to both singers and audiences in search of new, lighter fare.
$5.00
4.55 €
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Piano seul
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Joseph Dillon Ford
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Yellowstone Joan
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David Warin Solomons2
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SheetMusicPlus
Goodbye Yellow Brick Road
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.802795 By Elton John. By Bernie Tau…
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Easy Piano - Level 3 - Digital Download SKU: A0.802795 By Elton John. By Bernie Taupin and Elton John. Arranged by Jerome Stokes. Pop,Rock. Score. 2 pages. Jerome Stokes #409851. Published by Jerome Stokes (A0.802795). The greatest rock and roll piano player/singer of all time, Elton John, penned this epic song merging the dreams of living the high life with the realizations that the fame and glitter is not all its cracked up to be; and that the place he came from might just be his Emerald City beyond the yellow brick road. This arrangement is intended as an accompaniment for the performing soloist or small ensemble. It is in the same key and tempo as the original recording. You can listen to the Elton John recording at the Youtube link provided.
$4.99
4.54 €
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Piano Facile
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Elton John
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Jerome Stokes
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Goodbye Yellow Brick Road
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Jerome Stokes
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.15 €
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Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Trompette, Piano
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexan…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.15 €
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Trompette, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexande…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.15 €
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Cor anglais, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.15 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.15 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.15 €
#
Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.15 €
#
Flûte traversière et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
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