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The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 â 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani â 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals â Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadnât written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That âsomething elseâ grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
186.57 €
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Reals author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick IIs army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel IIs reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIIIs time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (187374) (when it enjoyed of a co-officiality) and the Second Spanish Republic (19311939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the countrys national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, its a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas estate in 1997 for 130,000,000 pesetas (~ 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
36.38 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (187…
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Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes<br> <br> Sergei Rachmaninoffs Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.<br> <br> <br> <br> Instrumentation<br> <br> 2 Flutes<br> <br> 2 Oboes<br> <br> 2 Clarinets (B flat)<br> <br> 2 Bassoons<br> <br> 4 Horns (F)<br> <br> 3 Trumpets (B flat)<br> <br> 2 Trombones<br> <br> 1 Bass Trombone<br> <br> 1 Tuba<br> <br> Timpani<br> <br> Snare Drum<br> <br> Tambourine<br> <br> Harp (substitute piano ifnecessary)<br> <br> Violins I and II<br> <br> Viola<br> <br> Violincello<br> <br> Double Bass
$19.99
18.65 €
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Orchestre
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra
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Michael Barrera
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SheetMusicPlus
O Canada (Full score only)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Calixa Lavallee (1842-18…
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Full Orchestra - Intermediate - Digital Download Composed by Calixa Lavallee (1842-1891). Arranged by George Alfred Grant-Schaefer, Samuel Labrecque. Contemporary Classical. Score. 9 pages. Published by Composer Lab Music
The majestic national anthem of Canada, in a brand new fullyorchestrated arrangement for orchestra and SATB chorus by Samuel Labrecquebased on George Alfred Grant-Shaefer's version for SATB and piano. Thisorchestration was done to be performable both with and without the choir. It'sa simple yet powerful arrangement that's within reach of every ensemble and iscertain to reach the patriotic Canadian within you!<br> <br> Note: This item contains only the conductor's full score, for study purposes. The vocal score (piano reduction) and the full performance package (full score and parts) can each be purchased on theirown as well.
$8.99
8.39 €
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Orchestre
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Calixa Lavallee (1842-1891)
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O Canada
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Composer Lab Music
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SheetMusicPlus
The Advent of Hope, the Birth of Peace - Orchestration
Orchestre
Full Orchestra - Digital Download SKU: LX.30-1687L A Christmas Cantata for Choir…
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Full Orchestra - Digital Download SKU: LX.30-1687L A Christmas Cantata for Choir/Cong Worship Leader. Composed by Robert Lau. Choral Cantatas. Christmas. Score and parts. 56 pages. Lorenz Publishing - Digital Sheet Music #e30/1687L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-1687L). UPC: 000308057782.Christmas is that wonderful time of the year when we sing, come, thou long-expected Jesus even though we know he has already come, and 'joy to the world' even though we know the world is not yet completely joyful. ôThese are the opening words of this thoughtful and expressive cantata-a beautiful combination of the meditative, as well as the joyful, feelings that remembering the events of Christmas brings. The congregation is asked to join in the singing of familiar carols, and the choir is given the opportunity to sing beautifully crafted, but never difficult, new music for the season. Performance time: 25-30 minutes. Flute 1 and 2, B-flat Clarinet, Horn in F, Trumpet 1, 2 and 3, Trombone 1, 2 and 3, Timpani, Percussion, Opt. Harp, Violin 1 and 2, Viola, Cello, Contrabass.
$349.95
326.45 €
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Orchestre
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Robert Lau
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The Advent of Hope, the Birth of Peace - Orchestration
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
One-Note Concerto for piano and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1249638 Composed by David Rubin…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1249638 Composed by David Rubinstein. 20th Century,21st Century,Comedy. Score and Parts. 170 pages. David Rubinstein #844042. Published by David Rubinstein (A0.1249638). ...one of the very few piano concertos ever written that I could handle technically. -Peter Schickele (P.D.Q. Bach) Transposed orchestral score and parts - one PDF.One-Note Concerto: a neo-classical romp on the key of B7 for piano and orchestra in three short movements. Premiered by the Hartford Symphony in 2006.One-Note Concerto combines a wide range of melodies that are surprisingly woven together through the reiteration - by the 'soloist' - of a single pitch (a very high âBâ). From carnival-like tunes in the first movement, to introspective waltzes in the second, to a violent (yet lighthearted!) presto in the finale, this concerto aggressively pursues a sense of musical drama with its tongue firmly placed in its cheek.â  -  Jamie Allen, director of the Santa Fe New Music YouthFest.
$195.00
181.9 €
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Orchestre
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David Rubinstein
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One-Note Concerto for piano and orchestra
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David Rubinstein
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SheetMusicPlus
DIVINATION - Volume 12 (Piano and Orchestra) - Fantasia Suite
Orchestre
Full Orchestra - Digital Download SKU: A0.1019610 Composed by Carter Larsen. Contem…
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Full Orchestra - Digital Download SKU: A0.1019610 Composed by Carter Larsen. Contemporary. Score and parts. 145 pages. Edition Isolde #4313099. Published by Edition Isolde (A0.1019610). Piano and Orchestra Divination - Urtext edition. Composed by Carter Larsen. Piano and Orchestra Collection (hard bound). With standard notation, introductory text. Published by Edition Isolde. 9x12 inches. 186 pgs. Fantasia Suite is a XXI century musical concept for piano and orchestra, a group of composition that represents a continuous cycle of romantic, yet classically written music, in a bold, new contemporary idiom. Divination (Full Score) is the twelfth volume of Carter Larsen Fantasia Suite.
$94.90
88.53 €
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Orchestre
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Carter Larsen
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DIVINATION - Volume 12
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Edition Isolde
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SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the âFilioqueâ (which would still fit the rhythm of the repeated âqui ex Patreâ, should any Catholics ever wish to perform this as a mass) make it rather a âliturgical oratorio for all nationsâ, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composerâs first contact with Beethovenâs masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), ârex caelestisâ and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the âanabasisâ gesture at âGloria in excelsis Deoâ, âet ascendit in caelisâ, âin remissionem peccatorumâ and the resurrection, a flute trill standing for the Holy Spirit who has come âlike a doveâ at âet incarnatus estâ, a cross-shaped texture at âcrucifixusâ, and some word-painting (hushed sonorities at âet invisibiliumâ, anticipations between orchestra and chorus at âet exspectoâ etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). âKyrieâ is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrinaâs serene modality and counterpoint. âGloriaâ begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. âCredoâ has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn âPange linguaâ, made famous by Mozartâs last symphony and by other Classical composers. Both âGloriaâ and âCredoâ end with extended, powerful and elaborate fugues (âin gloria Dei Patrisâ and âet vitam venturi saeculiâ, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the wordsâ accents, a la Stravinsky. The same sections plus âAgnus Deiâ end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of âSanctusâ). âJudicareâ quotes the beginning of the well-known âDies iraeâ plainchant tune, and the Consecration between the âSanctusâ and âBenedictusâ sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens âAgnus Deiâ, which includes another quotation (the famous âDresden Amenâ at âqui tollis peccata mundiâ and âdona nobis pacemâ). In the final section, with its refined simplicity, the choral voices enter in descending order, and the âKyrie eleisonâ theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
149.25 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
O Canada (Score and Parts)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Calixa Lavallee (1842-18…
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Full Orchestra - Intermediate - Digital Download Composed by Calixa Lavallee (1842-1891). Arranged by George Alfred Grant-Schaefer, Samuel Labrecque. Contemporary Classical. Score, Set of Parts. 35 pages. Published by Composer Lab Music
The majestic national anthem of Canada, in a brand new fully orchestrated arrangement for orchestra and SATB chorus by Samuel Labrecque based on George Alfred Grant-Shaefer's version for SATB and piano. This orchestration was done to be performable both with and without the choir. It's a simple yet powerful arrangement that's within reach of every ensemble and is certain to reach the patriotic Canadian within you!<br> <br> Note: This is the full performance package containing both the conductor's full score and the complete set of parts. The full score and the vocal score can each be purchased on their own as well.<br> <br> A word of caution: The full score is in A3 format while the parts are in A4. Make sure to rescale the full score if you don't want to print it in A3.
$49.99
46.63 €
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Orchestre
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Calixa Lavallee (1842-1891)
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O Canada
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Composer Lab Music
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SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachm…
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Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoffâs Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99
74.62 €
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Orchestre
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g Minor | Full Orchestra
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Michael Barrera
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SheetMusicPlus
Millennium Suite (Full Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.725191 By Paul Barker Music. By…
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Full Orchestra - Level 4 - Digital Download SKU: A0.725191 By Paul Barker Music. By Paul Barker Music. 20th Century,21st Century,Contemporary,Contest,Festival,Patriotic. Score and Parts. 95 pages. Paul Barker Music #5316471. Published by Paul Barker Music (A0.725191). The Millennium Suite is a contemporary symphonic work in three contrasting movements for Full Orchestra, Organ, Harpsichord (or Keyboard substitutes) and Orchestral Percussion. The piece begins with the triumphantly bold Festival Fanfare commanding immediate attention with memorable melodic lines and complex harmonic layers. The second movement is a beautiful, yet rousing Anthem laced with emotive themes and warm dissonance. Finally, we are introduced to movement three which is a playful, colourful Scherzo. This movement adds zest and sparkle through spritely use of canon and counterpoint on a fast-paced melodic and rhythmic âchaseâ around the orchestra! Includes both Conductor Score and Parts. Also available for String Orchestra, Piano & Orchestral Percussion. âDuration: 6:30 Level: Advanced (UK Grade 7+ & USA 3+) Occasion: Concert - Formal/Informal - Competitions - Orchestral Clinics - Graduations Orchestration: Full Orchestra - Keyboards - Orchestral Percussion
$37.95
35.4 €
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Orchestre
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Paul Barker Music
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Millennium Suite
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Paul Barker Music
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SheetMusicPlus
Australia Our Land - Orchestra with SATB Choir and Piano
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Ellige…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer⦠Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00
26.12 €
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Orchestre
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Brendan James Elliget NotePerformer 3
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Australia Our Land - Orchestra with SATB Choir and Piano
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BJE Music
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SheetMusicPlus
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussyâs death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussyâs keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravelâs Jeux dâeau, published in 1902. The opening movement, âPagodesâ, is Debussyâs first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussyâs use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as âPagodesâ was his first Oriental piece, so âLa soirée dans Grenadeâ was the first of Debussyâs evocations of Spain-that preternatural embodiment of an âimaginary Andalusiaâ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussyâs personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravelâs Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), âif this isnât the music they play in Granada, so much the worse for Granada!â-and there is no debate about the absolute authenticity of Debussyâs use of Spanish idioms here. Falla himself pronounced it âcharacteristically Spanish in every detailâ. âLa soirée dans Grenadeâ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. âJardins sous la pluieâ is based on the childrenâs song âNous nârons plus au boisâ (We shanât go to the woods): its original 1894 form was in fact entitled Quelques aspects de âNous nârons plus au boisâ. The two versions are really two distinct treatments of the same set of ideas, but in âJardins sous la pluieâ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second childrenâs song for treatment, âDo, do, lâenfant doâ) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.32 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussyâs death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussyâs keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravelâs Jeux dâeau, published in 1902. The opening movement, âPagodesâ, is Debussyâs first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussyâs use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as âPagodesâ was his first Oriental piece, so âLa soirée dans Grenadeâ was the first of Debussyâs evocations of Spain-that preternatural embodiment of an âimaginary Andalusiaâ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussyâs personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravelâs Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), âif this isnât the music they play in Granada, so much the worse for Granada!â-and there is no debate about the absolute authenticity of Debussyâs use of Spanish idioms here. Falla himself pronounced it âcharacteristically Spanish in every detailâ. âLa soirée dans Grenadeâ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. âJardins sous la pluieâ is based on the childrenâs song âNous nârons plus au boisâ (We shanât go to the woods): its original 1894 form was in fact entitled Quelques aspects de âNous nârons plus au boisâ. The two versions are really two distinct treatments of the same set of ideas, but in âJardins sous la pluieâ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second childrenâs song for treatment, âDo, do, lâenfant doâ) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.32 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussyâs death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussyâs keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravelâs Jeux dâeau, published in 1902. The opening movement, âPagodesâ, is Debussyâs first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussyâs use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as âPagodesâ was his first Oriental piece, so âLa soirée dans Grenadeâ was the first of Debussyâs evocations of Spain-that preternatural embodiment of an âimaginary Andalusiaâ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussyâs personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravelâs Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), âif this isnât the music they play in Granada, so much the worse for Granada!â-and there is no debate about the absolute authenticity of Debussyâs use of Spanish idioms here. Falla himself pronounced it âcharacteristically Spanish in every detailâ. âLa soirée dans Grenadeâ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. âJardins sous la pluieâ is based on the childrenâs song âNous nârons plus au boisâ (We shanât go to the woods): its original 1894 form was in fact entitled Quelques aspects de âNous nârons plus au boisâ. The two versions are really two distinct treatments of the same set of ideas, but in âJardins sous la pluieâ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second childrenâs song for treatment, âDo, do, lâenfant doâ) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.32 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Nocturne (Full Score) - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1034790 Composed by William Haw…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1034790 Composed by William Hawley. Classical,Contemporary. Score and parts. 41 pages. William Hawley #640135. Published by William Hawley (A0.1034790). This is the Full Score of William Hawley's Nocturne, in the Composer's Edition, for Soprano Solo, Double Mixed Chorus, and Orchestra, 41 pages. As of May, 2022 this work has yet to receive its World Premiere. The Vocal Score with Piano reduction and Set of Orchestral Parts are also available on this site. Instrumentation: 2 Flutes 2 Oboes 2 Bassoons 2 Horns in F 2 Trumpets in Bb 2 Trombones 1 Bass Trombone Timpani Harp Strings This PDF Full Score is formatted for printing on 9 X 12 Concert Size paper, but may readily be printed at 8.5 X 11 Letter Size, A4, or other size by selecting Fit or Shrink Oversized Pages in Adobe Acrobat, Acrobat Reader, or other PDF printing application. The Vocal Score (separate file) is formatted for 8.5 X 11 Letter Size printing. The Set of Orchestral Parts (separate file) is formatted for 9 X 12 Concert Size. The audio clip consists of the first three minutes of the Composer's Demo. Approximate performance duration 13' ASCAP https://williamhawley.net.
$12.99
12.12 €
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Orchestre
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William Hawley
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Nocturne
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William Hawley
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreauâs text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Loggerâs Boast. The original song had twenty stanzas to it. I whittled it down to five. I donât know what the original song sounded like, so I made up my own version of a lumberjackâs drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away â¦The last movement begins with a funeral march for Joe Attien, a native American who was Thoreauâs guide when he came up here in the 1900âs. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn â¦NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.32 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Gymnopédie No. 3: Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016325_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016325_B1 Bassoon. Composed by Erik Satie. Arranged by Bob Phillips. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016325_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016325_B1). UPC: 038081471761.Take them to festival with this stunning, minimalist piece, arranged with the melody doubled in many sections, for a first full orchestra experience. With an emphasis on slow bows, the easy rhythms and notes are very true to the original piano piece. The first violins play F-natural, but all ranges are beginning level. The performance will sound high level, yet the tune is completely playable. This piece will take your breath away! (2:30) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.8 €
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Orchestre
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Erik Satie
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Bob Phillips
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Festival.
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Gymnopédie No. 3: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Gymnopédie No. 3: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016325_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016325_TMP Timpani. Composed by Erik Satie. Arranged by Bob Phillips. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016325_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016325_TMP). UPC: 038081471761.Take them to festival with this stunning, minimalist piece, arranged with the melody doubled in many sections, for a first full orchestra experience. With an emphasis on slow bows, the easy rhythms and notes are very true to the original piano piece. The first violins play F-natural, but all ranges are beginning level. The performance will sound high level, yet the tune is completely playable. This piece will take your breath away! (2:30) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.8 €
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Orchestre
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Erik Satie
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Bob Phillips
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Festival.
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Gymnopédie No. 3: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Gymnopédie No. 3: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016325_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016325_VC1 Cello. Composed by Erik Satie. Arranged by Bob Phillips. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016325_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016325_VC1). UPC: 038081471761.Take them to festival with this stunning, minimalist piece, arranged with the melody doubled in many sections, for a first full orchestra experience. With an emphasis on slow bows, the easy rhythms and notes are very true to the original piano piece. The first violins play F-natural, but all ranges are beginning level. The performance will sound high level, yet the tune is completely playable. This piece will take your breath away! (2:30) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.8 €
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Orchestre
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Erik Satie
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Bob Phillips
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Festival.
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Gymnopédie No. 3: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Gymnopédie No. 3: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016325_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016325_M1 Mallets. Composed by Erik Satie. Arranged by Bob Phillips. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016325_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016325_M1). UPC: 038081471761.Take them to festival with this stunning, minimalist piece, arranged with the melody doubled in many sections, for a first full orchestra experience. With an emphasis on slow bows, the easy rhythms and notes are very true to the original piano piece. The first violins play F-natural, but all ranges are beginning level. The performance will sound high level, yet the tune is completely playable. This piece will take your breath away! (2:30) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.8 €
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Orchestre
#
Erik Satie
#
Bob Phillips
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Festival.
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Gymnopédie No. 3: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Gymnopédie No. 3: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016325_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016325_F1 Flute. Composed by Erik Satie. Arranged by Bob Phillips. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016325_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016325_F1). UPC: 038081471761.Take them to festival with this stunning, minimalist piece, arranged with the melody doubled in many sections, for a first full orchestra experience. With an emphasis on slow bows, the easy rhythms and notes are very true to the original piano piece. The first violins play F-natural, but all ranges are beginning level. The performance will sound high level, yet the tune is completely playable. This piece will take your breath away! (2:30) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.8 €
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Orchestre
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Erik Satie
#
Bob Phillips
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Festival.
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Gymnopédie No. 3: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) ï¼Partsï¼
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1040111 Composed by An-lun Huan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1040111 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 1019 pages. DoReMi Edition #644935. Published by DoReMi Edition (A0.1040111). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, âDream of Dunhuangâ. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in todayâs Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous âSilk Roadâ, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the âroadâ branched to Venice, and north to what is todayâs Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the worldâs richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lunâs major compositions with the play written by Xu Qing-dong, the score of âDream of Dunhuangâ was completed in mid-1979. The ballet has been dedicated to the composerâs closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the âMaster Piece of Chinese Music in 20th Centuryâ in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, â Dream of Dunhuangâ depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. Itâs divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$300.00
279.85 €
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Orchestre
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An-lun Huang
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Dream of Dunhuang - Ballet in 3 Acts, O,p.29
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DoReMi Edition
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SheetMusicPlus
Piano Concerto No.2 ‘Urge’ Op.44
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.990573 Composed by Flint Juvent…
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Full Orchestra - Level 4 - Digital Download SKU: A0.990573 Composed by Flint Juventino Beppe. Contemporary. Score and parts. 160 pages. The FJB Fingerprint #3030223. Published by The FJB Fingerprint (A0.990573). Movements:See (4:00)Catch (5:50)Push (4:40)First performed on the 14th of March 2002 by The Norwegian Radio Orchestra conducted by Ari Rasilainen. Piano soloist: Joachim Knoph.«This is a highly individual, yet hugely engaging work full of breadth, poetry and an inner depth.» The Classical Reviewer (UK)Further information: http://fjb.space/publishing/work/1057140797NB! The attached audio is performed by pianist Joachim Knoph and Norwegian Radio Orchestra, conducted by Ari Rasilainen. Available on the album About my Grandfather (SYDA 1603). All rights reserved by the producer Flint Juventino Beppe.© Flint Juventino Beppe | All rights reserved
$231.00
215.49 €
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Orchestre
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Flint Juventino Beppe
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Piano Concerto No.2 ‘Urge’ Op.44
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The FJB Fingerprint
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SheetMusicPlus
Rejoice the Lord Is King - 8 Core Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.742695 Composed by Public Domain. Arrange…
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Full Orchestra - Digital Download SKU: A0.742695 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 73 pages. AnderKamp Music #3637271. Published by AnderKamp Music (A0.742695). Beginning with a simple to play, yet bold sounding brass fanfare, this orchestral driven piece is a great opener to a service. Based around a snare drum type cadence, this arrangement features the brass at the beginning and end and slows down in the middle a little to feature the woodwinds. Plenty of energy in this piece makes this a âgo toâ piece when wanting to feature the orchestra. This arrangement is in the Key of F and changes keys to C.As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
$49.99
46.63 €
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Orchestre
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Public Domain
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Jeff D
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Rejoice the Lord Is King - 8 Core Orchestra
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AnderKamp Music
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SheetMusicPlus
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