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You're Still The One
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8
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7
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5
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1
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1
Harpe
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1
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Vous avez sélectionné:
You're Still The One
SheetMusicPlus
Partitions à imprimer
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The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
You're Still The One
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Xylophone
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DÉBUTANT
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Shania Twain
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Rene Alves
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You're Still The One
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Rene Alves
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SheetMusicPlus
Xylophone Solo - Level 1 - SKU: A0.1106447 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Mu...
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Xylophone Solo - Level 1 - SKU: A0.1106447 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. 2 pages. Rene Alves #709564. Published by Rene Alves (A0.1106447). Xylophone sheet music and melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00
You're Still The One
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Saxophone Alto
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FACILE
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Shania Twain
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Amorel
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You're Still The One
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Amorel
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SheetMusicPlus
Alto Saxophone Solo - Level 2 - SKU: A0.1292088 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Amorel. 20th Century,Country,Po...
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Alto Saxophone Solo - Level 2 - SKU: A0.1292088 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Amorel. 20th Century,Country,Pop. Individual part. 1 pages. Amorel #882682. Published by Amorel (A0.1292088). Third single from the 1998 album Come on Over, You're Still the One is a song by Canadian singer Shania Twain. The song was a hit with audiences and critics and was nominated for four Grammys in 1999, winning two in the categories Best Country Song and Best Female Country Vocal Performance.
$4.99
You're Still The One
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Trombone
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DÉBUTANT
#
Shania Twain
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Rene Alves
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You're Still The One
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Rene Alves
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SheetMusicPlus
Trombone Solo - Level 1 - SKU: A0.1106435 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Mul...
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Trombone Solo - Level 1 - SKU: A0.1106435 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #709551. Published by Rene Alves (A0.1106435). Trombone sheet music and melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00
You're Still The One
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Saxophone (partie séparée)
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DÉBUTANT
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Shania Twain
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Rene Alves
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You're Still The One
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Rene Alves
#
SheetMusicPlus
Soprano Saxophone Solo - Level 1 - SKU: A0.1106432 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemp...
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Soprano Saxophone Solo - Level 1 - SKU: A0.1106432 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #709548. Published by Rene Alves (A0.1106432). Soprano sax sheet music and melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00
You're Still The One
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Saxophone Tenor
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DÉBUTANT
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Shania Twain
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Rene Alves
#
You're Still The One
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Rene Alves
#
SheetMusicPlus
Tenor Saxophone Solo - Level 1 - SKU: A0.1106433 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contempor...
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Tenor Saxophone Solo - Level 1 - SKU: A0.1106433 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #709549. Published by Rene Alves (A0.1106433). Tenor sax sheet music and melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00
You're Still The One
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Saxophone Alto
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DÉBUTANT
#
Shania Twain
#
Rene Alves
#
You're Still The One
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Rene Alves
#
SheetMusicPlus
Alto Saxophone Solo - Level 1 - SKU: A0.1106412 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contempora...
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Alto Saxophone Solo - Level 1 - SKU: A0.1106412 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #709528. Published by Rene Alves (A0.1106412). Alto sax sheet music and melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00
You're Still The One
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Trombone
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Mariage/Ballade
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Rock
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Shania Twain
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You're Still The One
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.358784 By Shania Twain. This edition: Interactive Download. Love,Pop,Rock. Trombone Solo. 1 pages. Published by Hal Leonard ...
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Interactive Download SKU: HX.358784 By Shania Twain. This edition: Interactive Download. Love,Pop,Rock. Trombone Solo. 1 pages. Published by Hal Leonard - Digital (HX.358784).
$2.99
Still The One
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Orleans
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Sean Sullivan
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Still The One
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Sean Sullivan
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1462374 By Orleans. By Johan...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1462374 By Orleans. By Johanna Hall and John Hall. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 20 pages. Sean Sullivan #1041131. Published by Sean Sullivan (A0.1462374). Originally recorded in 1978, Still the One has become a timeless classic, beloved by audiences around the world. Our arrangement stays true to the original's essence while cleverly adapting it for the unique sound and range of a saxophone quintet. This iconic song will transport your listeners back to a bygone era, evoking memories of summertime, good times, and everlasting love. Whether you're a professional musician looking to expand your repertoire or a student seeking a challenging yet accessible piece to perform with your friends, this arrangement is sure to delight. The saxophone quintet configuration adds a new dimension to this beloved song, making it a standout piece for any concert or event.
$14.99
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
You're Still The One
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Flûte traversière
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DÉBUTANT
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Shania Twain
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Rene Alves
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You're Still The One
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Rene Alves
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SheetMusicPlus
Flute Solo - Level 1 - SKU: A0.1106430 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multic...
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Flute Solo - Level 1 - SKU: A0.1106430 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #709546. Published by Rene Alves (A0.1106430). Sheet music and flute melody for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00
You're Still a Young Man: E-flat Baritone Saxophone
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Saxophone (partie séparée)
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Methodes
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Emilio Castillo and Stephen Ku
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Michael Story
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You're Still a Young Man: E-fl
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016255_BTX E-flat Baritone Saxophone. Composed by Emilio Castillo and Stephen Kupka. Arranged by Michael Story. In...
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Jazz Ensemble - SKU: AX.00-PC-0016255_BTX E-flat Baritone Saxophone. Composed by Emilio Castillo and Stephen Kupka. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016255_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016255_BTX). UPC: 038081475110.A soulful yet accessible treatment of the Tower of Power hit song. This waltz is played at 128 BPM, and trumpet 1 range is to written E top space. Includes a written-out tenor 1 melody solo. A superb chart in every respect. (2:42).
$3.00
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
You're Still The One
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Shania Twain
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arr
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You're Still The One
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.503113 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by arr. by John Fries. 20th Century,Countr...
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C Instrument - Level 4 - SKU: A0.503113 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by arr. by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #115316. Published by John Fries (A0.503113). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  You're Still the One peaked at number two on the US Billboard Hot 100 for nine weeks, becoming Twain's first top-ten hit in the US. Although it never topped the chart, the song is recognized as Twain's most successful crossover single and is one of her most successful singles at country radio. You're Still the One was nominated for four Grammy Awards in 1999, winning two. It won Best Country Song and Best Female Country Vocal Performance and lost Record of the Year and Song of the Year to fellow Canadian, Celine Dion's My Heart Will Go On.
$3.99
You're Still The One
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Shania Twain
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John Fries
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You're Still The One
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201298 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by John Fries. 20th Century,P...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1201298 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #799952. Published by John Fries (A0.1201298). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. You're Still the One peaked at number two on the US Billboard Hot 100 for nine weeks, becoming Twain's first top-ten hit in the US. Although it never topped the chart, the song is recognized as Twain's most successful crossover single and is one of her most successful singles at country radio. You're Still the One was nominated for four Grammy Awards in 1999, winning two. It won Best Country Song and Best Female Country Vocal Performance and lost Record of the Year and Song of the Year to fellow Canadian, Celine Dion's My Heart Will Go On.
$4.99
You're Still The One
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Shania Twain
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Wendy Loder, ASCAP
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You're Still The One
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LarkAngel Productions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1261889 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Wendy Loder, ASCAP. P...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1261889 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Wendy Loder, ASCAP. Pop,Traditional,Wedding. 2 pages. LarkAngel Productions #854973. Published by LarkAngel Productions (A0.1261889). Here's a mash-up of Wagner's Here Comes The Bride with Shania Twain's You're Still the One for Piano Trio! This can be performed by piano alone, but is so beautiful with the addition of violin & cello, and I put in a handy repeat so timing is simpler for the musicians. We performed this arrangement in a very complicated setting, and it worked perfectly; easy to loop back, and easy to finish.
$14.99
You're Still The One
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Violon, Violoncelle (duo)
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FACILE
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Shania Twain
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Homco/Crinion
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You're Still The One
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Homco/Crinion
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.1462534 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Homco/Crinion. Count...
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Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.1462534 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Homco/Crinion. Country,Pop,Wedding. 3 pages. Homco/Crinion #1041284. Published by Homco/Crinion (A0.1462534). Shania Twain and her then-husband and producer Robert John Mutt Lange wrote You're Still the One in 1997 as an attempt at a crossover from Country to Pop. It was a very successful folksy, country pop ballad and played as a bonafide hit on stations in the Adult Pop Market, as well as on country stations. It is an often requested vibrant, classic love song that speaks loudly at Weddings & Anniversaries. You've got to love it: a Canadian; singing Country; playing on Pop Hit Radio! It has that kind of universal appeal. Look how far we've come, (now) my baby..
$4.99
You're Still The One
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Shania Twain
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Daniel Leich
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You're Still The One
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Daniel Leich
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1364479 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Da...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1364479 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Daniel Leich. 20th Century,Country,Pop. 10 pages. Daniel Leich #948771. Published by Daniel Leich (A0.1364479). A sweet and harmoneous version of Shania Twain's You're Still The One. In this arrangement for string quartet, Violin 1 plays the melody, with Violin 2 and Viola play the harmony. Easily adaptable for trios as well. Great for weddings and anniversaries.
$16.99
You're Still The One
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Trio à Cordes: 2 violons, violoncelle
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FACILE
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Shania Twain
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Homco/Crinion
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You're Still The One
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Homco/Crinion
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SheetMusicPlus
String Trio Cello,Violin - Level 2 - SKU: A0.1462522 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Homco/Crinion. Country,Pop...
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String Trio Cello,Violin - Level 2 - SKU: A0.1462522 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Homco/Crinion. Country,Pop,Wedding. 5 pages. Homco/Crinion #1041283. Published by Homco/Crinion (A0.1462522). You're Still the One was written by Shania Twain and her then-husband and producer Robert John Mutt Lange. It won Best Country Song and Best Female Country Vocal Performance at the 41st Annual Grammy Awards in 1999. It was described as a gentle, folksy, country pop ballad. It was indeed a very successful attempt at a crossover from Country to the Pop market. This String Trio arrangement, albeit simple, covers the music well - with all of the melody in the 1st Violin.
$12.99
Tower of Power Greatest Hits: 3rd Trombone
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Trombone (partie séparée)
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Methodes
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Tower Of Power
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Victor López
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Tower of Power Greatest Hits:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016471_TN3 3rd Trombone. By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by V...
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Full Orchestra - SKU: AX.00-PC-0016471_TN3 3rd Trombone. By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016471_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016471_TN3). UPC: 038081480930.Want to know what's hip? Well, this is it! Give your students and audiences a taste of some real funky music and don't be surprised if you see grandma getting down during the performance. Includes What Is Hip?, You're Still a Young Man, and Down to the Nightclub. (5:30) This title is available in SmartMusic.
$3.00
Tower of Power Greatest Hits: 1st Trombone
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Trombone (partie séparée)
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Methodes
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Tower Of Power
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Victor López
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Tower of Power Greatest Hits:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016471_TN1 1st Trombone. By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by V...
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Full Orchestra - SKU: AX.00-PC-0016471_TN1 1st Trombone. By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016471_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016471_TN1). UPC: 038081480930.Want to know what's hip? Well, this is it! Give your students and audiences a taste of some real funky music and don't be surprised if you see grandma getting down during the performance. Includes What Is Hip?, You're Still a Young Man, and Down to the Nightclub. (5:30) This title is available in SmartMusic.
$3.00
Tower of Power Greatest Hits: 2nd Trombone
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Trombone (partie séparée)
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Methodes
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Tower Of Power
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Victor López
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Tower of Power Greatest Hits:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016471_TN2 2nd Trombone. By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by V...
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Full Orchestra - SKU: AX.00-PC-0016471_TN2 2nd Trombone. By Tower Of Power. By David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016471_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016471_TN2). UPC: 038081480930.Want to know what's hip? Well, this is it! Give your students and audiences a taste of some real funky music and don't be surprised if you see grandma getting down during the performance. Includes What Is Hip?, You're Still a Young Man, and Down to the Nightclub. (5:30) This title is available in SmartMusic.
$3.00
You're Still a Young Man: 1st Trombone
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Trombone (partie séparée)
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Methodes
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Emilio Castillo and Stephen Ku
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Michael Story
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You're Still a Young Man: 1st
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016255_TN1 1st Trombone. Composed by Emilio Castillo and Stephen Kupka. Arranged by Michael Story. Instructional. ...
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Jazz Ensemble - SKU: AX.00-PC-0016255_TN1 1st Trombone. Composed by Emilio Castillo and Stephen Kupka. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016255_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016255_TN1). UPC: 038081475110.A soulful yet accessible treatment of the Tower of Power hit song. This waltz is played at 128 BPM, and trumpet 1 range is to written E top space. Includes a written-out tenor 1 melody solo. A superb chart in every respect. (2:42).
$3.00
You're Still a Young Man: 3rd Trombone
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Trombone (partie séparée)
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Methodes
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Emilio Castillo and Stephen Ku
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Michael Story
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You're Still a Young Man: 3rd
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016255_TN3 3rd Trombone. Composed by Emilio Castillo and Stephen Kupka. Arranged by Michael Story. Instructional. ...
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Jazz Ensemble - SKU: AX.00-PC-0016255_TN3 3rd Trombone. Composed by Emilio Castillo and Stephen Kupka. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016255_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016255_TN3). UPC: 038081475110.A soulful yet accessible treatment of the Tower of Power hit song. This waltz is played at 128 BPM, and trumpet 1 range is to written E top space. Includes a written-out tenor 1 melody solo. A superb chart in every respect. (2:42).
$3.00
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You're Still The One 
