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You're The One That I Want
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Vous avez sélectionné:
You're The One That I Want
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610 partitions trouvées
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You're the One That I Want (from Grease): 2nd Trombone
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Trombone (partie séparée)
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Methodes
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John Farrar
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Douglas E
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Concert/Contest.
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You're the One That I Want
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0001161_TN2 2nd Trombone. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Al...
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Full Orchestra - SKU: AX.00-PC-0001161_TN2 2nd Trombone. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001161_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001161_TN2). UPC: 038081305769.This will be the one they want to play! A blow out arrangement from the musical, Grease and the hot TV show! Great spring concert closer! This title is available in SmartMusic.Closer; Concert/Contest.
$3.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
John Farrar : Grease - You're the One That I Want (niveau intermédiaire)
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Trombone
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INTERMÉDIAIRE
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John Farrar
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Grease
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John Farrar : Grease - You're the One That I Want (niveau difficile)
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Trombone
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AVANCÉ
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John Farrar
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Grease
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John Farrar : Grease - You're the One That I Want (niveau facile)
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Trombone
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FACILE
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John Farrar
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Grease
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Tomplay
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John Farrar : Grease - You're the One That I Want (niveau très facile)
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Trombone
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DÉBUTANT
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John Farrar
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Grease
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John Farrar : Grease - You're the One That I Want (niveau intermédiaire, sax ténor)
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Saxophone
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INTERMÉDIAIRE
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John Farrar
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Grease
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John Farrar : Grease - You're the One That I Want (niveau difficile, sax ténor)
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Saxophone
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AVANCÉ
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John Farrar
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Grease
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John Farrar : Grease - You're the One That I Want (niveau facile, sax ténor)
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Saxophone
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FACILE
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John Farrar
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Grease
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Tomplay
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John Farrar : Grease - You're the One That I Want (niveau très facile, sax ténor)
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Saxophone
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DÉBUTANT
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John Farrar
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Grease
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Tomplay
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John Farrar : Grease - You're the One That I Want (niveau intermédiaire, sax alto)
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Saxophone
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INTERMÉDIAIRE
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John Farrar
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Grease
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John Farrar : Grease - You're the One That I Want (niveau difficile, sax alto)
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Saxophone
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AVANCÉ
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John Farrar
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Grease
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Tomplay
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John Farrar : Grease - You're the One That I Want (niveau facile, sax alto)
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Saxophone
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FACILE
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John Farrar
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Grease
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John Farrar : Grease - You're the One That I Want (niveau très facile, sax alto)
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Saxophone
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DÉBUTANT
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John Farrar
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Grease
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Tomplay
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John Farrar : Grease - You're the One That I Want (niveau difficile, sax soprano)
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Saxophone
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AVANCÉ
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John Farrar
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Grease
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Tomplay
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John Farrar : Grease - You're the One That I Want (niveau intermédiaire, sax soprano)
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Saxophone
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INTERMÉDIAIRE
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John Farrar
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Grease
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Tomplay
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John Farrar : Grease - You're the One That I Want (niveau facile, sax soprano)
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Saxophone
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FACILE
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John Farrar
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Grease
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Telechargez la partition Saxophone Grease - You're the One That I Want (niveau facile, sax soprano) de John Farrar. Partition pour Saxophone avec accomp. o...
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Telechargez la partition Saxophone Grease - You're the One That I Want (niveau facile, sax soprano) de John Farrar. Partition pour Saxophone avec accomp. orchestre -- Pop/rock,Rap et Hip Hop
5.99€
John Farrar : Grease - You're the One That I Want (niveau très facile, sax soprano)
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Saxophone
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DÉBUTANT
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John Farrar
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Grease
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Tomplay
Telechargez la partition Saxophone Grease - You're the One That I Want (niveau très facile, sax soprano) de John Farrar. Partition pour Saxophone av...
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Telechargez la partition Saxophone Grease - You're the One That I Want (niveau très facile, sax soprano) de John Farrar. Partition pour Saxophone avec accomp. orchestre -- Pop/rock,Rap et Hip Hop
5.99€
The Grease Megamix
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Orchestre d'harmonie
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INTERMÉDIAIRE
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John Travolta & Olivia Newton-
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John Farrar, Warren Casey, Jim
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Lorenzo Bocci
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The Grease Megamix
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1376826 By John Travolta & Olivia Newton-John. By Jim Jacobs, John Farrar, and Warren Casey. Arranged by Lorenzo Bocci....
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Concert Band - Level 3 - SKU: A0.1376826 By John Travolta & Olivia Newton-John. By Jim Jacobs, John Farrar, and Warren Casey. Arranged by Lorenzo Bocci. Broadway,Film/TV,Musical/Show,Rock. 249 pages. Lorenzo Bocci #961374. Published by Lorenzo Bocci (A0.1376826). THE GREASE MEGAMIXfor Concert Band (with Fanfare Band parts) - Grade 3 -  Composed by John Farrar, Warren Casey, Jim Jacobs. Arranged by Lorenzo Bocci. Musical/Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 7'10''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine, Maracas). Additional Parts:Bb Soprano Saxophone (Concert Band, Fanfare Band), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Grease is a 1978 American musical romantic comedy film directed by Randal Kleiser from a screenplay by Bronté Woodard and an adaptation by co-producer Allan Carr, based on the stage musical of the same name by Jim Jacobs and Warren Casey. Grease was released in the United States on June 16, 1978, by Paramount Pictures. The film was successful both critically and commercially, becoming the highest-grossing musical film at the time. Its soundtrack album ended 1978 as the second-best-selling album of the year in the United States, only behind the soundtrack of the 1977 film Saturday Night Fever, which also starred Travolta, and the song Hopelessly Devoted to You was nominated for an Academy Award for Best Original Song at the 51st Academy Awards. The film also received five nominations at the 36th Golden Globe Awards, including for Best Motion Picture – Musical or Comedy and two for Best Original Song, for Grease and You're the One that I Want. In 2020, Grease was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant.Subscribe to my YouTube Channel to stay updated on new releases.
$109.00
You're the One That I Want
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Chorale 3 parties
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John Farrar
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Jeff Funk
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You're the One That I Want
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0002541 You're the One That I Want - SAB. Composed by John Farrar. Arranged by Jeff Funk. Choral. 14 pages. Alfred Music -...
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Chorus - SKU: AX.00-PO-0002541 You're the One That I Want - SAB. Composed by John Farrar. Arranged by Jeff Funk. Choral. 14 pages. Alfred Music - Digital Sheet Music #00-PO-0002541. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002541). UPC: 654979990123.The recent revival of Grease on Broadway has helped to re-popularize the songs from the original film. Everyone will remember this one from the film that made Olivia Newton John and John Travolta superstars.Recorded Acc. Available.
$2.95
You're the One That I Want: Baritone B.C.
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Orchestre d'harmonie
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Methodes
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John Farrar
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Douglas E
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You're the One That I Want: Ba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001217_BBC1 Baritone B.C.. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Al...
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Concert Band - SKU: AX.00-PC-0001217_BBC1 Baritone B.C.. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001217_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001217_BBC1). UPC: 038081304830.Even if you didn’t grow up in the heyday of Elvis and poodle skirts, you can’t resist being drawn into the wild world of Rydell High’s Class of 1959. Re-live the classic tale with this fast-paced, essentially 50s number. You’re the One That I Want is also the title of NBC’s mammoth casting call for a new Broadway production of Grease set to open in the Summer of 2007.
$3.00
You're the One That I Want: (wp) B-flat Baritone B.C.
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Orchestre d'harmonie
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Methodes
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John Farrar
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Douglas E
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You're the One That I Want:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001217_WPBBBC (wp) B-flat Baritone B.C.. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Wor...
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Concert Band - SKU: AX.00-PC-0001217_WPBBBC (wp) B-flat Baritone B.C.. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001217_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001217_WPBBBC). UPC: 038081304830.Even if you didn't grow up in the heyday of Elvis and poodle skirts, you can't resist being drawn into the wild world of Rydell High's Class of 1959. Re-live the classic tale with this fast-paced, essentially 50s number. You're the One That I Want is also the title of NBC's mammoth casting call for a new Broadway production of Grease set to open in the Summer of 2007. This title is available in SmartMusic.
$3.00
You're the One That I Want: 1st Trombone
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Orchestre d'harmonie
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Methodes
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John Farrar
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Douglas E
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You're the One That I Want: 1s
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001217_TN1 1st Trombone. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfr...
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Concert Band - SKU: AX.00-PC-0001217_TN1 1st Trombone. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001217_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001217_TN1). UPC: 038081304830.Even if you didn’t grow up in the heyday of Elvis and poodle skirts, you can’t resist being drawn into the wild world of Rydell High’s Class of 1959. Re-live the classic tale with this fast-paced, essentially 50s number. You’re the One That I Want is also the title of NBC’s mammoth casting call for a new Broadway production of Grease set to open in the Summer of 2007.
$3.00
You're the One That I Want: 3rd Trombone
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Orchestre d'harmonie
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Methodes
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John Farrar
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Douglas E
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You're the One That I Want: 3r
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001217_TN3 3rd Trombone. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfr...
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Concert Band - SKU: AX.00-PC-0001217_TN3 3rd Trombone. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001217_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001217_TN3). UPC: 038081304830.Even if you didn’t grow up in the heyday of Elvis and poodle skirts, you can’t resist being drawn into the wild world of Rydell High’s Class of 1959. Re-live the classic tale with this fast-paced, essentially 50s number. You’re the One That I Want is also the title of NBC’s mammoth casting call for a new Broadway production of Grease set to open in the Summer of 2007.
$3.00
You're the One That I Want: (wp) 3rd B-flat Trombone T.C.
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Orchestre d'harmonie
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Methodes
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John Farrar
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Douglas E
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You're the One That I Want:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001217_WPTN3TC (wp) 3rd B-flat Trombone T.C.. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional...
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Concert Band - SKU: AX.00-PC-0001217_WPTN3TC (wp) 3rd B-flat Trombone T.C.. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001217_wpTN3TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001217_WPTN3TC). UPC: 038081304830.Even if you didn't grow up in the heyday of Elvis and poodle skirts, you can't resist being drawn into the wild world of Rydell High's Class of 1959. Re-live the classic tale with this fast-paced, essentially 50s number. You're the One That I Want is also the title of NBC's mammoth casting call for a new Broadway production of Grease set to open in the Summer of 2007. This title is available in SmartMusic.
$3.00
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You're The One That I Want
