You've Got Another Thing Comin' - Partitions musicales à imprimer

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You've Got Another Thing Comin'

You've Got Another Thing Coming

You've Got Another Thing Coming
Piano, Voix

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.584492 By Judas Priest. By G…(+)

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.584492 By Judas Priest. By Glenn Raymond Tipton, Kenneth Downing, and Robert Halford. Arranged by Jeff Tincher. Metal. Score. 19 pages. Jeff Tincher #5777959. Published by Jeff Tincher (A0.584492). If you want to do some Heavy Metal Rock, this is the song for you. In the original key from Judas Priest's Screaming for Vengence, this song is still performed at Judas Priest's concerts. This arrangement includes the guitar solo and the live ending from their Fuel for Life tour. Duration = 6:06. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99 5.51 € #Piano, Voix #Judas Priest #Jeff Tincher #You've Got Another Thing Coming #Jeff Tincher #SheetMusicPlus

#You've Got Another Thing Coming

You've Got Another Thing Coming
Quatuor de Cuivres : 2 trompettes, trombone, tuba

Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.584496 By…(+)

Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.584496 By Judas Priest. By Glenn Raymond Tipton, Kenneth Downing, and Robert Halford. Arranged by Jeff Tincher. Metal. Score and parts. 28 pages. Jeff Tincher #5777977. Published by Jeff Tincher (A0.584496). If you want to do some Heavy Metal Rock, this is the song for you. In the original key from Judas Priest's Screaming for Vengence, this song is still performed at Judas Priest's concerts. This arrangement includes the guitar solo and the live ending from their Fuel for Life tour. Duration = 6:06. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 11.95 € #Quatuor de Cuivres : 2 trompettes, trombone, tuba #Judas Priest #Jeff Tincher #You've Got Another Thing Coming #Jeff Tincher #SheetMusicPlus

You've Got Another Thing Coming
Quatuor de Saxophones: 4 saxophones

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…(+)

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.584494 By Judas Priest. By Glenn Raymond Tipton, Kenneth Downing, and Robert Halford. Arranged by Jeff Tincher. Metal. 28 pages. Jeff Tincher #5777973. Published by Jeff Tincher (A0.584494). If you want to do some Heavy Metal Rock, this is the song for you. In the original key from Judas Priest's Screaming for Vengence, this song is still performed at Judas Priest's concerts. This arrangement includes the guitar solo and the live ending from their Fuel for Life tour. Duration = 6:06. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 11.95 € #Quatuor de Saxophones: 4 saxophones #Judas Priest #Jeff Tincher #You've Got Another Thing Coming #Jeff Tincher #SheetMusicPlus

You've Got Another Thing Coming
Flûte, Hautbois, Clarinette, Basson

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…(+)

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.584495 By Judas Priest. By Glenn Raymond Tipton, Kenneth Downing, and Robert Halford. Arranged by Jeff Tincher. Metal. 27 pages. Jeff Tincher #5777975. Published by Jeff Tincher (A0.584495). If you want to do some Heavy Metal Rock, this is the song for you. In the original key from Judas Priest's Screaming for Vengence, this song is still performed at Judas Priest's concerts. This arrangement includes the guitar solo and the live ending from their Fuel for Life tour. Duration = 6:06. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 11.95 € #Flûte, Hautbois, Clarinette, Basson #Judas Priest #Jeff Tincher #You've Got Another Thing Coming #Jeff Tincher #SheetMusicPlus

You've Got Another Thing Coming
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.5…(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.584493 By Judas Priest. By Glenn Raymond Tipton, Kenneth Downing, and Robert Halford. Arranged by Jeff Tincher. Metal. Score and parts. 28 pages. Jeff Tincher #5777969. Published by Jeff Tincher (A0.584493). If you want to do some Heavy Metal Rock, this is the song for you. In the original key from Judas Priest's Screaming for Vengence, this song is still performed at Judas Priest's concerts. This arrangement includes the guitar solo and the live ending from their Fuel for Life tour. Duration = 6:06. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 11.95 € #Quatuor à cordes: 2 violons, alto, violoncelle #Judas Priest #Jeff Tincher #You've Got Another Thing Coming #Jeff Tincher #SheetMusicPlus

You've Got Another Thing Comin'

#You've Got Another Thing Comin'

You've Got Another Thing Comin' by Judas Priest - Guitar TAB

You've Got Another Thing Comin' by Judas Priest - Guitar TAB
Guitare notes et tablatures

Performed by: Judas Priest: You've Got Another Thing Comin' Digital Sheetmusic -…(+)

Performed by: Judas Priest: You've Got Another Thing Comin' Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar; 7 pages -- Heavy Metal~~Hard Rock~~Album Rock~~British Metal
$5.50 5.06 € #Guitare notes et tablatures #Judas Priest #Guitar TAB #Musicnotes

You've Got Another Thing Comin' by Judas Priest - Bass TAB

You've Got Another Thing Comin' by Judas Priest - Bass TAB
Basse electrique

Performed by: Judas Priest: You've Got Another Thing Comin' Digital Sheetmusic -…(+)

Performed by: Judas Priest: You've Got Another Thing Comin' Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Bass/Vocal/Chords;Bass Tab, instruments: Voice;Bass Guitar;Backup Vocals; 5 pages -- British Metal~~Album Rock~~Hard Rock~~Heavy Metal
$5.50 5.06 € #Basse electrique #Judas Priest #Bass TAB #Musicnotes

Judas Priest: You've Got Another Thing Comin' - guitar (tablature)

Rob Halford: You've Got Another Thing Comin' for guitar

Rob Halford: You've Got Another Thing Comin' for bass

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.

Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.

B-Flat instrument, Bass Clef Instrument, C Instrument, E- Flat Instrument, Instrumental Solo - Level 3 - Digital Download By Darren Lloyd. By Darren Lloyd. Arranged by Darren Lloyd. Jazz, Latin. Individual part. 110 pages. Darren Lloyd #843171. Published by Darren Lloyd
25 jazz etudes is a book aimed at intermediate jazz students wanting something authentic to play over well known jazz standards.<br> <br> It has long been recognised that to develop jazz vocabulary we should copy the masters of the music but what if our favourite player is simply too advanced for where we currently are in our musical development?<br> <br> The 25 jazz etudes have been created with limited tricky passages, no high sustained playing but still uses great, authentic vocabulary.<br> Check out the demo.<br> <br> You should also check out www.jazzetudes.net where if you subscribe to the newsletter you receive a bunch of free etudes to try along with the backing and demo tracks!<br> <br> The book has 25 etudes and each etude is in concert pitch, Bb. pitch, Eb pitch and bass clef.<br> <br> The etudes are - <br> <br> Alfie – 60 bpm<br> Almost like being in love – 135 bpm <br> Bye bye blackbird - 135 bpm<br> Caravan – 180 bpm<br> Doxy – 100 bpm<br> East of the sun – 135 bpm<br> Fascinating rhythm – 160 bpm<br> Fly me to the moon – 140 bpm<br> Four - 170bpm<br> Giant steps – 185 bpm<br> Have you met miss Jones? 135 bpm<br> How high the moon – 175 bpm<br> I remember you – 165 bpm<br> I'll close my eyes – 160 bpm<br> I'm coming Virginia – 131 bpm<br> I've got rhythm changes – 175 bpm<br> Line for Lyons – 140 bpm<br> Makin' whoopee – 90 bpm<br> Night in Tunisia – 170 bpm<br> Scrapple from the apple – 160 bpm<br> Song for my father – 135 bpm<br> Star eyes – 115 bpm<br> Summertime – 105 bpm<br> Tempus fugit – 200 bpm<br> There will never be another you – 160 bpm <br> If you would like the backing tracks and demo recordings (free) you need to go here - https://www.jazzetudes.net/demo-backing-tracks-free25 jazz etudes is a book aimed at intermediate jazz students wanting something authentic to play over well known jazz standards.<br> <br> It has long been recognised that to develop jazz vocabulary we should copy the masters of the music but what if our favourite player is simply too advanced for where we currently are in our musical development?<br> <br> The 25 jazz etudes have been created with limited tricky passages, no high sustained playing but still uses great, authentic vocabulary.<br> Check out the demo.<br> <br> You should also check out www.jazzetudes.net where if you subscribe to the newsletter you receive a bunch of free etudes to try along with the backing and demo tracks!<br> <br> The book has 25 etudes and each etude is in concert pitch, Bb. pitch, Eb pitch and bass clef.<br> <br> The etudes are - <br> <br> Alfie – 60 bpm<br> Almost like being in love – 135 bpm <br> Bye bye blackbird - 135 bpm<br> Caravan – 180 bpm<br> Doxy – 100 bpm<br> East of the sun – 135 bpm<br> Fascinating rhythm – 160 bpm<br> Fly me to the moon – 140 bpm<br> Four - 170bpm<br> Giant steps – 185 bpm<br> Have you met miss Jones? 135 bpm<br> How high the moon – 175 bpm<br> I remember you – 165 bpm<br> I'll close my eyes – 160 bpm<br> I'm coming Virginia – 131 bpm<br> I've got rhythm changes – 175 bpm<br> Line for Lyons – 140 bpm<br> Makin' whoopee – 90 bpm<br> Night in Tunisia – 170 bpm<br> Scrapple from the apple – 160 bpm<br> Song for my father – 135 bpm<br> Star eyes – 115 bpm<br> Summertime – 105 bpm<br> Tempus fugit – 200 bpm<br> There will never be another you – 160 bpm <br> If you would like the backing tracks and demo recordings (free) you need to go here - https://www.jazzetudes.net/demo-backing-tracks-free