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You All Over Me
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Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.66 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
You Really Got Me
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.526265 By The Kinks. By Ray Davies. Arranged by Sarah Cellobat Chaffee. Pop,Rock. 16 pages. Sarah Cellobat Chaffee #6260161. Published by Sarah Cellobat Chaffee (A0.526265). You Really Got Me was released in 1964 as the third single by British rock band The Kinks. The song became the band's breakthrough hit, reaching number one on the UK singles chart and establishing them as one of the top British Invasion bands of the 60's. The song's style ended up being very influential for generations of rock and punk musicians afterward, and the song has lived on in the cultural canon and is still beloved to this day. This Cellobat arrangement of You Really Got Me for string quartet is true to the original Kinks recording, with its driving beat, punk-rock feel, and epic solo -- which violin 1 and 2 get to share! This chart will be readable for professionals and playable for advanced-intermediate students; overall it's more of an intermediate level, with fairly straightforward rhythms and almost entirely in 1st position, but it goes by pretty fast and it might be worth it for V2 to look at the guitar solo beforehand :) and most of all, have fun! Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$16.99
15.69 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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The Kinks
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Sarah Cellobat Chaffee
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You Really Got Me
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Sarah Cellobat Chaffee
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SheetMusicPlus
Wrecking Ball
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99
16.61 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Miley Cyrus
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Kyle Pudenz
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
When The Party's Over for flute quintet or small flute ensemble
Quintette de Flûte : 5 flûtes
Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Choir, Orff instruments, c flut…
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Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Choir, Orff instruments, c flute 1, c flute 2, c flute 3, c flute 4, and alto flute in G - Intermediate - Digital Download By Billie Eilish. Arranged by a " do Ray me " flute studio production, Ray-Michael Kauffman. Individual Part, Lead Sheet, Octavo, Score, Set of Parts, Sheet Music Single, Solo Part. 29 pages. Published by a " do Ray me " flute studio production
When the Party's over for flute quintet or small flute ensemble<br> <br> https://youtu.be/-yE2CbZcCQg<br> <br> https://youtu.be/lP6zqU_irNg<br> <br> <br> <br> by billie eilish, and arranged by me, ray-michael kauffman.<br> this is part of my " Compositions that care" and all money this piece takes in, will be donated to a charity for recovery from addition.<br> When i first herd this song, for me this was painting a picture of someone who was an addict, where they seemed the life of the party , and was having such a good time, however , using to feel a certain way -whether that be normal, happy, to fit in, loved,.. how ever, addiction cripples those persons effected may truly feel lonely and empty .<br> I debated with myself if this is what cause i wanted to support and hopefully shed some light on, addiction and everything and every person this effects.It was the next day , i had learned a friend and former co-worker had committed suicide after a long struggle with addition. I knew then that this decision was the right one.<br> To purchase and support this cause, or " Compositions that care", please visit SheetMusicPlus.com or direct link to my music available ;<br> https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545<br> and check my website out, www.doRaymeflute.com<br> thank you for taking something so precious, as your time for me and this cause.
$13.99
12.92 €
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Quintette de Flûte : 5 flûtes
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Billie Eilish
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do Ray me "
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When The Party's Over for flute quintet or small flute ensemble
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a " do Ray me " flute studio production
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SheetMusicPlus
My Saxophone and Me (E flat version)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
5.5 €
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Saxophone Alto et Piano
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Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
#
SheetMusicPlus
My Saxophone and Me (B flat version)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
$5.95
5.5 €
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Saxophone Tenor et Piano
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Colin Kirkpatrick
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Island Song
(No 3)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
My Flute and Me
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatri…
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Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatrick. Contemporary,Instructional. Score and part. 28 pages. Colin Kirkpatrick Publications #3130519. Published by Colin Kirkpatrick Publications (A0.522191). My Flute and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for many beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! The music is identical to that in the companion book My Recorder and Me. Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary.An MP3 file containing all the play-along piano accompaniments is available as a separate item here: https://www.sheetmusicplus.com/title/20679840 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Nice ‘n Easy (No 2); Waltzing Around (No 7) and Donkey Trot (No 12). The composer, Colin Kirkpatrick studied at London’s Royal College of Music. After graduation, he followed a career in music education and composed music as an active sideline. His publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written articles for magazines in both the UK and the USA and holds MA (Hons) and PhD degrees.
$5.95
5.5 €
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Flûte traversière et Piano
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Colin Kirkpatrick
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My Flute and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
All Of Me
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1250747 By John Legend. By John Stephens and Toby Gad. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 22 pages. Sarah Cellobat Chaffee #845023. Published by Sarah Cellobat Chaffee (A0.1250747). All Of Me, John Legend's huge 2014 hit single, became the singer's first number one song on the Billboard charts. Dedicated to his wife Chrissy Teigen, the song soon became a top-requested romantic ballad for weddings, so you can't go wrong adding this one to your gig books! This Cellobat arrangement for string quartet was originally written for a client whose request was, There are a lot of boring repetitive arrangements of this song out there, so please write parts that aren't boring -- and I think you'll find that I succeeded! This arrangement is full of beautiful melodies, lush harmonies, fun rhythmic parts, and overall a lot of interesting stuff to play, for a chart that will ensure no one in your group will fall asleep. This arrangement is rated intermediate; it will be learnable for students and easily sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.69 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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John Legend
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Sarah Cellobat Chaffee
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All Of Me
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Sarah Cellobat Chaffee
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SheetMusicPlus
Growing Into Me
Chorale 2 parties
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.873030 Composed by Sally Whi…
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.873030 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3869009. Published by Sally Whitwell (A0.873030). Composer’s Note - Growing into meOn a particularly blustery Winter's day, I went to the National Arboretum in my home town of Canberra, Australia, with a bunch of very lovely kids from the Woden Valley Youth Choir (WVYC). Their director Alpha Gregory had asked me to come and do a composition workshop with the kids, to which I had replied with an enthusiastic YES!.I'd done this kind of thing with WVYC before, but this time around I wanted to take it somehow to the next level, to give the piece a real sense of place, a specific and experiential connection to the local community or landscape, and the Arboretum seemed a natural choice for me for an inspirational excursion. I had a family connection to it myself at the time, my cousin Emma worked there and was very passionate about it. Also, it is an outdoorsy kind of place and I have such fond memories of outdoorsy exploratory kinds of activities filling my entire childhood, a very typically Canberran thing. I'm sure the WVYC kids have a similar experience and I hope they know how lucky they are!So we put on our winter coats and scarves and hiked up the mountain, being sure to not only look at what was there, but also to listen, to touch, to smell. It was truly a multi sensory experience. Then we all went down to a local church hall and talked about what we saw and heard and smelt and the kids were just bursting with wonderful ideas for our new song. I've incorporated as many of their ideas as possible into the completed product, as well as my own over-arching theme; the oldest of the trees at the National Arboretum are only a couple of years older than some of the children in the group, so it seemed a nice parallel to make, their growing up alongside each other. It is my hope that the writing of this piece bonds these children to this important and magical place, so ripe with possibility, and that the connection is a lasting and meaningful one for them. It certainly will be for me.-- Sally Whitwell
$1.99
1.84 €
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Chorale 2 parties
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Sally Whitwell
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Growing Into Me
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Sally Whitwell
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SheetMusicPlus
Grow Old With Me
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.526340 By Mary …
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.526340 By Mary Chapin Carpenter. By John Lennon. Arranged by Sarah Cellobat Chaffee. Pop,Wedding. 6 pages. Sarah Cellobat Chaffee #6508167. Published by Sarah Cellobat Chaffee (A0.526340). Grow Old With Me was originally recorded by John Lennon as a demo, and was released posthumously on the album Milk and Honey in 1984. With sweet and heartfelt lyrics inspired by the poetry of Robert and Elizabeth Browning, this beautiful love song has become one of the most beloved ballads of all time, so you can't go wrong having it in your gig books! Originally written for a wedding, this arrangement for your violin and cello duo features all the lovely lyrical lines, beautiful harmonies, and piano interludes of the original, and your audience is sure to fall in love too. This is an intermediate-level arrangement that will be playable for students and easily sightreadable for professionals; it's not hard to play, but it will make a big impact at ceremonies, receptions, cocktail hour, proposals, or any other occasion! Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$9.99
9.23 €
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Violon, Violoncelle (duo)
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Mary Chapin Carpenter
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Sarah Cellobat Chaffee
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Grow Old With Me
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Sarah Cellobat Chaffee
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SheetMusicPlus
Grow Old With Me
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.526317 By Mary …
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.526317 By Mary Chapin Carpenter. By John Lennon. Arranged by Sarah Cellobat Chaffee. Pop,Wedding. 10 pages. Sarah Cellobat Chaffee #6460751. Published by Sarah Cellobat Chaffee (A0.526317). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO*Grow Old With Me was originally recorded by John Lennon as a demo, and was released posthumously on the album Milk and Honey in 1984. With sweet and heartfelt lyrics inspired by the poetry of Robert and Elizabeth Browning, this beautiful love song has become one of the most beloved ballads of all time, so you can't go wrong having it in your gig books! Originally written for a wedding ceremony, this arrangement for your violin, viola, and cello trio features all the lovely lyrical lines, beautiful harmonies, and piano interludes of the original, and your audience is sure to fall in love too. This is an intermediate-level arrangement that will be playable for students and easily sightreadable for professionals; it's not hard to play, but it will make a big impact at ceremonies, receptions, cocktail hour, proposals, or any other occasion! Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$14.99
13.84 €
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Trio à Cordes: violon, alto, violoncelle
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Mary Chapin Carpenter
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Sarah Cellobat Chaffee
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Grow Old With Me
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Sarah Cellobat Chaffee
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SheetMusicPlus
Mary, Did You Know? for flute choir or flute ensemble ( christmas )
Ensemble de Flûtes
By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Pa…
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By Kathy Mattea. Arranged by Ray-Michael Kauffman. Individual Part, Score, Set of Parts, Sheet Music Single, Solo Part. 28 pages. Published by a " do Ray me " flute studio production
"Mary,Did You Know?" is a Christmas song written by Mark Lowry andmusic written by Buddy Greene in 1991. This song was recorded and performedwith famous singers such as Kenny Rogers & Wynonna Judd, Mary J. Blige, ClayAiken, Pentatonix and many more!https://youtu.be/2-jWPg_SS8g<br> <br> A beautiful song in minor key, arranged for flutechoir by me, Ray-Michael Kauffman, a flutist and performer and arranger offlute choir/music. Since I play all flutes of the flute family, I like tothink I understand the complexities of what works and what doesn't for all fluteschoirs/ ensembles. <br> <br> This arrangement gives every instrument a chance to shine, whetherplaying a solo or melody in that instrument part (from bass, alto, flutes topiccolo). This would make an amazing piece to add to your holiday performance,or singularly for church/secular or school program. scored forpiccolo, flute 1-5, alto and bass (which may also be played by contra bass).overall, it is intermediate plus but arrangement allows for less seasonedplayers to play flute 3, 4 or 5. flute 5 is not required for performance butadds extra harmony, structure and support of the arrangement. May be playedfrom a small group or larger ensemble. larger ensemble please take note inrehearsal A marking where for several measures, the higher flutes (2 and 1) arelimited in players where as not to overpower the bass flute solo. Thankyou for checking my arrangement out and I hope you love it as much as I do.<br> <br> ** Note this is the original and deluxe flute choir / ensemble version. There is other "Mary did you know " titles for flute , but they are at a small group , and basic entry level ability and those versions suited for basic elementary or middle school quartet flutes.<br> <br> My title is suited for adult, advanced players of an actual flute choir. enjoy.<br> <br> https://www.youtube.com/watch?v=2-jWPg_SS8g
$13.99
12.92 €
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Ensemble de Flûtes
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Kathy Mattea
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Ray-Michael Kauffman
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do Ray me "
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Mary, Did You Know? for flute choir or flute ensemble
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a " do Ray me " flute studio production
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SheetMusicPlus
All I Want For Christmas Is You
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.749239 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary. 39 pages. Helen Marple-Horvat #6196305. Published by Helen Marple-Horvat (A0.749239). https://www.youtube.com/watch?v=GSx1esb0D0wMariah Carey released this critically acclaimed song in 1994 and it has remained a popular snowy-season Christmas standard ever since. I originally arranged it for Voice with Quartet accompaniment in F, with my daughter, Alice Rose Wild, who sings on the live recording. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. More recently I have created this version for String Quartet in the key of G. At the moment I have only the Sibelius computer score, and hope to record it with Capriccio Quartet once the covid pandemic is at an end. Suspend your disbelief!Why choose my Arrangement?The arrangement is in a great key for strings and most of the double stopping includes an open string. In one or two places the double stopping is a bit more tricky, so for younger players it would be better perhaps to miss out one of the notes, or to play them consecutively.The Intro.For the first violinist I include two versions of the intro and recommend that the quartet listen to the original, or to Alice’s recording for speed and performance tips. It is quite difficult to get the computer to do it musically, so the video intro is only intended as a rough guide. One of the enclosed options is intended as a rehearsal version, and has the lyrics to help. I have bowed it to include lots of downbows, and recovery of bows, which will help the other members to follow. The tricky sextuplet and triplet ornament at bar 10 can be omitted altogether. Simply pause on the ‘C’ and then recover the downbow for the next bar.I also include two versions of the violin two and viola parts. One is on two pages as a smaller font, and one on three pages with a larger font.For cellists who are a bit daunted by the solo at letter A , simply play the fourth position semi breve Gs at bar 12 and at bars 13 and 14 too, and revert to the original score at bar 15. ie Six semibreve Gs. Perhaps a harmonic D at bar 15 would be easier than a shift at this point, and then join in unison with the rest of the band.The song moves between a straight crotchet pulse and lots of syncopated lines. This will be difficult to read on paper, but I always recommend listening to the song many times and then doing it by ear, using the notes on the page as a guide. Try not to play them too literally.PrintoutsPages 1 - 10 are for Look Inside Options only.Pages 11 - 28 includes all PartsPage 29 onwards is the optional Score for rehearsals. The vocal version is proving popular, but for a standard quartet Wedding and Events repertoire I hope that people will enjoy this arrangement. Send me recordings on facebook, even if they are phone rehearsals. I love to hear them, and to make contact with quartets around the world!
$20.00
18.47 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Justin Bieber Duet With Mariah Carey
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HELEN MARPLE-HORVAT
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All I Want For Christmas Is You
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Helen Marple-Horvat
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SheetMusicPlus
All Of Me
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1454807 By John Legen…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1454807 By John Legend. By John Stephens and Toby Gad. Arranged by RIS. Contemporary,Pop,R & B,Singer/Songwriter,Soul. Score. 3 pages. RISsounds #1033876. Published by RISsounds (A0.1454807). 🎶 Download the Lead Sheet Music for All of Me by John Legend! 🎶We’re excited to share the lead sheet music for John Legend’s beautiful song All of Me. Perfect for both beginners and more advanced players, our sheet music makes learning this song easy and enjoyable.🎹 Why Our Lead Sheet Music is Perfect for You: Beginner-Friendly: The right hand is clearly written out on the staff for the melody, making it easy for beginners to follow along and learn. Advanced Flexibility: The left hand is open for improvisation, allowing more advanced players to add their own flair and creativity. Clear Notation: Our lead sheets are designed for easy reading and understanding, helping you to play confidently. Whether you're just starting out or looking to enhance your piano skills, our lead sheet music is the perfect tool to guide you. Combine it with our piano tutorial video and get ready to play All of Me with confidence and ease.📥 Get Your Copy Now! Download the lead sheet music and start playing today. Don't forget to watch our easy piano tutorial on YouTube for additional guidance and visual aid.👍 Don't Forget to Like and Subscribe! If you found this helpful, give it a thumbs up and subscribe to our channel for more easy piano tutorials and sheet music every week. Hit the bell icon to get notified of our latest uploads!Thank you for choosing Easy Piano Tutorials. Happy playing! 🥰#PianoSheetMusic #AllOfMeSheetMusic #JohnLegend #PianoTutorial #EasyPiano #BeginnerPiano #LearnPiano #PianoCover #PianoLessons #MusicSheet #PianoPractice #PianoForBeginners #PianoImprovisation #PianoMelody #PianoMusic #PianoPlayers #PianoLearning #SheetMusicDownload #MusicForBeginners #EasyPianoMusic #PianoLovers.
$4.99
4.61 €
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Piano, Voix et Guitare
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John Legend
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RIS
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All Of Me
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RISsounds
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SheetMusicPlus
You Really Got Me
Piano grosses notes
Digital Download SKU: HX.447364 By The Kinks. Jazz,Pop,Rock. E-Z Play Today. 2 page…
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Digital Download SKU: HX.447364 By The Kinks. Jazz,Pop,Rock. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.447364). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.76 €
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Piano grosses notes
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The Kinks
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You Really Got Me
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Hal Leonard - Digital
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SheetMusicPlus
Do You Feel Like We Do
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015544 By Peter Frampton. By J…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015544 By Peter Frampton. By John Siomos, Mick Gallagher, Peter Frampton, and Rick Willis. Pop/Rock. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0015544. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015544). ISBN 9780739094235. UPC: 038081455211.Play everybody's favorite songs! The 300 pages of piano/vocal/guitar sheet music in this collection allow music makers to bring dozens of the most memorable songs of the 1960s, '70s, and early '80s to life. Classic rock fans who love to play will have a blast applying their talent to more than 40 enduring songs made famous by legendary artists like The Beatles, David Bowie, Journey, Led Zeppelin, Pink Floyd, The Rolling Stones, Rush, The Who, and many more. The arrangements feature piano parts that accurately reflect each song's familiar original recording. Basic chord fingering grids are provided for optional guitar accompaniment, along with vocal melodies and complete lyrics. Titles: 50 Ways to Leave Your Lover (Paul Simon) * Africa (Toto) * All Along the Watchtower (Jimi Hendrix) * All My Love (Led Zeppelin) * Behind Blue Eyes (The Who) * Big Yellow Taxi (Joni Mitchell) * Blinded by the Light (Manfred Mann's Earth Band) * Blowin' in the Wind (Bob Dylan) * Born to Run (Bruce Springsteen) * Bridge Over Troubled Water (Simon and Garfunkel) * Closer to the Heart (Rush) * Dancing in the Moonlight (King Harvest) * Do You Feel Like We Do (Peter Frampton) * Don't Stop Believin' (Journey) * Faithfully (Journey) * Fool in the Rain (Led Zeppelin) * From Me to You (The Beatles) * Give Up the Funk (Tear the Roof off the Sucker) (Parliament) * Going Up the Country (Canned Heat) * The Great Gig in the Sky (Pink Floyd) * I Love L.A. (Randy Newman) * I Saw Her Standing There (The Beatles) * Like a Rolling Stone (Bob Dylan) * Live and Let Die (Paul McCartney) * The Load Out (Jackson Browne) * Love Reign O'er Me (The Who) * Money (Pink Floyd) * Nights in White Satin (The Moody Blues) * Paranoid (Black Sabbath) * P-Funk (Wants to Get Funked Up) (Parliament) * Pinball Wizard (The Who) * River (Joni Mitchell) * Saturday in the Park (Chicago) * She Loves You (The Beatles) * She's a Rainbow (The Rolling Stones) * The Sound of Silence (Simon and Garfunkel) * Space Oddity (David Bowie) *.
$3.99
3.68 €
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Piano, Voix et Guitare
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Peter Frampton
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Do You Feel Like We Do
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Someone To Watch Over Me
Ligne De Mélodie, (Paroles) et Accords
C Instrument - Level 4 - Digital Download SKU: A0.499612 Composed by George Gershwi…
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C Instrument - Level 4 - Digital Download SKU: A0.499612 Composed by George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112904. Published by John Fries (A0.499612). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Someone to Watch Over Me is a 1926 song composed by George Gershwin with lyrics by Ira Gershwin, assisted by Howard Dietz who penned the title. It was written for the musical Oh, Kay! (1926), with the part originally sung on Broadway by English actress Gertrude Lawrence while holding a rag doll in a sentimental solo scene. The song was recorded by Frank Sinatra in 1946 for his first album The Voice Of Frank Sinatra, and again in 1954 for the film Young At Heart. Sinatra's popular recordings helped cement the standard slow style. Someone to Watch Over Me was notably covered by Ella Fitzgerald (1951), Chet Baker (1955), Sarah Vaughan (1957) and Dakota Staton (1960).
$3.99
3.68 €
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Ligne De Mélodie, (Paroles) et Accords
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George Gershwin and Ira Gershwin
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John Fries
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Someone To Watch Over Me
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John Fries
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SheetMusicPlus
Someone To Watch Over Me
Ligne De Mélodie, (Paroles) et Accords
C Instrument - Level 4 - Digital Download SKU: A0.1158832 Composed by Adrian Gurvit…
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C Instrument - Level 4 - Digital Download SKU: A0.1158832 Composed by Adrian Gurvitz, Francine Golde, and Robbie Buchanan. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #759081. Published by John Fries (A0.1158832). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Someone to Watch Over Me is a 1926 song composed by George Gershwin with lyrics by Ira Gershwin, assisted by Howard Dietz who penned the title. It was written for the musical Oh, Kay! (1926), with the part originally sung on Broadway by English actress Gertrude Lawrence while holding a rag doll in a sentimental solo scene. The song was recorded by Frank Sinatra in 1946 for his first album The Voice Of Frank Sinatra, and again in 1954 for the film Young At Heart. Sinatra's popular recordings helped cement the standard slow style. Someone to Watch Over Me was notably covered by Ella Fitzgerald (1951), Chet Baker (1955), Sarah Vaughan (1957) and Dakota Staton (1960).
$3.99
3.68 €
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Ligne De Mélodie, (Paroles) et Accords
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Adrian Gurvitz, Francine Golde, and Robbie Buchanan
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John Fries
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Someone To Watch Over Me
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John Fries
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SheetMusicPlus
Broke - Chose Money Over Me
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.518631 By GbÄ“r…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
$6.70
6.19 €
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Ensemble Jazz
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Gbērē Dodoh
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Broke - Chose Money Over Me
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Holyone Tombari Dodoh
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SheetMusicPlus
She Stands For Me
Chorale 3 parties
Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1435064 Compose…
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Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1435064 Composed by Clyde Moreland. Arranged by Jon Arterton. Historic,Holiday,Multicultural,Patriotic,World. 9 pages. Moreland Publishing Company #1015165. Published by Moreland Publishing Company (A0.1435064). This wonderfully patriotic song about the Statue of Liberty will have your audiences on their feet. It embraces the contributions immigrants have made to this country. It’s perfect for Americana/Fourth of July-themed concerts. It features a major solo. The lyrics tell the story.SOLO: Set sail across these waters over a wide and open seaWith my wife and my son and daughters to this land of OpportunityDisembarking at Ellis Island feelings of pride came over meAs the veil of the mist that shrouded her lifted up I could clearly seeStanding tall she lifted my heart, revealing all I’d come to beShe holds the light for my rights, for my life, for my child, for my landCHORUS: She stands for me. Lady Liberty lifted me up. She stands for me SOLO: Two hundred years we now flash forward at the dawn of this brave new worldAs I stand with my eyes gazing upward she still stands with the light in her handIt still shines as bright as it can be for those still longing to breathe freeThough by the waves we are tossed as we weather the storms she still shows us who we can beStanding tall she lifted my heart, showing all we’d come to beStands for the lonely and lost and those tempest tossed she still standsCHORUS: She stands for me. Lady Liberty lifted me up. She stands for me VARIOUS SOLOS: I am the farmer standing by my plowThe small business owner makes a go of it nowI am the dreamer through no fault of mineBut still wanting a life and a future that’s bright/ We are the couple blessed by eyes aboveBut stripped of our rights because of who we love We are the tired, the oppressed and the poorThe huddled masses at the golden doorCHORUS: We are a people of all colors and creedsTogether we’re strong in our diversityLady Liberty lifted me up. She stands for me.
$2.35
2.17 €
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Chorale 3 parties
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Clyde Moreland
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Jon Arterton
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She Stands For Me
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Moreland Publishing Company
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SheetMusicPlus
Call On Me
Small Ensemble - Level 5 - Digital Download SKU: A0.747907 By Chicago. By Lee Lough…
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Small Ensemble - Level 5 - Digital Download SKU: A0.747907 By Chicago. By Lee Loughnane. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 101 pages. Patrick Sheehan #4968709. Published by Patrick Sheehan (A0.747907). *This title is priced at $50 because of its overall popularity, and because it charted at #6 in June of 1974. Keep in mind that *all* parts (vocals, horns, rhythm parts) are included in this transcription, and you cannot find it published in full score format anywhere else in the world.*INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Fender Rhodes, Electric Guitar, Bass, Conga Drums, Ganza, Cowbell, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago VII released in 1974. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
46.18 €
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Chicago
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Patrick Sheehan
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Call On Me
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Patrick Sheehan
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SheetMusicPlus
If You're Over Me
Small Ensemble - Digital Download SKU: A0.828178 By Years & Years. By Mark Ralph, O…
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Small Ensemble - Digital Download SKU: A0.828178 By Years & Years. By Mark Ralph, Oliver Thornton, Steve Mac, and Years & Years. Arranged by Shelley Gray. A Cappella. Score and parts. 11 pages. Shelley Gray #5375783. Published by Shelley Gray (A0.828178). For female a cappella ensemble. To capture the 'full force' of the song I've doubled the lead, tenor parts. There's also a body percussion part. For 'bespoke alterations' or info on part dominant tracks, please contact me; shelleygray40@gmail.com.
$2.99
2.76 €
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Years & Years
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Shelley Gray
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shelleygray40@gmail.com.
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If You're Over Me
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Shelley Gray
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SheetMusicPlus
Kalla
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.987813 Composed by Allan Gilliland. Contemp…
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Concert Band - Digital Download SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. Published by Allan Nimmo Gilliland (A0.987813). The word Kalla is Norwegian for call, a theme that appears both in the inspiration for this piece and the structure of the work itself. Commissioned by the 2009 National Youth Band of Canada and funded through a grant from MacEwan University’s Centre for the Arts Research and Scholarly Activity Fund, the work was premiered May 13, 2009 by the National Youth Band of Canada under the direction of Dr. Shelley Jagow, featuring Dean McNeill as the soloist. For me Kalla is a crossover piece stylistically for the soloist. It draws upon both classical and jazz inspired techniques including traditional cadenzas with virtuosic runs and triple tonguing and contrasting sections featuring jazz plunger techniques, a unique sound not often heard in band music. The trumpet culture at turn of the century (late 19th century-early 20th century) in New Orleans was the inspiration for Kalla. Trumpet players would go down to the river and play a note to see how long it took the echo to come back. Soon, another trumpet would answer, higher and louder, and the game of one-upsmanship would begin. Trumpet calls and answers from across the city would sound. Kalla is based on this concept of call and response with the opening trumpet call coming physically from three different places in the concert hall. As the piece develops call and response continues between the soloist and ensemble.
$100.00
92.35 €
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Orchestre d'harmonie
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Allan Gilliland
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Kalla
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Allan Nimmo Gilliland
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SheetMusicPlus
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