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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
You Are There - Trumpet 1
Non classifié
602
Piano & claviers
Piano seul
269
Orgue
134
Piano grosses notes
123
Piano Facile
119
Piano, Voix et Guitare
76
Piano, Voix
60
1 Piano, 4 mains
36
Instruments en Do
28
Accompagnement Piano
19
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
8
1 Piano, 6 mains
2
Orgue, Piano (duo)
1
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
2 Accordéons
1
+ 12 instrumentations
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Guitares
Basse electrique
301
Guitare notes et tablatures
51
Guitare
42
2 Guitares (duo)
12
Ukulele
8
Guitare (partie séparée)
8
4 Guitares (Quatuor)
7
Dulcimer
6
Ligne De Mélodie, (Paroles) et Accords
5
Ensemble de guitares
4
3 Guitares (trio)
2
Mandoline
2
Piano, Guitare (duo)
1
Banjo
1
Paroles et Accords
1
+ 10 instrumentations
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Voix
Chorale SATB
101
Chorale 2 parties
45
Chorale 3 parties
39
Chorale Unison
25
Chorale TTBB
18
Chorale SSAA
15
Pack Instrumental pour Chorale
14
Voix duo, Piano
7
Voix Alto, Piano
2
Voix haute
1
Voix moyenne, Piano
1
Voix duo
1
Voix Tenor, Piano
1
Chorale SSATTB
1
+ 9 instrumentations
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Vents
2 Saxophones (duo)
86
2 Flûtes traversières (duo)
57
2 Clarinettes (duo)
36
Flûte traversière
33
Saxophone, Clarinette (duo)
31
Quatuor de Saxophones: 4 saxophones
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Flûte traversière et Piano
26
Clarinette
23
Quatuor de Clarinettes: 4 clarinettes
22
Clarinette et Piano
21
Clarinette, Violon (duo)
20
Hautbois, Piano (duo)
20
Flûte, Clarinette (duo)
19
Ensemble de Flûtes
17
Saxophone Alto et Piano
17
Hautbois (partie séparée)
16
Clarinette et Alto
16
Flûte, Hautbois, Clarinette, Basson
16
Quintette de Saxophone: 5 saxophones
15
2 Hautbois (duo)
14
Flûte, Alto (duo)
14
Hautbois, Basson (duo)
13
Quatuor de Flûtes : 4 flûtes
12
Quintette de Flûte : 5 flûtes
12
Ensemble de saxophones
11
Quintette de Clarinettes: 5 clarinettes
10
Hautbois, Clarinette (duo)
10
Saxophone Tenor et Piano
9
Saxophone Alto
9
Saxophone Soprano et Piano
9
Cor anglais, Piano
8
Hautbois
7
Flûte, Violon
7
Trio de Flûtes: 3 flûtes
7
Saxophone Baryton, Piano
7
3 Saxophones (trio)
7
Saxophone Tenor
7
Flûte, Saxophone (duo)
6
3 Clarinettes (trio)
6
Hautbois, Flûte
5
Flûte, Violon, Piano
5
Flûte, Violoncelle
5
Flûte, Hautbois (duo)
4
Flûte et Guitare
4
Saxophone (partie séparée)
3
Ensemble de Clarinettes
3
Flute (partie séparée)
3
Clarinette Basse, Piano
3
2 Flûtes traversières, Piano
2
Flûte à bec Soprano
2
Saxophone Soprano
2
Saxophone Baryton
2
Flûte à bec Alto, Piano
2
Flûte à bec Soprano, Piano
2
3 Hautbois
2
Clarinette, Basson (duo)
2
Flûte à Bec
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble de Hautbois
1
Clarinette, Violoncelle (duo)
1
Harmonica
1
Quatuor de Flûtes à bec
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Tenor
1
Ensemble à vent
1
Flûte, Hautbois, Basson
1
2 Clarinettes, Piano
1
Clarinette (partie séparée)
1
Flute, harpe et violon
1
Flûte, Clarinette et Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûte à bec (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
+ 70 instrumentations
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Cuivres
Trombone
14
2 Trombones (duo)
14
Trombone et Piano
14
Cor
12
Tuba
10
Ensemble de Trombones
9
Cor et Piano
9
Cor anglais, Piano
8
Quatuor de cuivres: 4 trombones
5
2 Tubas (duo)
5
Tuba et Piano
4
3 Trombones (trio)
4
Cor (partie séparée)
3
2 Euphoniums et 2 Tubas
3
2 Cors (duo)
3
Euphonium, Piano (duo)
3
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
Trombone, Tuba (duo)
2
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
Euphonium, Tuba (duo)
1
3 Cors (trio)
1
Trombone (partie séparée)
1
+ 20 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
208
Violon, Violoncelle (duo)
160
Violon
132
Trio à Cordes: violon, alto, violoncelle
119
Harpe
40
2 Violons (duo)
38
Violon et Piano
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
35
2 Altos (duo)
30
Violon, Alto (duo)
25
Violoncelle, Piano
24
Violoncelle
23
2 Violoncelles (duo)
21
Alto, Piano
21
Alto seul
19
Contre Basse
11
Violoncelle, Contrebasse (duo)
8
Violon (partie séparée)
8
Trio à Cordes: 3 violoncelles
6
Trio à Cordes: 2 violons, violoncelle
6
Contrebasse, Piano (duo)
5
Flûte, Contrebasse (duo)
5
Trio à cordes: 3 altos
4
Trio à cordes: 3 violins
4
2 Violons, Piano
4
4 Violoncelles
4
Contrebasse (partie séparée)
3
Alto, Violoncelle (duo)
3
2 Harpes (duo)
3
2 Contrebasses (duo)
2
3 Contrebasses
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto (partie séparée)
2
Ensemble de Violoncelles
1
Violoncelle (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Voix
1
4 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
+ 35 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
224
Orchestre à Cordes
180
Orchestre de chambre
29
Cloches
25
Ensemble Jazz
14
Orchestre
14
Ensemble de cuivres
8
Jazz combo
7
2 Xylophones
4
Batterie
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble de Percussions
2
Quintette de Cuivres: autres combinaisons
1
Marimba
1
Percussion
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LATIN - BOSSA - WORL…
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METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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You Are There - Trumpet 1
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À vos guitares, prêts, jouez! Vol. 4
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Guitare
#
À vos guitares, prêts, jouez
#
SheetMusicPlus
This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end...
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This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprétation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur
Song List
:
1. Songe d'une nuit de printemps
2. Nostalgie
3. Tres guitarras
4. Jeu froid (tude rock)
5. Le dernier souffle
6. Manhattan
7. Baile de la passion
8. Corsaires
9. Cerisier Japonais
$9.95
You Are There (4-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Jazz
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Dave Frishberg, Johnny Mandel,
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Ed Lojeski
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You Are There
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.341842 By Dave Frishberg, Johnny Mandel, and Michael Feinstein. Arranged by Ed Lojeski. This edition: scorch. Concert,Jazz. Choral Instrumental ...
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SKU: HX.341842 By Dave Frishberg, Johnny Mandel, and Michael Feinstein. Arranged by Ed Lojeski. This edition: scorch. Concert,Jazz. Choral Instrumental Pak. 1 pages. Hal Leonard - Digital #959870. Published by Hal Leonard - Digital (HX.341842).
Digital Pack includes
:
You Are There - Synthesizer
You Are There - Guitar
You Are There - Bass
You Are There - Drums
$20.00
There Is a Happy Land (Easy Piano Duet; 1 Piano, 4-Hands)
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1 Piano, 4 mains
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DÉBUTANT
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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There Is a Happy Land
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Sharon Wilson
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.565119 By Sharon Wilson. By Andrew Young. Arranged by Sharon Wilson. Children,Praise & Worship,Sacred,Tra...
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1 Piano,4 Hands,Piano Duet - Level 1 - SKU: A0.565119 By Sharon Wilson. By Andrew Young. Arranged by Sharon Wilson. Children,Praise & Worship,Sacred,Traditional. Score. 9 pages. Sharon Wilson #3435121. Published by Sharon Wilson (A0.565119). This mixed level, 1 piano, 4-hands duet arrangement of the cheerful hymn tune HAPPY LAND is designed for a beginning student to play the PRIMO while an intermediate player (teacher, parent, friend, sibling) plays the SECONDO. All notes in the PRIMO are played singly with the hands in one position centered around middle C and then played one octave higher. The PRIMO can also be played as a solo when played as written. Lyrics are included on the PRIMO for sing-along enjoyment.The first verse speaks about the saints singing as described in Revelation 7:9-10. This upbeat, cheerful arrangement echoes the joy that will be experienced when the prophecies of Revelation are fulfilled and sin and death are no more. What a joyous day that will be when in heaven with Jesus we will sing Worthy is our Savior King! The last phrase of the song uses the word aye which may be unfamiliar to many. This word from long ago simply means forever or always.The purchase price includes a 4-page combined score with both piano parts on each page plus the alternate format with the PRIMO and SECONDO on separate pages (2 pages each). Duration 1:30. This arrangement is one of the 10 songs included in the Easy Piano Duets collection titled What Heavenly Music.
$4.99
Gymnopedie No. 1 (EASY PIANO) from Trois Gymnopedies [Erik Satie]
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Piano Facile
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FACILE
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Classique
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Contemporain
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Erik Satie
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Darek
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Gymnopedie No. 1
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1257896 Composed by Erik Satie. Arranged by Darek. Classical,Wedding. Score. 2 pages. Darek #851131. Published by Darek (...
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Easy Piano - Level 2 - SKU: A0.1257896 Composed by Erik Satie. Arranged by Darek. Classical,Wedding. Score. 2 pages. Darek #851131. Published by Darek (A0.1257896). Gymnopedie No. 1 (EASY PIANO) from Trois Gymnopedies [Erik Satie]Simplified music arrangement for pianists of Gymnopedie No. 1 from Trois Gymnopedies by Erik Satie. Easy version / easy arrangement / for beginners pianists. Included: Fingering, Dynamics, video Youtube tutorial. Experience the timeless beauty of Gymnopédie No. 1 from Trois Gymnopédies by Erik Satie with our easy-level piano sheet music. Perfect for beginner and intermediate pianists, this sheet music allows you to effortlessly bring this enchanting piece to life on the keys.Our sheet music includes detailed fingering instructions, dynamic markings, and a helpful video tutorial on YouTube, making it easier than ever to learn and master this classic composition. Satie's Gymnopédie No. 1, composed in the late 19th century, is a masterpiece of the impressionist era, known for its serene melodies and ethereal ambiance.With our carefully curated sheet music, you can explore the delicate nuances of Satie's music, creating a captivating experience for both yourself and your audience. The included fingering notations ensure optimal technique, while the dynamic markings guide you through the expressive journey of the piece.Whether you are a beginner pianist seeking to develop your skills or an intermediate player looking for a beautiful addition to your repertoire, our easy-level sheet music for Gymnopédie No. 1 is the perfect choice. Immerse yourself in the elegance of Satie's composition, and let your fingers dance across the keys with confidence.Unlock the magic of this timeless piece with our user-friendly sheet music, designed to enhance your learning experience and help you achieve a captivating performance. Elevate your piano playing and delve into the enchanting world of Gymnopédie No. 1 today.
$3.00
Jolly Old Saint Nicholas Piano Trio or Quartet (1 piano, 6 to 8 hands)
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1 Piano, 6 mains
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DÉBUTANT
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Unknown
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Kristina Arellano
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Jolly Old Saint Nicholas Piano
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Kristina Arellano
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SheetMusicPlus
1 Piano,6 Hands,Piano Duet - Level 1 - SKU: A0.887323 Composed by Unknown. Arranged by Kristina Arellano. 20th Century,Christmas,Contemporary,Standards....
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1 Piano,6 Hands,Piano Duet - Level 1 - SKU: A0.887323 Composed by Unknown. Arranged by Kristina Arellano. 20th Century,Christmas,Contemporary,Standards. Score. 21 pages. Kristina Arellano #4966841. Published by Kristina Arellano (A0.887323). Jolly Old Saint Nicholas is a delightful mixed-level ensemble that will impress your audience and allow friends or siblings of different levels to all play together! The four parts are written for the early to late-elementary level student. The flexible scoring allows you to choose the composition length and whether to play it as a trio or quartet. Part 1 is for your early-elementary student and is written completely in the middle C position. Part 2 is for your mid-elementary student. It is written mostly in the middle C position, and contains a moving left-hand counter-melody in quarter notes. Part 3 is for your mid-to-late elementary student. It is written primarily in the middle C and C pentascale positions, but also requires a few leaps and hand-crossings. Part 4 may be cut if you don't have enough students to form a quartet. Both hands are written primarily in the the bass clef. It contains some shifting and dotted-quarter-note rhythms.The included performance notes give options for modifying the quartet in case you would like a shorter version or want to turn it into a piano trio. There is also a suggestion for how to incorporate an advanced student if playing a trio version. The music comes with a full score and four individual parts.
$6.99
Just The Way You Are
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Piano, Voix et Guitare
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FACILE
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Bruno Mars
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Tabitha Beaven
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Just The Way You Are
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Tabitha Beaven
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1470292 By Bruno Mars. By Ari Levine, Bruno Mars, Khalil Walton, Khari Cain, and Philip Lawrence. Arranged ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1470292 By Bruno Mars. By Ari Levine, Bruno Mars, Khalil Walton, Khari Cain, and Philip Lawrence. Arranged by Tabitha Beaven. A Cappella,Children,Instructional,Pop. Score. 6 pages. Tabitha Beaven #1048055. Published by Tabitha Beaven (A0.1470292). Part of a 'Pop Song Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #PopSongLayerUp is designed to be experimented with, taking elements of a song and layering them to see what new harmonies and rhythms can be created. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and Version 2 is a single part flow with four entry points and an optional finish section ('long-form round'). We know that rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. A 'Key Chart' with chords / note range is provided in four different keys to help decide which is the most suitable for your vocal group and see if you need to drop an octave for lower voices. Although a starter structure is provided, group leaders are encouraged to mess around with it, try different layers together and have fun creating something new from something familiar. Huge scope for adding fun body percussion beats to keep time, or simple finger clicks. Most important is to have fun with a #PopSongLayerUp! And if you share your group on social media, please add the hashtags #PopSongLayerUp #PopRound and tag @tunefultabitha - would love to hear what you come up with! #PopSongLayerUp #PopRound #Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp.
$4.99
Shape Of You
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Ed Sheeran
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Tabitha Beaven
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Shape Of You
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Tabitha Beaven
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1474498 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cot...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1474498 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Tabitha Beaven. A Cappella,Barbershop,Instructional,Pop,Singer/Songwriter. Score. 6 pages. Tabitha Beaven #1052122. Published by Tabitha Beaven (A0.1474498). Part of a 'Pop Song Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #PopSongLayerUp is designed to be experimented with, taking elements of a song and layering them to see what new harmonies and rhythms can be created. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with parts, dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and building something new and Version 2 is a single part flow with five entry points and an optional finish section ('long-form round'). We know that rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. A 'Key Chart' with chords / note range is provided in four different keys to help decide which is the most suitable for your vocal group and see if you need to drop an octave for lower voices. Group leaders are encouraged to mess around with it, try different layers together and have fun creating something new from something familiar. Huge scope for adding fun body percussion beats to keep time. Most important is to have fun with a #PopSongLayerUp! And if you share your group on social media, please add the hashtags #PopSongLayerUp #PopRound and tag @tunefultabitha - would love to hear what you come up with!#PopSongLayerUp #PopRound #Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp.
$4.99
YOU ARE ALWAYS HERE (Solo, Vocals and Piano)
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Piano, Voix et Guitare
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FACILE
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Gary Lanier
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Gary Lanier
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YOU ARE ALWAYS HERE
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The Lanier Company
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.613993 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Wedding. Score. ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.613993 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Wedding. Score. 12 pages. The Lanier Company #118143. Published by The Lanier Company (A0.613993). This edition of YOU ARE ALWAYS HERE comes as a pdf Score that contains the Solo (melody, chords, & lyrics), Backup Vocals and Piano, plus the Lead Sheet Part and the Backup Vocals Part. The song beautifully expresses the peace in knowing that Jesus Christ is always there for every Child of God. It works great for a praise and worship team, special music in worship services, or for the joy of singing in any situation where inspirational music is desired (12 pages). ADDITIONAL PRODUCTS: (1) MP3 solo performance by Gary Lanier, listed as, YOU ARE ALWAYS HERE (Vocal Performance), (2) MP3 Keyboard and Drum accompaniment listed as, YOU ARE ALWAYS HERE (Keyboard & Drum Accompaniment), (3) MP3 Backup Vocals, Keyboard & Drum accompaniment listed as, YOU ARE ALWAYS HERE (Backup Vocals, Keyboard & Drum Accompaniment), (4) MP3 Keyboard & Drum accompaniment listed as, YOU ARE ALWAYS HERE (Keyboard & Drum Accompaniment). Video Review: https://youtu.be/0kbu21ilBL0.
$5.95
You Are The Reason
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2 Guitares (duo)
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Pop musique
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Calum Scott
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Derek Hasted
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You Are The Reason
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - SKU: A0.946865 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Derek Hasted. Po...
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Instrumental Duet Guitar,Instrumental Duet - SKU: A0.946865 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Derek Hasted. Pop. Score and parts. 31 pages. Derek Hasted #552624. Published by Derek Hasted (A0.946865). YOU ARE THE REASON (Calum Scott) - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This haunting piece, with the most amazing “build and fade awayâ€, moves nicely from “voice and piano†to “guitar duetâ€. It will suit an intermediate duo. There are two versions in this one edition - they contain the same material. One version is tune and accompaniment, and is ideal for a Student/Teacher pairing, or a duo with an early intermediate and an intermediate player. The other version swaps roles halfway through, so the parts are both intermediate. I’ve made a significant change to the key here, but that allows the guitar to produce a haunting first verse where a stopped B and an open B ring through each other to generate a smoothness of accompaniment that is sublime and mimics the reverberant piano of the original.The arpeggio patterns here match closely those of the original piano too, giving verses 1 and 2 quite different texture. Sadly there is no orchestra and massed choir to build this version in the way that the original does, but the dynamics on the score tie in with the original song.The guitar parts here are in “score and tab†and in “score alone†- there is no difference in the music, but the tab may help notation readers see how the opening section sits on the neck of the guitar.I hope you enjoy playing this piece!
$4.99
Kataware Doki
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Piano Facile
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DÉBUTANT
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Yojiro Noda
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Mav Duo
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Kataware Doki
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Musicial
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SheetMusicPlus
Instrumental Solo,Keyboard - Level 1 - SKU: A0.1289024 Composed by Yojiro Noda. Arranged by Mav Duo. Classical,Contemporary,Film/TV,Spiritual. Individua...
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Instrumental Solo,Keyboard - Level 1 - SKU: A0.1289024 Composed by Yojiro Noda. Arranged by Mav Duo. Classical,Contemporary,Film/TV,Spiritual. Individual part. 1 pages. Musicial #879869. Published by Musicial (A0.1289024). Evoke the Essence of Your Name: A Captivating Piano Solo Arrangement of Yojiro Noda's Kataware DokiAre you ready to embark on a musical journey through the ethereal landscapes of the heart, reliving the enchantment of the film Your Name? Immerse yourself in the tender melodies of Yojiro Noda's Kataware Doki with a mesmerizing piano solo arrangement that captures the very soul of this cinematic masterpiece.Allow your senses to be swept away by the haunting beauty of Kataware Doki as the piano becomes the storyteller. With every delicate keystroke, you'll feel the emotions and memories of the film wash over you. This arrangement is a heartfelt tribute to the intricate tapestry of love, fate, and connection woven throughout Your Name.Crafted with meticulous care, this piano solo arrangement unveils the essence of Kataware Doki in its purest form. It encapsulates the timeless charm and emotional depth of the original composition, allowing you to become the interpreter of this poignant tale, where love transcends time and space.Whether you're a passionate pianist seeking a captivating new piece for your repertoire or an ardent fan of Your Name yearning to relive the magic, this piano solo arrangement is an absolute must-have. It offers an opportunity to immerse yourself in the wistful beauty of Kataware Doki and express your personal connection to its profound themes.As you navigate the intricate melodies, you'll discover a world where moments of love and longing intersect. The piano's expressive dynamics bring to life the poignant encounters and heartrending farewells of the film, allowing you to relive the bittersweet journey of its characters.This piano solo arrangement of Kataware Doki is a testament to the enduring power of music to evoke emotions and transcend the boundaries of storytelling. It invites you to embrace the film's enchantment and become the conduit through which its message of love, destiny, and the threads that connect us all resonates.Don't miss this extraordinary opportunity to own a piece of musical brilliance and cinematic nostalgia. Order your piano solo arrangement of Yojiro Noda's Kataware Doki today and let the tender melodies transport you to the heart of Your Name. Immerse yourself in the magic of the film and let your piano express the profound emotions that define this unforgettable masterpiece.Keywords: piano solo arrangement, Kataware Doki, Yojiro Noda, Your Name, musical journey, ethereal landscapes, haunting beauty, storyteller, emotional memories, cinematic masterpiece, heartfelt tribute, timeless charm, emotional depth, captivating new piece, wistful beauty, profound themes, expressive dynamics, enduring power of music, cinematic nostalgia, musical brilliance, cinematic enchantment, unforgettable masterpiece.
$5.99
Summer Twilights in Finland are Particularly Long
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Piano seul
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DÉBUTANT
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Juan MarÃa Solare
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Summer Twilights in Finland ar
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.596495 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Sacred,Standards. Score. 4 pages. Juan Maria Solare #3...
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Piano Solo - Level 1 - SKU: A0.596495 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Sacred,Standards. Score. 4 pages. Juan Maria Solare #3100069. Published by Juan Maria Solare (A0.596495). I've found that music with autobiographical references has a particular expressive strength.I was in Finland once (performing at the World Tango Summit in Seinäjoki, 2011). The city of Seinäjoki is quite close to the Arctic Circle, so in summer the sun doesn't really set: instead of a night you have several hours of an eternal twilight.The feeling was that of a transition stopped in time, as a slow motion film of someone springing over a wide river. This can be a wonderful experience (and for me it was), but can be also unnatural to us, Latinamericans, used to the day is sun and night is no sun approach to life.Anecdotically, the temperature during these days in Seinäjoki was 31 Celsius. So my experience of Finland is that of a very warm place. I guess other persons have colder experiences. There are three versions of this piece: Piano solo (pedal all throughout, resonances) 7:24 Tibetan singing bowls 7:40 Electronic sounds (ambient) 7:50 The bowls version is recorded at A = 432 Hz. The solo piano and the electronic versions are at A = 440 Hz. Summer Twilights in Finland are Particularly Long was composed in Bremen on 5 May 2017. Cover Art: Juan MarÃa Solare, based on a foto by Chado Nihi (released under license CC0, and used by explicit permission: You are welcome to use it for any non-harmful purposes). Listen on: https://juanmariasolare.bandcamp.com/album/summer-twilights-in-finland-are-particularly-long or on Spotify / Deezer etc. Updated, general information: http://www.juanmariasolare.com/summer_twilights_in_finland_are_particularly_long.html
$2.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. P...
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Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Home For The Holidays (theres No Place Like)
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Guitare notes et tablatures
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DÉBUTANT
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Noël
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Al Stillman and Robert Allen
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Rebecca Bogardus
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Home For The Holidays
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Lillwy Publishing
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.877952 Composed by Al Stillman and Robert Allen. Arranged by Rebecca Bogardus. Contemporary. Guitar Tab. 9 pages. Lillwy Publ...
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Guitar - Level 1 - SKU: A0.877952 Composed by Al Stillman and Robert Allen. Arranged by Rebecca Bogardus. Contemporary. Guitar Tab. 9 pages. Lillwy Publishing #5805723. Published by Lillwy Publishing (A0.877952). This Modern Single is part of the First Position Christmas collection. This collection is a guitar teacher's dream! Each selection in the collection includes the melody of a popular Christmas favorite, each carefully edited for the beginning guitarist. Each song has at least two versions - one with TAB and chords included, and one edited for classically trained guitarists, including fingering suggestions. For rhythmically complex songs, a simplified rhythmic version is also included. Special effort has been put into making the selections as accessible as possible to those in their first year of study, and all of the pieces are exclusively in first position with the exception of All I Want for Christmas, which has a few notes at the very end in second position. There is also a collection of 22 Classic Favorites available both at Sheet Music Plus and www.studiobogardus.com/arrangements. This Modern Single includes a coupon code that can be used on the Classic Favorites collection. Songs in the complete collection (those with asterisks* are Modern Singles and are NOT included in the Classic Favorites collection): Up On the Housetop O Come, All Ye Faithful Away in a Manger The Little Drummer Boy* Good King Wenceslas Jolly Old St. Nicholas We Three Kings We Wish You A Merry Christmas All I Want for Christmas (Is My Two Front Teeth)* Angels We Have Heard On High Blue Christmas* Feliz Navidad* Here Comes Santa Claus* Rudolph the Red-Nosed Reindeer* Silver Bells* The Chipmunk Song* Hark the Herald Angels Sing Jingle Bells O Christmas Tree O Holy Night Let It Snow* Winter Wonderland* Deck the Hall God Rest Ye Merry, Gentlemen O Come, O Come, Emmanuel O Little Town of Bethlehem Frosty the Snowman* Home for the Holidays* Rockin' Around the Christmas Tree* White Christmas* It Came Upon the Midnight Clear Joy to the World Silent Night The First Noel What Child Is This? Christmas Time* Coventry Carol Have Yourself a Merry Little Christmas*
$4.99
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
These Are The Best Of Times
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Piano, Voix et Guitare
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FACILE
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Michael Drake
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Michael Drake
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These Are The Best Of Times
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Michael Gene Drake
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1350134 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Broadway,Celtic,Film/TV,Irish,Musica...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1350134 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Broadway,Celtic,Film/TV,Irish,Musical/Show,Singer/Songwriter. Score. 48 pages. Michael Gene Drake #934912. Published by Michael Gene Drake (A0.1350134). These Are The Best Of Timesâ€Here is the sheet music and all the parts from my song “These Are The Best Of Timesâ€INTROThese are the Best of Times we have and these are the Best of Times you know. These are the Best of Times we have These are the Best of Times, These are the Best of Times.Verse 1Love to live my life with you and have fun the whole day thru, ski-ppin'stones in the summer time on the  lake be-side our home.  Love to live my life with you ha-vin' fun the evenin' too we wouldCuddle by the f-ire and dream the night a-way!ChorusThese could be the best of times ours could be the grandest life,If we just decide to make it happen. Against the odds we'll make it thru I tell you darlin' I love you,Our lives will never be the same again,Our lives will never be the same again,Our lives will never  be the same again, Verse 2You need to know from me the things I love a-bout you, Well that’sEasy to say it's everything you are.And now that we've found our-selves there is no turning back though it's difficult at times we are in each other’s blood. ChorusThese are now the best of times, ours are surely the gift we need, weFollowed our hearts and now we made it.Against the odds we made it thru I tell you darlin' I love you,Our lives will never be the same a-gain,Our lives will never be the same a-gain,Our lives will never be the same a-gain, Michaeldrakemusic@outook.com  www.drakemusic.com.
$25.00
You Are The Reason
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Flûte et Guitare
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INTERMÉDIAIRE
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Calum Scott
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Derek Hasted
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You Are The Reason
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.933172 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by ...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.933172 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 16 pages. Derek Hasted #538937. Published by Derek Hasted (A0.933172). YOU ARE THE REASON (Calum Scott) - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This haunting piece, with the most amazing “build and fade awayâ€, moves nicely from “voice and piano†to “flute and guitarâ€. It will suit an intermediate duo. I’ve made a significant change to the key here, but that allows the guitar to produce a haunting first verse where a stopped B and an open B ring through each other to generate a smoothness of accompaniment that is sublime and mimics the reverberant piano of the original.The arpeggio patterns here match closely those of the original piano too, giving verses 1 and 2 quite different texture. Sadly there is no orchestra and massed choir to build this version in the way that the original does, but the dynamics on the score tie in with the original song.The guitar part is here in “score and tab†and in “score alone†- there is no difference in the music, but the tab may help notation readers see how the opening section sits on the neck of the guitar.I hope you enjoy playing this piece!
$4.99
Young and Old
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Chorale 2 parties
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DÉBUTANT
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Jeffrey Kaufman
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Young and Old
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KEM Enterprises, Inc.
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.985951 Composed by Jeffrey Kaufman. 20th Century,Contemporary. Octavo. 4 pages. KEM Enterprises, Inc. #3003203. Pu...
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Choral Choir (SA) - Level 1 - SKU: A0.985951 Composed by Jeffrey Kaufman. 20th Century,Contemporary. Octavo. 4 pages. KEM Enterprises, Inc. #3003203. Published by KEM Enterprises, Inc. (A0.985951). YOUNG AND OLD is a 2 part choir work for Young Voices or 2 part women's choir. The lyrics tell the universal story of first being young and carefree and in time, becoming old with elements of sadness. When all the world is young lad and all the trees are green, and ev'ry goose a swan lad and ev'ry lass a queen, then hey for boot and horse lad and round the world a way, young blood must have its course lad and ev'ry dog his day. When all the world is old lad and all the trees are brown, and all the sport is stale lad and all the wheels run down, Creep home and take your place there, the spent and maimed among. God grant you find one face there you loved when all was young. .
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Etude No. 1
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Guitare notes et tablatures
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FACILE
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Classique
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Matteo Carcassi
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Brian Streckfus
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Etude No. 1
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1150935 Composed by Matteo Carcassi. Arranged by Brian Streckfus. Classical. Guitar Tab. 4 pages. Brian Streckfus #751121. Pu...
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Guitar - Level 2 - SKU: A0.1150935 Composed by Matteo Carcassi. Arranged by Brian Streckfus. Classical. Guitar Tab. 4 pages. Brian Streckfus #751121. Published by Brian Streckfus (A0.1150935). Important: This include two versions, a heavily notated version, and a blank version.1. Added tablature. 2. Fingerings added (Counterintuitive fingerings are left blank for the performer to realize first hand that it will be an awkard passage).3. Chord nomenclature added4. Fonts made larger and more appealing5. Position and Bar markings addedTips:1. Measure 13 is a good example of melodic minor as scale degrees 6 and 7 are rasied by a half step on an upward scale run, and then lowered on the way back down.2. Measures 23-27 is an example of a sequence. I recommend making the catchiness and repetition as obvious as possible as the audience is expecting the sequence to complete. For example, if there is a slur happening on a certain beat, I'll make sure it is mantained for every repetition, which is why measure 20 is more difficult with a fretted B instead of an open string. It's more work, but it sounds better to my ears.3. There is a certain order that the right hand fingers should be following depending on if you are going to thicker or thinner strings. Since this is an etude designed to get a player used to classical guitar technique, it made sense to show the a novice finger-style player which right hand fingers to use and when. Example: 2nd thinnest to thinnest string...Should be i m...not m iTo Do:1. Theoretical explanations in the score? Especially on the heavily notated version?
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Come Thou Fount - Piano Duet (1 piano, 4 hands) by Stephen R Dalrymple
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1 Piano, 4 mains
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Musique Sacrée
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Stephen R
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Come Thou Fount - Piano Duet
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.818262 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Sacred. Score and parts. 12 p...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.818262 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Sacred. Score and parts. 12 pages. Stephen R Dalrymple #3884091. Published by Stephen R Dalrymple (A0.818262). Come Thou Fount arranged for piano duet (4 hands 1 piano) by Stephen R Dalrymple lyrics by Robert Robinson 1758 (British pastor) melody - NETTELTON - traditional American melody published by John Wyeth (American Publisher) in Wyeth’s Repository of Sacred Music Part Second 1813 Suitable for preludes, offertories, concerts, personal meditation. Includes 2 versions 1) piano score, letter size 2) piano score, small page format for performing from 10.1 inch tablet. Up to 2 copies allowed for duet practice/performance. (Note: Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.45
Take Time to Be Holy -Piano Duet (1 piano 4 hands) by Stephen R Dalrymple
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1 Piano, 4 mains
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Musique Sacrée
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Stephen R
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Take Time to Be Holy -Piano Du
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.818270 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Sacred. Score and parts. 24 p...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.818270 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Sacred. Score and parts. 24 pages. Stephen R Dalrymple #3884121. Published by Stephen R Dalrymple (A0.818270). Take Time to Be Holy - Piano Solo Arrangement by Stephen R Dalrymple lyrics - William D. Longstaff 1882 melody - ‘HOLINESS’ by George C. Stebbins, 1890 sequenced by the arranger arrangement © 1999 Stephen R Dalrymple recording ℗ 2021 Stephen R Dalrymple presentation © 2021 Stephen R Dalrymple Permission granted for 2 printed copies for duet participants for practice/performance. Suitable for preludes, offertories, concerts, personal meditation. Includes 3 versions 1) piano score, letter size 2) duplicate piano score, letter size 3) piano score small page format for performing from 10.1 inch tablet. (Note: Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.45
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You Are There - Trumpet 1
