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You Can Always Count On Me
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
CLAVECIN
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CORNET
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Crtitères actifs :
You Can Always Count On Me
Partitions à imprimer
40 partitions trouvées
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1
26
Count On Me
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Soul/R&B
#
Bruno Mars
#
Sherry Lewis
#
Count On Me
#
Sherry Lewis Publishing
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.521806 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Sherry Lewis. Hip-Hop,Pop,R & B. ...
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String Orchestra - Level 3 - SKU: A0.521806 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Sherry Lewis. Hip-Hop,Pop,R & B. Score and Parts. 19 pages. Sherry Lewis Publishing #6487669. Published by Sherry Lewis Publishing (A0.521806). COUNT ON ME, Bruno Mars, String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. ABOUT THE DEMO: In the recording I omitted the first 16 or so measures to get to the chorus Score: YES Parts: 9 pages Time:3'20 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
Count On Me
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Soul/R&B
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Bruno Mars
#
Sherry Lewis Publishing
#
Count On Me
#
Sherry Lewis Publishing
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521321 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Sherry Lewis Publis...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.521321 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Sherry Lewis Publishing. Hip-Hop,Pop,R & B. 17 pages. Sherry Lewis Publishing #4839687. Published by Sherry Lewis Publishing (A0.521321). COUNT ON ME, Bruno Mars, String Trio, Intermediate Level for 2 violins and cello or violin, viola and celloABOUT THE DEMO: In the recording I omitted the first 16 or so measures to get to the chorusScore: YESParts: 7 pages Time:3'20MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
Count On Me
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Violon, Violoncelle (duo)
#
INTERMÉDIAIRE
#
Soul/R&B
#
Bruno Mars
#
Sherry Lewis Publishing
#
https://www
#
Count On Me
#
Sherry Lewis Publishing
#
SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.521322 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Sherry Lewis Publis...
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Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.521322 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Sherry Lewis Publishing. Hip-Hop,Pop,R & B. 9 pages. Sherry Lewis Publishing #4839739. Published by Sherry Lewis Publishing (A0.521322). COUNT ON ME, Bruno Mars, String Duo, Intermediate Level for violin and celloABOUT THE DEMO: In the recording I omitted the first 16 or so measures to get to the chorusScore: YESParts: 3 pages Time:3'20MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$5.99
Count On Me
#
Violon
#
INTERMÉDIAIRE
#
Soul/R&B
#
Bruno Mars
#
Sherry Lewis
#
Count On Me
#
Sherry Lewis Publishing
#
SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.521323 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Sherry Lewis. Hip-Hop,Pop,R & B. 5 pag...
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Violin Solo - Level 3 - SKU: A0.521323 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Sherry Lewis. Hip-Hop,Pop,R & B. 5 pages. Sherry Lewis Publishing #4847575. Published by Sherry Lewis Publishing (A0.521323). COUNT ON ME, Bruno Mars, Violin Solo, Intermediate Levelpart: 2 pages time: 3' 52 DEMO NOTE: I began the demo at the main theme as the intro is rather long but is included in the arrangement. MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.99
You Can Always Count on Me from City Of Angels (Musical) - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Comédie Musicale
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You Can Always Count on Me fro
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Musicnotes
Cy Coleman - You Can Always Count on Me - from City of Angels Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Lyrics/Mel...
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Cy Coleman - You Can Always Count on Me - from City of Angels Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Lyrics/Melody/Chords;Leadsheet, instruments: Voice;C Instrument; 2 pages -- Show/Broadway~~Musical
$2.99
You Can Always Count on Me by Haydn Gwynne - Piano/Vocal/Chords
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Piano, Voix
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Comédie Musicale
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Haydn Gwynne
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You Can Always Count on Me
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Musicnotes
Performed by: Haydn Gwynne: You Can Always Count on Me Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet m...
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Performed by: Haydn Gwynne: You Can Always Count on Me Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains partial lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 5 pages -- Show/Broadway~~Soundtrack~~Musical
$5.50
You Can Always Count on Me from City of Angels - Piano Solo
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Piano seul
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Comédie Musicale
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You Can Always Count on Me fro
#
Musicnotes
Cy Coleman - You Can Always Count on Me Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scor...
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Cy Coleman - You Can Always Count on Me Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 4 pages -- Show/Broadway
$5.50
You Can Close Your Eyes
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Guitare notes et tablatures
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FACILE
#
Rock
#
James Taylor
#
John Murphy C
#
#
You Can Close Your Eyes
#
John Murphy
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Pu...
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Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags : Sheet music, Tab, Pop/Rock, Folk , Country, Acoustic Guitar, Easy Intermediate
$5.99
You Can Close Your Eyes
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Rock
#
James Taylor
#
John Murphy C
#
#
You Can Close Your Eyes
#
John Murphy
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Pu...
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Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com
$5.99
You Can Close Your Eyes
#
Guitare notes et tablatures
#
Rock
#
James Taylor
#
John Murphy C
#
#
You Can Close Your Eyes
#
John Murphy
#
SheetMusicPlus
Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by...
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Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com
$6.99
You Are Always On My Mind
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Isabelle Wakkinen
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arr
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You Are Always On My Mind
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.546075 Composed by Isabelle Wakkinen. Arranged by arr. by John Fries. 20th Century,Country,Jazz,Pop,Standards. Lead She...
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C Instrument - Level 4 - SKU: A0.546075 Composed by Isabelle Wakkinen. Arranged by arr. by John Fries. 20th Century,Country,Jazz,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #156183. Published by John Fries (A0.546075). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The song has been a crossover hit, charting in both the country and western and pop categories. Always On My Mind did not see completion until late 1971. Songwriter-guitarist Wayne Carson had about two verses done, with the working title You Were Always On My Mind. He had been occupied in Memphis on a project that required him to stay ten days longer, and he phoned his wife in Springfield, Missouri, to apologize for the delay. She was angry, and he replied: Well, I know I’ve been gone a lot, but I’ve been thinking about you all the time. His words struck him as potential song material, and he quickly ended the call so he could capture the idea on paper.
$3.99
You Can Always Count On Me
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Ligne De Mélodie, (Paroles) et Accords
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Comédie Musicale
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You Can Always Count On Me
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
This edition: Interactive Download. Broadway, Musical/Show. FKBK. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.411440). - FKBK - Broadway,Musical...
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This edition: Interactive Download. Broadway, Musical/Show. FKBK. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.411440). - FKBK - Broadway,Musical/Show - Hal Leonard - Digital Sheet Music
$3.99
Cy Coleman: You Can Always Count On Me - voice & other instruments (fake book)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Comédie Musicale
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Cy Coleman
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Virtualsheetmusic
Instantly printable sheet music by Cy Coleman for voice & other instruments (fake book) of MEDIUM skill level. / musical/show,broadway
Instantly printable sheet music by Cy Coleman for voice & other instruments (fake book) of MEDIUM skill level. / musical/show,broadway
$4.97
Cy Coleman: You Can Always Count On Me (from City Of Angels) - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Comédie Musicale
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Cy Coleman
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Virtualsheetmusic
Instantly printable sheet music by Cy Coleman for voice, piano or guitar of MEDIUM skill level. / musical/show
Instantly printable sheet music by Cy Coleman for voice, piano or guitar of MEDIUM skill level. / musical/show
$6.97
You Can Always Count On Me (from City Of Angels)
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Piano, Voix et Guitare
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Comédie Musicale
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Cy Coleman
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You Can Always Count On Me
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Cy Coleman. For piano, voice and guitar (chords only). Musical/Show. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Cy Coleman. For piano, voice and guitar (chords only). Musical/Show. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Big Country
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Ensemble Jazz
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INTERMÉDIAIRE
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Contemporain
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Bela Fleck And The Flecktones
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Bryan Starkweather
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Big Country
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Bryan Starkweather
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.914420 By Bela Fleck And The Flecktones. By Bela Fleck. Arranged by Bryan Starkweather. Contemporary. Sc...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.914420 By Bela Fleck And The Flecktones. By Bela Fleck. Arranged by Bryan Starkweather. Contemporary. Score and parts. 30 pages. Bryan Starkweather #4317543. Published by Bryan Starkweather (A0.914420). Big Country arranged for 4 horn jazz combo. Guitar is heavily featured playing the iconic melody. Includes trumpet, alto, tenor, trombone, as well as rhythm section. Optional flute and clarinet on alto and tenor respectively.Approximately grade 3.For comments, questions, corrections, or special requests, please email me at bryan32483@gmail.com for any and all For comments, questions, corrections, or special requests, please email me at bryan32483@gmail.com for any and all info, or to submit your videos or recordings, which I'm happy to feature. Also visit https://www.facebook.com/Canvas-Music-Productions-134274459972325/ I love hearing from my customers! I'm always happy to help in any way I can, including modifying a piece to suit your needs.
$12.99
Always On My Mind
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Orchestre d'harmonie
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FACILE
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The Pet Shop Boys
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John Ivor Holland
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Always On My Mind
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1410260 By The Pet Shop Boys. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by John Ivor Holland. 20t...
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Concert Band - Level 2 - SKU: A0.1410260 By The Pet Shop Boys. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by John Ivor Holland. 20th Century,Country,Disco,Film/TV,Pop. 49 pages. John Ivor Holland #992678. Published by John Ivor Holland (A0.1410260). Always on My Mind was originally conceived as a ballad written by Wayne Carson, Johnny Christopher, and Mark James and first recorded by country artist Brenda Lee in 1972. The song has been a crossover hit, charting in both country and pop categories. Elvis Presley's recording was the first commercially successful version of the song, followed by a 1987 hi-NRG/synth-pop interpretation from Pet Shop Boys (which reached UK number one and made US Top Ten). This version by PSB came about in 1987 as part of an anniversary show called 'Love Me Tender', to mark 10 years since the death of Elvis Presley (who had also charted well with the song) - in November 2004, The Daily Telegraph placed the version at number two in a list of the 50 best cover versions of all time and ten years later, a public poll compiled by the BBC saw the song voted the all-time best cover version. The PSB cover has recenbtly been used in the acclaimed British film 'All Of Us Strangers', launching it back into popularity again - this arrangement features, towards the end, an ad lib repeated section where your lead alto sax can really bring down the house!
$49.99
Echo Taps for Trumpet Ensemble
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Ensemble de Trompettes
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INTERMÉDIAIRE
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Daniel Butterfield
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Zack Richards
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Echo Taps for Trumpet Ensemble
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Zack Richards
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SheetMusicPlus
Brass Ensemble Trumpet - Level 3 - SKU: A0.894407 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score ...
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Brass Ensemble Trumpet - Level 3 - SKU: A0.894407 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 17 pages. Zack Richards #5754059. Published by Zack Richards (A0.894407). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to those and all Veterans and Service Members. It is also a way of helping the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. I was fortunate to play as a part of this during Armed Forces Day celebrations in Ashtabula for several years. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service.All of these works are available individually or all together in my United We Stand Collection at a considerable discount.S0.1059689 United We Stand Collection Zack Richards Music Minus One SeriesEach of these works for Trumpet Ensemble also have a corresponding arrangement for Solo Trumpet with an mp3 accompaniment track in my Zack Richards Music Minus One Series.S0.1059735 Echo Taps for Solo TrumpetS0.1059689 United We Stand Collection Zack Richards Music Minus One SeriesTrumpet Ensemble5-10 B-flat TrumpetsIntermediateApprox. 2:30Visit zackrichards.com for more from this composer!
$9.99
Echo Taps for Solo Trumpet
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Trompette
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INTERMÉDIAIRE
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Daniel Butterfield
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Zack Richards
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Echo Taps for Solo Trumpet
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Zack Richards
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SheetMusicPlus
B-Flat Trumpet Solo - Level 3 - SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individua...
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B-Flat Trumpet Solo - Level 3 - SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. Zack Richards #6426687. Published by Zack Richards (A0.894419). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to all Veterans and Service Members and to help the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service. Performance and Rehearsal mp3 Tracks available!S0.1059653 Echo Taps Rehearsal TrackS0.1059683 Echo Taps Performance Track All of these works are available individually or all together in my United We Stand Collection. S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.792173 Echo Taps for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 2:30  Visit zackrichards.com for more from this composer!
$5.99
Accidentally In Love
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Orchestre d'harmonie
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FACILE
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Counting Crows
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Willem Aarts
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Accidentally In Love
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Willem Aarts
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1195351 By Counting Crows. By Adam F. Duritz, Dan Vickrey, David Bryson, David Immergluck, and Matthew Malley. Arranged...
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Concert Band - Level 2 - SKU: A0.1195351 By Counting Crows. By Adam F. Duritz, Dan Vickrey, David Bryson, David Immergluck, and Matthew Malley. Arranged by Willem Aarts. Contest,Festival,Film/TV,Pop. Score and parts. 76 pages. Willem Aarts #794533. Published by Willem Aarts (A0.1195351). Accidentally In Love - Counting Crows | Concert BandPersonally, I was always a big fan of the Shrek movies, especially the music. From 'I'm a believer' to 'Welcome to Duloc', all these songs keep stuck in your head, and I did not even mention 'All Stars'... But this one is upliftingAccidentally in Love is a song by American rock band Counting Crows. The song was written for the opening scene of the 2004 DreamWorks animated film Shrek 2 and appears on the movie's soundtrack as the opening track. It was released as a single on May 3, 2004, two weeks before the movie premiered in theaters. The single was commercially successful, peaking within the top 40 on several music charts.My name is Willem Aarts, and I have been arranging music since 2016. I play trombone and French horn myself, but I also love to transcribe existing music to several ensembles, from individual parts to full orchestra's and everything inbetween. It is always a challenge to add my own touch, but I try my very best with every arrangement I make!You can contact me:Website: www.wa-music.nlE-mail: info@wa-music.nlSheetMusicPlus: https://www.sheetmusicplus.com/publishers/3004231YouTube: https://www.youtube.com/c/WillemAarts
$49.99
Eulogy - Score Only
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Contemporain
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Antonio Gervasoni
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Eulogy - Score Only
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Antonio Gervasoni
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1088415 Composed by Antonio Gervasoni. Classical,Contemporary,Multicultural,World. Score and parts. 32 pages. Antonio...
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Small Ensemble - Level 4 - SKU: A0.1088415 Composed by Antonio Gervasoni. Classical,Contemporary,Multicultural,World. Score and parts. 32 pages. Antonio Gervasoni #692680. Published by Antonio Gervasoni (A0.1088415). Three-movement work for soprano, clarinet and piano. Eulogy is a piece dedicated to the memory of my dear friend Rafael Salazar. I met Rafael in 1994, when I was invited to take the position of guest pianist (I was already an alumnus) in my high school orchestra, where he played the violin. I was seven years his senior, but that didn't stop us from forging a great friendship. He played my music in many other occasions. He grew up and matured, became a loving husband, father, and successful attorney. He was always available, always ready to lend a hand, genuinely concerned for the well-being of other people and for the future of our country. He was always there for me and for all his friends and I have lost count of all the times he offered me his help, without expecting anything in return. In November 2019, at age 39, he was diagnosed with cancer. Despite all our hopes and his great will to live, he passed away on April 18, 2020. He now visits me in my dreams and sometimes, when I realize that I'm dreaming, I give him a big hug. Rest in peace my friend. I'll miss you a lot.
$8.99
My Savior, My God
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Musique Sacrée
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Aaron Shust and Dorothy Greenw
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Camp Kirkland
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Choral Octavo
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My Savior, My God
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Instrumental Ensemble - SKU: JX.00-36893 Composed by Aaron Shust and Dorothy Greenwell. Arranged by Camp Kirkland. This edition: InstruPax....
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Choir Sacred Instrumental Ensemble - SKU: JX.00-36893 Composed by Aaron Shust and Dorothy Greenwell. Arranged by Camp Kirkland. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Simply Praise & Worship. Sacred. Part(s). 77 pages. Jubilate Music Group - Digital #00-36893. Published by Jubilate Music Group - Digital (JX.00-36893). English.Being human we want to fully understand, but God refuses boxes or books or human created thologies whose purpose is to help us feel comfortably equal. However, there are truths we can count on. In a simple, meaningful song by Aaron Shust there is truth. My Savior loves, my Savior lives, my Savior's always there for me . . . ; we can count on that. Camp Kirkland has crafted a straightforward arrangement of Shust's popular praise and worship song and you can count on it to strengthen and deepen worship. Related scripture: Mark 6:19; John 3:16; Revelation 1:18.
$60.00
Chorus and Aria from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
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