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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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You Can Dance You Can Sing
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192
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81
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34
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20
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13
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13
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3
1 Piano, 4 mains
2
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1
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8
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7
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1
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1
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1
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32
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13
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9
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7
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6
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3
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1
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1
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1
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1
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15
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8
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7
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6
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5
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2
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1
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1
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1
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1
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1
Flûte et Guitare
1
2 Flûte à bec (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Quatuor de Flûtes : 4 flûtes
1
Flûte à bec Alto
1
3 Clarinettes (trio)
1
Hautbois, Piano (duo)
1
Clarinette et Piano
1
Flûte irlandaise
1
Flûte, Trompette (duo)
1
+ 36 instrumentations
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Trombone
4
Trompette, Saxophone (duo)
4
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3
2 Trombones (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Cors (duo)
3
2 Trompettes (duo)
3
Trompette, Trombone (duo)
3
Cor et Piano
2
Tuba
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trombone et Piano
2
Cor
2
Tuba et Piano
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
+ 13 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon, Violoncelle (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
Violon
10
Violon et Piano
7
Violoncelle
7
Harpe
6
Violon, Alto (duo)
4
2 Violons (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
2 Violoncelles (duo)
3
2 Altos (duo)
3
Alto seul
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto (partie séparée)
1
Violoncelle, Piano
1
4 Violoncelles
1
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Orchestre d'harmonie
87
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13
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11
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6
Ensemble de cuivres
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3
Xylophone, Piano
2
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876
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik Int...
(+)
Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik Int...
(+)
Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik Int...
(+)
Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik Inte...
(+)
Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
#
Orchestre
#
AVANCÉ
#
Mark O'Connor
#
Americana Symphony "Varia
#
Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00
PIATTI, Carlo Alfredo - Quartettino "In Vacanza" for four cellos
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4 Violoncelles
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INTERMÉDIAIRE
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Piatti, Carlo Alfredo
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PIATTI, Carlo Alfredo - Quarte
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - SKU: A0.841328 Composed by Piatti, Carlo Alfredo. Arranged by Artistic Score Engraving by Michele Galvag...
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String Quartet Cello,String Quartet - Level 3 - SKU: A0.841328 Composed by Piatti, Carlo Alfredo. Arranged by Artistic Score Engraving by Michele Galvagno. Instructional,Romantic Period,Standards. 66 pages. Artistic Score Engraving di Galvagno Michele #3624857. Published by Artistic Score Engraving di Galvagno Michele (A0.841328). Piatti composed the small quartet (Quartettino) In vacanza (On holiday), a Sonata-form in three movements for four cellos, dedicating it to the young cellists from Bergamo in 1891. It was premiered at the final exams in the same year.It is a simply structured piece made of catchy melodies, thick of that irony, that carelessness that probably Piatti reckoned as a fundamental soft skill for young musicians. The first movement, Allegro con brio, bears the title Partenza(Departure), the second, Andantino quasi allegretto, Arrivo (Arrival), the third, Allegretto vivo, Danza rustica (Rustic Dance). One cannot help but notice the lack of a slow movement in the middle or of a Coming Back at the end. We can explain this only in recognising that Piatti, having come to the end of a long career, may have wanted to leave a wishing message to the younglings who were still at the beginning of their path: “may your life be as a long, endless holiday, with no slack moment; may the enthusiasm to push forward never falter you and may even old age have the cheerful rhythm of a danceâ€This score was published in 2018 and updated in 2023.
$24.95
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
I Won't Dance
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Dorothy Fields, Jerome Kern, J
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Alexander L'Estrange
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I Won't Dance
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Alexander L'Estrange
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.877462 Composed by Dorothy Fields, Jerome Kern, Jimmy McHugh, Oscar Hammerstein, and Otto Harbach. Arranged by ...
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Choral Choir (Mixed) - Level 4 - SKU: A0.877462 Composed by Dorothy Fields, Jerome Kern, Jimmy McHugh, Oscar Hammerstein, and Otto Harbach. Arranged by Alexander L'Estrange. A Cappella. Octavo. 18 pages. Alexander L'Estrange #6745463. Published by Alexander L'Estrange (A0.877462). Alexander L’Estrange is a great and innovative arranger, surely one of the best we have around. - Music Teacher Magazine Alexander L’Estrange’s delicious arrangements go naughtily off-piste and the King’s Singers Great American Songbook CD is superb. - The Times Alexander L’Estrange and Joanna Forbes L’Estrange are prolific composers and arrangers of choral music, both individually and as a partnership. Receiving commissions from choral societies, schools, chamber choirs, church choirs and a cappella groups, their music is sung and enjoyed throughout the world. Alexander is regularly commissioned to write arrangements for world-class vocal groups including Voces8, The Queen’s Six, Amarcord and The King’s Singers, for whom he wrote and produced the Great American Songbook album. Joanna began writing music and lyrics during her tenure as soprano and Musical Director of the five-time Grammy® Award-winning vocal group The Swingles. All of Alexander and Joanna’s compositions and arrangements come with excellent learning resources for choirs including part-learning tracks and backing tracks, professionally recorded by the couple in their home studio #OldStableStudios. They also offer expert coaching for choirs, both in person and online. Their popular workshop You can sing…but can you swing?! gives choirs the tools to perform pop and jazz arrangements with greater style and confidence. CONTACT Website www.lestrangemusic.com Enquiries info@lestrangemusic.com To be the first to hear news from L’Estrange Music, follow them on facebook, twitter and instagram This arrangement features classy jazz a cappella writing that will suit experienced chamber choirs, school and high school groups, with a 6-part SSATBarB scoring. The song is a classic jazz standard by Jerome Kern and was commissioned by The King's Singers, who recorded it on their album of Alexander L'Estrange's close-harmony arrangements Great American Songbook https://www.kingssingers.com/products/great-american-songbook/. N.B. This is a higher-key adaptation of Alexander L'Estrange's original arrangement for the King's Singers, with mixed-voice SSATBarB choirs and a cappella groups in mind.
$4.50
Cannoli Man
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Ensemble Jazz
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FACILE
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Michael Drake
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Kevin Carberry
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Cannoli Man
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Michael Gene Drake
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1350173 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Film/TV,Jazz,Latin,Musi...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1350173 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Film/TV,Jazz,Latin,Musical/Show,Singer/Songwriter. 164 pages. Michael Gene Drake #934954. Published by Michael Gene Drake (A0.1350173). This is the Big Band versionCannoli ManWe know a man who moves from bar to bar,he holds above him a tray of sweets to eat, when he walks in a little show he does,he sings and dances of food he has to sell, you can’t deny this Brady street type of guy,he jumps and spins as happy as can be, The East side is where we all belong, when this man dances, we want to dance a-long.The Cannoli man he dances on his feet most every night,He tries to sell his goods to everyone who is in sightCannoli man he dances with his sweets up in the airHe spins a-round sing-in’ I got Cannoli and pepperoni Come on and dance Cannoli Man michaeldrakemusic@outlook.com   www.drakemusic.com.
$35.00
Cannoli Man 13 Trumpets with Soloist
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Jazz combo
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INTERMÉDIAIRE
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Michael Drake
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Kevin Carberry
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Cannoli Man 13 Trumpets with S
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Michael Gene Drake
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.1348392 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Film/TV,Jazz,Latin. 121 pages. Michael Gene Drake...
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Jazz Combo - Level 3 - SKU: A0.1348392 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Film/TV,Jazz,Latin. 121 pages. Michael Gene Drake #933167. Published by Michael Gene Drake (A0.1348392). Here is the sheet music from my song “The Cannoli Man†which is from my CD “No Tan Linesâ€. This version was re-purposed from a big band version of mine for a Trumpet solo with 13 trumpets. The 4 Trumpets, 4 Trombones and 5 Saxes were re-voiced into 13 Trumpets with the original rhythm section. The lyrics from the original CD are: We know a man who moves from bar to bar,he holds above him a tray of sweets to eat, when he walks in a little show he does,he sings and dances of food he has to sell, you can’t deny this Brady street type of guy,he jumps and spins as happy as can be, The East side is where we all belong, when this man dances, we want to dance a-long.The Cannoli man he dances on his feet most every night,He tries to sell his goods to everyone who is in sightCannoli man he dances with his sweets up in the airHe spins a-round sing-in’ I got Cannoli and pepperoni Come on and dance Cannoli Man michaeldrakemusic@outlook.com   www.drakemusic.com.
$35.00
10 Folk Dance Miniatures for solo piano.
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Piano seul
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DÉBUTANT
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Contemporain
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Andrew Portman
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10 Folk Dance Miniatures for s
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Andrew Portman
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1032715 Composed by Andrew Portman. Contemporary. Score. 8 pages. Andrew Portman #5720469. Published by Andrew Portman (A...
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Piano Solo - Level 1 - SKU: A0.1032715 Composed by Andrew Portman. Contemporary. Score. 8 pages. Andrew Portman #5720469. Published by Andrew Portman (A0.1032715). These delightful character pieces are suitable for the beginner pianist who knows the Bb major scale. Each dance takes less than one minute to perform, with melodies that capture the imagination. If you are wanting a piece to play at your next recital, these would be ideal. Folk Dance Miniatures provide an opportunity to increase your skill level and add style to your musical development. There's something in here for everyone:...Melodies - you can whistle, hum, or sing along to....Rhythms - from toe tapping regular, to foot stomping syncopation. ...Harmonies - that sound harmonious....Technique - staccato & legato throughout, to help improve your technique. (fingering included)...Theory - put your detective goggles on to find intervals, chord voicings, etc. ...Pedalling - put your foot down on the sustain pedal to add depth to your playing. (on selected pieces)...Musicality - follow the slurs, phrases, dynamics & tempo changes, to give your playing that X- factor.Enjoy!P.S. to hear these Folk Dances go to: https://www.youtube.com/watch?v=CTh_OsTBoB4&t=2s
$3.99
You Can Dance, You Can Sing
3-part mixed choir, descant, piano, percussion
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Mark Burrows
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You Can Dance, You Can Sing
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Heritage Music Press
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SheetMusicPlus
Composed by Mark Burrows. Multicultural. Octavo. 20 pages. Published by Heritage Music Press (LX.15-3347H). - octavo - Multicultural - Heritage Music Press...
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Composed by Mark Burrows. Multicultural. Octavo. 20 pages. Published by Heritage Music Press (LX.15-3347H). - octavo - Multicultural - Heritage Music Press
$2.95
Songs and Dances from Another Time (Suite 1) (Elementary piano solos)
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Piano seul
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DÉBUTANT
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Colin Kirkpatrick
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(2) Song of the Tree Spirits
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Songs and Dances from Another
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.522203 Composed by Colin Kirkpatrick. Concert,Instructional,Standards. Score. 12 pages. Colin Kirkpatrick Publications #3...
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Piano Solo - Level 1 - SKU: A0.522203 Composed by Colin Kirkpatrick. Concert,Instructional,Standards. Score. 12 pages. Colin Kirkpatrick Publications #3410943. Published by Colin Kirkpatrick Publications (A0.522203). Youngsters are sure to enjoy these tuneful pieces, crafted especially for the young learner. The music follows on from the much easier pieces in The River at the End of Day. They are ideal for elementary pianists, but of course could be used with beginners of all ages. More experienced students will find them ideal and enjoyable sight-reading exercises or to develop the useful skill of transposing at sight. The colorful pieces are arranged in approximate order of difficulty, so you can feel free to pick and mix according to the needs of the students. Most of the pieces use eighth notes (quavers), quarter notes (crotchets), half notes (minims) and whole notes (semibreves). Each piece takes up just one page. With attractive melodies and interesting harmonies several of them could be strung together to create a suite for a student recital. Many of the fingerings are provided but sometimes the choice of fingering is left for the teacher and student to decide. For more advanced students, these pieces can serve a useful function either as sight-reading exercises or for transposing at sight, a skill that is sometimes neglected. The sample audio clip contains the following pieces from the collection: (1) Dance to the Rising Sun; (2) Song of the Tree Spirits; (3) Mountain Dance; (9) Hymn to the Stars and (10) Night Dance.
$3.99
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Ungaresca & Almande Poussi
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Co...
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String Ensemble - Level 2 - SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
Singin' In The Rain
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Flûte à bec Soprano
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FACILE
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Jazz
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Arthur Freed and Nacio Herb Br
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songbooks
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Singin' In The Rain
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songbooks.info
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SheetMusicPlus
Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.1347183 Composed by Arthur Freed and Nacio Herb Brown. Arranged by songbooks.info. 20th Century,Broad...
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Recorder Solo,Soprano Recorder - Level 2 - SKU: A0.1347183 Composed by Arthur Freed and Nacio Herb Brown. Arranged by songbooks.info. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Individual part. 4 pages. Songbooks.info #931979. Published by songbooks.info (A0.1347183). Singin' in the Rain is a hit film written in 1929 by Arthur Freed (lyrics) and Nacio Herb Brown (music). Gene Kellys dances and sings in the 1952 sound film of the same name.Already after the Second World War, the song became a jazz standard and was performed by artists such as Dave Brubeck, Oscar Peterson, John Serry Sr., Sammy Davis Jr. and Doris Day, just to name a few artists. In 2004, the American Film Institute ranked the song third in its list of the 100 best American film songs.The song was adapted for the Soprano or Tenor Recorder and provided with fingering images. These images are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Singin’ in the Rain ist ein 1929 geschriebener Filmschlager von Arthur Freed (Text) und Nacio Herb Brown (Musik). Gene Kellys tanzut und singt im gleichnamigen Tonfilm von 1952.Bereits nach dem zweiten Weltkrieg wurde der Song zum Jazzstandard und wurde von Interpreten wie Dave Brubeck, Oscar Peterson, John Serry senior, Sammy Davis jr. und Doris Day interpretiert, nur um einige Künstler zu nennen. Vom American Film Institute wurde das Lied 2004 auf Platz 3 in die Liste der 100 besten US-amerikanischen Filmsongs gewählt.Das Lied wurde für die Sopran- oder Tenor- Blockflöte adaptiert und mit Griffbildern versehen. Diese Griffbilder werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$5.49
Bailen, Canten Que Noche Bonita! For SATB Chorus and Orchestestra From the opera "On the Wings of t
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Chorale SATB
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FACILE
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James Nathaniel Holland
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Bailen, Canten Que Noche Bonit
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.730402 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. Octavo. 46 pages. ...
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Choral Choir (SATB) - Level 2 - SKU: A0.730402 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. Octavo. 46 pages. James Nathaniel Holland #3216671. Published by James Nathaniel Holland (A0.730402). Use this rousing piece for a grand, happy opening with Spanish flare with Soloists, SATB Chorus, and full orchestra by American Costa Rican composer James Nathaniel Holland. Text is 90% in Spanish and 10% in English. Opening chorus is from Act III of the American opera, On the Wings of the Scarlet Messenger. Easy level and simple to produce. Use this piece as the first movement in combination with the Dances from On the Wings of the Scarlet Messenger. for full orchestra. Soloists needed: (2 tenors, 1 baritone bass, 1 mezzo soprano) and SATB chorusInstrumentation: pic, 2fl, 2ob, eh, 12cl, bcl, tensax, 2bsn, 4 hrns, 2 tpt, trmb, btrm, tim, per (hand cym, castanets, ride cym, bd), hrp (or pno), stringsFull score in concert pitch, individual instrumental and vocal parts included.Piano vocal score and full opera vocal score sold separately.Duration 2:02 minutes. YouTube video presentation with dances: https://youtu.be/QHzyUfKLI9MComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html****Tengan esta cancion de alegria para una apertura grande con sabor del Espana con Soloistas, SATB Coro, y orquestra completa por compositor Americano-Costarricense James Nathaniel Holland. Letras estan en 90% espanol y 10% en ingles. Coro para el principio de Acto III de la opera Americana, On the Wings of the Scarlet Messenger. Abilidad facil y facil para presentar. Usa este como el movimiento primero y en combinacion con los Dances from On the Wings of the Scarlet Messenger. para orquestra completa. Por solistas: (2 tenores, 1 baso baritono, 1 mezzo soprano) y SATB coroInstrumentacion: pic, 2fl, 2b, eh, saxten, 2fag, 4 trmbdellaves, 2 trmpt, trmb, btrm, tim, per (plat mano, castanuelas, plat, tambaso), hrp (o pno), cuerdasPartitura para orquestra en tono del concierto, partitura individuales y de voces incluidos.Partitura de piano y voz y opera completa (en ingles) ofrecido aparte.Duracion 2:02 minutos. Sitio del compositor: http://lacoronadelossantos.net/jamesnathanielholland.htmlo en espanol: https://www.facebook.com/jamesnathanielholland/
$15.95
Bailen, Canten Que Noche Bonita! For SATB Chorus and Piano From the opera "On the Wings of the Scar
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Chorale SATB
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FACILE
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James Nathaniel Holland
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Bailen, Canten Que Noche Bonit
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.730403 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Octavo. 16 pages. James Nat...
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Choral Choir (SATB) - Level 2 - SKU: A0.730403 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Octavo. 16 pages. James Nathaniel Holland #3218129. Published by James Nathaniel Holland (A0.730403). Use this rousing piece for a grand, happy opening with Spanish flare with Soloists, SATB Chorus, piano and guitar chords by American Costa Rican composer James Nathaniel Holland. Text is 90% in Spanish and 10% in English. Opening chorus is from Act III of the American opera, On the Wings of the Scarlet Messenger. Easy level to learn. Duration 2:02 minutes. Soloists needed: (2 tenors, 1 baritone bass, 1 mezzo soprano) and SATB chorusUse this piece as the first movement in combination with the Dances from On the Wings of the Scarlet Messenger. for full orchestra. Full orchestral accompaniment with full score in concert pitch, individual instrumental and vocal parts included sold separately. Full opera piano vocal score sold separately.YouTube Video presentation (with dances): https://youtu.be/QHzyUfKLI9MComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html ****Tengan esta cancion de alegria para una apertura grande con sabor del Espana con Soloistas, SATB Coro, piano y acordes para guitara por compositor Americano-Costarricense James Nathaniel Holland. Letras estan en 90% espanol y 10% en ingles. Coro para el principio de Acto III de la opera Americana, On the Wings of the Scarlet Messenger. Abilidad facil y facil para presentar. Para solistas: (2 tenores, 1 baso baritono, 1 mezzo soprano) y SATB coroDuracion 2:02 minutos. Usa este como el movimiento primero y en combinacion con los Dances from On the Wings of the Scarlet Messenger. para orquestra completa (ofrecido aparte). Partitura para orquestra en tono del concierto, partitura individuales y de voces incluidos ofrecido aparte. Partitura de piano y voz y opera completa (en ingles) ofrecido aparte.Sitio del compositor: http://lacoronadelossantos.net/jamesnathanielholland.htmlo en espanol: https://www.facebook.com/jamesnathanielholland/
$4.00
If I Can't Have You
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Shawn Mendes
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Sarah Cellobat Chaffee
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If I Can't Have You
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.526097 By Shawn Mendes. By Nate Mercereau, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Sarah ...
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String Trio Cello,Violin - Level 3 - SKU: A0.526097 By Shawn Mendes. By Nate Mercereau, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 12 pages. Sarah Cellobat Chaffee #4795147. Published by Sarah Cellobat Chaffee (A0.526097). *INSTRUMENTATION: 2 VIOLINS & CELLO*If I Can't Have You, the hit single from Canadian singer Shawn Mendes, has reached the top five on the pop charts in 11 different countries, and it's obvious why - this song is upbeat, fun, and sing-along-able, and once you listen to it, its catchy hook won't get out of your head! With its signature lyric Everything means nothing if I can't have you, this love song is sure to be requested for wedding ceremonies, receptions, and cocktail hour, and will also be great for parties, corporate events, solo & ensemble contests and any other occasion in need of some good vibes. This arrangement for two-violin and cello trio captures the soul of the original song with its lyrical melody lines and driving syncopated beat, and also adds layers of beautiful harmonies and some back-and-forth between the parts for a chart that's just as much fun to play as it is to listen to! This is an intermediate level arrangement that will be easily learnable for students and sightreadable for professionals. (There are a few double stops - all easy 5ths in the cello part, and all against an open string in the v2 part.) Sarah Cellobat Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their Deuces Are Wild residency at The Park MGM Theater, and she regularly performs at Allegiant Stadium as a member of the house band for the Las Vegas Raiders football team. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a world-renowned 14-piece dance band, and she plays regularly for Premiere Wedding Music, Bella Electric Strings, and the Femmes Of Rock. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Michael Bublé, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee
$14.99
Could You Be Loved
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Ensemble Jazz
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FACILE
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Bob Marley And The Wailers
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Johan Verhey
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Could You Be Loved
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DaimlerMusic
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.922581 By Bob Marley And The Wailers. By Bob Marley. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwrite...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.922581 By Bob Marley And The Wailers. By Bob Marley. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwriter. 90 pages. DaimlerMusic #6494927. Published by DaimlerMusic (A0.922581). Reggae Vibes in Merengue Groove! ðŸ¥ðŸŽ·ðŸŽºImmerse yourself in the enchanting sounds of the Caribbean! Johan Verhey has crafted a magical transformation of Bob Marley's legendary hit, Could You Be Loved, and the result is nothing short of a musical celebration!With the rhythmic pulsations of Merengue and the unmistakable spirit of reggae, we bring you an unforgettable musical experience that lights up the dance floor. Trumpets blaze, trombones roar, and saxophones soar like the tropical sun, while the drums set your feet in motion.More music from Johan Verhey, see: www.bestarrangementsforbands.comSo, leave the cares of the day behind and let yourself be carried away on this exciting musical journey. It's time to dance, laugh, and savor life as only the Caribbean can. Join the Big Band and celebrate the joy of music, love, and togetherness with us!Don't miss this vibrant fusion of reggae and Merengue because we're bringing the warmth of the tropics right to your dance floor. Let your soul sing because Could You Be Loved has never been so festive!More music from Johan Verhey? See Johan Verhey on SheetMusicPlus, Sonolize, ScoreExchange or arrangements for big band verhey on Youtube.
$60.00
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Arise! Join the Dance of Life
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Chorale SATB
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FACILE
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Connie Pwll Walck Tyler
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Arise! Join the Dance of Life
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Connie Tyler
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1008093 Composed by Connie Pwll Walck Tyler. Concert,Contemporary,New Age,Sacred,World. Octavo. 19 pages. Connie...
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Choral Choir (SATB) - Level 2 - SKU: A0.1008093 Composed by Connie Pwll Walck Tyler. Concert,Contemporary,New Age,Sacred,World. Octavo. 19 pages. Connie Tyler #4884389. Published by Connie Tyler (A0.1008093). This work for SATB, Marimba, French Horn and drums can be performed substituting a piano for the Marimba, or using an electronic keyboard, if the instrumentation is hard to come by. In the attached .mp3 it is sung by Matthew Curtis to an electronic recording of the instruments. Contact connie@deephum.com to obtain an electronic recording of the instrumentals. The song is one of many found in the novel, The Earth Woman Tree Woman Quartet, also written by Connie Pwll Walck Tyler. It is a call for people to see themselves as part of the whole earth, to join the Dance of Life, the central metaphor of the novel. It opens with a haunting call by the French Horn, and then the tenors, before the drums, marimba, and the other voices join. There is a soprano descant at measure 71 that can be sung as a solo. Peace, peace, laughter and dance, joy and life for us all. Sing your tears, sing your fears.... The piece is about four minutes long. The words are:Arise! Arise!Open up your heart.Open up your heart to the Dance of Life!Arise! Arise!Open up your eyes. Open up your eyes,Arise! Arise!See the world in the Dance of Life.Beat your feet to the beat of your heart.Dance the Dance of Life.Peace, peace, laughter and dance,Joy and life for us all.Sing your fears, sing your tears,Sing oppression through the years,Peace and justice for us all.Peace, peace, laughter and dance,Joy and life for us all.Joy and life for us all.Wake up and open up your heart to life.Wake up and see the world with compassionate eyes.Sing out and open up your heart.Sing out and open up your lives! Join the Dance of Life!Dance the Dance of Life!Arise! Arise!Open up your heart to the Dance of Life!Dance the Dance of Life! See my website at www.deephum.com and my facebook pages at Connie Pwll Walck Tyler, Deep Hum Productions, and The Earth Woman Tree Woman Quartet. For more information contact me at connie@deephum.com.
$8.00
Evening Dance for duet Violin and Cello
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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Muchlis Faturrozi
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Evening Dance for duet Violin
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Muchlis Faturrozi
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.941660 Composed by Muchlis Faturrozi. Instructional,Standards. Score and parts. 8 p...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.941660 Composed by Muchlis Faturrozi. Instructional,Standards. Score and parts. 8 pages. Muchlis Faturrozi #6662401. Published by Muchlis Faturrozi (A0.941660). The composition about the dance of two happy people before closing a beautiful day.This composition for duet violin and violoncello, and suitable for intermediate and you can practice your duet with this composition. Can also be used for recitals.
$4.99
Learning to Dance (Duet for Eb Alto Saxophone and F Horn)
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Adam Lenhart
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Learning to Dance
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Adam Lenhart
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SheetMusicPlus
Alto Saxophone,Horn,Instrumental Duet - Level 2 - SKU: A0.1322562 Composed by Adam Lenhart. 21st Century,Chamber,Children,Classical,Instructional. 8 pag...
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Alto Saxophone,Horn,Instrumental Duet - Level 2 - SKU: A0.1322562 Composed by Adam Lenhart. 21st Century,Chamber,Children,Classical,Instructional. 8 pages. Adam Lenhart #910858. Published by Adam Lenhart (A0.1322562). Learning to Dance is a playful and beginner-friendly duet exploring a fun blend of playing in both 3 and 2. You can almost close your eyes and imagine yourself learning to waltz, every once in a while missing a step or adding an extra one, embodying all of the excitement, frustration and surprises of learning something new.Purchase includes full score and individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99
You Can Dance You Can Sing
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Chorale 2 parties
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Mark Burrows
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You Can Dance You Can Sing
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Heritage Music Press
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SheetMusicPlus
Composed by Mark Burrows. For 2-part choir, Descant, piano accompaniment, Percussion. Educational. Sing Out Series. Concert, Festival. Octavo. Published by Heri...
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Composed by Mark Burrows. For 2-part choir, Descant, piano accompaniment, Percussion. Educational. Sing Out Series. Concert, Festival. Octavo. Published by Heritage Music Press
$2.75
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You Can Dance You Can Sing
