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You Only Live Twice - Piano Solo
Partitions à imprimer
11 partitions trouvées
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You Only Live Twice
Small Ensemble - Digital Download SKU: A0.934640 Composed by John Barry. Arranged b…
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Small Ensemble - Digital Download SKU: A0.934640 Composed by John Barry. Arranged by Richard Stratton. Contemporary. Score and parts. 1 pages. Richard Stratton #3636637. Published by Richard Stratton (A0.934640). Lead sheet / guitar solo.
$4.99
4.47 €
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John Barry
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Richard Stratton
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You Only Live Twice
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Richard Stratton
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SheetMusicPlus
You Only Live Twice - F Instrument from James Bond 007: You Only Live Twice - for F Instrument or French Horn
Performed by: Nancy Sinatra: You Only Live Twice - F Instrument - (From "You Only Liv…
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Performed by: Nancy Sinatra: You Only Live Twice - F Instrument - (From "You Only Live Twice") Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Instrumental Part, instruments: F Instrument;French Horn; 1 pages -- Movie/TV~~Soundtrack
$2.99
2.68 €
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Nancy Sinatra
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F Instrument from James Bond 007: You Only Live Twice
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Musicnotes
You Only Live Twice - Bb Instrument from James Bond 007: You Only Live Twice - for Baritone Horn, Clarinet, Soprano Saxophone, Tenor Saxophone or Trumpet
Performed by: Nancy Sinatra: You Only Live Twice - Bb Instrument - (From "You Only Li…
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Performed by: Nancy Sinatra: You Only Live Twice - Bb Instrument - (From "You Only Live Twice") Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part;Instrumental Solo, instruments: Bb Instrument;Trumpet;Soprano Saxophone;Tenor Saxophone;Clarinet;Baritone Horn; 1 pages -- Movie/TV~~Soundtrack
$2.99
2.68 €
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Nancy Sinatra
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Bb Instrument from James Bond 007: You Only Live Twice
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Musicnotes
You Only Live Twice - Eb Instrument from James Bond 007: You Only Live Twice - for Alto Saxophone or Baritone Saxophone
Performed by: Nancy Sinatra: You Only Live Twice - Eb Instrument - (From "You Only Li…
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Performed by: Nancy Sinatra: You Only Live Twice - Eb Instrument - (From "You Only Live Twice") Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part;Instrumental Solo, instruments: Eb Instrument;Alto Saxophone;Baritone Saxophone; 1 pages -- Movie/TV~~Soundtrack
$2.99
2.68 €
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Nancy Sinatra
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Eb Instrument from James Bond 007: You Only Live Twice
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Musicnotes
You Only Live Twice - Bass Clef Instrument from James Bond 007: You Only Live Twice - for Baritone Horn, Bassoon, Cello, Double Bass or Trombone
Performed by: Nancy Sinatra: You Only Live Twice - Bass Clef Instrument - (From "You …
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Performed by: Nancy Sinatra: You Only Live Twice - Bass Clef Instrument - (From "You Only Live Twice") Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part;Instrumental Solo, instruments: Bass Clef Instrument;Cello;Double Bass;Trombone;Bassoon;Baritone Horn; 1 pages -- Movie/TV~~Soundtrack
$2.99
2.68 €
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Nancy Sinatra
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Bass Clef Instrument from James Bond 007: You Only Live Twice
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Musicnotes
You Only Live Twice - Viola from James Bond 007: You Only Live Twice - for Viola
Performed by: Nancy Sinatra: You Only Live Twice - Viola - (From "You Only Live Twice…
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Performed by: Nancy Sinatra: You Only Live Twice - Viola - (From "You Only Live Twice") Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part;Instrumental Solo, instruments: Viola; 1 pages -- Movie/TV~~Soundtrack
$2.99
2.68 €
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Nancy Sinatra
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Viola from James Bond 007: You Only Live Twice
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Musicnotes
You Only Live Twice - C Instrument from James Bond 007: You Only Live Twice - for Flute, Oboe, Recorder or Violin
Performed by: Nancy Sinatra: You Only Live Twice - C Instrument - (From "You Only Liv…
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Performed by: Nancy Sinatra: You Only Live Twice - C Instrument - (From "You Only Live Twice") Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part;Instrumental Solo, instruments: C Instrument;Violin;Oboe;Flute;Recorder; 1 pages -- Movie/TV~~Soundtrack
$2.99
2.68 €
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Nancy Sinatra
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C Instrument from James Bond 007: You Only Live Twice
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Musicnotes
Leslie Bricusse: You Only Live Twice - guitar solo (tablature)
Guitare notes et tablatures
Instantly printable sheet music by Leslie Bricusse for guitar solo (tablature) of EASY/MED…
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Instantly printable sheet music by Leslie Bricusse for guitar solo (tablature) of EASY/MEDIUM skill level. / pop
$4.97
4.45 €
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Guitare notes et tablatures
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Leslie Bricusse
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Virtualsheetmusic
You Only Live Twice by Gavin Libotte - Guitar Tab
Guitare notes et tablatures
Sheet Music for You Only Live Twice from James Bond 007: You Only Live Twice arranged for …
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Sheet Music for You Only Live Twice from James Bond 007: You Only Live Twice arranged for Instrumental Solo;Guitar TAB in C Major. Digital sheet music from Musicnotes. --
$5.79
5.19 €
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Guitare notes et tablatures
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Guitar Tab
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Musicnotes
Don't Stop Believin' (Journey) for Double-strung Harp
Harpe
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99
6.26 €
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Harpe
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.57 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
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