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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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PIANO & CLAVIERS
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Vous avez sélectionné:
You Should Probably Leave
Partitions à imprimer
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You Should Probably Leave
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1132693 By Chris Stapleton. By As…
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C Instrument - Level 3 - Digital Download SKU: A0.1132693 By Chris Stapleton. By Ashley Gorley, Chris Dubois, and Chris Stapleton. Arranged by David M Fagnant. Country. Lead Sheet / Fake Book. 3 pages. David M Fagnant #732891. Published by David M Fagnant (A0.1132693). Fakebook style chord chart to help quickly learn and play popular songs. Lyric sheet included which follows the song arrangement. Distinctive intro's, lines and endings written, where appropriate, which help to identify and perform the song.
$4.99
4.56 €
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Instruments en Do
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Chris Stapleton
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David M Fagnant
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You Should Probably Leave
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David M Fagnant
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SheetMusicPlus
You Should Probably Leave
Paroles et Accords
Guitar - Digital Download SKU: HX.507830 By Chris Stapleton. This edition: scorch. …
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Guitar - Digital Download SKU: HX.507830 By Chris Stapleton. This edition: scorch. Country. Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.507830).
$1.99
1.82 €
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Paroles et Accords
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Chris Stapleton
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You Should Probably Leave
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Hal Leonard - Digital
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SheetMusicPlus
You Should Probably Leave
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.920517 By Josh Turner. By Ashley Glenn …
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Guitar - Level 3 - Digital Download SKU: A0.920517 By Josh Turner. By Ashley Glenn Gorley, Ashley Gorley, Chris Dubois, and Chris Stapleton. Arranged by The Real Boss Hos Publishing. Contemporary. Guitar Tab. 3 pages. The Real Boss Hos #6882079. Published by The Real Boss Hos (A0.920517). A great & simple arrangement for learning the chords & melody! Made by a guitarist, for guitarists in mind!The Real Boss Hos Publishing
$4.99
4.56 €
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Guitare notes et tablatures
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Josh Turner
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The Real Boss Hos Publishing
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You Should Probably Leave
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The Real Boss Hos
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SheetMusicPlus
You Should Probably Leave
Ukulele
By Chris Stapleton. This edition: Interactive Download,scorch. Blues, Country. Score…
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By Chris Stapleton. This edition: Interactive Download,scorch. Blues, Country. Score. 3 pages. Duration 180. Hal Leonard #331340. Published by Hal Leonard
$1.99
1.82 €
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Ukulele
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Chris Stapleton
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You Should Probably Leave
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Hal Leonard
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SheetMusicPlus
You Should Probably Leave
Guitare notes et tablatures
Easy Guitar (with TAB) - Interactive Download By Chris Stapleton. This edition: Inter…
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Easy Guitar (with TAB) - Interactive Download By Chris Stapleton. This edition: Interactive Download,scorch. Country. Tablature. 3 pages. Duration 160. Hal Leonard #331340. Published by Hal Leonard
$3.99
3.65 €
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Guitare notes et tablatures
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Chris Stapleton
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You Should Probably Leave
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Hal Leonard
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SheetMusicPlus
You Should Probably Leave
Guitare notes et tablatures
Guitar Tab - Intermediate - Digital Download By Chris Stapleton, Josh Turner. Arrang…
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Guitar Tab - Intermediate - Digital Download By Chris Stapleton, Josh Turner. Arranged by The Smelly Tele. Individual Part, Solo Part, Tablature. 2 pages. Published by The Smelly Tele
$4.99
4.56 €
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Guitare notes et tablatures
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Chris Stapleton, Josh Turner
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The Smelly Tele
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You Should Probably Leave
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The Smelly Tele
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SheetMusicPlus
You Should Probably Leave
Piano, Voix et Guitare
By Chris Stapleton. This edition: Interactive Download. Country. Piano/Vocal/Guitar.…
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By Chris Stapleton. This edition: Interactive Download. Country. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital
$4.99
4.56 €
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Piano, Voix et Guitare
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Chris Stapleton
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You Should Probably Leave
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Hal Leonard - Digital
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SheetMusicPlus
You Should Probably Leave
Guitare notes et tablatures
By Chris Stapleton. By Ashley Gorley, Chris Dubois, and Chris Stapleton. Arranged by …
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By Chris Stapleton. By Ashley Gorley, Chris Dubois, and Chris Stapleton. Arranged by Seamus McDaniel. 21st Century,Country. Guitar Tab. 4 pages. Seamus McDaniel #911606. Published by Seamus McDaniel
$4.99
4.56 €
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Guitare notes et tablatures
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Chris Stapleton
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Seamus McDaniel
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You Should Probably Leave
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Seamus McDaniel
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SheetMusicPlus
You Should Probably Leave by Chris Stapleton - Ukulele Leadsheet
Ukulele
Sheet Music for You Should Probably Leave by Chris Stapleton arranged for Ukulele/Vocal/Ch…
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Sheet Music for You Should Probably Leave by Chris Stapleton arranged for Ukulele/Vocal/Chords;Leadsheet in G Major. Digital sheet music from Musicnotes. --
$3.99
3.65 €
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Ukulele
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Ukulele Leadsheet
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Musicnotes
You Should Probably Leave by Chris Stapleton - Guitar Tab
Guitare notes et tablatures
Sheet Music for You Should Probably Leave by Chris Stapleton arranged for Guitar/Vocal/Cho…
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Sheet Music for You Should Probably Leave by Chris Stapleton arranged for Guitar/Vocal/Chords;Guitar TAB in A Major. Digital sheet music from Musicnotes. --
$5.79
5.29 €
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Guitare notes et tablatures
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Guitar Tab
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Musicnotes
You Should Probably Leave by Chris Stapleton - Piano/Vocal/Guitar
Piano, Voix et Guitare
Sheet Music for You Should Probably Leave by Chris Stapleton arranged for Piano/Vocal/Guit…
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Sheet Music for You Should Probably Leave by Chris Stapleton arranged for Piano/Vocal/Guitar in A Major. Digital sheet music from Musicnotes. --
$5.79
5.29 €
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Piano, Voix et Guitare
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Piano/Vocal/Guitar
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Musicnotes
Mozart Violin Duets
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.889440 Composed by Wolfgang…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 35 pages. Luis Anjos Teixeira #4758249. Published by Luis Anjos Teixeira (A0.889440). Wolfgang Amadeus Mozart, is probably the most beloved artist that ever existed in this World. His work is without any doubt amongst the highest cultural achievements of the Human Being. To understand his cultural environment and musical practices I would advise you to read among others also the following books: „A Treatise on the Fundamental Principles of Violin Playing „Versuch einer gründlichen Violinschule from Leopold Mozart and from David D. Boyden A History of Violin Playing from its Origins to 1761. Also the biography righten by Jean et Brigite Massin gives us a deep view and idea of this times. Mozart wrote in Wien at 27.07.1786 this 12 duets for 2 basset horns K. 487, for his very Dear Friends „the Jacquin Family. This arrangement for 2 violin proposes an intime relation with the original work, but allows us to perform it also with modern instruments and to apply todays standards of musical literature praxis. No changes where made on the original composition, only the presentation of the score has been adjusted to contemporary violin music literature. It is also perfect adjusted for the use of baroque violins. I transposed it for the violin and introduced interpretation symbols to shorten some notes and induce loudness variations. The bowing is adjusted to violin performance but very much compromised with the ones in the original scores in wish they also meant a musical legato. I advise you to adjust much of the bowing to your taste and interpretation. Fingering is also relative to taste and school practices and is left to the artists choice. In order to leave the original notation as much untouched as possible I shortened the length of some notes with the „Staccato symbol to originate silence in between them. You are also free to further shorten even many more notes. As Mozart said - „The music is not in the notes but in the silent in between. In the arrangement, instead of repetitions, the performers interchange their parts so each of them will get to play as first and second violin player along each piece. This was common practice in chamber music when both musicians where at the same level. Very Human, this work comes from the hand of a musical Genius no other than Mozart. I tried to do an arrangement that would bring us as close as possible to the musical intention of the original work. This music demands accuracy and a very lively sensitive approach, it is a refined work of art, totally appropriate for serious „concert halls, for advanced students and great performers. Very useful of course for the music classroom on a wide range of various practices with students and also little concerts or presentations. It was righten for close friends and it should be practiced and performed with a heart full of Love and compassion. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Tei.
$17.56
16.05 €
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2 Violons (duo)
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Wolfgang Amadeus Mozart
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Luis Anjos Teixeira
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Mozart Violin Duets
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Luis Anjos Teixeira
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SheetMusicPlus
Chris Stapleton: You Should Probably Leave - ukulele
Ukulele
Instantly printable sheet music by Chris Stapleton for ukulele of MEDIUM skill level. / bl…
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Instantly printable sheet music by Chris Stapleton for ukulele of MEDIUM skill level. / blues,country
$3.97
3.63 €
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Ukulele
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Chris Stapleton
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Virtualsheetmusic
Chris Stapleton: You Should Probably Leave - guitar solo (easy tablature)
Guitare notes et tablatures
Instantly printable sheet music by Chris Stapleton for guitar solo (easy tablature) of EAS…
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Instantly printable sheet music by Chris Stapleton for guitar solo (easy tablature) of EASY skill level. / country,children
$4.97
4.54 €
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Guitare notes et tablatures
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Chris Stapleton
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Virtualsheetmusic
Chris Stapleton: You Should Probably Leave - guitar (chords)
Paroles et Accords
Instantly printable sheet music by Chris Stapleton for guitar (chords) of MEDIUM skill lev…
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Instantly printable sheet music by Chris Stapleton for guitar (chords) of MEDIUM skill level. / country
$3.97
3.63 €
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Paroles et Accords
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Chris Stapleton
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Virtualsheetmusic
Chris Stapleton: You Should Probably Leave - voice, piano or guitar
Piano, Voix et Guitare
Instantly printable sheet music by Chris Stapleton for voice, piano or guitar of MEDIUM sk…
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Instantly printable sheet music by Chris Stapleton for voice, piano or guitar of MEDIUM skill level. / country
$5.97
5.46 €
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Piano, Voix et Guitare
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Chris Stapleton
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Virtualsheetmusic
Arpeggio Flo - Classical - Solo Piano
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.961547 Composed by Olly Wedgwood. C…
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Piano Solo - Level 2 - Digital Download SKU: A0.961547 Composed by Olly Wedgwood. Concert,Contemporary,Jazz,Standards. Score. 3 pages. OllysPianoSheets #4793685. Published by OllysPianoSheets (A0.961547). Arpeggio Flo is a gentle classical piano piece for pianists at the Grade 2 standard, featuring moving broken chords in both the right and left hands.This piano sheet music is in 6/8 time and should have a fairly slow 2-in-a-bar feel (two groups of three quavers in each bar). Have a listen to the performance track whilst looking at the sheet music and that should make sense.It can also be useful to listen to which hand has the melody line - for example, in bar 5 the left hand takes over, so keep the right hand accompaniment at a lower volume than the left hand at this point.You'll also spot a few slightly weird 'small notes' (for example in bar 4 and bar 9). These are called appoggiaturas and are musical ornaments that embellish the melody. The appoggiaturas are played quickly just before the note they belong to. It's probably a good idea to leave them out when you are first learning the piece - keep things simple to start with!Also watch out for the 'poco rit' markings - where the tempo just reduces slightly, and then returns at the 'a tempo' markings. Again - it's a good plan to leave these out when you're just beginning to play this piece.Enjoy the flow of this piece!Explore more fun piano sheet music by Olly Wedgwood at https://ollyspianosheets.com
$3.95
3.61 €
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Piano seul
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Olly Wedgwood
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Arpeggio Flo - Classical - Solo Piano
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OllysPianoSheets
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
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