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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
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Vous avez sélectionné:
Z 76
Partitions à imprimer
8 partitions trouvées
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Z 76 (Honoring Ernst Toth) for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
Small Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.662544 B…
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Small Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.662544 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical,Film/TV. Score and parts. 18 pages. Duration 119. Father Ambrose Press #7YrohyZTpuQjnCKYR09i5D. Published by Father Ambrose Press (A0.662544). Key: Eb major.A declamatory statement of confection power amidst soaring optimism... a work for small chamber ensemble.
$13.99
12.79 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Celebrity Chamber Players
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Z 76
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Father Ambrose Press
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SheetMusicPlus
Z 171 for glockenspiels & harps
Harmonica,Percussion - Level 3 - Interactive Download SKU: A0.1440567 By Celebrity …
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Harmonica,Percussion - Level 3 - Interactive Download SKU: A0.1440567 By Celebrity Chamber Players. By Dr. Marshall Thomas. This edition: Interactive Download. Children,Classical,Film/TV. 7 pages. Duration 76. Father Ambrose Press #4yaoA2MqZ4AsDyR5jOQ2j. Published by Father Ambrose Press (A0.1440567). Key: C major.171 for harps & glockenspiels...
$16.00
14.63 €
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Celebrity Chamber Players
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Z 171 for glockenspiels & harps
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Father Ambrose Press
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SheetMusicPlus
Z 42 (one up) for Harp, Percussion a Voce
Small Ensemble Harp,Percussion,Piano and Keyboard,Xylophone - Level 5 - Interactive Downlo…
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Small Ensemble Harp,Percussion,Piano and Keyboard,Xylophone - Level 5 - Interactive Download SKU: A0.617870 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical,Film/TV. Score and parts. 24 pages. Duration 76. Father Ambrose Press #vYms5LVX5R2EtFJIZ20Hp. Published by Father Ambrose Press (A0.617870). Key: Eb major.A rare shift of harmonic properties, ending with a single note... a confection of unraveling whimsy, written for small chamber ensemble...
$13.00
11.89 €
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Celebrity Chamber Players
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Z 42
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Father Ambrose Press
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SheetMusicPlus
Z 81 (strings' jam) for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
Small Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.688052 B…
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Small Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.688052 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical,Film/TV. Score and parts. Duration 76. Father Ambrose Press #7R0c1a82fQjHSbhLpt9Skw. Published by Father Ambrose Press (A0.688052). Key: G major.Thirty-two measures of travel music... a confection for small chamber ensemble...
$11.99
10.96 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Celebrity Chamber Players
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Z 81
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Father Ambrose Press
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SheetMusicPlus
King of the Faeries
Small Ensemble Drums,Flute,Guitar,Hand Percussion,Harp,Violin - Level 3 - Digital Download…
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Small Ensemble Drums,Flute,Guitar,Hand Percussion,Harp,Violin - Level 3 - Digital Download SKU: A0.924279 Arranged by Z.M. Barnes. Folk,Halloween,World. Score and parts. 76 pages. ©Z.M. Barnes & Rising Lark Music #3682267. Published by ©Z.M. Barnes & Rising Lark Music (A0.924279). Haunting traditional melody from Britain, set for flexible folk ensemble. Parts for Flute, Violin, Dulcimers, Harp, Guitars, and Percussion (including optional bells). Good for any time but especially appropriate for summer gatherings, for evenings, even for Halloween. Begins with the Faerie Gathering, moves to the majestic Faerie Procession, then to the closing Faerie Frenzy dance. Score, 30 pp. Parts, 42 pp. Total book, 76 pp. About 4-6 min. depending on tempos. Part of The Lark Sings series.
$13.99
12.79 €
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Z
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Parts for
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King of the Faeries
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©Z.M. Barnes & Rising Lark Music
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SheetMusicPlus
The Eve of Battle, or, England Invaded, a New Song
Harpsichord and voice - Digital Download SKU: LV.13979 Composed by Z. Wyvill. Warfa…
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Harpsichord and voice - Digital Download SKU: LV.13979 Composed by Z. Wyvill. Warfare--England, Campaigns & battles. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13979). The Eve of Battle, or, England Invaded, a New Song. Set to Music by Z. Wyvill, Teacher of the Harpsichord & Singing. Published [n.d.] by Goulding, Phipps & D'Almaine, 45 Pall Mall & 76 Thames St. in London. Composition of sectional, consisting of solo and choral sections, including a choral trio with harpsichord and voice instrumentation. Subject headings for this piece include Warfare--England, Campaigns & battles. First line reads The hour of Battle now draws nigh First line of trio Shades of Heroes gone inspire us, Children Wives and Country fire us.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Z
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The Eve of Battle, or, England Invaded, a New Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - Digital Download…
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Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Classical,Folk. Score and parts. 46 pages. RayThompsonMusic #643066. Published by RayThompsonMusic (A0.1038136). The complete set arranged wind dectet and bass Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtă (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumà tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Românească (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania. Aprózó / Mărunțel (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuș) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca-without a break between movements.
$19.95
18.24 €
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Bela Bartok
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Ray Thompson
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Bartók: Rumanian Folk Dances Sz.56
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RayThompsonMusic
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SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Downlo…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania. Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.
It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute.
The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.
This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):
Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region.
Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4]
Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania)
Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania.
Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99
14.62 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bela Bartok (1881-1945)
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Ray Thompson
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Bartók: Rumanian Folk Dances Sz.56
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SheetMusicPlus
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