Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
a thoughtful, brief
Non classifié
9
Piano & claviers
Piano seul
5
Orgue
1
Piano Trio: piano, violon, violoncelle
1
Piano Facile
1
Guitares
Voix
Chorale 3 parties
5
Chorale SATB
3
Chorale 2 parties
2
Chorale TTBB
1
Vents
Saxophone Alto et Piano
1
Clarinette Basse
1
Clarinette et Piano
1
Saxophone Alto
1
Hautbois, Piano (duo)
1
Saxophone Soprano et Piano
1
Flûte traversière et Piano
1
+ 2 instrumentations
Retracter
Cuivres
Trombone et Piano
1
Cor et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Cordes
Alto, Piano
2
Violon et Piano
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Violoncelle, Piano
1
Orchestre & Percussions
Orchestre
3
Orchestre de chambre
1
Cloches
1
Ensemble de cuivres
1
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
46
Partitions Numériques
49
Librairie Musicale
55
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
a thoughtful, brief
Partitions à imprimer
49 partitions trouvées
<
1
26
I Gave My Love a Cherry
#
Chorale SATB
#
Victor C Johnson
#
I Gave My Love a Cherry
#
Heritage Music Press
#
SheetMusicPlus
SATB choir, Piano - SKU: LX.15-3781H The Riddle Song. Arranged by Victor C Johnson. General. Octavo. 8 pages. Heritage Music Press #e15/3781H. Pu...
(+)
SATB choir, Piano - SKU: LX.15-3781H The Riddle Song. Arranged by Victor C Johnson. General. Octavo. 8 pages. Heritage Music Press #e15/3781H. Published by Heritage Music Press (LX.15-3781H). ISBN 9780787770303.A cherry when it's blooming, it has no stone. A chicken when it’s pipping, it has no bone. The baby when it's sleeping has no cryin'. And when I say I love you, it has no end. The simple beauty of this Appalachian lullaby shines through Victor Johnson's sensitive setting. With lovely choral and piano writing throughout and a brief unaccompanied middle section, this piece features plenty of teaching opportunities for nuanced expression and thoughtful phrasing.
$2.40
Prelude on St. Agnes ('Jesus, the Very Thought of Thee')
#
Orgue
#
FACILE
#
John Burkett
#
John Burkett
#
Prelude on St. Agnes
#
John Burkett
#
SheetMusicPlus
Organ - Level 2 - SKU: A0.1347300 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 5 pages. John Burkett #932107. Published ...
(+)
Organ - Level 2 - SKU: A0.1347300 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 5 pages. John Burkett #932107. Published by John Burkett (A0.1347300). This arrangement of the hymn tune St. Agnes (Jesus, the Very Thought of Thee) is a relatively simple setting that requires only a two-manual organ and modest playing ability. A 12-bar introduction sets the mood. Each phrase of the tune then appears, each separated from the next by a brief interlude. Just as the piece seems to reach its conclusion, the final cadence is evaded and a second rendition of the melody is heard in another key. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$8.00
Canzon Quarti Toni a 15 - No. 185
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Giovanni Gabrieli
#
Randy A
#
Canzon Quarti Toni a 15 - No.
#
Randy A. Steinberg
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.870421 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 62 pages. Randy A. St...
(+)
Brass Ensemble - Level 4 - SKU: A0.870421 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 62 pages. Randy A. Steinberg #2069105. Published by Randy A. Steinberg (A0.870421). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a large Canzona published around 1597 for 15 brass in 3 choirs. A variety of substitute parts are also included to handle trombone parts with Bb trumpets and F Horns. One of Gabrieli’s more beautiful and triumphant works, this piece starts out with a somber harmonic display that soon turns major alternating between the choirs. A brief chanson-like dance interlude then leads to the triumphant finale. A great work that displays the full harmonic range of the brass with many of Gabrieli’s typical antiphonal effects.
$20.00
Building a Hypercube (for Brass Quintet)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
AVANCÉ
#
Dr
#
Building a Hypercube
#
https://gildedmusicpress.com/
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instructional. 41 pages...
(+)
Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instructional. 41 pages. Https://gildedmusicpress.com/ #758471. Published by https://gildedmusicpress.com/ (A0.1158195). A hypercube is a theoretical cuboid-like fourth-dimensional object. In an attempt to explain spatial dimentions, I created an 18-minute video presentation titled “Dimensions Unfurled†exposing some initial fallacies of common thought, which can be seen on YouTube. All of the music for the above-mentioned video is original. There are two trumpet duets in the section that depicts a hypercube net folding into a hypercube model, starting at 13’20†and 14’51, respectively. Both duets are published in a collection titled “Fifteen-Course Dinner for Two†(available through Gilded Music Press). The two duets share thematic material, and are combined and greatly expanded for this present major six-minute work for brass quintet, “Building a Hypercubeâ€. The first short duet, “Drawing a Hypercube Netâ€, is presented as the quintet’s introduction, quite faithfully to the original, shared through five parts with harmonic expansion. The material from the second duet is essentially unadulterated starting at measure 27, spanning through measure 70 (up to letter D). From there, the development of thematic material is extensive and interesting, morphing into Escher-types of additional themes and melodies, many of which overlap and intertwine in a fascinatingly complex manner. This unsettling compositional style is indicative of years of profound pondering to fathom the mysterious matter of the fourth spatial dimension. Musically the piece is motivically and thematically unified. All the parts share in the rhythmic complexity fitting for the ponderous topic. The form is roughly sonata form with an introduction and coda, though the recapitulation (Del Segno) occurs in its original key. The majority of the piece (about three minutes, almost exactly half) is the symbolically explorative development section, from D to O. A point of interest: in spite of the piece’s high harmonic rhythm, the introduction is diatonically modal (G Mixolydian). The exposition, after a brief building transition, shifts to the relative D Dorian mode. The lengthy development section shifts tonal centers throughout, visiting various major and minor keys. Beginning at letter O, modality returns for a smooth transition into the recapitulation. The piece ends with an exhilarating coda.
$29.95
Once Upon a Time
#
Piano seul
#
INTERMÉDIAIRE
#
Contemporain
#
Classique
#
Damien Gauci
#
Once Upon a Time
#
Damien Gauci
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1495478 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1071995. Published by Dam...
(+)
Piano Solo - Level 3 - SKU: A0.1495478 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1071995. Published by Damien Gauci (A0.1495478). This track sets the scene for the whole album, a short but exciting story about the adventure of the curious squirrel named Whiskers. The title of this piece is a cliché for fairy tales but I thought it would fit for this album as the idea of the album is a bit of a fairy tale, or somewhat of a magical story.The piece encapsulates the entire story from beginning to end, a kind of foreshadowing of what is to come. It begins with a slow but curious melody reflecting the curious nature of Whiskers and then the melody becomes more active as things begin to escalate. It then takes a turn into a very active melody with lots of movement as the story reaches its climax. Finally, the melody returns to the original motif that we heard at the start which leaves the door open for the rest of the story. We had a brief look into what is to come, but we are yet to actually start the story.
$6.00
Be Thou My Vision
#
Chorale 2 parties
#
FACILE
#
Nicole Doran
#
a thoughtful, brief
#
Be Thou My Vision
#
Nicole E Doran
#
SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.968674 Arranged by Nicole Doran. 20th Century,Christian,Graduation,Holiday,Instructional. Octavo. 2 pages. Nicole ...
(+)
Choral Choir (SA) - Level 2 - SKU: A0.968674 Arranged by Nicole Doran. 20th Century,Christian,Graduation,Holiday,Instructional. Octavo. 2 pages. Nicole E Doran #6444339. Published by Nicole E Doran (A0.968674). This arrangement for 2 voices and violin allows musicians to embrace the classic theme of worshiping Christ. It has a thoughtful, brief solo violin introduction, clarity of expression on 2 verses and features a round on the final verse and a ending solo from the violin that settles the beauty of the prayer deep in your soul and the name of the tune commemorates the hill where St Patrick lit an Easter fire. .
$2.16
Concerto for Trombone and Piano accompaniment (piano reduction)
#
Trombone et Piano
#
AVANCÉ
#
Cherry Classics Music
#
John, W
#
Concerto for Trombone and Pian
#
Gordon Cherry
#
SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
(+)
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Your Light Has Come
#
Your Light Has Come
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral, Handbell, Handbell Solo, Handbells - SKU: HX.311178 Advent, Christmas, Sacred. Choral Instrumental Pack, part. Hal Leonard - Digital #265188. Pu...
(+)
Choral, Handbell, Handbell Solo, Handbells - SKU: HX.311178 Advent, Christmas, Sacred. Choral Instrumental Pack, part. Hal Leonard - Digital #265188. Published by Hal Leonard - Digital (HX.311178). Uses: Christmas, Epiphany Scripture: Isaiah 60:1; John 8:12 Written in a light classical style, this buoyant Epiphany piece is a good choice for the season. Arise and Shine is the blessed admonishment to the children of light, and this tuneful interpretation captures the joy of God's glory that came to earth. The hide-a-carol that forms the middle section (TEMPUS ADEST FLORIDUM) is a delight, and the brief performance length, along with the SAB voicing, make this a thoughtful choice for post-Christmas services.
$40.00
Chevalier De Sangreal
#
Orchestre
#
AVANCÉ
#
Hans Zimmer
#
Chevalier De Sangreal
#
www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Rel...
(+)
Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.
$150.00
Concerto for Clarinet and Chamber Orchestra
#
Orchestre de chambre
#
AVANCÉ
#
David Woodcock
#
Concerto for Clarinet and Cham
#
David Woodcock
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1506193 Composed by David Woodcock. 21st Century,Classical,Contemporary. 340 pages. David Woodcock #1081544. Publi...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1506193 Composed by David Woodcock. 21st Century,Classical,Contemporary. 340 pages. David Woodcock #1081544. Published by David Woodcock (A0.1506193). The concerto is in three movements. The first is lively, playful and folk-like, but is interspersed with suspenseful and thoughtful interludes.After a brief introduction, the main soulful theme of the second movement emerges, setting the mood for most of the movement. There is a another appearance of the introductory material, which is further developed, before the return of the main musical idea.The last movement has a sense of restlessness and anxiety, the music being fragmented and rhythmic, ending with a solo cadenza, and brief orchestral coda.
$199.00
Valsarín [piano solo]
#
Piano seul
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Valsarín [piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.596565 Composed by Juan MarÃa Solare. 20th Century,Holiday,Instructional,Love,Wedding. Score. 7 pages. Juan Maria Sola...
(+)
Piano Solo - Level 3 - SKU: A0.596565 Composed by Juan MarÃa Solare. 20th Century,Holiday,Instructional,Love,Wedding. Score. 7 pages. Juan Maria Solare #4628435. Published by Juan Maria Solare (A0.596565). ValsarÃn * a piano waltz by Juan MarÃa Solare Description: A haunting waltz for solo piano with classical influences. Gentle and sweet, without agressive sounds. Featured in the CD Tango Monologues by Juan Maria Solare (http://www.juanmariasolare.com/CD_tango_monologues.html). On Spotify: https://play.spotify.com/track/5eTqWEWqDq3YU9uwehTsoW Also on Youtube: https://youtu.be/9bvzV7Nx7jQ Sounds like / for fans of: Frederic Chopin, Erik Satie, Franz Liszt, Maurice Ravel, George Gershwin, Pyotr Ilyich Tchaikovsky. Main genre: classical. Secondary genres: 20th Century (1920-present), Acoustic Underscores, Adult Contemporary, Easy Listening, Elevator, Impressionistic (1900-1920), Latin Pop, Lounge, Neo-Classical, Romantic (1820-1900), South American, Tango, Underscore, Waltz, World Music Moods Blissful, Calm, Content, Elegant, Emotional, Ethereal, Happy, Haunting, Heartwarming, Hopeful, Innocent, Inspired, Light, Lonely, Melancholy, Mellow, Mysterious, Optimistic, Passive, Peaceful, Playful, Positive, Reflective, Relaxed, Romantic, Sad, Sedate, Seductive, Serene, Sexy, Spiritual, Thoughtful, Uplifting, Worried Brief analysis - Theme A in C, upbeat - Theme B in A, on the beat - Theme C in E, after the beat Thus, the keys of the themes are in tird relationship (to both sides of the central key, C major). And the rhythms of each theme present complementarity.
$2.50
Six Easy Duos, No. 1, Op. 50, Mvt. 2
#
Classique
#
Jacques Offenbach
#
Wendy Hellmann
#
Six Easy Duos, No. 1, Op. 50,
#
Gwendolyn Hellmann
#
SheetMusicPlus
Double Bass,Instrumental Duet,Viola - Level 3 - SKU: A0.1465716 Composed by Jacques Offenbach. Arranged by Wendy Hellmann. Classical. 4 pages. Gwendolyn...
(+)
Double Bass,Instrumental Duet,Viola - Level 3 - SKU: A0.1465716 Composed by Jacques Offenbach. Arranged by Wendy Hellmann. Classical. 4 pages. Gwendolyn Hellmann #1044325. Published by Gwendolyn Hellmann (A0.1465716). This is the second movement of six easy duets by Jacques Offenbach. Originally written for two cellos, it has been arranged for viola and double bass. The bass part requires shifting to 3rd position, while the viola part can be played entirely in 1st position. There is one brief key change from E minor to E Major. Thoughtful bowings and phrasings have been included. This is a wonderful duet for students looking for something fun to do together, and will certainly help with rhythm, intonation, and ensemble! The PDF download contains both a full score and a set of individual parts - Viola and Bass. All individual parts have been formatted on a single page to avoid any page turns.
$2.99
Six Easy Duos, No. 1, Op. 50, Mvt 3
#
Classique
#
Jacques Offenbach
#
Wendy Hellmann
#
Six Easy Duos, No. 1, Op. 50,
#
Gwendolyn Hellmann
#
SheetMusicPlus
Double Bass,Instrumental Duet,Viola - Level 3 - SKU: A0.1466084 Composed by Jacques Offenbach. Arranged by Wendy Hellmann. Classical. 8 pages. Gwendolyn...
(+)
Double Bass,Instrumental Duet,Viola - Level 3 - SKU: A0.1466084 Composed by Jacques Offenbach. Arranged by Wendy Hellmann. Classical. 8 pages. Gwendolyn Hellmann #1044684. Published by Gwendolyn Hellmann (A0.1466084). This is the third movement of six easy duets by Jacques Offenbach. Originally written for two cellos, it has been arranged for viola and double bass. The bass part requires shifting to 3rd position, while the viola part can be played entirely in 1st position. There is one brief key change from G Major to G minor. Thoughtful bowings and phrasings have been included. This is a lively and fun duet for students, and will certainly help with rhythm, intonation, and ensemble!The PDF download contains both a full score and a set of individual parts - Viola and Bass. Each individual part has been formatted on 2 pages.
$2.99
Ambrosia 27 for String Quartet & Vibraphone
#
Celebrity Chamber Players
#
Ambrosia 27 for String Quartet
#
Father Ambrose Press
#
SheetMusicPlus
Small Ensemble Cello,Vibraphone,Viola,Violin - Level 5 - Interactive Download SKU: A0.1083200 By Celebrity Chamber Players. By Marshall Thomas. This edit...
(+)
Small Ensemble Cello,Vibraphone,Viola,Violin - Level 5 - Interactive Download SKU: A0.1083200 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical,Film/TV. Score and parts. 12 pages. Duration 71. Father Ambrose Press #2jkD2Jb8JTIIXTEGOvWf01. Published by Father Ambrose Press (A0.1083200). Key: G major.A brief, classic Thomas confection that, when paired with other string quartet works, can transport audiences out of the semblance of casual listening to a transforming experience that can transfix hearts and minds into attentive lovers or tolerators of the many thoughtful musical arcs expressed in canon form...
$17.00
Holy God Medley (for 4 and 5 octave handbell choirs)
#
Cloches
#
FACILE
#
Musique Sacrée
#
William B
#
G
#
Holy God Medley
#
Gary Ray Adkison
#
SheetMusicPlus
Handbell - Level 2 - SKU: A0.953727 Composed by William B. Bradbury and John B. Dykes. Arranged by G. R. Adkison. Christian,Sacred. Score. 5 pages. Gary...
(+)
Handbell - Level 2 - SKU: A0.953727 Composed by William B. Bradbury and John B. Dykes. Arranged by G. R. Adkison. Christian,Sacred. Score. 5 pages. Gary Ray Adkison #14257. Published by Gary Ray Adkison (A0.953727). Holy God Medley is a medley of the Christian hymns: He Leadeth Me, O Blessed Thought and Holy, Holy, Holy arranged for 4-5 octave handbell choirs. It starts with a two measure introduction, followed by He Leadeth Me, O Blessed Thought. This is fairly up-tempo, with a surprise modulation going into the chorus. In the chorus, there are bass runs, a brief descant line, and doubling of the melody into the high bells. There are then two verses of Holy, Holy, Holy. The first verse is slow and is in ¾ time, instead of the normal common meter. It is also soft and *very* plain, as a setup for the last verse, which is faster, and grows in volume to the end, with much fuller chords, and uses the normal common meter that the original hymn uses. There is another surprise modulation halfway through this verse. Very full chords are used, with a brief bass clef downward arpeggio in the next to last measure, to emphasize the ending. The first verse of Holy, Holy, Holy can be performed with handchimes, if desired, although the arrangement is not scored as such. The audio demonstration clip provided is in a piano voice (patch) but suffices to demonstrate how this arrangement is generally meant to sound. I believe that this is probably a 2+ (2 plus) arrangement in degree of difficulty.
$2.50
20,000
#
Saxophone Alto
#
AVANCÉ
#
Contemporain
#
Sy Brandon
#
20,000
#
Sy Brandon
#
SheetMusicPlus
Alto Saxophone Solo - Level 5 - SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815...
(+)
Alto Saxophone Solo - Level 5 - SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise
$4.99
Peace, Perfect Peace - TTBB
#
Chorale TTBB
#
FACILE
#
Phil Beaman
#
Peace, Perfect Peace - TTBB
#
Phil Beaman
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.844467 Composed by Phil Beaman. 20th Century,Multicultural,New Age,World. Octavo. 1 pages. Phil Beaman #3387107....
(+)
Choral Choir (TTBB) - Level 2 - SKU: A0.844467 Composed by Phil Beaman. 20th Century,Multicultural,New Age,World. Octavo. 1 pages. Phil Beaman #3387107. Published by Phil Beaman (A0.844467). Many years ago I was on a judging panel to select winning song entries to mark the United Nations World Peace Celebration. I remember being quite disappointed in the majority of entries because the lyrics proceeded to list all the current world conflicts and their proposed solutions. It made for overly long, and ultimately boring, songs. I was haunted by those entries when I went home that night. I lied in bed and thought all I wanted to hear was.... Finally, at a sleepless 2 a.m., I got up and went to the piano and wrote this piece as a response to that. (That line from my tortured dream; all I ever wanted even made it into the song.). I set it for TTBB voices to provide a closer, tighter harmony to indicate the brotherhood I was dreaming of. Its simplicity and extreme brevity are no doubt knee jerk reactions to the long, boring pieces I heard all day. This piece has been in my drawer for two decades because I thought it was too brief to be of any practical value for anyone, but all attempts I made to lengthen it seemed to spoil it. But it remains one of my favorite and most passionate pieces that I have written, so I have decided to post it 'as is' and let you creative types decide how to use it. Enjoy!. (recording is a simple piano reduction of the voice parts to show harmonies and progressions)
$1.99
Etude in C, Le Couppey-Nolte
#
Piano seul
#
AVANCÉ
#
Eric Paul Nolte and Felix Le C
#
Eric Paul Nolte
#
Etude in C, Le Couppey-Nolte
#
Eric Paul Nolte
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
(+)
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
Nocturne for Orchestra
#
Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
Madelyn Byrne
#
Nocturne for Orchestra
#
Madelyn Byrne
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Published by Madel...
(+)
Full Orchestra - Level 3 - SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Published by Madelyn Byrne (A0.986832). Nocturne for Orchestra began as a piece that would celebrate the 400th Anniversary of Galileo’s telescope while using a musical language that would be in keeping with a program of American music. I thought that The Unanswered Question by Ives, and the emotional depth and poignancy of much of Copland’s music, would be a perfect compliment to a tribute to Galileo. But then two friends passed away and the piece turned into a tribute to them, with the night sky and the Unanswered Questions that surround us creating a consoling environment for this effort. The songlike themes of Nocturne grow out of my journey from mourning the premature deaths of my friends to celebrating their rich and vibrant lives. Section A is the dreamlike introductory section, B is a transition to the song-like section, and C is where the songlike themes are stated outright. D is a development section, E is an interruption - returning to the dreamlike music, F merges the dream music with the thematic material, G is the expressive high point of the piece and is articulated by the violin and cello solos. The remaining sections are intended to convey freedom and celebration. This is followed by a brief coda.
$10.00
The Perfect Pairing
#
Valerie Eve Gregg
#
The Perfect Pairing
#
Valerie Eve Gregg
#
SheetMusicPlus
SKU: A0.1380692 By Valerie Eve Gregg. By Valerie Eve Gregg. Historic,Instructional,Multicultural,Singer/Songwriter,Traditional,World. Educational Exerci...
(+)
SKU: A0.1380692 By Valerie Eve Gregg. By Valerie Eve Gregg. Historic,Instructional,Multicultural,Singer/Songwriter,Traditional,World. Educational Exercises. 40 pages. Valerie Eve Gregg #965473. Published by Valerie Eve Gregg (A0.1380692). The Perfect Pairing occurs when music students study an instrument and are encouraged to compose their own music regularly. They can apply the theory and technique they have been learning in their music lessons to composing. The Perfect Pairing is the perfect tool for teachers to easily integrate simple and short music composition assignments into their students’ lessons. This workbook contains listening sheets and composition exercises. The listening sheets contain a brief introduction to a musical element, an overview of a composer, and a suggested composition to listen to. The composition sheets contain a project for students where they write 4-8 measures of music from a focused story, thought, vision, or idea. They use the musical elements they have been learning to write their composition. When your student composes music, the teaching opportunities will open up as they ask questions regarding music theory, notation, and methodology. You will also gain insight into your student’s level of music comprehension when they show you their composition. Remember that anyone can be a composer! The journey does not need to start with a masterpiece, just a start!
$49.00
Haydn's Sonata in E Minor
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Fabio Henrique Teles Martins
#
Fabio Henrique Teles Martins
#
Haydn's Sonata in E Minor
#
Fabio Dentello
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1152147 By Fabio Henrique Teles Martins. By Franz Joseph Haydn. Arranged by Fabio Henrique Teles Martins. Classical. ...
(+)
Full Orchestra - Level 4 - SKU: A0.1152147 By Fabio Henrique Teles Martins. By Franz Joseph Haydn. Arranged by Fabio Henrique Teles Martins. Classical. Score and Parts. 104 pages. Fabio Dentello #752360. Published by Fabio Dentello (A0.1152147). Being one of his most elegant piano sonatas, the sonata in E minor (Hob. XVI: 34) can give us various feelings during its movements. It has a beautiful Adagio and a slight Molto Vivace as a Finale in Rondo form. This piece as said was thought of as a solo Piano Sonata, but the moment I heard it for the first time (on 12/18/2022, and yes, it was precisely on that day, because, I made the decision to start orchestrating it on the next day, the 19th) the idea of orchestrating it came to me because at least for me, it could sound like a beautiful symphony, even if it is very brief. I was extremely satisfied with the results, unfortunately with certain limitations of the VST I use (BBCSO pro) certain excerpts sound a little unrealistic, however, I have great esteem with the result. This orchestration/arrangement can be compared almost faithfully with the original, of course with several additions of voices and certain modifications to adapt it to the context of the orchestra, I tried to be as faithful as possible with Haydn's orchestral language, I am a great admirer of his vast work, and as I am also a classical/romantic composer, I learned a lot from him. I hope you enjoy this work as much as I enjoyed composing it!!
$150.00
Sonic Rhapsody
#
Daniel Baldwin
#
Sonic Rhapsody
#
Imagine Music - Digital
#
SheetMusicPlus
Solo contrabassoon, piano, and orchestral winds - SKU: IZ.CBW208-S Composed by Daniel Baldwin. Score. 45 pages. Imagine Music - Digital #CBW208-S. Publi...
(+)
Solo contrabassoon, piano, and orchestral winds - SKU: IZ.CBW208-S Composed by Daniel Baldwin. Score. 45 pages. Imagine Music - Digital #CBW208-S. Published by Imagine Music - Digital (IZ.CBW208-S). 9 x 12 in inches.Many years ago I was on a flight to another premiere and had the pleasure of sitting next to a sonic engineer. It was a fascinating conversation talking about the different aspects of his career and hearing him expound on the similarities between our chosen professions.Ever since that flight, I wanted to write a Sonic Rhapsody. I had originally thought of having it be a more esoteric piece, exploring different sonic colors and effects. Instead, for this Sonic Rhapsody, I decided to fill a hole in the contrabassoon repertoire. This wonderful and deserving instrument has so little concerto repertoire and most of the pieces that do exist are quite difficult (and none for orchestral winds accompaniment). This Sonic Rhapsody features a lyrical and approachable contrabassoon duo feature (with piano) to include a brief cadenza for each soloist. Sonic Rhapsody for Contrabassoon, Piano, and Orchestral Winds is dedicated to the wonderful artists who commissioned, recorded, and made this piece possible.
$16.00
Sonic Rhapsody
#
Daniel Baldwin
#
Sonic Rhapsody
#
Imagine Music - Digital
#
SheetMusicPlus
Solo contrabassoon, piano, and orchestral winds - SKU: IZ.CBW208 Composed by Daniel Baldwin. Score and Parts. 115 pages. Imagine Music - Digital #CBW208...
(+)
Solo contrabassoon, piano, and orchestral winds - SKU: IZ.CBW208 Composed by Daniel Baldwin. Score and Parts. 115 pages. Imagine Music - Digital #CBW208. Published by Imagine Music - Digital (IZ.CBW208). 9 x 12 in inches.Many years ago I was on a flight to another premiere and had the pleasure of sitting next to a sonic engineer. It was a fascinating conversation talking about the different aspects of his career and hearing him expound on the similarities between our chosen professions.Ever since that flight, I wanted to write a Sonic Rhapsody. I had originally thought of having it be a more esoteric piece, exploring different sonic colors and effects. Instead, for this Sonic Rhapsody, I decided to fill a hole in the contrabassoon repertoire. This wonderful and deserving instrument has so little concerto repertoire and most of the pieces that do exist are quite difficult (and none for orchestral winds accompaniment). This Sonic Rhapsody features a lyrical and approachable contrabassoon duo feature (with piano) to include a brief cadenza for each soloist. Sonic Rhapsody for Contrabassoon, Piano, and Orchestral Winds is dedicated to the wonderful artists who commissioned, recorded, and made this piece possible.
$60.00
When I Land
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Greg Bartholomew
#
When I Land
#
Burke & Bagley
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #4972...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #49725. Published by Burke & Bagley (A0.787259). An Open World, When I Land and And the Wind are three settings of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979. When I Land is duration ca. 5 minutes. Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management. Follow along in the score as you listen to a performance in this video: https://youtu.be/8ZmbFg3jI6s TEXT: I fly da Vinci's dream on wings of speed,With effortless delight I cleave the air, Free in the boundless realm of sky, I feed My soul with wonder, questions seeming fair. Why brought forth to wander on this earth? Why given this brief breath of life, To wonder at our enigmatic birth, To reach for stars, want reason for the strife. Yet, being here, why try to find a plan? Why waste time in thought before we go? Is not life enough for any man? How many have, as theirs, my answer, No. When I set foot again upon the land, And darkness gains upon the setting of the sun, I long to feel the welcome of your hand In mine, to rest, let Time its silly cycles run, Life's nights are all too few. No other hand, no other's look, no other one, Can bring that peace to mind or heart or soul, No peace. Although I know there's always fun In life, to reach that sublime goal, I must return to you.
$2.25
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
a thoughtful, brief 
