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and simple poem for piano
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A Poem Of Thought No. 1
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1023118 Composed by Kevin George. 2…
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Piano Solo - Level 2 - Digital Download SKU: A0.1023118 Composed by Kevin George. 20th Century,Classical,New Age,Romantic Period. Score. 3 pages. Kevin George #4624703. Published by Kevin George (A0.1023118). Beautiful and simple poem for piano.
$3.99
3.7 €
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Piano seul
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Kevin George
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and simple poem for piano
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A Poem Of Thought No. 1
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Kevin George
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SheetMusicPlus
Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) for VIOLIN and
Violon et Piano
Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.601828 By YO YO MA…
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Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.601828 By YO YO MA and Kathryn Stott. By Sergei Rachmaninoff. Arranged by Flavio Regis Cunha. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pages. Flavio Regis Cunha #6669111. Published by Flavio Regis Cunha (A0.601828). Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) ARRANGED for VIOLIN and Piano.___________________________________________ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.Songs of Comfort and Hope is inspired by the series of recorded-at-home musical offerings that Ma began sharing in the first days of the COVID-19 lockdown in the United States. Over the course of the last year, Yo-Yo Ma’s #SongsofComfort grew from a self-shot video of AntonÃn Dvořák’s Goin’ Home into a worldwide effort that has reached more than 20 million people. Ma and Stott marked the next chapter in the project with this album, offering consolation and connection in the face of fear and isolation. The album includes 21 new recordings, which span modern arrangements of traditional folk tunes, canonical pop songs, jazz standards, and mainstays from the western classical repertoire.Official Video by Yo-Yo Ma and Kathryn Stott, performing Rachmaninoff 'Zdes' khorosho' from Songs of Comfort and Hopehttps://youtu.be/bcBcXV3lmKs 8 pages.
$7.99
7.41 €
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Violon et Piano
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YO YO MA and Kathryn Stott
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Flavio Regis Cunha
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Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7
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Flavio Regis Cunha
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.24 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
The Moldau for Alto and Tenor Saxophone with Piano
Saxophone Tenor et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 -…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.612836 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #222033. Published by Diego Marani (A0.612836). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for alto and tenor sax with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$9.99
9.26 €
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Saxophone Tenor et Piano
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Bedrich Smetana
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Diego Marani
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The Moldau for Alto and Tenor Saxophone with Piano
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Diego Marani
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SheetMusicPlus
The Moldau for Soprano and Alto Saxophone with Piano
Saxophone Soprano et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.612896 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #222094. Published by Diego Marani (A0.612896). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for soprano and alto sax with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$9.99
9.26 €
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Saxophone Soprano et Piano
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Bedrich Smetana
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Diego Marani
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The Moldau for Soprano and Alto Saxophone with Piano
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Diego Marani
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SheetMusicPlus
Winter Poem
Voix Mezzo-Soprano, Piano
Mezzo soprano voice and piano - Digital Download SKU: OX.9780193200524 Composed by …
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Mezzo soprano voice and piano - Digital Download SKU: OX.9780193200524 Composed by Howard Skempton. Vocal score. 9 pages. Oxford University Press Digital #9780193200524. Published by Oxford University Press Digital (OX.9780193200524). ISBN 9780193200524.For mezzo soprano and piano. This beautiful, simple piece for mezzo soprano and piano sets part of Alexander McCall Smith's poem, Winter Poem. It was first performed at Clare Hall College, Cambridge on 8th December 2012.
$15.99
14.82 €
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Voix Mezzo-Soprano, Piano
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Howard Skempton
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Winter Poem
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Oxford University Press Digital
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SheetMusicPlus
Poem No. 3
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1041077 Composed by Jaz Dörren. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1041077 Composed by Jaz Dörren. 20th Century,Classical,Contemporary,Film/TV,Romantic Period. Score. 2 pages. Jaz Dörren #645789. Published by Jaz Dörren (A0.1041077). Third poem for the intermediate/advanced student and concert pianist, designed for strengthen skills and control of both hands. The left hand has the tendency of moving through registers and is written in almost perpetual staccato form, meanwhile the right hand has the leading role and is written in a singing style, light (in weight), the melody prevails, clear, transparent, simple but ingenious. Tonal, modulant, contemporary piece, abundant in interpretive content.
$3.99
3.7 €
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Piano seul
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Jaz Dörren
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Poem No. 3
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Jaz Dörren
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SheetMusicPlus
Prayer of Saint Patrick - The Breastplate - Duet and Piano
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.801793 Composed b…
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Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.801793 Composed by Connie Boss. Arranged by Connie Boss. Celtic,Easter,Holiday,Irish,Sacred. 5 pages. Connie Boss #6866945. Published by Connie Boss (A0.801793). This is an original piece using the lyrics of St. Patrick's poem, The Breastplate. It was a poem of faith and trust in God. This is for a duet and a simple but effective piano accompaniment.Questions email cdboss@cvalley.netLyrics:Refrain:Christ be within meChrist be behind meChrist be before meChrist beside meChrist to win me.Verse:Christ to comfort and restore meChrist beneath meChrist above meChrist inquiredChrist in dangerChrist in heart of all that love meChrist in mouth of friend and strangerRepeat refrain:EndingChrist to love me.
$5.50
5.1 €
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Voix duo, Piano
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Connie Boss
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Connie Boss
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Prayer of Saint Patrick - The Breastplate - Duet and Piano
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Connie Boss
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SheetMusicPlus
Prayer of Saint Patrick - The Breastplate - Duet, flute and Piano
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.801791 Composed b…
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Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.801791 Composed by Connie Boss. Arranged by Connie Boss. Celtic,Easter,Holiday,Irish,Sacred. 5 pages. Connie Boss #6866929. Published by Connie Boss (A0.801791). This is an original piece using the lyrics of St. Patrick's poem, The Breastplate. It was a poem of faith and trust in God. This is for a duet with flute and a simple but effective piano accompaniment.Questions email cdboss@cvalley.netLyrics:Refrain:Christ be within meChrist be behind meChrist be before meChrist beside meChrist to win me.Verse:Christ to comfort and restore meChrist beneath meChrist above meChrist inquiredChrist in dangerChrist in heart of all that love meChrist in mouth of friend and strangerRepeat refrain:EndingChrist to love me.
$5.50
5.1 €
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Voix duo, Piano
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Connie Boss
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Connie Boss
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Prayer of Saint Patrick - The Breastplate - Duet, flute and Piano
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Connie Boss
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SheetMusicPlus
Prayer of Saint Patrick - The Breastplate - Duet, violin and Piano
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.801790 Composed b…
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Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.801790 Composed by Connie Boss. Arranged by Connie Boss. Celtic,Easter,Holiday,Irish,Spiritual. 5 pages. Connie Boss #6866931. Published by Connie Boss (A0.801790). This is an original piece using the lyrics of St. Patrick's poem, The Breastplate. It was a poem of faith and trust in God. This is for a duet with violin and a simple but effective piano accompaniment.Questions email cdboss@cvalley.netLyrics:Refrain:Christ be within meChrist be behind meChrist be before meChrist beside meChrist to win me.Verse:Christ to comfort and restore meChrist beneath meChrist above meChrist inquiredChrist in dangerChrist in heart of all that love meChrist in mouth of friend and strangerRepeat refrain:EndingChrist to love me.
$5.50
5.1 €
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Voix duo, Piano
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Connie Boss
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Connie Boss
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Prayer of Saint Patrick - The Breastplate - Duet, violin and Piano
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Connie Boss
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SheetMusicPlus
Prayer of Saint Patrick - The Breastplate - Solo and Piano
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801784 Composed by Co…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801784 Composed by Connie Boss. Arranged by Connie Boss. Celtic,Christian,Easter,Holiday,Sacred. Score. 3 pages. Connie Boss #6864503. Published by Connie Boss (A0.801784). This is an original piece using the lyrics of St. Patrick's poem, The Breastplate. It was a poem of faith and trust in God. This is for an alto or tenor singer with a simple but effective piano accompaniment.Questions email cdboss@cvalley.netLyrics:Refrain:Christ be within meChrist be behind meChrist be before meChrist to win me.Verse:Christ to comfort and restore meChrist beneath meChrist above meChrist inquiredChrist in dangerChrist in heart of all that love meChrist in mouth of friend and strangerRepeat refrain:
$5.00
4.63 €
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Piano, Voix et Guitare
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Connie Boss
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Connie Boss
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Prayer of Saint Patrick - The Breastplate - Solo and Piano
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Connie Boss
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SheetMusicPlus
The Moldau for Violin, Cello and Piano
Piano Trio: piano, violon, violoncelle
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.612833 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #222030. Published by Diego Marani (A0.612833). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for violin and cello with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$9.99
9.26 €
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Piano Trio: piano, violon, violoncelle
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Bedrich Smetana
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Diego Marani
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The Moldau for Violin, Cello and Piano
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Diego Marani
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SheetMusicPlus
The Moldau for Two Violins and Piano
Violon et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.612654 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #221844. Published by Diego Marani (A0.612654). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for 2 violins with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$9.99
9.26 €
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Violon et Piano
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Bedrich Smetana
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Diego Marani
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The Moldau for Two Violins and Piano
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Diego Marani
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SheetMusicPlus
The Moldau for Two Clarinets and Piano
Clarinette et Piano
Instrumental Duet,Piano B-Flat Clarinet,Instrumental Duet,Piano - Level 2 - Digital Downlo…
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Instrumental Duet,Piano B-Flat Clarinet,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.612659 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #221850. Published by Diego Marani (A0.612659). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for 2 Bb clarinets with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$9.99
9.26 €
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Clarinette et Piano
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Bedrich Smetana
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Diego Marani
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The Moldau for Two Clarinets and Piano
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Diego Marani
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SheetMusicPlus
The Moldau for Two Alto Saxophones and Piano
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 2 - Digital Downloa…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.612647 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #221837. Published by Diego Marani (A0.612647). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for 2 alto saxes with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$8.99
8.33 €
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Saxophone Alto et Piano
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Bedrich Smetana
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Diego Marani
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The Moldau for Two Alto Saxophones and Piano
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Diego Marani
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SheetMusicPlus
The Moldau for Two Flutes and Piano
2 Flûtes traversières, Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU:…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.612665 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #221855. Published by Diego Marani (A0.612665). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for 2 flutes with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$9.99
9.26 €
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2 Flûtes traversières, Piano
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Bedrich Smetana
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Diego Marani
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The Moldau for Two Flutes and Piano
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Diego Marani
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SheetMusicPlus
The Moldau for Two Trumpets and Piano
Trompette, Piano
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano - Level 2 - Digital Downloa…
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Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.612714 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #221906. Published by Diego Marani (A0.612714). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for 2 Bb trumpets with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$9.99
9.26 €
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Trompette, Piano
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Bedrich Smetana
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Diego Marani
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The Moldau for Two Trumpets and Piano
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Diego Marani
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SheetMusicPlus
The Moldau for Two Oboes and Piano
Hautbois, Piano (duo)
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano - Level 2 - Digital Download SKU: …
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano - Level 2 - Digital Download SKU: A0.612660 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Diego Marani #221851. Published by Diego Marani (A0.612660). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for 2 oboes with piano accompaniment is suitable for classroom, repertoire and recital. It can also be played as a simple duet, with no piano.
$9.99
9.26 €
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Hautbois, Piano (duo)
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Bedrich Smetana
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Diego Marani
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The Moldau for Two Oboes and Piano
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Diego Marani
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SheetMusicPlus
Rota (The Oath), Polish Patriotic Song [HARD PIANO]
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1326074 Composed by Feliks Nowowiej…
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Piano Solo - Level 4 - Digital Download SKU: A0.1326074 Composed by Feliks Nowowiejski and Maria Konopnicka. Arranged by Darek. Multicultural,Patriotic,Traditional,World. Score. 1 pages. Darek #914273. Published by Darek (A0.1326074). Advanced arrangement for pianists of Rota (The Oath), Polish Patriotic Song [HARD PIANO]Advanced version for pianists | Advanced Piano Sheet Music | Piano | Keyboard | Polish Patriotic Song | Nuty na Pianino czy Keyboard | Polish Version of The Oath | Advanced Piano | Patriotyczne Nuty na Pianino | Nuty Patriotyczne na Keyboardzie | Feliks Nowowiejski | Maria Konopnicka | Polish Military Song | Nuty Patriotyczne na Fortepian | Polish Poem | AnthemIncluded: Fingering, Lyrics and simple video YouTube tutorial.
$2.00
1.85 €
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Piano seul
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Feliks Nowowiejski and Maria Konopnicka
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Darek
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Rota
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Darek
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SheetMusicPlus
Ruckert Lieder for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.745511 Composed by Gustav Mahle…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.745511 Composed by Gustav Mahler. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 25 pages. Gordon Cherry #353428. Published by Gordon Cherry (A0.745511). The Rückert Lieder by Gustav Mahler were written between 1901 and 1902, being first premiered in 1905 with Mahler himself conducting. The text of the songs is taken from poems set by Friedrich Rückert, a professor of Oriental languages. Mahler's music, able to convey complex emotions with seemingly simple melodic lines is the perfect vehicle for these poems. Ralph Sauer has taken four of these songs and edited them for performance on the Tenor or Bass Trombone. He has also included the original German and English translations of the songs to aid the performers and also the listener to best enjoy the feelings coming from this sublime music. All together the songs are about 15 minutes in length. Although technically not difficult, these songs require a mature interpretation in order to best convey their message.
$27.50
25.49 €
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Trombone et Piano
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Gustav Mahler
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Ralph Sauer
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Ruckert Lieder for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Ruckert Lieder for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 5 - Digital Download SKU: A0.791973 Composed by Gustav Mahl…
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.791973 Composed by Gustav Mahler. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and part. 28 pages. Gordon Cherry #399185. Published by Gordon Cherry (A0.791973). The Rückert Lieder by Gustav Mahler were written between 1901 and 1902, being first premiered in 1905 with Mahler himself conducting. The text of the songs is taken from poems set by Friedrich Rückert, a professor of Oriental languages. Mahler's music, able to convey complex emotions with seemingly simple melodic lines is the perfect vehicle for these poems. Ralph Sauer has taken four of these songs and edited them for performance on the Euphonium. He has also included the original German and English translations of the songs to aid the performers and also the listener to best enjoy the feelings coming from this sublime music. All together the songs are about 15 minutes in length. Although technically not difficult, these songs require a mature interpretation in order to best convey their message.
$27.50
25.49 €
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Euphonium, Piano (duo)
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Gustav Mahler
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Ralph Sauer
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Ruckert Lieder for Euphonium and Piano
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Gordon Cherry
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SheetMusicPlus
Joyful, Joyful, We Adore Thee (Duet for Soprano and Alto Saxophone)
Saxophone Soprano et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.627109 Composed by Ludwig van Beethoven. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and parts. 13 pages. Exultet Music #5899837. Published by Exultet Music (A0.627109). The poem that was set to Beethoven's final movement of Symphony #9 which speaks of simple expressions of common Christian feelings and desires, a hymn of trust and joy and hope has been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
4.63 €
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Saxophone Soprano et Piano
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Ludwig van Beethoven
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Stephen DeCesare
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Joyful, Joyful, We Adore Thee
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Exultet Music
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SheetMusicPlus
Autumn Fires (Duet for Soprano and Tenor solo)
Voix duo, Piano
Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.1…
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Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.1465954 By Stephen DeCesare. By Stephen DeCesare. Children,Contest,Festival,Instructional,Multicultural,Singer/Songwriter,World. 6 pages. Exultet Music #1044555. Published by Exultet Music (A0.1465954). The children's poem by Robert Louis Stevenson that conveys the beauty and ephemeral nature of autumn and aligns with Stevenson's interest in nature and the Victorian era's fascination with the changing seasons has been set to a simple, yet charming melody and scored as a duet for a Soprano and Tenor solo with Piano accompaniment. Accessible and appropriate for any school or concert setting. An accompaniment track is also available.
$4.99
4.63 €
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Voix duo, Piano
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Stephen DeCesare
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Autumn Fires
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Exultet Music
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SheetMusicPlus
Autumn Fires (Duet for Tenor and Bass solo)
Voix duo, Piano
Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.1465…
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Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.1465955 By Stephen DeCesare. By Stephen DeCesare. Children,Contest,Festival,Instructional,Multicultural,Singer/Songwriter,World. 6 pages. Exultet Music #1044556. Published by Exultet Music (A0.1465955). The children's poem by Robert Louis Stevenson that conveys the beauty and ephemeral nature of autumn and aligns with Stevenson's interest in nature and the Victorian era's fascination with the changing seasons has been set to a simple, yet charming melody and scored as a duet for a Tenor and Bass solo with Piano accompaniment. Accessible and appropriate for any school or concert setting. An accompaniment track is also available.
$4.99
4.63 €
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Voix duo, Piano
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Stephen DeCesare
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Autumn Fires
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Exultet Music
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SheetMusicPlus
Das Wandern for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1031048 Composed by Franz Schu…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1031048 Composed by Franz Schubert. Arranged by Brandon S Killen. Romantic Period,Standards. Score and part. 5 pages. Brandon S Killen #2857065. Published by Brandon S Killen (A0.1031048). This arrangement of Schubert's famous song makes careful use of original sources to convey the articulation and phrasing of the original vocals. Great for early intermediate players looking for accessible classical repertoire.Inspired by a set of poems by German poet Wilhelm Müller, Franz Schubert wrote and published the song cycle Die schöne Müllerin (The Lovely Maid of the Mill) in 1824. Das Wandern, the first song of the cycle, is a cheerful, optimistic song that captures the spirit of youth. Simple harmonic movement, the unsettled energy of the piano accompaniment, and the spritely leaps of the melody all serve to convey a sense of restless wanderlust.
$3.99
3.7 €
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Euphonium, Piano (duo)
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Franz Schubert
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Brandon S Killen
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Das Wandern for Euphonium and Piano
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Brandon S Killen
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SheetMusicPlus
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