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13037
PIANO & CLAVIERS
Accompagnement Piano
323
Piano seul
164
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61
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56
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55
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47
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21
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4
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1
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Guitare (partie séparée)
118
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9
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4
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4
2 Guitares (duo)
3
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1
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7
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462
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117
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95
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80
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60
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59
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54
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53
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42
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41
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41
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39
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36
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27
Clarinette
26
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23
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23
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20
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17
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17
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17
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15
3 Clarinettes (trio)
15
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13
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10
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10
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9
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7
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7
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7
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2
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6343
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6302
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3854
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2824
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1614
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1434
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1114
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1040
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921
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433
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363
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221
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90
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81
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75
Trombone, Violon (duo)
74
Trombone basse
73
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71
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67
Tuba et Piano
65
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56
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52
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43
Cor (partie séparée)
43
Trombone basse et Piano
43
Tuba (partie séparée)
39
2 Trompettes (duo)
34
Trompette
33
Trompette, Trombone, Piano
32
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
31
2 Cors (duo)
28
Euphonium, Piano (duo)
27
Ensemble de Trompettes
27
Tuba
23
Cor, Trompette, Trombone (trio)
19
2 Tubas (duo)
17
Trombone, Alto (duo)
13
2 Euphoniums et 2 Tubas
13
4 Tubas
12
Quatuor de cuivres: 4 cors
12
Euphonium, Tuba (duo)
11
Euphonium
9
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
9
Cor
8
2 Trombones, Piano
8
Trompette, Cor (duo)
6
Trompette, Euphonium (duo)
5
Ensemble de Cors
4
Trombone et orchestre
3
2 Euphoniums (duo)
3
3 Trompettes (trio)
3
3 Euphoniums
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Tuba et Orgue
2
Cor anglais, Piano
1
Quatuor de cuivres: 4 trompettes
1
Cor et Orgue
1
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2 Trompettes, Clavier (piano ou orgue)
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Violoncelle, Piano
92
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81
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72
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72
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56
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26
Violon
24
2 Violons (duo)
20
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19
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17
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17
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16
Alto et Harpe
15
Harpe, Violon (duo)
15
Harpe, Violoncelle (duo)
14
Harpe, Flûte (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Trio à Cordes: 3 violoncelles
7
Harpe, Trombone (duo)
5
Contre Basse
4
Alto seul
3
4 Violoncelles
3
Alto (partie séparée)
2
Harpe, Voix
2
Harpe
2
Violon, Orgue
2
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Orchestre d'harmonie
1686
Ensemble de cuivres
1339
Ensemble Jazz
1226
Orchestre
611
Jazz combo
373
Fanfare
132
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111
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57
Ensemble de Percussions
30
Batterie
21
Cloches
20
Orchestre à Cordes
15
Percussion (partie séparée)
11
Big band
11
Xylophone, Piano
11
Quintette de Cuivres: autres combinaisons
3
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AUTRES
Vous avez sélectionné:
arranged for Trombone
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9976
Back To The Future - Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone, Euphonium, Brass Quartet, Brass Choir or Ensemble - Intermediate - Digital…
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Trombone, Euphonium, Brass Quartet, Brass Choir or Ensemble - Intermediate - Digital Download By Alan Silvestri. Arranged by John Groves. Score, Set of Parts. 16 pages. Published by John Groves
Theme music from the movie "Back To The Future" arranged for Trombone Quartet.<br> <br> Peak high note in the1st part is high G.<br> <br> 4th Partdoes not require F-trigger trombone as smaller cue notes areindicated an octave higher on trigger notes.<br> <br> Perform as a TromboneQuartet / Choir or mix with EuphoniumQuartet
$15.99
14.9 €
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Quatuor de cuivres: 4 trombones
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Alan Silvestri
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Back To The Future - Trombone Quartet
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John Groves
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.62 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549546 Composed by Edvard Grieg…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506339. Published by jmsgu3 (A0.549546). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.25 €
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Trombone et Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549588 Composed by Edvard Grieg…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549588 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Multicultural,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511293. Published by jmsgu3 (A0.549588). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.  Â
$24.95
23.25 €
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Trombone et Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Trombone & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549525 Composed by Edvard Grieg…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549525 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504701. Published by jmsgu3 (A0.549525). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
30.71 €
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Trombone et Piano
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Edvard Grieg
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James M
#
Grieg: Morning Mood from Peer Gynt Suite for Trombone & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.551509 Composed by Edvard Grieg…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306349. Published by jmsgu3 (A0.551509). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.88 €
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Trombone et Piano
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Nuttin' For Christmas (Trombone trio) "2018 Holiday Contest Entry"
3 Trombones (trio)
Trombone, Brass Trio - Early Intermediate - Digital Download By Roy C. Bennett. Arran…
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Trombone, Brass Trio - Early Intermediate - Digital Download By Roy C. Bennett. Arranged by Anthony Giamanco. Score, Set of Parts. 11 pages. Published by Anthony Giamanco Music
Audiences will love this clever arrangement of the classic holiday novelty song Nuttin' for Christmas arranged for trombone trio. Requires solid technique and intonation, but not that challenging for good high school players. Adult ensembles will get a kick out of it too! Full of humor and unexpected twists, this work will be the highlight of your Christmas concert! Anthony Giamanco is a member of ASCAP. His many piano, organ,choir, and chamber works are in the catalogs of numerous publishers includingGIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His piecesalso can be purchased through sheetmusicplus.com and JW Pepper. Anthony's musiccan be heard on his website, anthonygiamanco.com, and on YouTube. Contact info:tony@shalomlife.org.
$12.99
12.11 €
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3 Trombones (trio)
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Roy C
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Nuttin' For Christmas
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Anthony Giamanco Music
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SheetMusicPlus
Back To The Future - Trombone Quintet
Ensemble de Trombones
By Alan Silvestri. Arranged by John Groves. Score, Set of Parts. 18 pages. Published b…
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By Alan Silvestri. Arranged by John Groves. Score, Set of Parts. 18 pages. Published by John Groves
Theme music from the movie "Back To The Future" arranged for Trombone Quintet.<br> <br> Fun to perform and a audience pleaser. Suggested for high school and up musicians.<br> <br> Peak high note in the 1st part is high Ab<br> <br> Perform as a Trombone Quintet or double up parts to create a Trombone Choir / Ensemble.<br> <br> Trombone parts 1 - 4 or opt. Euphonium / Baritone B.C.<br> <br> Bass Trombone 5 or opt. Tuba<br> <br> Score and Individual parts included.
$19.99
18.63 €
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Ensemble de Trombones
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Alan Silvestri
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Back To The Future - Trombone Quintet
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John Groves
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SheetMusicPlus
Christmas Time Is Here - Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone, Euphonium, Brass Quartet - Intermediate - Digital Download By Vince Guaraldi. …
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Trombone, Euphonium, Brass Quartet - Intermediate - Digital Download By Vince Guaraldi. Arranged by John Groves. Score, Set of Parts. 8 pages. Published by John Groves
Christmas Time Is Here from A Charlie Brown Christmas - arranged for Trombone Quartet Perform as quartet or double up parts to create a robust sonorous Trombone Choir (Ensemble) sound. Score and parts included.
$14.99
13.97 €
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Quatuor de cuivres: 4 trombones
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Vince Guaraldi
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Christmas Time Is Here - Trombone Quartet
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John Groves
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SheetMusicPlus
Handel: Largo from Xerxes for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549391 Composed by George Fride…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549391 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492557. Published by jmsgu3 (A0.549391). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. Overall, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.71 €
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Trombone et Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Back To The Future - Trombone Trio
3 Trombones (trio)
Brass Trio, Brass Choir or Ensemble - Intermediate - Digital Download By Alan Silvest…
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Brass Trio, Brass Choir or Ensemble - Intermediate - Digital Download By Alan Silvestri. Arranged by John Groves. Score, Set of Parts. 14 pages. Published by John Groves
Theme music from the movie "Back To The Future" arranged for Trombone Quartet.<br> <br> Peak high note in the 1st part is high G.<br> <br> 3rd part does not require F-trigger trombone.<br> <br> Includes score and individual parts.
$12.99
12.11 €
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3 Trombones (trio)
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Alan Silvestri
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Back To The Future - Trombone Trio
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John Groves
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.550934 Composed by J. S. Bach -…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888761. Published by jmsgu3 (A0.550934). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.71 €
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Trombone et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Silver Wedding, Klezmer Tune for Trombone Duet
2 Trombones (duo)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.589328 Composed by Trad…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.589328 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score. 5 pages. David McKeown #6022273. Published by David McKeown (A0.589328). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for two Trombones. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
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2 Trombones (duo)
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune for Trombone Duet
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David McKeown
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SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.31 €
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Trombone et Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van B…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
23.25 €
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Trombone et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Turkish March by Beethoven for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Level 2 - Digital Download SKU: A0.1261707 Composed by Ludwig va…
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Trombone Quartet - Level 2 - Digital Download SKU: A0.1261707 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,Folk,March,Romantic Period. 9 pages. Woods Only, Arrangements #854782. Published by Woods Only, Arrangements (A0.1261707). This arrangement adapted for trombone quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.45 €
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Quatuor de cuivres: 4 trombones
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Trombone Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.549221 Composed by Johann Sebas…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.71 €
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Trombone et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Trombone & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.549853 Composed by Johann Sebas…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.25 €
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Trombone et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trombone & Piano
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jmsgu3
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SheetMusicPlus
William Tell Overture (Trombone solo)
Trombone
Composed by Giachino Rossini. Arranged by Matthew Nunes. 153, 158, Classical, Film/TV,…
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Composed by Giachino Rossini. Arranged by Matthew Nunes. 153, 158, Classical, Film/TV, Instructional. Individual part. 2 pages. Matthew Nunes Music #105965. Published by Matthew Nunes Music
Giachino Rossini's magnificent William Tell Overture, arranged for Trombone solo.
$1.99
1.85 €
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Trombone
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Giachino Rossini
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Matthew Nunes
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William Tell Overture
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Matthew Nunes Music
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SheetMusicPlus
10 Romantic Pieces - Trombone or Euphonium Duet
Trompette, Euphonium (duo)
Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, …
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Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, and Modest Petrovich Mussorgsky. Arranged by Francesco Leone. Concert,Instructional,Romantic Period,Standards. Score and parts. 53 pages. Glissato Edizioni Musicali #6604273. Published by Glissato Edizioni Musicali
10 Easy Romantic Pieces arranged for Trombone or Euphonium Duet (scored in 4 different keys).<br> contents titles: 1. Largo from "New World Simphony" – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák<br> 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky
$11.99
11.18 €
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Trompette, Euphonium (duo)
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Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, and Modest Petrovich Mussorgsky
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Francesco Leone
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10 Romantic Pieces - Trombone or Euphonium Duet
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Glissato Edizioni Musicali
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SheetMusicPlus
We Wish You a Merry Christmas, Jazz Style, for Trombone Duet
2 Trombones (duo)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.594160 Composed by Trad…
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Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.594160 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score. 3 pages. David McKeown #6551469. Published by David McKeown (A0.594160). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for two Trombones. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
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2 Trombones (duo)
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Traditional
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David McKeown
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We Wish You a Merry Christmas, Jazz Style, for Trombone Duet
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David McKeown
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SheetMusicPlus
20 Greatest Hymns for 2 Trombones with Piano Accompaniment
2 Trombones (duo)
Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.1353155 Composed by Var…
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Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.1353155 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Religious,Sacred. Score. 109 pages. Ben Dockery #937954. Published by Ben Dockery (A0.1353155). These twenty classic hymns have been arranged for trombone duet with piano accompaniment. Easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. Includes score and parts.A Mighty Fortress Is Our God, All Hail The Power Of Jesus’ Name, Amazing Grace, Be Thou My Vision, Blessed Assurance, Come, Thou Fount of Every Blessing, Come, Thou Long-Expected Jesus, He Leadeth Me, Holy, Holy, Holy, How Great Thou Art, It Is Well With My Soul, Jesus Paid It All, Jesus Loves Me, Just As I Am, Love Divine, All Loves Excelling, My Hope Is Built On Nothing Less, O For A Thousand Tongues To Sing, Rock Of Ages, To God Be The Glory, What A Friend We Have In Jesus.
$12.99
12.11 €
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2 Trombones (duo)
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Various
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B
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20 Greatest Hymns for 2 Trombones with Piano Accompaniment
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Ben Dockery
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SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Advanced Intermediate - Digital Download By The Andrews Sisters. …
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Trombone Quartet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 14 pages. Published by Music for all Occasions
Arranged for Trombone Quartet "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!<br> <br> Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.<br> <br> Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).<br> <br> In Quebec the song has been used for several decades in commercials for Sico paint.<br> <br> In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.<br> <br> This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.<br> <br> In season one of Narcos: Mexico, episode 3 ("El Padrino”), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.<br> <br> The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto.<br> <br> Choro (Portuguese pronunciation: [ˈʃoɾu], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
12.11 €
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Quatuor de cuivres: 4 trombones
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Music for all Occasions
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SheetMusicPlus
Ragtime Suite for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Advanced Intermediate - Digital Download Composed by Scott Joplin (1…
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Trombone Quartet - Advanced Intermediate - Digital Download Composed by Scott Joplin (1868-1917). Arranged by Jordon Drumgoole. 20th Century, Blues, Dixieland, Ragtime. Score, Set of Parts. 50 pages. Published by Cherry Classics Music
Jordon Drumgoole has arranged four lesser-known gems by master Ragtime composer, Scott Joplin. Ragtime Suite for Trombone Quartet includes the following four rags: 1. Original Rags, 2. Euphonic Sounds, 3. Pineapple Rag and 4. March Majestic These rags are arranged in very comfortable keys and have easy ranges for all parts; plus, they can be performed by moderately advanced performers. The entire Suite with all repeats contains 14 minutes of delightful music that will get everyone's feet tapping!
$30.00
27.96 €
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Quatuor de cuivres: 4 trombones
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Scott Joplin (1868-1917)
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Jordon Drumgoole
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Ragtime Suite for Trombone Quartet
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Cherry Classics Music
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SheetMusicPlus
Father Forgive Them
Ensemble de Trombones
Trombone Quintet Trombone - Level 3 - Digital Download SKU: A0.1214543 By Robert He…
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Trombone Quintet Trombone - Level 3 - Digital Download SKU: A0.1214543 By Robert Hendrickson. By Dubois. Arranged by Robert Hendrickson. 19th Century,Christian,Classical,Easter,Sacred. 8 pages. Rob Hendrickson #811524. Published by Rob Hendrickson (A0.1214543). Arranged for Trombone Quintet.
$1.99
1.85 €
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Ensemble de Trombones
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Robert Hendrickson
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Robert Hendrickson
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Father Forgive Them
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Rob Hendrickson
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SheetMusicPlus
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