Collection of the Best Ever Wedding Music for the String Quartet (2 violins, viola and cello) Use Item # S0.867587 (Copy and paste in their search engine. Incidentally the 0 is a zero, not the letter O if you type it.

Intermediate Level

This wedding set is a compilation of 20 of the most requested songs in one set appropriate for weddings and ceremonies. The goal of each set is to not have to purchase two books to get the most requested ceremony music as often is the case with the Bridal Chorus in Book 1 and the Wedding March in Book 2, for example. They are in alphabetical order, not numbered, so you can order your binder sets however you like or ready for iPads as well without annoying song or page numbers.

Ready to print and go.

Approx. 90 minutes of music

Parts and Score pages: The number of pages depend on quartet, trio, duo or solo (see actual set)

20 SONGS in this SET

Included:

Air from Water Music, Handel

Air on the G String, Bach

Arrival of the Queen of Sheba, Handel

Ave Maria, Bach-Gounod

Ave Maria, Schubert

Bridal Chorus, Wagner

Canon in D, Pachelbel

Gloria, Vivaldi

Hornpipe from Water Music, Handel

Jesu, Joy of Man's Desiring, Bach

La Rejouissance, Handel

Larghetto, Handel

March from the Marriage of Figaro, Mozart

Ode To Joy, :Beethoven

On Wings of Song, Mendelssohn

Rondeau, Mouret

Spring from Four Seasons, Mov.1, Vivaldi

Trumpet Tune, Purcell

Trumpet Voluntary, Clarke

Wedding March, Mendelssohn

ISBN 9781619119550.

Johann Sebastian Bachas arrangements of the a69 Sacred Songsa from the Musical Hymnal by Georg Christian Schemelli (Leipzig, 1736) have long been part of the German language vocal concert repertoire and a mainstay in vocal pedagogy. Originally, only these 69 of the 954 hymns in the collection were published with a single bass line as the accompaniment. Bachas contribution was to specify harmonies to be played over those same bass lines by adding figured bass numbers and symbols beneath each note.A figured bass line can easily be turned into a relatively simple guitar accompaniment or a more elaborate setting, offering a range of possibilities that make working with this music both interesting and rewarding for the guitarist. While other period and modern editions of the a69 Sacred Songsa offer accompaniments for keyboard instruments, this Mel Bay publication features intermediate to advanced transcriptions exclusively for the guitar. Best suited to college-level players or advanced aficionados, this special Mel Bay Publications edition includes the vocal line with German lyrics and the guitar accompaniment transcribed from Bachas figured bass lines. Written in guitar-friendly keys, 29 of the transcriptions employ a capo to achieve the original key designed for high voices. Without the capo, these same arrangements would be suitable to be sung by lower voices. The remaining 40 hymns are in their original guitar-friendly keys and so do not require a capo.This volume contains accompaniment settings of all 69 of the sacred songs and arias for which Bach wrote figured bass annotation. For performance variety and convenience, this book includes aScores in their Original Keys,a and stand-alone aGuitar Accompaniment,a and aBass Parts.

German - English.

Learning to play the piano with Bach
Easy to intermediate pieces by the master

* Bach as a teacher
* Easy piano pieces
* For beginners with basic knowledge

Learn from the master. Johann Sebastian Bach composed countless pieces specifically for his many students. My First Bach contains many of these educational pieces which are, for the most part, arranged in increasing difficulty. Easy two-part chorales and dances are followed by more demanding little preludes, two-part inventions and the first Prelude from the Well-Tempered Clavier.

Aria on G String by Bach/Barcarolle from The Tales of Hoffmann by Offenbach/Canon in D by Pachelbel/Meditation from Thais by Massenet/Radetzky March by Strauss/Salut d' amour by Elgar/Sicilienne op. 78 by Fauré/Spring from The Four Seasons by Vivaldi/Summer from The Four Seasons by Vivaldi

Item Number: S0.976609

"Air on a G String" is the popular nickname for the "Air" from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and very useful for almost any church service, reception, wedding or any event where insightful meditation is desired. This music is very well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well cherished for your audience. This is the piece to demonstrate dynamic control, tone quality and strategic phrasing of long melodic lines.
Air on a G String
Bach: Air on a G String -
Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. ?Air? - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled ?Air on a G String? not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist ? and entirely on the G String.

Sleepers awake, English name for the chorale cantata Wachet auf, ruft uns die Stimme, regarded as one of most mature and popular sacred cantatas by Johann Sebastian Bach, based on the homonymous hymn by Philipp Nicolai (1599).
Sleepers awake is the fourth movement ("Zion hört die Wächter singen") of BWV 140. Bach later transcribed this movement for organ (BWV 645).
For classical Guitar solo. Early Intermediate to intermediate.
In drop D tuning (low E to D).
With downloadable mp3 just for audio help.
With standard notation and tablature.
Pages: Seven pages (7).

Selections from Notebook for Anna Magdalena Bach for Guitar features 10 pieces from Bach's famous notebook arranged for guitar. The Notebook itself provides a glimpse of German music of the 18th century and provides a glimpse into the traditions of Baroque style. The selected pieces engage the beginner/intermediate guitarist in the art of two-voice counterpoint and develop a foundation for effectively interpreting the music of J.S. Bach. Includes 17-page score with tablature, plus 10-page guitar part without tab.

Contents

Menuet, BWV Anh. 114
Menuet, BWV Anh. 115
Menuet, BWV Anh. 118
Polonaise, BWV Anh. 119
Menuet, BWV Anh. 120
Menuet, BWV Anh. 121
Marche, BWV Anh. 122
Menuet, BWV Anh. 132
Menuet fait par Mons. Böhm
Aria, So oft ich meine Tobackspfeife, BWV 515a

Opus/Catalog Number: Arranged from Orchestral Suite No. 3, BWV 1068
Key/Tone: D Major
Movements/Sections: Adagio
Year/Date of Composition: 1731
Difficulty: Grade 5/12 (Intermediate)
Obs.: This piece is arranged from the second movement of Bach's Orchestral Suite No. 3 in D Major. It was originally composed for strings and continuo.
It is known under the title Air on the G String, because some arrangements for violin are meant to be played entirely on that string.
This score is an arrangement for String Quartet: Violins 1, 2, Viola and Cello.
Please note that in this score, all ornaments are authentic.
Included: Full score and individual parts.

Prelude to the Ratswahl Cantata, J.S.Bach
Aria "Zerfliesse mein Herze" №63, J.S.Bach
Das Dreyblatt, W.F.E.Bach

This collection of 30 popular original compositions and arrangements for piano presents a selection of pieces by Johann Sebastian Bach that will delight any pianist. Besides the 'Prelude and Fugue in C major' from the Well-Tempered Clavier and other popular educational pieces, this volume also contains many arrangements, such as the 'Air' from the Orchestral Suite No. 3 or the 'Toccata and Fugue in D minor'. All the pieces are of an easy or intermediate level of difficulty, with fingerings and metronome suggestions added. The collection appears in a modern and user-friendly print format. it is recommended not only for teaching purposes, but to anyone who enjoys playing the piano as a hobby.

"Intermediate Classical Favorites" is a collection of 10 famous classical works arranged for early to mid-intermediate pianists (pianists in level 3-4 of most piano method books). See the companion video for a sheet music and audio sample of the first page of each piece in the collection.

Included in this collection:Jesu, Joy of Man's Desiring (J. S. Bach), Canon in D (Pachelbel), Rondo alla Turca (Mozart), Theme from Sonata in A Major (Mozart), Für Elise (Beethoven), Moonlight Sonata (Beethoven), Opening Theme from Concerto in A Minor (Grieg), Reverie (Debussy), Clair de Lune (Debussy), and The Entertainer (Joplin).

Like this collection but need something easier? Check out my "Easy Classical Favorites" and "More Easy Classical Favorites" collections here at Sheet Music Plus by clicking on my publisher name above!

About the arranger: Chrissy Ricker is a Nationally Certified Teacher of Music (NCTM) with a Master's degree in piano performance and pedagogy. Chrissy enjoys composing and arranging music to motivate and challenge students of all ages. In addition to the works she publishes through SMP Press, Chrissy's piano music is also published by Kjos Music Company and Piano Pronto Publishing. Her music has appeared on the piano contest lists of many state and national teaching associations, including the National Federation of Music Clubs. Visit Chrissy's website at www.chrissyricker.com

With this piano sheet music, you can play Johann Sebastian Bach's "Air on the G String".

It's an accurate piano transcription of the whole piece which is not too hard to play, and sounds fantastic!

"Air on the G String" is one of the most famous classical compositions.
It was written by J. S. Bach (1685-1750) as the second movement of his orchestral Suite No. 3 in D major (BWV 1068).

While the piece was just titled "Air" in Bach's original composition, the German violinist August Wilhelmj wrote a new arrangement of the piece in the 19th century. In this version, the first violin was transposed so that it only had to use the G string (the lowest string on a violin).
Since his arrangement contributed in a major way to the piece's fame and popularity, it became known as "Air on the G String" or "Air on a G String".

In any way, it is certainly one of the most beautiful pieces from the Baroque era, and sounds wonderful when played on a piano, too!