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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
be at rest
Non classifié
981
Piano & claviers
Piano seul
263
Piano, Voix
53
Piano Facile
43
Piano, Voix et Guitare
35
Orgue
14
2 Pianos, 4 mains
10
1 Piano, 4 mains
7
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Instruments en Do
2
Piano (partie séparée)
1
2 Pianos, 8 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare
34
Guitare notes et tablatures
29
Ukulele
4
Mandoline
4
4 Guitares (Quatuor)
4
Guitare (partie séparée)
2
Ensemble de guitares
2
2 Guitares (duo)
1
Banjo
1
Basse electrique
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
124
Chorale 3 parties
35
Chorale Unison
15
Chorale TTBB
14
Chorale SSAA
9
Chorale 2 parties
9
Voix duo, Piano
5
Voix haute
3
Voix Alto, Piano
2
Voix Soprano, Piano
2
Voix duo
2
Voix Tenor, Piano
2
Voix seule
2
Voix Tenor
1
+ 9 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
128
Quatuor de Clarinettes: 4 clarinettes
110
Quatuor de Saxophones: 4 saxophones
96
Quintette de Saxophone: 5 saxophones
79
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
2 Saxophones (duo)
47
Flûte traversière et Piano
27
Ensemble de saxophones
25
2 Clarinettes (duo)
23
Ensemble de Clarinettes
21
2 Flûtes traversières (duo)
19
Saxophone, Clarinette (duo)
19
Saxophone Alto et Piano
19
Clarinette et Piano
18
Hautbois, Piano (duo)
17
Ensemble de Flûtes
13
Quatuor de Flûtes : 4 flûtes
11
Saxophone Tenor et Piano
11
Quintette de Flûte : 5 flûtes
10
Saxophone Soprano et Piano
9
Clarinette, Trompette (duo)
9
Clarinette
9
Clarinette, Violon (duo)
8
Flûte, Violon
7
2 Hautbois (duo)
7
Flûte, Clarinette (duo)
7
Saxophone (partie séparée)
7
Flûte traversière
7
Hautbois, Basson (duo)
5
Hautbois, Clarinette (duo)
5
Saxophone Baryton, Piano
5
Clarinette Basse, Piano
5
Flûte, Alto (duo)
5
Hautbois, Flûte
5
Cor anglais, Piano
5
Hautbois (partie séparée)
4
Saxophone Alto
4
Flûte, Saxophone (duo)
4
Flûte et Guitare
4
Flûte, Trompette (duo)
4
2 Clarinettes, Piano
3
Hautbois, Guitare (duo)
3
Flûte, Clarinette, Piano (trio)
3
Clarinette et Alto
3
Flute (partie séparée)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à bec Tenor
2
Flûte à bec Soprano
2
Clarinette, Basson (duo)
2
Ensemble à vent
2
Clarinette, Violoncelle (duo)
2
Quatuor de Flûtes à bec
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
3 Clarinettes (trio)
1
Clarinette, Orgue
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flute, harpe et violon
1
Flûte à bec Alto, Piano
1
2 Flûte à bec (duo)
1
Trio de Flûtes: 3 flûtes
1
3 Saxophones (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon, Piano
1
Saxophone et Orgue
1
Saxophone Tenor
1
Flûte à Bec, Piano
1
Cor Anglais
1
Saxophone
1
+ 65 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
80
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Ensemble de Trompettes
46
2 Trompettes (duo)
21
Ensemble de Trombones
17
Quatuor de cuivres: 4 trombones
17
2 Trombones (duo)
17
Trombone et Piano
17
Trompette
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Trompette, Piano
13
Trompette, Saxophone (duo)
11
2 Tubas (duo)
9
Trompette, Trombone (duo)
7
Cor et Piano
6
Quatuor de Cuivres
6
Trombone (partie séparée)
5
Euphonium, Piano (duo)
5
Trombone
5
Cor anglais, Piano
5
Cor
5
Trompette (partie séparée)
3
2 Cors (duo)
3
Quatuor de cuivres: 4 trompettes
3
Tuba et Piano
2
3 Trompettes (trio)
2
Tuba
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 cors
2
Tuba et Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Basson (duo)
1
Trompette, Trombone, Piano
1
Euphonium, Tuba (duo)
1
Cor Anglais
1
Bass Clef Instruments
1
Trombone, Violon (duo)
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
147
Harpe
32
Trio à Cordes: violon, alto, violoncelle
29
Violon et Piano
28
Violon
20
Alto, Piano
20
Violon, Violoncelle (duo)
17
2 Violons (duo)
17
Violoncelle, Piano
16
Trio à Cordes: 2 violons, violoncelle
14
Violon, Alto (duo)
12
2 Violoncelles (duo)
11
Ensemble de Violons
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Ensemble d'Altos
9
2 Altos (duo)
8
Violoncelle
6
Alto seul
6
Alto, Violoncelle (duo)
4
Harpe, Voix
4
2 Harpes (duo)
3
4 Violoncelles
2
Contrebasse (partie séparée)
2
Contre Basse
2
Violoncelle, Contrebasse (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon (partie séparée)
2
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Contrebasse, Piano (duo)
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
4 Harpes
1
Violoncelle (partie séparée)
1
2 Violons, Piano
1
Alto et Harpe
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
117
Orchestre à Cordes
48
Orchestre
39
Orchestre de chambre
32
Ensemble de cuivres
32
Cloches
26
Ensemble Jazz
15
Jazz combo
7
Ensemble de Percussions
6
Ensemble d'École
5
Marimba
4
Batterie
4
Vibraphone
2
Fanfare
2
Orchestre, Violon
1
Piano et Orchestre
1
Batterie (partie séparée)
1
Percussion
1
Xylophone, Piano
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
be at rest
Partitions à imprimer
3 892 partitions trouvées
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3876
A Vision of Rest for SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Anthony Bannach
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A Vision of Rest for SATB Choi
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Anthony Bannach Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.995181 Composed by Anthony Bannach. 20th Century,Contemporary,Romantic Period. Octavo. 17 pages. Anthony Bannach...
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Choral Choir (SATB) - Level 4 - SKU: A0.995181 Composed by Anthony Bannach. 20th Century,Contemporary,Romantic Period. Octavo. 17 pages. Anthony Bannach Music #4729217. Published by Anthony Bannach Music (A0.995181). A Vision of Rest is a choral piece with text set from the poem by Alexander Posey. The piece balances a choral style refrain with large amounts of independent lines and melismatic writing, and the sounds or the composition are inspired by choral pieces by composers such as Pavel Chesnikov, John Tavener, and Arvo Pärt. The lyrics heard in the song were slightly modified to fit to the music. The original text is as follows: Some day this quest Shall cease; Some day, For aye, This heart shall rest In peace. Sometimes-ofttimes-I almost feel The calm upon my senses steal, So soft, and all but hear The dead leaves rustle near And sign to be At rest with me. Though I behold The ashen branches tossing to and fro, Somehow I only vaguely know The wind is rude and cold.
$4.00
Nocturne No 1 - A restless night in June 2016
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Nocturne No 1 - A restless nig
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Stuart Brown Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.835450 Composed by Stuart Brown. Concert,Contemporary. Score. 12 pages. Stuart Brown Music #2859967. Published by Stuart ...
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Piano Solo - Level 4 - SKU: A0.835450 Composed by Stuart Brown. Concert,Contemporary. Score. 12 pages. Stuart Brown Music #2859967. Published by Stuart Brown Music (A0.835450). This is not your typical nocturne. This is night as it really is for many people: a time of restlessness, of anxiety, in which you lie awake or even feel the need to get out of the house for a while. This music is for all of those nights when you wonder what on earth is happening to the world around you, when you feel troubled by the contradictions between you and the world, when you dread the morning news of the results of an election or referendum; when you just want to shout at the world, I'm out of here ... imagine a night in which you need to step outside to gather your thoughts. You feel the chill of the night air as you stand gazing up at the sky. As clouds move above, you turn over in your mind the things that are troubling you. Gradually you begin to see more clearly the difference between the things you cannot change and those that you can; and with that realisation comes serenity and finally you are able to sleep.The composer, who is a passionate believer in unity rather than division, wrote this music three days after Britain's 2016 referendum on its continued membership of the European Union, reflecting his feelings about the outcome. This is, therefore, as deeply personal a piece of music as you'll get. Include it in a program and it will help to put the rest of the program into perspective.The music itself demonstrates that nonatonic and octatonic modes of limited transposition can be used to create melodies and harmonic progressions that combine tension with great beauty. At notated tempi the work lasts just under ten minutes. It is of advanced intermediate difficulty, the main challenges for the player being the complex modality and the shifting rhythms. The sound file provided here is the composer's own live performance, recorded on Saturday, September 10th, 2016. It is possibly appropriate for high school performance: students who are interested are welcome to get in touch with the composer via www.facebook.com/StuartBrownComposer/
$2.50
Souls At Rest
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Orgue
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Lewis A
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Souls At Rest
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Lewis A. Kocher
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SheetMusicPlus
Organ - SKU: A0.943041 Composed by Lewis A. Kocher. Christian,Contemporary,Halloween,Sacred. Score. 6 pages. Lewis A. Kocher #6029271. Published by Lewi...
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Organ - SKU: A0.943041 Composed by Lewis A. Kocher. Christian,Contemporary,Halloween,Sacred. Score. 6 pages. Lewis A. Kocher #6029271. Published by Lewis A. Kocher (A0.943041). SOULS AT REST for ORGAN Playing time: Appx. 2:40 Services: All Saints, All Souls, Autumn, Memorial, any The pedal plays the somber yet peaceful melody in this rather introspective work, with the swell box opening now and then to allow the keyboard to give little dialogues that echo the melody. A dissonant mood in the middle section is reminiscent of our dismay and confusion over the loss of loved ones, but the return of the melody at the end soothes us once more with eternal hope. All Saints and All Souls are beautiful celebrations that are harbingers of the close of the year. As the beginnings of the pre-winter feasts, they are also the earliest to shine light in the darkness as many cemeteries become illuminated by the warm glow of thousands of candles placed in commemoration of the dearly departed. Although I composed this piece under the spiritual influence of those two holy days, the work may be used at any service where a reflective, meditative piece is needed. The registrations I give here are merely suggestions; adapt at will to your instrument and the ambience you wish to create. God bless!
$4.95
Home At Last, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Home At Last, sacred music for
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1451771 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1451771 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 11 pages. Kevin G. Pace #1031081. Published by Kevin G. Pace (A0.1451771). A beautiful, sacred choral anthem with music by Kevin G. Pace and text by Mary Ann W. Snowball. This music was written to be used in funerals and other occasions.Text:1. Beyond the deep horizon and ever wand'ring hills, There is a holy heaven when mortal life has stilled. Beyond the clouds and rainbow, beyond each azure sky, There is a place of total rest where peace forever lies. 2. Beyond the ocean currents and endless sandy shores, There is a holy haven where strife will be no more. Beyond each ev'ning's moonlight and ev'ry numbered star, There is a place near heaven's view, a place which now seems far. 3. Beyond the reach of sunshine and warmth of summer days, There is a God in heaven, and He will ever stay. Beyond each earthly asking, where prayers are heaven sent, There is a place where He resides and perfect Love is met. Chorus: Home at last, to live in God's presence where all will be at peace. Home at last, where God's pure love will shine and never, ever cease.
$1.99
Home At Last, vocal solo for funeral or other occasion
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Home At Last, vocal solo for f
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Kevin G. Pace
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1317368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiri...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1317368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #906029. Published by Kevin G. Pace (A0.1317368). A beautiful alto vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Â This music was written to be used in funerals and other occasions.Text:1. Beyond the deep horizon and ever wand'ring hills, There is a holy heaven when mortal life has stilled. Beyond the clouds and rainbow, beyond each azure sky, There is a place of total rest where peace forever lies. 2. Beyond the ocean currents and endless sandy shores, There is a holy haven where strife will be no more. Beyond each ev'ning's moonlight and ev'ry numbered star, There is a place near heaven's view, a place which now seems far. 3. Beyond the reach of sunshine and warmth of summer days, There is a God in heaven, and He will ever stay. Beyond each earthly asking, where prayers are heaven sent, There is a place where He resides and perfect Love is met. Chorus: Home at last, to live in God's presence where all will be at peace. Home at last, where God's pure love will shine and never, ever cease.
$3.99
Home At Last, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Home At Last, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1139026 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1139026 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #739308. Published by Kevin G. Pace (A0.1139026). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: 1. Beyond the deep horizon and ever wand'ring hills, There is a holy heaven when mortal life has stilled. Beyond the clouds and rainbow, beyond each azure sky, There is a place of total rest where peace forever lies. 2. Beyond the ocean currents and endless sandy shores, There is a holy haven where strife will be no more. Beyond each ev'ning's moonlight and ev'ry numbered star, There is a place near heaven's view, a place which now seems far. 3. Beyond the reach of sunshine and warmth of summer days, There is a God in heaven, and He will ever stay. Beyond each earthly asking, where prayers are heaven sent, There is a place where He resides and perfect Love is met. Chorus: Home at last, to live in God's presence where all will be at peace. Home at last, where God's pure love will shine and never, ever cease.
$1.99
VALLEY OF REST - FANNY J. CROSBY (HYMN - EASY ORGAN)
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Orgue
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FACILE
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Musique Sacrée
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Fanny J
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Juliano Music
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VALLEY OF REST - FANNY J. CROS
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Juliano Alessandro Molteni
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SheetMusicPlus
Instrumental Solo,Organ - Level 2 - SKU: A0.1225822 Composed by Fanny J. Crosby. Arranged by Juliano Music. Christian,Praise & Worship,Religious,Sacred....
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Instrumental Solo,Organ - Level 2 - SKU: A0.1225822 Composed by Fanny J. Crosby. Arranged by Juliano Music. Christian,Praise & Worship,Religious,Sacred. Individual part. 3 pages. Juliano Alessandro Molteni #821858. Published by Juliano Alessandro Molteni (A0.1225822). MY EASY ARRANGEMENT OF THE HYMN VALLEY OF REST BY FANNY J. CROSBY. VERSION FOR ORGAN, WITHOUT THE PEDALBOARD LINE.COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING- JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance. ENJOY!!
$1.99
Sorry Seems To Be The Hardest Word
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Pop musique
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Elton John
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Sorry Seems To Be The Hardest
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Richard's Studio
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SheetMusicPlus
Choral Baritone Saxophone,Bass Clarinet,Choral,Tenor Drum (TTBB) - Level 3 - Interactive Download SKU: A0.1374416 By Elton John. By Bernie Taupin and Elt...
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Choral Baritone Saxophone,Bass Clarinet,Choral,Tenor Drum (TTBB) - Level 3 - Interactive Download SKU: A0.1374416 By Elton John. By Bernie Taupin and Elton John. Arranged by Richard A Curtis (Richard's Studio). This edition: Interactive Download. Pop. 17 pages. Duration 238. Richard's Studio #2e2DG3jIE0N8WhuD1N5rOr. Published by Richard's Studio (A0.1374416). Key: G major.Suitable for male barbershop chorus. Four part arrangement in TTBB style. Melody moves between parts. Divided into rehearsal sections, with advised tempos. Breathing points are suggested at rest marks. Audio Teach Tracks are available from the arranger (richardsstudio23@gmail.com): Full Mix (mono and stereo) Each voice: Solo, Mute, Loud, Left, Right More songs at www.richardsstudio.org.
$2.99
Sorry Seems To Be The Hardest Word
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Chorale TTBB
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INTERMÉDIAIRE
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Elton John
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Richard Curtis
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Sorry Seems To Be The Hardest
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Richard's Studio
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.943758 By Elton John. By Bernie Taupin and Elton John. Arranged by Richard Curtis. A Cappella,Barbershop,...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.943758 By Elton John. By Bernie Taupin and Elton John. Arranged by Richard Curtis. A Cappella,Barbershop,Pop,Rock,Singer/Songwriter. 7 pages. Richard's Studio #4784555. Published by Richard's Studio (A0.943758). Suitable for quartet or chorus (TTBB).Divided into rehearsal sections, with advised tempos.Breathing points are suggested at rest marks.22 teach tracks are available from the arranger at www.richardsstudio.org :Full Mix (mono and stereo), & each voice: Solo, Mute, Loud, Left, Right.
$2.99
The Be-Bop Range Book
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Trompette
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AVANCÉ
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERI...
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Trumpet Solo - Level 5 - SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
There’ll Be Some Changes Made
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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W
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F
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There’ll Be Some Changes
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional...
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Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$13.95
The Fairest of the Fair for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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John Philip Sousa Arranged by
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John Philip Sousa
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Jari A
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The Fairest of the Fair for Br
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722745 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. Folk,Holid...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722745 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. Folk,Holiday,Patriotic,Romantic Period. Score and parts. 29 pages. JV MUSIC #3414623. Published by JV MUSIC (A0.722745). The Fairest of the Fair March for Brass Quintet and Optional DrumsBy John Philip Sousa Arranged by Jari VillanuevaScore 2 Trumpets in BbHorn in FTromboneTubaOptional DrumsSubstitute parts for Eb Horn and Baritone T.C .providedThe Fairest of the Fair (1908) by John Philip Sousa was composed for the annual Boston Food Fair of 1908 and is claimed that the memory of a pretty girl he had seen at an earlier fair inspired the composition. Sousa composed The Fairest of the Fair intending his Band to perform it at the annual Boston Food Fair in the fall of 1908. It is the only work of any kind that he composed that year and one of only a handful of compositions that he wrote between 1906 and 1910. He apparently completed it in New York during the summer, as the final page of the original score was signed John Philip Sousa, Camp Comfort, Saranac Lake, Adirondack, New York, July 8, 1908.The march almost missed its premier at the Boston Food Fair. Because of an oversight the music, which Sousa had written and scored out, did not have individual parts written out for the performers. This was discovered the day before the performance. The new composition had received much advanced publicity and it would have been an embarrassment to Sousa not to have it performed. The band’s copyist, Louis Morris, rose to the occasion and on the train to Boston stayed up and copied out the parts so the band could premier the work as advertised on September 28, 1908. In the morning when Sousa found out Morris was working all night he instructed him to finish the work and get some rest. Morris missed the concert and the premier but found an extra $50 in his next paycheck.Published by JV MUSIC Baltimore MD www.jvmusic.net https://youtu.be/KeE5dMnrevU
$15.00
O Day of Rest and Gladness (Downloadable)
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Piano seul
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FACILE
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Anna Laura Page
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O Day of Rest and Gladness
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Piano - Moderately Easy - SKU: MQ.15-742-23E Composed by Anna Laura Page. 2 pages. MorningStar Music Publishers - Digital Sheet Music #15-742-23E. Publi...
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Piano - Moderately Easy - SKU: MQ.15-742-23E Composed by Anna Laura Page. 2 pages. MorningStar Music Publishers - Digital Sheet Music #15-742-23E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-742-23E). If you're charged with leading worship from the piano, this book is for you. Thirty often-used hymns are provided with an introduction, regular stanza, an interlude and a final reharmonized stanza. Effective and not difficult to play, these will be a valuable addition to your piano library.Contents:Abide with MeAll Creatures of Our God and KingAll Glory Be to God on HighAll Hail the Power of Jesus' NameAmazing GraceBe Thou My VisionCome, Thou Almighty KingCome, Thou Long-Expected JesusCome, Ye Thankful People, ComeFairest Lord JesusGod, Who Made the Earth and HeavenGuide Me, O Thou Great JehovahHoly God, We Praise Your NameHoly, Holy, HolyI Sing the Mighty Power of GodIn Christ There Is No East or WestJesus Shall ReignJoyful, Joyful, We Adore TheeLead On, O King EternalLet Us Break Bread TogetherMorning Has BrokenNow Thank We All Our GodO Day of Rest and GladnessO God Beyond All PraisingO Worship the KingRejoice, the Lord Is KingShall We Gather at the RiverThe Church's One FoundationThis Is My Father's WorldWere You There.
$5.00
Fairest Lord Jesus (Downloadable)
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Piano seul
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FACILE
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Anna Laura Page
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Fairest Lord Jesus
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Piano - Moderately Easy - SKU: MQ.15-742-10E Composed by Anna Laura Page. 2 pages. MorningStar Music Publishers - Digital Sheet Music #15-742-10E. Publi...
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Piano - Moderately Easy - SKU: MQ.15-742-10E Composed by Anna Laura Page. 2 pages. MorningStar Music Publishers - Digital Sheet Music #15-742-10E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-742-10E). If you're charged with leading worship from the piano, this book is for you. Thirty often-used hymns are provided with an introduction, regular stanza, an interlude and a final reharmonized stanza. Effective and not difficult to play, these will be a valuable addition to your piano library.Contents:Abide with MeAll Creatures of Our God and KingAll Glory Be to God on HighAll Hail the Power of Jesus' NameAmazing GraceBe Thou My VisionCome, Thou Almighty KingCome, Thou Long-Expected JesusCome, Ye Thankful People, ComeFairest Lord JesusGod, Who Made the Earth and HeavenGuide Me, O Thou Great JehovahHoly God, We Praise Your NameHoly, Holy, HolyI Sing the Mighty Power of GodIn Christ There Is No East or WestJesus Shall ReignJoyful, Joyful, We Adore TheeLead On, O King EternalLet Us Break Bread TogetherMorning Has BrokenNow Thank We All Our GodO Day of Rest and GladnessO God Beyond All PraisingO Worship the KingRejoice, the Lord Is KingShall We Gather at the RiverThe Church's One FoundationThis Is My Father's WorldWere You There.
$5.00
Shall We Gather at the River (Downloadable)
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Piano seul
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FACILE
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Anna Laura Page
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Shall We Gather at the River
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Piano - Moderately Easy - SKU: MQ.15-742-27E Composed by Anna Laura Page. 2 pages. MorningStar Music Publishers - Digital Sheet Music #15-742-27E. Publi...
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Piano - Moderately Easy - SKU: MQ.15-742-27E Composed by Anna Laura Page. 2 pages. MorningStar Music Publishers - Digital Sheet Music #15-742-27E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-742-27E). If you're charged with leading worship from the piano, this book is for you. Thirty often-used hymns are provided with an introduction, regular stanza, an interlude and a final reharmonized stanza. Effective and not difficult to play, these will be a valuable addition to your piano library.Contents:Abide with MeAll Creatures of Our God and KingAll Glory Be to God on HighAll Hail the Power of Jesus' NameAmazing GraceBe Thou My VisionCome, Thou Almighty KingCome, Thou Long-Expected JesusCome, Ye Thankful People, ComeFairest Lord JesusGod, Who Made the Earth and HeavenGuide Me, O Thou Great JehovahHoly God, We Praise Your NameHoly, Holy, HolyI Sing the Mighty Power of GodIn Christ There Is No East or WestJesus Shall ReignJoyful, Joyful, We Adore TheeLead On, O King EternalLet Us Break Bread TogetherMorning Has BrokenNow Thank We All Our GodO Day of Rest and GladnessO God Beyond All PraisingO Worship the KingRejoice, the Lord Is KingShall We Gather at the RiverThe Church's One FoundationThis Is My Father's WorldWere You There.
$5.00
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Alto Sax - "And Can It Be?" Theme and Variations
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
God Rest Ye Merry Gentlemen for Clarinet Quartet in Schools
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Traditional
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Joseph Judge
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God Rest Ye Merry Gentlemen fo
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School Ensemble Music
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1362095 Composed by Traditional. Arranged by Joseph Judge. Chamber,Christmas. 7 pag...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1362095 Composed by Traditional. Arranged by Joseph Judge. Chamber,Christmas. 7 pages. School Ensemble Music #946568. Published by School Ensemble Music (A0.1362095). God Rest Ye Merry Gentlemen, 1:38, for clarinet quartet. Clarinet, Clarinet, Clarinet, Bass Clarinet. This recognizable song was arranged to be easy to play: range limited, rests provided, melodies marked, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, Saxophone, String, Woodwind. Please submit feedback at SchoolEnsemble.com.
$4.99
God Rest Ye Merry Gentlemen for Saxophone Quartet in Schools
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Traditional
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Joseph Judge
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God Rest Ye Merry Gentlemen fo
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School Ensemble Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1140152 Composed by Traditio...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1140152 Composed by Traditional. Arranged by Joseph Judge. Chamber,Christmas. 9 pages. School Ensemble Music #740408. Published by School Ensemble Music (A0.1140152). God Rest Ye Merry Gentlemen, for saxophone quartet. Alto, Alto, Tenor, Baritone, with alternate top part for Soprano Sax. This recognizable song was arranged to be easy to play: range limited, rests provided, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, String, Woodwind. Submit feedback at SchoolEnsemble.com.
$4.99
God Rest Ye Merry Gentlemen for Woodwind Quartet in Schools
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Noël
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Traditional
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Joseph Judge
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God Rest Ye Merry Gentlemen fo
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School Ensemble Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - SKU: A0.1141948 Composed by Traditional. Arranged by Joseph Judge. Chris...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - SKU: A0.1141948 Composed by Traditional. Arranged by Joseph Judge. Christmas. 15 pages. School Ensemble Music #742324. Published by School Ensemble Music (A0.1141948). God Rest Ye Merry Gentlemen, for woodwind quartet. Level 3. Flute, Oboe, Clarinet, Bassoon. As well as parts for Clarinet, Clarinet, Horn, Bass Clarinet. This recognizable song was arranged to be easy to play: range limited, rests provided, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Audio sample available at SchoolEnsemble.com.
$4.99
God Rest Ye Merry Gentlemen for String Quartet in Schools
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Traditional
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Joseph Judge
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God Rest Ye Merry Gentlemen fo
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School Ensemble Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1143300 Composed by Traditional. Arranged by Joseph Judge. Christmas. 9 pages. Scho...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1143300 Composed by Traditional. Arranged by Joseph Judge. Christmas. 9 pages. School Ensemble Music #743665. Published by School Ensemble Music (A0.1143300). God Rest Ye Merry Gentlemen, for string quartet. Violin, Violin, Viola, Cello, with alternate part for another Violin to play the Viola part. This recognizable song was arranged to be easy to play: range limited, rests provided, melodies marked, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, Saxophone, Woodwind. Submit feedback at SchoolEnsemble.com.
$4.99
All Glory Be to God on High (Downloadable)
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Piano seul
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FACILE
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Anna Laura Page
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All Glory Be to God on High
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Piano - Moderately Easy - SKU: MQ.15-742-03E Composed by Anna Laura Page. 2 pages. MorningStar Music Publishers - Digital Sheet Music #15-742-03E. Publi...
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Piano - Moderately Easy - SKU: MQ.15-742-03E Composed by Anna Laura Page. 2 pages. MorningStar Music Publishers - Digital Sheet Music #15-742-03E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-742-03E). If you're charged with leading worship from the piano, this book is for you. Thirty often-used hymns are provided with an introduction, regular stanza, an interlude and a final reharmonized stanza. Effective and not difficult to play, these will be a valuable addition to your piano library.Contents:Abide with MeAll Creatures of Our God and KingAll Glory Be to God on HighAll Hail the Power of Jesus' NameAmazing GraceBe Thou My VisionCome, Thou Almighty KingCome, Thou Long-Expected JesusCome, Ye Thankful People, ComeFairest Lord JesusGod, Who Made the Earth and HeavenGuide Me, O Thou Great JehovahHoly God, We Praise Your NameHoly, Holy, HolyI Sing the Mighty Power of GodIn Christ There Is No East or WestJesus Shall ReignJoyful, Joyful, We Adore TheeLead On, O King EternalLet Us Break Bread TogetherMorning Has BrokenNow Thank We All Our GodO Day of Rest and GladnessO God Beyond All PraisingO Worship the KingRejoice, the Lord Is KingShall We Gather at the RiverThe Church's One FoundationThis Is My Father's WorldWere You There.
$5.00
Be Thou My Vision (Downloadable)
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Piano seul
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FACILE
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Anna Laura Page
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Be Thou My Vision
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Piano - Moderately Easy - SKU: MQ.15-742-06E Composed by Anna Laura Page. 2 pages. MorningStar Music Publishers - Digital Sheet Music #15-742-06E. Publi...
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Piano - Moderately Easy - SKU: MQ.15-742-06E Composed by Anna Laura Page. 2 pages. MorningStar Music Publishers - Digital Sheet Music #15-742-06E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-742-06E). If you're charged with leading worship from the piano, this book is for you. Thirty often-used hymns are provided with an introduction, regular stanza, an interlude and a final reharmonized stanza. Effective and not difficult to play, these will be a valuable addition to your piano library.Contents:Abide with MeAll Creatures of Our God and KingAll Glory Be to God on HighAll Hail the Power of Jesus' NameAmazing GraceBe Thou My VisionCome, Thou Almighty KingCome, Thou Long-Expected JesusCome, Ye Thankful People, ComeFairest Lord JesusGod, Who Made the Earth and HeavenGuide Me, O Thou Great JehovahHoly God, We Praise Your NameHoly, Holy, HolyI Sing the Mighty Power of GodIn Christ There Is No East or WestJesus Shall ReignJoyful, Joyful, We Adore TheeLead On, O King EternalLet Us Break Bread TogetherMorning Has BrokenNow Thank We All Our GodO Day of Rest and GladnessO God Beyond All PraisingO Worship the KingRejoice, the Lord Is KingShall We Gather at the RiverThe Church's One FoundationThis Is My Father's WorldWere You There.
$5.00
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