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brass to voice musical ideas
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Bach: Wachet auf for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arrang…
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Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95
36.79 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Quintet
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jmsgu3
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SheetMusicPlus
CRISTEL CLEAR
Small Ensemble - Level 4 - Digital Download SKU: A0.1024827 Composed by GARY MOSSE.…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1024827 Composed by GARY MOSSE. 20th Century. Score and parts. 25 pages. GARY BOB MOSSE #3591521. Published by GARY BOB MOSSE (A0.1024827). Frequently changing sennarios, using woodwinds & brass to voice musical ideas.
$12.00
11.05 €
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GARY MOSSE
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brass to voice musical ideas
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CRISTEL CLEAR
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GARY BOB MOSSE
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SheetMusicPlus
de Vitry: O canenda/Rex regum for Brass Quartet
Brass Quartet Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1347230 Com…
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Brass Quartet Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1347230 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #932030. Published by jmsgu3 (A0.1347230). The motet O canenda/Rex regum by Philippe de Vitry is significant as it represents the emergence of the classic isorhythmic motet, which simultaneously sets a pair of texts in its two upper voices. Philippe de Vitry, a 14th-century French composer, is considered a leading figure in the changes that occurred in French music around 1325. His motets, including O canenda/Rex regum, are regarded as strikingly individual, exploiting unique structural ideas. They are part of the early development of the ars nova style of composition, which introduced new rhythmic and notational techniques. The structure of Philippe de Vitry's motet O canenda/Rex regum is characterized by the classic isorhythmic motet, which sets a pair of texts simultaneously in its two upper voices. This composition represents the emergence of the ars nova style of late medieval music, introducing new rhythmic and notational techniques. The repeated rhythmic patterns of the tenor do not necessarily accord with melodic ones, and the motet is known for packing symbols and thematic subtleties into each short piece. Philippe de Vitry's motets, including O canenda/Rex regum, are strikingly individual, contributing to the evolution of musical forms and representing innovative trends in 14th-century French music.The text of motets from this period often contained religious, secular, or courtly love themes. The words rex regum et dominus dominancium from the motet evoke the notion of an earthly king who emulates Christ on his heavenly seat as he assumes his throne. The text likely reflects the religious or secular themes commonly found in motet compositions of that era. Philippe de Vitry, a French composer, poet, and music theorist, was born on October 31, 1291, and died on June 9, 1361. Philippe de Vitry's O Canenda/Rex regum was composed around 1320. He was appointed Bishop of Meaux on 3 January 1351 and held this post until his death.
$24.95
22.97 €
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Philippe De Vitry
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James M
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de Vitry: O canenda/Rex regum for Brass Quartet
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jmsgu3
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SheetMusicPlus
15 Lyrical Duets for Trumpets
2 Trompettes (duo)
Trumpet Duet - Intermediate - Digital Download Composed by Giuseppe Concone. Arranged…
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Trumpet Duet - Intermediate - Digital Download Composed by Giuseppe Concone. Arranged by Matthew Mitchell. Romantic Period, Classical Period, Opera. Set of Parts. 27 pages. Published by Cherry Classics Music
The Concone vocalise studies have been used by brass performers for many years now as a way to perfect a beautiful legato, lyrical technique and sound. The 15 Lyrical Duets for Trumpet, beautifully arranged by Matthew Mitchell are easy to easy/intermediate level and are also valuable to more experienced performers to build a singing lyrical sound.<br> <br> Here is what Mr. Mitchell writes about his arrangement:<br> <br> The source material for this collection are Concone’s original studies for high voice. The melodies are presented in the first trumpet part for each duet. The harmonic integrity for these duets has been preserved by using Concone’s original accompaniments as a basis for the second trumpet parts. The second trumpet parts have many similarities to Concone’s original accompaniments in regards to rhythm, melodic ideas and style.<br> <br> The keys, articulations, markings and dynamics for this series of duets mirror those unutilized by J.F. Sawyer in the Brass Press Edition of Concone’s Lyrical Studies for Trumpet. The user is encouraged to experiment with their own articulations, markings and dynamics. The player may also want to take liberties with note lengths at the ends of phrases, often playing notes longer than their printed values, creating a more satisfying musical experience.<br> <br> The 15 Lyrical Duets for Trumpets are great tools for teachers to use in the studio as well.
$22.50
20.72 €
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2 Trompettes (duo)
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Giuseppe Concone
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Matthew Mitchell
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15 Lyrical Duets for Trumpets
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Cherry Classics Music
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SheetMusicPlus
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