?The Twentieth CenturyFox Trademark? fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.

John Williams hassaid that Star Wars?s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman?s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).

Thisarrangement includes an optional drum kit part. It is a great number to open any concert. Here isa recording of the original fanfare from YouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.

Other searchable terms: 20th CenturyFox, 20th Century Fanfare, 20th Century Fox Fanfare, 20thCentury Fox Trademark, 20th Century Fox Trademark Fanfare, 20Century Fox

?The Twentieth CenturyFox Trademark? fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.

John Williams hassaid that Star Wars?s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman?s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).

Thisarrangement includes an optional drum kit part. It is a greatnumber to open any concert. Here is a recording of the original fanfare fromYouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.



Othersearchable terms: 20th Century Fox, 20th Century Fanfare,20th Century Fox Fanfare, 20th Century Fox Trademark, 20thCentury Fox Trademark Fanfare, 20 Century Fox

A 19th century set of selected Guitar solos first plublished 1900, transcribed from tablature Guitar to standard notation Guitar.
For Guitar solo.
With Guitar tablature. With finger position suggestions. With downloadable mp3 for audio help.
Valse: Early intermediate, 2 pages, 1:40' min.
Polka: Early intermediate, 3 pages, 2:10' min.
Mazurka: Early intermediate, 2 pages, 1:36' min.
Scottisch: Intermediate, 2 pages, 2' min.
Habanera: Early intermediate, 3 pages, 2:35' min.
Paso Doble: Early intermediate to Intermediate, 2 pages, 2:20' min.
Tango: Early intermediate to Intermediate, 2 pages, 2:20' min.
Balance melodia Portuguesa: Early Intermediate, 2 pages, 1:25' min.
Spanish folklore: Intermediate, 3 pages, 1:40' min.
El Campesino Allegre (Robert Schumann): Intermediate to late intermediate, 1 page, 1 min'.

"The Old Rugged Cross" has been a country gospel favorite ever since it became the title song of Ernest Tubb's 1952 gospel album; it has been performed by some of the twentieth century's most important recording artists, including Andy Griffith, Anne Murray, Brad Paisley, Chet Atkins, John Berry, Floyd Cramer, George Jones, Eddy Arnold, Jim Reeves, Loretta Lynn, Ray Price, Ricky Van Shelton, Tennessee Ernie Ford, Rahsaan Roland Kirk, Roy Rogers and Dale Evans. The Oak Ridge Boys, The Statler Brothers, Vince Gill, Willie Nelson, Alan Jackson, George Beverly Shea and John Prine on the 2007 CD "Standard Songs for Average People" with Mac Wiseman. British television dramatist Dennis Potter used the gospel song prominently in several of his plays, most notably Pennies from Heaven (1978); and the song also played a major part in "Gridlock" (2007), an episode of the long-running sci-fi drama series Doctor Who. In early 2009, the song was covered by Johnny Cash and June Carter, Kevin Max, Mahalia Jackson, Merle Haggard, and Patsy Cline. Parts included for this arrangement are: Full Score, 1st, 2nd, 3rd Clarinet, Bass Clarinet, Acoustic Bass (Optional).

Performance Time: Approx. 2 minutes 15 seconds

ISBN 9781619119642.

Many great Scottish traditional tunes can be traced back to 17th century lute music. In this collection, multi-instrumentalist Rob MacKillop has transcribed and arranged 25 popular tunes derived from various lute manuscripts. While idiomatic to the guitar, some of these arrangements include fast runs and chord changes, so are best suited to the intermediate-level flatpicking guitarist. This guitar collection consists of the same melodies in the same keys found in its mandolin counterpart, Tunes From 17th Century Scotland Arranged for Mandolin (Mel Bay Publications). In both books, suggested chords are provided wherever appropriate. Consequently, the settings work fine as either mandolin/violin and guitar duets, or as solos for either instrument. Until now, most of these appealing dance tunes and airs have not been available as guitar arrangements. Here, except for two tunes in drop-D tuning, all are in standard guitar tuning. With MacKillopas spirited online recording, generous performance notes and standard notation and tablature for each selection, get ready to explore a wonderful new take on an old repertoire! Includes access to online audio.

ISBN 9781513455808. 8.75 x 11.75 inches.

This book constitutes a no-nonsense approach to mastery of the modern drumset. It is written in standard drumset notation for the intermediate to advanced player who wants to emulate today's top drummers. Drumset for the 21st Century includes seven sections. The first six sections detail modem rhythms and patterns: rudimental studies and applications, linear and layered patterns, ostinatos, Latin-style patterns, double bass, and odd time signatures. Each is followed by a drum solo incorporating the patterns studied in the section. Section 7 consists of play along charts to be used with the recording included with the book to give you the opportunity to play many of the new patterns in a simulated studio situation. Includes access to online audio.

Mountains of Jazz (Intermediate Piano):
* Intermediate piano piece!
* Key of F major, with elements of F minor and F minor blues
* Includes classical and blues elements
* Composed by: Kathryn Carpenter.

The piece (also known as the "Twentieth Century Fox Trademark", "20th Century Fox Theme" or "20th Century Fox Intro Theme") was composed by Alfred Newman. Since the early days of the 20th Century Fox productions, this fanfare appears at the very beginning of all their films, accompanying the famous logo.

While the original orchestral version of this piece is famous for its characteristic trumpet / brass fanfares, it's also a fantastic piece for piano.

With this piano sheet music, you get an accurate piano transcription of the piece - a challenge for average players, but it sure sounds fantastic!

A sweet version of the lovely carol, "In the Bleak Midwinter," with two verses, a unique introduction and outro that will charm listeners and harpist alike.

This version too hard? Try my lower-intermediate arrangement of the same piece by searching Sheet Music Plus for Stephanie Claussen and
"In The Bleak Midwinter (Lower Intermediate Harp Solo)."

For intermediate lever or pedal harp players
Chord symbols and some fingerings included
No lever or pedal changes
The lowest note is the E two octaves below middle C. The highest note is the C two octaves above middle C.

Land Of Hope And Glory arranged for easy/intermediate piano.

24 all original Clarinet duets for intermediate to advanced players by Keri Degg. Containing a multitude of styles from Swing, Celtic, contemporary, classical, Rock and more, these are a must have for the intermediate to advanced player wanting to improve their playing.

As the duets are all original, no 'cheating' can take place by already knowing the melodies so good tactical mathematical skills must be employed. Some of the duets zone in on intonation, others on rhythmic precision, or expression. There are a number of light hearted duets in the collection which provide welcome relief amidst exam study work (after all, music should be fun too!).

The duets stick mainly to the keys and note ranges for the given grades but there are occasional exceptions (in our opinion this is good preparation for what is to come ahead) and generally the lower Clarinet part (Clarinet 2) is a little easier in standard and has more notes in the lower range than the other (although often the melody line will switch from player to player to share the tune and encourage sympathetic listening skills).

Apologies for the (rather poor) audio file; it's a digital interpretation of 'The Chase' - a comedy duet from the collection. They sound amazing on real instruments! There are 23 more duets too remember.

Examples of the included duets include; 'Desert Scape' (with ethereal timbral trills for a shimmering effect), 'The Chase'.... a comedy romp (imagine a cartoon chase; Tom and Jerry etc!), 'Seventh Heaven' a swing jaunt, 'I baroqued it' (a baroque-inspired fast paced duet), plus Celtic flavoured duets and more....

This is the sequel collection to the popular '40 Graded Clarinet Duets' (Grades 1-5) by Keri Degg. Also available in Saxophone, and Flute editions.

ello Quartet (four Cellos) score and parts "La Cumparsita". Intermediate level. Duration 3.00 min (+-).
"La cumparsita" (little street procession, a grammatical diminutive of la comparsa) is a tango written in 1916 by the Uruguayan musician Gerardo Matos Rodr�guez, with lyrics by Pascual Contursi and Enrique Pedro Maroni . It is among the most famous and recognizable tangos of all time. Roberto Firpo, director and pianist of the orchestra that premiered the song, added parts of his tangos "La gaucha Manuela" and "Curda completa" to Matos' carnival march ("La cumparsita"), resulting in "La cumparsita" as it is currently known. "La cumparsita" was first played in public in the old Caf� La Giralda in Montevideo, Uruguay. The Tango Museum of Montevideo stands currently on that historic spot.

ISBN 9781619119499.

In this unique collection, multi-instrumentalist Rob MacKillop presents 30 airs and dances from Scotland, Ireland and England transcribed for the modern guitar in open-D tuning (DADFa-AD). Although conceived for fingerstyle playing, most of these traditional, Classical and Baroque pieces are also playable with a pick. During the mid to late 18th century, a wire-strung instrument which could be described as a cross between a guitar and a cittern appeared in Britain. With the exception of the publications in Edinburgh by Robert Bremmer (c. 1713 a 89), most period writings refer to this instrument as the guittar. In providing extensive historical and performance notes on this music, the author has adopted this spelling. While derived principally from the publications by Scottish guittarists Robert Bremmer and James Oswald (1710 a 69), MacKillop discovered additional Scottish publications and manuscripts in The National Library of Scotland and even more manuscripts in the uncatalogued library of Blair Castle in Perthshire, Scotland. Written in standard notation and tablature, this book brings a particularly uncommon repertoire to light with an exceptional downloadable recording. Includes access to online audio.

ISBN 9781513455006.

Intermediate-level guitarists will enjoy playing through this varied collection of pieces, all in one volume. A wide gamut of composers from the Renaissance to the nineteenth century is included, along with a few anonymous contributions. Continuing with the techniques and carefully thought-out fingerings and notation employed in Dr. Afshars previous publication (Beginning Pieces for Classical Guitar), selections like Carcassi Study #3 and Sor Studies Nos. 5 and 6 require the execution of rest stroke technique on their melodies in order to distinguish them clearly from the concurrent free-stroke accompaniment. In the same spirit, Study No. 5 by Fernando Sor has been written out in a way that clearly shows the melody as it appears on beats one and three. The nine-movement suites by Gaspar Sanz and Robert de Visee introduce the student guitarist to Baroque dances and ornamentation.

"Bella ciao" ("Goodbye beautiful") is an Italian protest folk song that originated in the hardships of the mondina women, the paddy field workers in the late 19th century who sang it to protest against harsh working conditions in the paddy fields of North Italy. The song was modified and adopted as an anthem of the anti-fascist resistance by the Italian partisans between 1943 and 1945 during the Italian Resistance, the resistance of Italian partisans against the Nazi German forces occupying Italy, and, during the Italian Civil War, the Italian partisan struggle against the fascist Italian Social Republic and its Nazi German allies. Versions of "Bella ciao" are sung worldwide as an anti-fascist hymn of freedom and resistance.

For Violoncello and Piano (early Intermediate).

"Bella ciao" ("Goodbye beautiful") is an Italian protest folk song that originated in the hardships of the mondina women, the paddy field workers in the late 19th century who sang it to protest against harsh working conditions in the paddy fields of North Italy. The song was modified and adopted as an anthem of the anti-fascist resistance by the Italian partisans between 1943 and 1945 during the Italian Resistance, the resistance of Italian partisans against the Nazi German forces occupying Italy, and, during the Italian Civil War, the Italian partisan struggle against the fascist Italian Social Republic and its Nazi German allies. Versions of "Bella ciao" are sung worldwide as an anti-fascist hymn of freedom and resistance.

This version was written for piano solo.

"Bella ciao" ("Goodbye beautiful") is an Italian protest folk song that originated in the hardships of the mondina women, the paddy field workers in the late 19th century who sang it to protest against harsh working conditions in the paddy fields of North Italy. The song was modified and adopted as an anthem of the anti-fascist resistance by the Italian partisans between 1943 and 1945 during the Italian Resistance, the resistance of Italian partisans against the Nazi German forces occupying Italy, and, during the Italian Civil War, the Italian partisan struggle against the fascist Italian Social Republic and its Nazi German allies. Versions of "Bella ciao" are sung worldwide as an anti-fascist hymn of freedom and resistance.

This version was written for Violin and Piano.