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Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute
Flûte traversière
Flute Solo - Level 3 - Digital Download SKU: A0.1083310 By Idalmo Santos. By Franci…
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Flute Solo - Level 3 - Digital Download SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultural,World. Individual part. 2 pages. Idalmo Santos #687512. Published by Idalmo Santos (A0.1083310). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
$1.99
1.82 €
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Flûte traversière
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Idalmo Santos
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Idalmo Santos
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Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute
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Idalmo Santos
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SheetMusicPlus
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.978107 Composed by Francisca Gonz…
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Concert Band - Level 2 - Digital Download SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World. Score and parts. 23 pages. Idalmo Santos #6679863. Published by Idalmo Santos (A0.978107). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
$13.33
12.17 €
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Orchestre d'harmonie
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Francisca Gonzaga
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Idalmo Santos
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Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
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Idalmo Santos
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SheetMusicPlus
The Elusive Little Snail for Easy Piano
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1365486 By SilverTonalities. By Tra…
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Easy Piano - Level 1 - Digital Download SKU: A0.1365486 By SilverTonalities. By Traditional Celtic. Arranged by SilverTonalities. Celtic,Children,Instructional,Irish. Score. 10 pages. SilverTonalities #949816. Published by SilverTonalities (A0.1365486). The Elusive Little SnailFor Beginner and Novice Piano“The Elusive Snail†is an adorable Snail inspired collection of Piano Pieces for Children tailored to captivate the imagination while also introducing the fundamentals of reading Music by embedding the names of the notes in each noteheadsHave fun exploring the keys and before you know it, you’ll be hitting all the right notes like a pro!The Elusive Snail, pages 1-2Our Slimy Little Friend, pages 3-4Now Let Us Rise, pages 5-6Snail! Snail! Without Fail!, pages 7-8Â
$4.99
4.55 €
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Piano Facile
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SilverTonalities
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SilverTonalities
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The Elusive Little Snail for Easy Piano
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SilverTonalities
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SheetMusicPlus
Alexandre Guilmant | Noel Carcassonnais | for Brass Quintet
Brass Quintet Baritone Horn TC,E-Flat Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - …
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Brass Quintet Baritone Horn TC,E-Flat Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1475905 By Felix Alexandre Guilmant. By Felix Alexandre Guilmant. Arranged by Andrew Lamb. Christmas. 32 pages. Andrew Lamb #1053467. Published by Andrew Lamb (A0.1475905). 🎺 Noel Carcassonnais! - Brass Quintet Arrangement 🎺 ✨ Dive into the festive spirit with this captivating Brass Quintet arrangement of the French Carol Noel Carcassonnais! by the esteemed composer Alexandre Guilmant. Originally penned in 1886 and featured in Book 2 of Livre de Noëls Op. 60, this piece has been skillfully adapted to bring joy and cheer to your Christmas performances.🔔 Instrumentation: 🎶 Part 1: Trumpet / Cornet / Flugel in Bb / Soprano in Eb / Trumpet in C 🎶 Part 2: Trumpet / Cornet / Flugel in Bb / Trumpet in C 🎶 Part 3: French Horn, Tenor Horn 🎶 Part 4: Trombone / Euphonium / Baritone (Bass Clef and Treble Clef) 🎶 Part 5: Tuba, Eb Bass (Treble Clef), Bb Bass (Treble Clef) 🎵 This arrangement offers flexibility in instrumentation, allowing you to tailor your performance to your ensemble's strengths. With an intermediate level of difficulty, it provides a rewarding challenge for brass players.🎄 Potential Uses: This delightful arrangement is perfect for Christmas concerts and recitals, adding a touch of historical charm and festive joy to any program.🎹 About the Composer: Félix-Alexandre Guilmant (1837–1911) was a distinguished French organist and composer, celebrated for his contributions to organ music. Born in Boulogne-sur-Mer, he was taught by his father and later by the Belgian master Jacques-Nicolas Lemmens. Guilmant served as the organist of La Trinité in Paris and was renowned for his improvisations and teaching. His students included notable musicians like Joseph Bonnet, Nadia Boulanger, and Marcel Dupré. Guilmant's compositions, particularly his organ symphonies, have left a lasting legacy in the world of music.🎶 Please like and subscribe for more videos and music arrangements. 🎶.
$8.00
7.3 €
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Felix Alexandre Guilmant
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Andrew Lamb
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Alexandre Guilmant | Noel Carcassonnais | for Brass Quintet
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Andrew Lamb
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SheetMusicPlus
The Naiad for flute and harp
Harpe, Flûte (duo)
Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1174114 By Schwar…
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Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1174114 By Schwarz Matthew H. By Matthew H Schwarz. Arranged by Matthew H Schwarz. Chamber,Classical,Contemporary. 12 pages. Matthew H Schwarz #774278. Published by Matthew H Schwarz (A0.1174114). A four-minute haunting duet for flute and harp. Generally modal/melodic accessible music. There are some more advanced rhtyhms and high passages in the flute, and Bach-like runs in the harp that will require practice for intermediate musicians.  The flute goes from low C to the B an octave above the treble cleff (but, only one 3-measure passage goes above the D above the treble cleff).The harp part can be played on a pedal harp or, with a little effort, on a lever harp. It starts in two flats, there's a middle section with F#s (with time to switch levers - the sheet music indicates some bass notes that can be skipped to flip levers), and the end adds Ab (which will require two levers flipped by reaching over with the right hand - unusual, but not too awkward with practice). The lowest note in the harp is the G below the bass cleff (however, all notes below the bass cleff are octave doublings and could be ignored on a smaller harp), and the highest is the D above the treble cleff.
$5.00
4.56 €
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Harpe, Flûte (duo)
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Schwarz Matthew H
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Matthew H Schwarz
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The Naiad for flute and harp
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Matthew H Schwarz
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SheetMusicPlus
Souvenir of the West. Valse Debonair
Piano seul
Piano - Digital Download SKU: LV.10479 Composed by Lee S. Roberts. Waterfalls, Clif…
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Piano - Digital Download SKU: LV.10479 Composed by Lee S. Roberts. Waterfalls, Cliffs, National parks & reserves. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10479). Souvenir of the West. Valse Debonair. New Compositions by Lee S. Roberts. Published 1915 by A.H. Goetting in Chicago. Composition of sectional with piano instrumentation. Subject headings for this piece include Waterfalls, Cliffs, National parks & reserves. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano seul
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Lee S
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Souvenir of the West. Valse Debonair
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Thérèse Brenet : Le Visionnaire for alto saxophone and piano
Saxophone Alto et Piano
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download S…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.532826 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and parts. 11 pages. Musik Fabrik Music Publishing #44849. Published by Musik Fabrik Music Publishing (A0.532826). The German mystic the Abbess, Saint Hildegarde de Bingen, describes in the Sciula contraction of Cito uias domini (Learn the ways of the Lord), the visions that she had from childhood. This kind of experience is in a certain extent comparable to the beginning of the process of artistic creation. It was the case of Hildegarde herself, who had great expertise in many fields, including medicine, astronomy. and poetry which she often set in musical setting which were often very inspired. According to God’s will, my soul sometimes goes up into the heights of the sky and in the various regions of air, sometimes among the various peoples who live in far-off lands, unknown places because I see these things in my soul and according to this manner I see them also according to the imprecision of clouds and other creatures. I do not hear these things with my ear, I do not perceive them according to the thoughts of my heart, nor any of my five sense. I see them only en my soul, and the eyes of my body are open; And I see them awake both day and night This work also exists in a version for alto saxophone, viola and piano.
$10.35
9.45 €
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Saxophone Alto et Piano
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Therese Brenet
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Thérèse Brenet : Le Visionnaire for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baruch Ha Ba B'shem Adonai (2 Part Treble wit Piano Accompaniment)
Chorale 2 parties
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.547310 By Mary Rounsaval…
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Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.547310 By Mary Rounsavall. By Mary Rounsavall. Children,Jewish,Multicultural,World. Octavo. 5 pages. Mary Rounsavall #157139. Published by Mary Rounsavall (A0.547310). Fun and exciting piece in Hebrew and English for two-part choir and piano accompaniment!·     Copyright Requirements: One purchased copy of sheet music per performer, director, and accompanist must be in possession of the organization performing this work.
$3.50
3.19 €
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Chorale 2 parties
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Mary Rounsavall
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Baruch Ha Ba B'shem Adonai
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Mary Rounsavall
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SheetMusicPlus
My Light (Adonai Ori)
Chorale SATB
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.848158 Composed by Ruth L…
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.848158 Composed by Ruth L. Ross. Children,Christian,Gospel,Jewish,Sacred. Octavo. 1 pages. Ruth Ross #2025635. Published by Ruth Ross (A0.848158). This accessible joyous two part setting of text from Psalm 27 can be sung in Hebrew, singable English translation or in a combination of the two. This easy to learn piece is ideal for youth and adult choirs.
$3.99
3.64 €
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Chorale SATB
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Ruth L
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My Light
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Ruth Ross
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SheetMusicPlus
Jean-Thierry Boisseau: Trois Mélodies Japonaises for medium voice, Bb clarinet and piano
Small Ensemble Clarinet,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - Digital Dow…
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Small Ensemble Clarinet,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.534723 Composed by Traditional Japanese Folksongs. Arranged by Jean-Thierry Boisseau. World. Score and parts. 12 pages. Musik Fabrik Music Publishing #6360135. Published by Musik Fabrik Music Publishing (A0.534723). Commissioned by the Trio Montmartre for their 1999 tour of Japan, this is a setting of three Japanese songs, mixing Eastern and Western musical styles. Includes Habuno, Sakura, and Hamichidori.
$15.95
14.56 €
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Traditional Japanese Folksongs
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Trois Mélodies Japonaises for medium voice, Bb clarinet and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jean-Thierry Boisseau: Trois Mélodies Japonaises for medium voice, alto saxophone and piano
Small Ensemble Alto Saxophone,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - Digit…
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Small Ensemble Alto Saxophone,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.534722 Composed by Traditional Japanese Folksongs. Arranged by Jean-Thierry Boisseau. World. Score and parts. 12 pages. Musik Fabrik Music Publishing #6360115. Published by Musik Fabrik Music Publishing (A0.534722). Commissioned by the Trio Montmartre for their 1999 tour of Japan, this is a setting of three Japanese songs, mixing Eastern and Western musical styles. Includes Habuno, Sakura, and Hamichidori.
$15.95
14.56 €
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Traditional Japanese Folksongs
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Trois Mélodies Japonaises for medium voice, alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.1 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
As You Filled Bezalel
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818316 By Stephen R Dalrympl…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818316 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Sacred. Score. 3 pages. Stephen R Dalrymple #5828003. Published by Stephen R Dalrymple (A0.818316). As you Filled Bezalel © 2020 Stephen R. Dalrymple [copyright registered in Worthy Worship and 6 Other Unpublished Works] I Count it a Joy ♫ Original song by Stephen R Dalrymple ♫ Based on Exodus 35:30 ff ♫ The filling of the Holy Spirit was given long before Pentecost. The chief artisan of the Tabernacle, Bezalel was filled with the Holy Spirit in the Sinai desert. The indwelling of the Holy Spirit was not permanent until Pentecost, but the filling is seen throughout the pages of Scripture. ♫The filling of the Holy Spirit ought not be connected with one specific activity (such as the gift of tongues) but any activity that the Holy Spirit can use to accomplish bringing glory to God. Micah was filled with the Spirit of God when he prophesied against the leadership of Samaria and Jerusalem. Peter was filled with the Holy Spirit as he spoke to the pilgrims at Pentecost. Elizabeth was filled with the Holy Spirit as she greeted Mary, and of course Bezalel as he received knowledge and guidance to design and create the Tabernacle. ♫ I wrote this song in Haiti while meditating in Scripture and thinking about ministry. This song is short because I realized that it was better suited as a warmup for ministry than a congregational worship song. Whether on a concert stage or a church platform, it is so easy to get caught up during a performance and get sidetracked, concentrating on the the praise, recognition, acceptance from the audience that singing, playing and instrument, or preaching can bring. This song reminds me of my motive in sharing my gifts and the only method for my contribution to achieve lasting, eternal benefits. ♫ music © 2020 (copyright registered in Worthy Worship and 6 Other Unpublished Works ♫ recording ℗ 2020 Stephen R Dalrymple ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2020 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print.
$4.50
4.11 €
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Piano, Voix
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Stephen R Dalrymple
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Stephen R Dalrymple
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As You Filled Bezalel
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Stephen R Dalrymple
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SheetMusicPlus
Setima Do Pontal
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1309631 By Renato Borghetti & Yam…
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C Instrument - Level 2 - Digital Download SKU: A0.1309631 By Renato Borghetti & Yamandu Costa. By Harvey Marques and Renato Becker Borghetti. Arranged by Marcelo Borba. Folk,Jazz,Latin,Multicultural,Patriotic,World. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #898799. Published by Marcelo Borba (A0.1309631). Partitura da icônica música de Veco Marques e Renato Borghetti, SÉTIMA DO PONTAL. Leadsheet - Melodia e acordes. Renato Borguetti é um renomado músico brasileiro conhecido por sua maestria na gaita-ponto, um instrumento muito difundido na região Sul do Brasil. Ele é um dos principais expoentes da música regionalista e tradicional do sul do Brasil, especialmente no estado do Rio Grande do Sul.Renato Borguetti nasceu em Porto Alegre, no Rio Grande do Sul, em 1958. Ele começou a tocar gaita-ponto na infância e se destacou como músico desde cedo. Sua música é fortemente influenciada pelas tradições musicais gaúchas e sulistas, incorporando elementos do folclore e da cultura local em sua obra. Ele é conhecido por sua capacidade de combinar tradição e inovação em sua música.Borguetti é amplamente reconhecido e respeitado em todo o Brasil e internacionalmente. Ele recebeu diversos prêmios e honrarias por suas contribuições à música brasileira. Além de sua carreira musical, Borguetti também se envolve em atividades educacionais, lecionando e promovendo oficinas para músicos aspirantes.Sheet music for the iconic song SÉTIMA DO PONTAL in Leadsheet style - Melody and chords.Renato Borguetti is a renowned Brazilian musician known for his mastery of the harmonica, an instrument widespread in the southern region of Brazil. He is one of the main exponents of regionalist and traditional music from southern Brazil, especially in the state of Rio Grande do Sul.Renato Borguetti was born in Porto Alegre, Rio Grande do Sul, in 1958. He started playing harmonica as a child and stood out as a musician from an early age. His music is strongly influenced by Gaucho and Southern musical traditions, incorporating elements of folklore and local culture into his work. He is known for his ability to combine tradition and innovation in his music.Borguetti is widely recognized and respected throughout Brazil and internationally. He has received numerous awards and honors for his contributions to Brazilian music. In addition to his musical career, Borguetti also engages in educational activities, teaching and hosting workshops for aspiring musicians.
$5.00
4.56 €
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Instruments en Do
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Renato Borghetti & Yamandu Costa
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Marcelo Borba
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Setima Do Pontal
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Marcelo Borba
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
39.24 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Hallelujah, Yeshua
Small Ensemble Cello,Harp,Voice - Digital Download SKU: A0.1012216 Composed by Jame…
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Small Ensemble Cello,Harp,Voice - Digital Download SKU: A0.1012216 Composed by James Orcutt. Contemporary. Score and parts. 4 pages. James Orcutt #3919743. Published by James Orcutt (A0.1012216). Item Number: S0.436499Hallelujah, Yeshua is a 1:45. This will be the initial song on a series of pieces praising Yeshua appearing on a dvd set or album. (Yeshua Adonai will be part of the dvd). This is a worshipful song of harp and cello. The cello fills in for the vocal part. A solo voice or the whole church family of Christian and Jewish brethren alike. The Christian roots in Judaism are always to be remembered and cherished and honored! The short, almost choppy style verses give way to the flowing melodic texture of the Chorus. May Jesus Christ be praised! As a seminary graduate, the utmost is put into each song for the best of Biblical theology I know to date. As the Lord keeps teaching and illuminating more about Himself, I'm certain the lyrics and songs will become even better than what they are presently. The Spirit of God enabled me to write all the compositions, and they are SPLENDID right now! All songs are From the Lord, By the Spirit of God, and To the praise of the Lord Jesus! Amen!!! :). OOOH...no piece of music is ever performed quite the same twice. If you wish, be creative and open the piece up...add other instruments as the Lord leads. Turn the mp3 off and expand the sheet music as the Spirit of God sees fit to take you. The sheet music is only the germ of the idea, right? Let the musicians go NUTS, if they wish...most musicians are better than halfway down that path already. LOL OR, simply stick w/what's on the mp3 and sheet music and let that be that. Jim Orcutt.
$1.99
1.82 €
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the Spirit of God, and To the praise of the Lord Jesus! Amen!!! :)
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James Orcutt
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Hallelujah, Yeshua
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James Orcutt
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SheetMusicPlus
Hallelujah Yeshua
Baritone Horn TC,Cello,Harp,Tenor Voice - Digital Download SKU: A0.1071788 Composed…
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Baritone Horn TC,Cello,Harp,Tenor Voice - Digital Download SKU: A0.1071788 Composed by James Orcutt. Christian,Jewish,Praise & Worship,Sacred. Accompaniment. Duration 112. James Orcutt #4111663. Published by James Orcutt (A0.1071788). Hallelujah, Yeshua is a 1:45. This will be the initial song on a series of pieces praising Yeshua appearing on a dvd set or album. (Yeshua Adonai will be part of the dvd). This is a worshipful song of harp and cello. The cello fills in for the vocal part. A solo voice or the whole church family of Christian and Jewish brethren alike. The Christian roots in Judaism are always to be remembered and cherished and honored! The short, almost choppy style verses give way to the flowing melodic texture of the Chorus. May Jesus Christ be praised! As a seminary graduate, the utmost is put into each song for the best of Biblical theology I know to date. As the Lord keeps teaching and illuminating more about Himself, I'm certain the lyrics and songs will become even better than what they are presently. The Spirit of God enabled me to write all the compositions, and they are SPLENDID right now! All songs are From the Lord, By the Spirit of God, and To the praise of the Lord Jesus! Amen!!! :). OOOH...no piece of music is ever performed quite the same twice. If you wish, be creative and open the piece up...add other instruments as the Lord leads. Turn the mp3 off and expand the sheet music as the Spirit of God sees fit to take you. The sheet music is only the germ of the idea, right? Let the musicians go NUTS, if they wish...most musicians are better than halfway down that path already. LOL OR, simply stick w/what's on the mp3 and sheet music and let that be that. Jim Orcutt.
$1.99
1.82 €
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the Spirit of God, and To the praise of the Lord Jesus! Amen!!! :)
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James Orcutt
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Hallelujah Yeshua
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James Orcutt
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SheetMusicPlus
It Is Well With My Soul (When Peace Like a River)
Small Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.971700 Compos…
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Small Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by Michael E. Ropp. Christian,Sacred,Spiritual. Score and parts. 11 pages. Michael E. Ropp #2959209. Published by Michael E. Ropp (A0.971700). I have always loved this hymn, and one Sunday morning when I had been called upon to write something lyric for our brass quartet (two trumpets in Bb, horn in F, and tuba), I went straight for It Is Well With My Soul. This arrangement tells in music the story of Horatio Spafford and the circumstances under which he wrote the lyric for this hymn. The piece opens with sounding of the horn of Spafford’s ship as she passes over the point at which Spafford's four daughters were lost. The first verse builds dramatically as the lyric comes to Spafford and ends with the lovely chorus. The next section is based on the third stanza of the hymn in which Spafford writes, My sin, not the part, but the whole, is nailed to the cross… The horn gets the melody, evoking the sound of Spafford’s own voice, and the other instruments vividly paint the hammering of the nails. However, as Spafford moves into the chorus, the harmony becomes dark and uncertain as Spafford’s grief overwhelms him; his faith wavers as he tries to believe what he is writing. Then, the melody transfers to the trumpet as Spafford is answered by the higher voice from above-his daughters assuring him that, yes, it IS well, it is well. The piece then ends with a peaceful statement of the chorus, evocative of the rolling sea and Spafford’s soul at peace. This piece can be played by a student ensemble; the primary challenge is in achieving the level of expression and emotion required to pull off a piece like this.
$5.99
5.47 €
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Horatio Spafford
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Michael E
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It Is Well With My Soul
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Michael E. Ropp
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SheetMusicPlus
Humdinger, for String Orchestra (School Arrangement)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1297399 Composed by Geraldine…
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String Orchestra - Level 3 - Digital Download SKU: A0.1297399 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical,Comedy. Score and Parts. 34 pages. Geraldine (Denny) Green at Oakmountmusic #887476. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297399). ALL PURCHASES COME WITH SCORE AND PARTSHumdinger was written in March 2010. Â Duration: Â 4 minutes 42 seconds.This piece was specially written for and dedicated to Gary Woolf and the Banda di Musica in Emsdetten, Germany. It is fast, lively, tuneful and comical, with a very mischievous character. It could be enjoyed by both students and professionals alike. It was inspired by a nail biting dash through Frankfurt airport in order to just about catch a plane!There are three arrangements available:No.1 Â School arrangement: for Violin 1, Violin 2, Violin 3, Cello 1 and CelloNo.2 Â Standard: for Violin 1, violin 2, viola, cello and double bassNo.3 Â Youth Orchestra Arrangement:In May 2019 I completed an orchestration for Youth orchestra for this piece. The instrumentation is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bflat Bass Clarinet, 1 Bassoon, 1 Alto Saxophone.Trumpets 1&2 in Bflat, 1 Tenor Trombone.Maracas, Snare Drum (with brushes), Tambourine, Triangle, Xylophone.Violins 1,2&3, Viola (same as violin 3 part), Cellos 1&2, Double Bass (same as Cello 2 part).
$22.00
20.08 €
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Orchestre à Cordes
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Geraldine
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Humdinger, for String Orchestra
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Geraldine
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SheetMusicPlus
Humdinger, for String Orchestra (Standard Arrangement)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1297404 Composed by Geraldine…
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String Orchestra - Level 3 - Digital Download SKU: A0.1297404 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical,Comedy. Score and Parts. 34 pages. Geraldine (Denny) Green at Oakmountmusic #887479. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297404). All PURCHASES COME WITH SCORE AND PARTSHumdinger was written in March 2010. Â Duration: Â 4 minutes 42 seconds.This piece was specially written for and dedicated to Gary Woolf and the Banda di Musica in Emsdetten, Germany. It is fast, lively, tuneful and comical, with a very mischievous character. It could be enjoyed by both students and professionals alike. It was inspired by a nail biting dash through Frankfurt airport in order to just about catch a plane!There are three arrangements available:No.1 Â School arrangement: for Violin 1, Violin 2, Violin 3, Cello 1 and CelloNo.2 Â Standard: for Violin 1, violin 2, viola, cello and double bassNo.3 Â Youth Orchestra Arrangement:In May 2019 I completed an orchestration for Youth orchestra for this piece. The instrumentation is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bflat Bass Clarinet, 1 Bassoon, 1 Alto Saxophone.Trumpets 1&2 in Bflat, 1 Tenor Trombone.Maracas, Snare Drum (with brushes), Tambourine, Triangle, Xylophone.Violins 1,2&3, Viola (same as violin 3 part), Cellos 1&2, Double Bass (same as Cello 2 part).
$22.00
20.08 €
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Orchestre à Cordes
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Geraldine
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Humdinger, for String Orchestra
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Geraldine
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SheetMusicPlus
Humdinger (Orchestral Arrangement)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1297405 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297405 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical,Comedy. Score and Parts. 85 pages. Geraldine (Denny) Green at Oakmountmusic #887482. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297405). ALL PURCHASES COME WITH SCORE AND PARTSHumdinger was written in March 2010. Â Duration: Â 4 minutes 42 seconds.This piece was specially written for and dedicated to Gary Woolf and the Banda di Musica in Emsdetten, Germany. It is fast, lively, tuneful and comical, with a very mischievous character. It could be enjoyed by both students and professionals alike. It was inspired by a nail biting dash through Frankfurt airport in order to just about catch a plane!There are three arrangements available:No.1 Â School arrangement: for Violin 1, Violin 2, Violin 3, Cello 1 and CelloNo.2 Â Standard: for Violin 1, violin 2, viola, cello and double bassNo.3 Â Youth Orchestra Arrangement:In May 2019 I completed an orchestration for Youth orchestra for this piece. The instrumentation is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bflat Bass Clarinet, 1 Bassoon, 1 Alto Saxophone.Trumpets 1&2 in Bflat, 1 Tenor Trombone.Maracas, Snare Drum (with brushes), Tambourine, Triangle, Xylophone.Violins 1,2&3, Viola (same as violin 3 part), Cellos 1&2, Double Bass (same as Cello 2 part).
$40.00
36.51 €
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Orchestre
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Geraldine
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Humdinger
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Geraldine
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.61 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Ta Maman for alto, cello and guitar
Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Compo…
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Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00
9.13 €
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David Warin Solomons
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Ta Maman for alto, cello and guitar
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David Warin Solomons
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SheetMusicPlus
Mountain Goats And Other Creatures
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova.…
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String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
91.27 €
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Orchestre à Cordes
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Vessela Stoyanova
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Mountain Goats And Other Creatures
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Vessela Stoyanova
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SheetMusicPlus
Jingle Bells- Pre Reading Piano
Piano Facile
Easy Piano - Digital Download SKU: A0.929097 Composed by James Pierpont. Arranged b…
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Easy Piano - Digital Download SKU: A0.929097 Composed by James Pierpont. Arranged by Mrs. Judy Naillon. Children,Christmas. Score. 2 pages. Judy Naillon #6664677. Published by Judy Naillon (A0.929097). Learn to play Jingle Bells the easy way with this traditional holiday or secular piece. Students studying piano can play REAL music they know and love in their first weeks of piano lessons with these amazing floating notes (notes off the staff pre-primer) piano music pieces by #ViolinJudy. Find more favorites like Happy Birthday, Mary Had a Little Lamb, Puff the Magic Dragon, Ode To Joy, and Jesus Loves Me by #violinjudy on Sheet Music Plus and find excellent teaching videos on this piece on YouTube on the ViolinJudy channel!
$1.99
1.82 €
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Piano Facile
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James Pierpont
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Mrs
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Jingle Bells- Pre Reading Piano
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Judy Naillon
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SheetMusicPlus
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