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Partitions à imprimer
6 partitions trouvées
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Haydn Quartet Op. 41, Mvt. I, - saxophone quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Franz Joseph Haydn
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Kyle Beaudoin
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e.g. doubling on parts.
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Haydn Quartet Op. 41, Mvt. I,
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Kyle Beaudoin
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1030395 Composed by Franz Jos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1030395 Composed by Franz Joseph Haydn. Arranged by Kyle Beaudoin. Classical. 19 pages. Kyle Beaudoin #6285615. Published by Kyle Beaudoin (A0.1030395). Haydn's String Quartet, Op. 41, mvt. I arranged for a saxophone ensemble looking for a challenge. Several double-stops are left in the arrangement for ensemble flexibility; e.g. doubling on parts.
$14.99
Ave Maria by Bach & Gounod, Duo or Trio
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Classique
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Melody by Charles Gounod, base
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Stephanie Bennett
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Ave Maria by Bach & Gounod
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Harpworld Music Co.
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SheetMusicPlus
Large Ensemble Cello,Flute,Harp,Low Voice,Medium Voice,Oboe,Violin - Level 3 - SKU: A0.836145 Composed by Melody by Charles Gounod, based on Prelude in ...
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Large Ensemble Cello,Flute,Harp,Low Voice,Medium Voice,Oboe,Violin - Level 3 - SKU: A0.836145 Composed by Melody by Charles Gounod, based on Prelude in C by J. S. Bach. Arranged by Stephanie Bennett. Christian,Christmas,Contemporary,Sacred,Wedding. Score and parts. 15 pages. Harpworld Music Co. #6235681. Published by Harpworld Music Co. (A0.836145). The beautiful prayer AVE MARIA, melody by Charles Gounod (1818-1893) based on PRELUDE IN C by Johann Sebastian Bach (1685-1750). Adapted beautifully for pedal harp, with alto voice (vocal range from G below middle C, to the second E above middle C). Voice part could be sung by a baritone an octave lower than written. Flute, violin or oboe (playing an octave higher than written) may be substituted for the voice. There is an optional cello part (doubling the low notes of the harp part), so it can be played as a duo OR a trio. Perfect for any Christian occasion: Christmastime, funerals, weddings (especially the 'Marian presentation' of some Catholic weddings, in which the bride offers flowers to a statue of Virgin Mary). About 4 minutes and 20 seconds long with the repeat (or 2 minutes and 10 seconds long if you don't take the repeat, but go directly to the second ending). The PDF includes ALL three parts. The harp part also shows the vocal part on a small staff. There is a separate part (included) for the voice (or flute or violin or oboe) and a separate part (included) for the cello. The layout is such that if you can print out double-sided, the harp part and the vocal part have front and back covers. The cello part is only one page. Arranged by Stephanie Bennett (One of our country's top harpists - the Hollywood Reporter), www.harpworld.com.
$12.00
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporain
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
I Will Survive - Score Only
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Ensemble Jazz
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INTERMÉDIAIRE
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Pop musique
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Gloria Gaynor
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Thomas Graf
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I Will Survive - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1111080 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged by Thomas Graf. Disco,Pop. S...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1111080 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged by Thomas Graf. Disco,Pop. Score and parts. 19 pages. Thomas Graf - the-hit-factory.com #713356. Published by Thomas Graf - the-hit-factory.com (A0.1111080). I Will Survive is a hit song first performed by American singer Gloria Gaynor; released in October 1978. It was written by Freddie Perren and Dino Fekaris. A top-selling song after its initial release; it has remained a popular disco anthem; as well as being certified double platinum by the RIAA. This Arrangement fits perfectly for any Big Band with female (or male) vocals; part is completely written out along the lyrics; the finale ends up in a speedy Polka beat. Make your audience dance! Key: G-minor (lower female or high male voice). Also available in A-minor. About this arrangement: Instrumentation: Full Score 5 Saxes (doublings opt. Flute Clar. 1/2) 4 Trumpets 4 Trombones (incl. Bass Trombone) Guitar Piano Bass Drums Vocals Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$6.00
I Will Survive - Score Only
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Ensemble Jazz
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INTERMÉDIAIRE
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Pop musique
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Gloria Gaynor
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Thomas Graf
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I Will Survive - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1111081 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged by Thomas Graf. Disco,Pop. S...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1111081 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged by Thomas Graf. Disco,Pop. Score and parts. 19 pages. Thomas Graf - the-hit-factory.com #713357. Published by Thomas Graf - the-hit-factory.com (A0.1111081). I Will Survive is a hit song first performed by American singer Gloria Gaynor; released in October 1978. It was written by Freddie Perren and Dino Fekaris. A top-selling song after its initial release; it has remained a popular disco anthem; as well as being certified double platinum by the RIAA. This Arrangement fits perfectly for any Big Band with female (or male) vocals; part is completely written out along the lyrics; the finale ends up in a speedy Polka beat. Make your audience dance! Key: G-minor (lower female or high male voice). Also available in A-minor. About this arrangement: A-Minor Key Instrumentation: Full Score 5 Saxes (doublings opt. Flute Clar. 1/2) 4 Trumpets 4 Trombones (incl. Bass Trombone) Guitar Piano Bass Drums Vocals Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$5.00
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