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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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9
Cor
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7
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2 Trombones (duo)
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2 Cors Anglais Et Pianoforte
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2 Euphoniums (duo)
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Trombone (partie séparée)
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Cor anglais, Piano
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Euphonium
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Cor (partie séparée)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon et Piano
21
Violon
15
Harpe
9
2 Violons (duo)
8
Violoncelle, Piano
8
Violoncelle (partie séparée)
7
Alto, Piano
7
Violon, Violoncelle (duo)
6
Violoncelle
5
Trio à Cordes: violon, alto, violoncelle
4
Alto (partie séparée)
4
2 Violoncelles (duo)
4
Alto seul
3
2 Altos (duo)
3
Contrebasse, Piano (duo)
2
Violon, Alto (duo)
2
Contre Basse
2
2 Contrebasses (duo)
1
Contrebasse (partie séparée)
1
Ensemble de Violons
1
Harpe, Trombone (duo)
1
Ensemble d'Altos
1
Violoncelle, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Alto et orchestre
1
Violon (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violoncelles
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
133
Orchestre
28
Orchestre à Cordes
23
Cloches
14
Ensemble de cuivres
12
Orchestre de chambre
8
Ensemble Jazz
7
Ensemble de Percussions
3
Piano et Orchestre
1
Voix Mezzo-Soprano, Orchestre
1
Batterie
1
Vibraphone
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Marimba
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1326
RUSSIAN DANCE (Tchaikovsky) - FAST Tempo (M = 150 bpm)
Digital Download SKU: A0.1067350 Composed by Peter I Tchaikovsky. Arranged by Dr Je…
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Digital Download SKU: A0.1067350 Composed by Peter I Tchaikovsky. Arranged by Dr Jerry Nelson. Christmas,Instructional,Romantic Period,Standards. Accompaniment. Duration 74. Jerry Nelson #3628183. Published by Jerry Nelson (A0.1067350). There are 4 available Accomp. Tracks for Russian Dance – Slow, Med, Fast, Very Fast. This track is at Very Fast tempo (M=165). Any or all tracks will work with any of the 5 arrangements. While these arrangements can be played as Standalones, be aware they were designed specifically for use with these Perf. Tracks: Slow-SO.410843 // Medium-SO.410845 // Fast-SO.410847 // Very Fast-SO.410851Word of advice: Purchase all four tracks (Specially priced). Eventually you'll need them all. Start with the slowest and work your way up. EnJoy! www.JerryNelsonMusic.com
$2.50
2.3 €
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Peter I Tchaikovsky
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Dr Jerry Nelson
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RUSSIAN DANCE
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Jerry Nelson
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SheetMusicPlus
Fastnet Rock
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
2.75 €
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Flûte traversière et Piano
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Symphonie Fastnachtique Part 1
Small Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.977346
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Small Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.977346 Composed by Trad, Hermann Sutter. Arranged by Des McNutty. 20th Century,Baroque,Easter,Renaissance,World. Score and parts. 16 pages. Des Press #4847605. Published by Des Press (A0.977346). Symphonie Fastnachtique Part 1 (Four Tunes from the Basler Fasnacht, a Swiss Carnival) Der Arabi Nr 1, 2 & 3 (Trad) Wettstein Marsch by Hermann Suter 1870-1926 Arranged by Des McNutty The Basler Fasnacht, known locally in Basel Stadt (CH) as D’ drey scheenschte Dääg (the three loveliest days), is a world-famous carnival where the Zeitgeist animates centuries of tradition. Local folks celebrate together with a good-humoured satire of current events through costumes, masks, poetry and visual art on carnival floats and lanterns. Amongst many other activities, participants decorate the city and open ad-hoc bars to sustain everyone with drinks and characteristic foods, all of which led to the Basler Fasnacht being included on the Unesco Representative List of the Intangible Cultural Heritage of Humanity in 2017. Central to the whole experience is the music played on the streets, without electronic amplification, by two types of group: Gugge, with brass and percussion and Clique , with piccolos and side-drums made and played according to local custom. Symphonie Fastnachtique, part 1 contains four melodies from the Cliques: Der Arabi Nr 1, 2 and 3, followed by the Wettstein Marsch by Swiss composer Hermann Huber (1870-1926). The melodies in Der Arabi may sound familiar but the chances are that they pre-date their more famous versions. For example, Der Arabi Nr 1 is now better known as The British Grenadiers from the early 1700s but can be traced as far back as the 1560s, when the Basler Fasncacht was already centuries old and the Schweizerpfeife (Swiss Flute), with drums, supplied the de rigueur regimental music for foot-soldiers all over Europe. This version for oboe band is a mixture of original piccolo voicings and indulgence by the arranger. Some of the part for English Horn (or Taille) is based on an optional 4th voice, the Zierstimm. Fasnacht is a glorious celebration laced with a melancholy reflected by the marching tempi of the Cliques: often slower than 90 BPM. A standard march is around 120 BPM. Vyyl Gniege! (Enjoy!)
$8.99
8.26 €
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Trad, Hermann Sutter
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Des McNutty
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Symphonie Fastnachtique Part 1
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Des Press
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SheetMusicPlus
Symphonie Fastnachtique, Four Tunes from the Basler Fasnacht
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.977347 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.977347 Composed by Trad, H. Suter. Arranged by Des McNutty. Baroque,Easter,Renaissance. Score and parts. 16 pages. Des Press #5292335. Published by Des Press (A0.977347). The Basler Fasnacht, known locally in Basel Stadt (CH) as D’ drey scheenschte Dääg (the three loveliest days), is a world-famous carnival where the Zeitgeist animates centuries of tradition. Local folks celebrate together with a good-humoured satire of current events through costumes, masks, poetry and visual art on carnival floats and lanterns. Amongst many other activities, participants decorate the city and open ad-hoc bars to sustain everyone with drinks and characteristic foods, all of which led to the Basler Fasnacht being included on the Unesco Representative List of the Intangible Cultural Heritage of Humanity in 2017. Central to the whole experience is the music played on the streets, without electronic amplification, by two types of group: Gugge, with brass and percussion and Clique, with piccolos and side-drums made and played according to local custom. Symphonie Fastnachtique, part 1 contains four melodies from the Cliques: Der Arabi Nr 1, 2 and 3, followed by the Wettstein Marsch by Swiss composer Hermann Huber (1870-1926). The melodies in Der Arabi may sound familiar but the chances are that they pre-date their more famous versions. For example, Der Arabi Nr 1 is now better known as The British Grenadiers from the early 1700s but can be traced as far back as the 1560s, when the Basler Fasncacht was already centuries old and the Schweizerpfeife (Swiss Flute), with drums, supplied the de rigueur regimental music for foot-soldiers all over Europe. This version for string quartet is a mixture of original piccolo voicings and indulgence by the arranger. Some of the part for viola is based on an optional 4th voice, the Zierstimm. Fasnacht is a glorious celebration laced with a melancholy reflected by the marching tempi of the Cliques: often slower than 90 BPM. A standard march is around 120 BPM. Vyyl Gniege! (Enjoy!)
$8.99
8.26 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Trad, H
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Des McNutty
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Symphonie Fastnachtique, Four Tunes from the Basler Fasnacht
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Des Press
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SheetMusicPlus
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett.…
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Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
27.54 €
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Orchestre d'harmonie
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
The First Noel (faster version)
Piano, Voix
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1355682 Composed by T…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1355682 Composed by Traditional English Carol. Arranged by Leonora Hardy. Christian,Christmas,Religious,Sacred. Score. 2 pages. Leonora Hardy #940404. Published by Leonora Hardy (A0.1355682). This lovely Christmas carol is an easily learned arrangement for accompanying group singing. This arrangement is designed to be played a bit faster than perhaps is customary which comes in handy if you are asked to play all five verses. The demo is probably a bit too fast, but you get the idea. I have two other arrangements, one for beginners and one that is slower and more flowing. leonorahardy@gmail.com.
$3.99
3.66 €
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Piano, Voix
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Traditional English Carol
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Leonora Hardy
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The First Noel
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Leonora Hardy
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SheetMusicPlus
In the Beginning (Fast Version)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1014555 Composed by R…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1014555 Composed by Rachel Fourny. Christian,Sacred. Score. 2 pages. Rachel Fourny #6588811. Published by Rachel Fourny (A0.1014555). In the Beginning God created, in the Beginning God. This uptempo piece written for voice, piano or guitar with chords, will take you back to the Creation week. It would make a fun theme song for a church program on the creation or for Vacation Bible School. If you would like to slow it down a bit, try In the Beginning (Slow Version), for a gentler, more acoustic sound. .
$3.00
2.75 €
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Piano, Voix et Guitare
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Rachel Fourny
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In the Beginning
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Rachel Fourny
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SheetMusicPlus
Fast Car
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.922571 By Tracy Chapman. By Tracy Ch…
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Choral Choir (SATB) - Digital Download SKU: A0.922571 By Tracy Chapman. By Tracy Chapman. Arranged by Samuel Lewis. Contemporary. Octavo. 17 pages. Samuel Lewis #6659695. Published by Samuel Lewis (A0.922571). A slow-build choral rendition of Tracy Chapman's timeless classic Fast Car for SATB choir and Piano.
$3.49
3.2 €
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Chorale SATB
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Tracy Chapman
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Samuel Lewis
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Fast Car
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Samuel Lewis
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SheetMusicPlus
In the Beginning (Slow Version)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1014556 Composed by R…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1014556 Composed by Rachel Fourny. Christian,Sacred. Score. 2 pages. Rachel Fourny #6588815. Published by Rachel Fourny (A0.1014556). In the Beginning God created, in the Beginning God. This piece written for voice, piano or guitar with chords, will take you back to the Creation week with an acoustic sound. It would make a fun theme song for a church program on the creation or for Vacation Bible School. If you would like to liven things up, try In the Beginning (Fast Version), for a more uptempo sound.
$3.00
2.75 €
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Piano, Voix et Guitare
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Rachel Fourny
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In the Beginning
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Rachel Fourny
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SheetMusicPlus
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
9.17 €
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Orchestre
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds of the Islands
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Thomas Oboe Lee
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SheetMusicPlus
Growl
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1003290 Composed by Dennis Tobenski…
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Piano Solo - Level 4 - Digital Download SKU: A0.1003290 Composed by Dennis Tobenski. 20th Century,Contemporary. Score. 12 pages. Dennis Tobenski #455753. Published by Dennis Tobenski (A0.1003290). Growl is a short, fast-paced piece for solo piano. The piece is cast in a roughly ABA/fast-slow-fast form, and centers around two musical ideas: a driving left-hand ostinato and a 16-bar melodic line. As the piece opens, the ostinato immediately establishes itself, low and menacing, punctuated by snaps and snarls as it races forward. When we first hear the melodic line, it is soft and distant – almost creepy – and it immediately repeats itself, much louder and more violently. After a brief return to the opening of the piece, we have a moment of respite as the ostinato abruptly drops away, and time stands still for a moment before giving way to a peaceful, ethereal version of the melody. But peace doesn’t last long as the melody becomes increasingly dissonant and violent, culminating in a brutal, crashing cacophony that surges into a triumphal climax. As the grand chords ebb away, the ostinato begins to quietly re-insinuate itself back into the fabric of the piece, building slowly to a return to the opening material and a screaming version of the melodic line. Suddenly, the triumphal chords come thundering back, warring with the ostinato – each interrupting the other, clashing to a frenzied, crashing end. Duration: ca. 5 min. Composed: 2011 Registered with ASCAP. Please email dennis@dennistobenski.com so that your performance of Growl can be added to Dennis' website calendar. Email: dennis@dennistobenski.com Website: dennistobenski.com Facebook: facebook.com/dennistobenski Twitter: @dennistobenski Tumblr: A Commonplace Blog Soundcloud: soundcloud.com/dennistobenski
$4.99
4.58 €
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Piano seul
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Dennis Tobenski
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Growl
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Dennis Tobenski
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SheetMusicPlus
Kuhlau: Sonatina Op 55, No. 1
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.921864 Composed by Friedrich…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.921864 Composed by Friedrich Kuhlau. Arranged by Joshua Feltman. Classical. Score and parts. 23 pages. Ryan Blauvelt #3519241. Published by Ryan Blauvelt (A0.921864). The sweet and joyful character of this Kuhlau Sonatina has made it the most popular of his piano works.Classical sonatas normally have three parts or movements: fast-slow-fast. However, this sonatina has only 2 movements, fast and faster. The energetic second movement is short but it packs a punch. The main theme is danceable and very articulated, but it also contains a more lyrical section, brilliant chromatic scales, and a dramatic grand finale.This arrangement features one pianist in a quasi-concerto format. The six Sonatinas, Op. 55, were published in Copenhagen in 1823 and, like the other sonatinas, were designed for teaching purposes or otherwise for the amateur market.
$20.00
18.37 €
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Orchestre de chambre
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Friedrich Kuhlau
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Joshua Feltman
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Kuhlau: Sonatina Op 55, No. 1
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Ryan Blauvelt
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.14 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Piano Sonata Op. 2
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1145522 Composed by Andrew Maurer. …
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Piano Solo - Level 5 - Digital Download SKU: A0.1145522 Composed by Andrew Maurer. 20th Century,Classical,Romantic Period. Score. 34 pages. Andrew Maurer #745764. Published by Andrew Maurer (A0.1145522). Compared to the Op. 1 Prelude, the Piano Sonata Op. 2 is a much different take on pianism with its virtuosic and dense textures, from the opening bars to the spectacular ending. The sonata owes its inspiration primarily to Rachmaninoff’s works, of whom it is dedicated, as well as stylistic elements of Chopin, and influence of early Prokofiev sonatas. The composition explores a unique sound world and attempts to comprise a wide gamut of human emotion through writing in idioms of romantic lyricism. The single movement work explores thematic development as its focus, and the form can be roughly divided into sections of fast-slow-fast-slow-fast-slow-fast. The opening is an inversion of the solo entrance rhythmic motif in Rachmaninoff’s First Concerto, and is built around the simple four note motif in E minor. This theme appears over pedal point with its melody eventually developing into the first lyrical theme. The inspiration for the second lyrical theme occurs prior to the development and recapitulation, which share perpetual tension between the harmonically complex theme and second lyrical theme in D major, culminating in a resolution in D major instead of the home key. Elsewhere, the hidden Dies Irae motif briefly appears. The last triumphant theme is thematically transposed from the inner voices of the second theme motif. Visit https://andrewmaurer.wixsite.com/official for more!
$6.99
6.42 €
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Piano seul
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Andrew Maurer
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Piano Sonata Op. 2
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Andrew Maurer
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SheetMusicPlus
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed b…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
9.17 €
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Contre Basse
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Piano
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Thomas Oboe Lee
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SheetMusicPlus
Fantasy on a Chinese Theme
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.814725 Composed by Richard E Brow…
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Concert Band - Level 4 - Digital Download SKU: A0.814725 Composed by Richard E Brown. Arranged by Dacker Music. Contemporary,Standards,World. Score and parts. 181 pages. Dacker Music #2968167. Published by Dacker Music (A0.814725). Based on a popular folk song from Taiwan, Fantasy on a Chinese Theme utilizes a free variation form having an overall fast-slow-fast format, plus a slow introduction and epilogue. Slow sections are lyrical, fast sections rhythmic with some mixed irregular meter. Exposed solos for baritone, horn, oboe, alto sax, and a big one for trumpet in the middle slow section. Requires 6-7 percussionists, including two strong mallet players.The price includes license to make as many copies of each part as required.Grade 4+ - Duration 6:30
$65.00
59.69 €
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Orchestre d'harmonie
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Richard E Brown
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Dacker Music
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-
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Fantasy on a Chinese Theme
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Dacker Music
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SheetMusicPlus
Telemann Six Suites of Canonic Duets
Brass ensemble 2 Trumpets - Digital Download SKU: LX.30-2328R Transcribed and Ed…
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Brass ensemble 2 Trumpets - Digital Download SKU: LX.30-2328R Transcribed and Edited for B-flat or C Trumpets. Composed by George P. Telemann. Edited by David Cooper. 56 pages. Roger Dean - Digital #e30/2328R. Published by Roger Dean - Digital (LX.30-2328R). Originally written for two flutes or recorders, Dr. Cooper has edited and prepared these to be beautiful teaching pieces for two trumpets. While they are titled “suites,†they are organized more like sonatas in the fast/slow/faster movement format. These duets are unique in that they are canonic; this might suggest simplicity, but these duets are anything but simplistic. Many of the duets incorporate chromaticism while others modulate. Both players have an equal role in each piece as a duet, and the music sounds complete even with only one player. This allows these pieces to be practiced as solo etudes and as duets. A Performance/Accompaniment CD is included allowing the player to hear a complete duet performance and also to play along as either trumpet 1 or 2.
$25.00
22.96 €
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George P
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Telemann Six Suites of Canonic Duets
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Roger Dean - Digital
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SheetMusicPlus
Duetto no 12 for Oboe and Bassoon (Tanti strali)
Small Ensemble,Strings Bassoon,Oboe - Level 5 - Digital Download SKU: A0.767457 Com…
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Small Ensemble,Strings Bassoon,Oboe - Level 5 - Digital Download SKU: A0.767457 Composed by George Friderick Handel. Arranged by Mike Lyons. Baroque. Score and parts. 53 pages. Lyons Music Services #4359177. Published by Lyons Music Services (A0.767457). This is an arrangement for Oboe and Bassoon duet of Handel's Arcadian Duet for alto and soprano. Tanti strali is quite well known as a fine example of Baroque vocal writing, but it also works very well on winds. This arrangement has the duettists accompanied by string quartet and would find its place in any baroque themed concert or a recital.as it has 3 sections following the pattern Fast - slow - faster. The last movement will present some challenges to both soloists to get the semiquavers in, but it is well worth the effort as the piece is absolutely beautiful.Playing time 8' 48.Parts supplied for Oboe, Bassoon, Violin 1, Violin 2, Viola, Cello. The string parts could be played by a string quartet or by an small string orchestra.
$15.00
13.77 €
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George Friderick Handel
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Mike Lyons
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Duetto no 12 for Oboe and Bassoon
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Lyons Music Services
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SheetMusicPlus
Five Brazilian Bagatelles
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trumpet - Level 4 - Digital Download…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trumpet - Level 4 - Digital Download SKU: A0.881263 Composed by Gary Powell Nash. Contemporary. Score and parts. 61 pages. Gary Powell Nash #6137389. Published by Gary Powell Nash (A0.881263). Five Brazilian Bagatelles for flute, trumpet and piano is based on and inspired by music featured on the CD Brazil: Music is the Pulse, a compilation of Brazilian songs. Nash was quite intrigued by several selections from this particular collection as they all display a dazzling variety of melodic and rhythmic flavors drawn from Latin, African, and European influences, blended into music that is both lively and sensual. Utilizing a fast, slow, fast, slow, fast format, Five Brazilian Bagatelles is primarily derived from the tunes Um Tom (A Tone) by Caetano Veloso and Trancelim de Marfim (Ivory Necklace) by DJ Dolores. Five Brazilian Bagatelles also makes use of various instrumental colors within the ensemble, including flutes (piccolo, flute and alto flute) and trumpets (C trumpet and flugelhorn, along with straight, cup and Harmon mutes) to further advance those same aforementioned influences.
$20.00
18.37 €
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Gary Powell Nash
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Five Brazilian Bagatelles
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Gary Powell Nash
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SheetMusicPlus
Brass Magnolia Suite
Small Ensemble Drum Set,Horn,Trombone,Trumpet,Vibraphone - Level 5 - Digital Download S…
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Small Ensemble Drum Set,Horn,Trombone,Trumpet,Vibraphone - Level 5 - Digital Download SKU: A0.881262 Composed by Gary Powell Nash. Contemporary. Score and parts. 133 pages. Gary Powell Nash #6137361. Published by Gary Powell Nash (A0.881262). Brass Magnolia Suite (1999) for trumpet, horn, bass trombone and percussion was largely inspired by Gary Powell Nash’s residency in Mississippi, the Magnolia State from 1996-2003. Being that Mississippi, particularly the northwest part of the state known to most as the Mississippi Delta, is very rich in musical traditions, Nash chose to use some of these same traditions as the basis and major premise for his composition. For the most part, Brass Magnolia Suite is based on Mississippi Delta blues tunes and bird songs of those indigenous to the region. Such birds include the mockingbird, wood thrush, common crackle and the meadowlark. For Nash’s utilizations of these bird songs, as well as blues tunes, he took rhythms and melodic contours of each and manufactured melodies and motives of his own. While Brass Magnolia Suite is not meant to be programmatic, the five movements, which are arranged in a traditional fast-slow-fast-slow-fast format, all depict either a particular experience for Nash or a natural occurrence in Mississippi. The first movement, Fanfare, is based on the mockingbird’s song. The second movement, Homage to the Armadillos, incorporates the song of the wood thrush. The third movement, Catfishery, is supported by the tune Catfish Blues and the common grackle’s song. The fourth movement, Song of the Meadowlark, is exactly what it suggests and the fifth movement, The Gospel, is based on the gospel blues tune John, the Revelator.
$25.00
22.96 €
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Gary Powell Nash
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Brass Magnolia Suite
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Gary Powell Nash
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SheetMusicPlus
Festival Finale for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.755303 Composed by …
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.755303 Composed by Sy Brandon. 20th Century,Contemporary. 71 pages. Sy Brandon #6287703. Published by Sy Brandon (A0.755303). Festival Finale consists of three sections in a fast-slow-fast pattern. The opening fast section is in the Lydian Mode and reflects the joy of making music during a festival.The slow middle section hovers between Phrygian and Aeolian Modes. It represents the sadness of having to say goodbye to new friends.The last section utilizes three modes, Locrian, Phrygian, and Aeolian. Excitement of making music is the underlying theme of this last section.
$14.99
13.76 €
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Ensemble de Clarinettes
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Sy Brandon
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Festival Finale for Clarinet Choir
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Sy Brandon
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SheetMusicPlus
Concerto in Bb Major for Double Bass and Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Pr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
18.32 €
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Orchestre
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Robert E
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Concerto in Bb Major for Double Bass and Orchestra
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R. E. Proctor
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SheetMusicPlus
Symphony No 3 for large orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.928012 Composed by Malcolm D Ro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.928012 Composed by Malcolm D Robertson. Contemporary. 171 pages. Mr Malcolm D Robertson #6638445. Published by Mr Malcolm D Robertson (A0.928012). Composed between the 21st July & the 18th October 2021, my 3rd Symphony, at around 34 minutes in duration, is the longest of my three symphonies to date & my most substantial purely orchestral score. The Symphony is in four movements following a fast-slow-fast-slow format. It is a dark probing & at times disturbing score. The Symphony makes much use of the very dark Locrian mode with its prominent diminished 5th (tritone). The 1st movement is angry & driven with a swirling energy. The 2nd movement is a kind of sad processional which builds to protesting battering climax before ending in a sense of resignation. The 3rd movement marked 'with malice' ranges from a sense of waspish humour to downright arrogant brutallity. The slow 4th movement is the longest movement, the opening hinting at two works by Wagner & Holst. The movement has a sense of questioning & searching, perhaps a single word 'why?' sums the movement up & to some extent the Symphony too. Parts are available upon request.
$30.00
27.55 €
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Orchestre
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Malcolm D Robertson
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Symphony No 3 for large orchestra
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Mr Malcolm D Robertson
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SheetMusicPlus
Concerto in G Minor for Trombone and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.809786 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809786 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 165 pages. R. E. Proctor #3003007. Published by R. E. Proctor (A0.809786). The G Minor Concerto for Trombone follows the standard format of fast – slow – fast movements. The first being Adagio – Andante and is entitled Variations. The slow or 2nd movement – Lento - is in 6/8 meter and is entitled Remembering the ‘60’s. The movement is based, in part, on a chord progression to a popular song from the 1960’s. The 3rd movement, entitled Now, is up tempo and rhythmic. It’s harmonic structure based in a jazz-like chord progression. It is bright, thoughtful, and sometimes a bit moody. Approximate length 17 minutes and 55 seconds.
$19.95
18.32 €
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Orchestre
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Robert E
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Concerto in G Minor for Trombone and Orchestra
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R. E. Proctor
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SheetMusicPlus
Violin Concerto
2(2.pic).2.2.1.cbsn-2.2.0.0-timp-hp.cel-str violin and orchestra - Digital Download SKU…
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2(2.pic).2.2.1.cbsn-2.2.0.0-timp-hp.cel-str violin and orchestra - Digital Download SKU: S9.Q42526 Fur Violine und Orchester. Composed by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 16 minutes. Schott Music - Digital #Q42526. Published by Schott Music - Digital (S9.Q42526). My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the ‘journey’ of the piece. The work’s straightforward formal scheme consists of three movements (roughly fast–slow–fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to ‘recapture’ the simple melodic material stated by the solo violin – accompanied by the harp’s bass register – during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue. The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth).
$30.99
28.46 €
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Ryan Wigglesworth
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Violin Concerto
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Schott Music - Digital
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SheetMusicPlus
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