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go where He leads
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go where He leads
Partitions à imprimer
14 partitions trouvées
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How Can I Be Like Jesus? - sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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go where He leads
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How Can I Be Like Jesus? - sac
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1352071 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1352071 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 13 pages. Kevin G. Pace #936900. Published by Kevin G. Pace (A0.1352071). An epically beautiful, sacred choral composition for SATB choir.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:How Can I Be Like Christ?“Come, follow Me . . .†(Luke 18:22)How can I be like Christ while on the earth?How can I live His ways and heed His words?How can I love the same as He loves me?How can I be aware and help those who plead?Follow His ev’ry step; go where He leads.Love ev’ry friend alike, or enemy.Lighten each burden shown from suff’ring souls.Shepherd them to His side; He will make each whole.How can my walk through life show God I care?Will others know to trust so I can share?How do I reach each one when in a crowd?Can I still help these souls ev’n though sin abounds?Follow His ev’ry step; go where He leads.Give of your meager store when one’s in need.Search for the lonely heart with eyes attuned.Loving each child of God can diminish wounds.How can I be like Christ, ev’n as I am?He gives sure promises; I am His lamb.As I go where He leads, gath’ring His souls,My love will shepherd them where Christ makes each whole.
$1.99
How Can I Be Like Jesus? - a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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go where He leads
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How Can I Be Like Jesus? - a s
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1311956 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1311956 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #900848. Published by Kevin G. Pace (A0.1311956). An attractive, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:How Can I Be Like Christ?“Come, follow Me . . .†(Luke 18:22)How can I be like Christ while on the earth?How can I live His ways and heed His words?How can I love the same as He loves me?How can I be aware and help those who plead?Follow His ev’ry step; go where He leads.Love ev’ry friend alike, or enemy.Lighten each burden shown from suff’ring souls.Shepherd them to His side; He will make each whole.How can my walk through life show God I care?Will others know to trust so I can share?How do I reach each one when in a crowd?Can I still help these souls ev’n though sin abounds?Follow His ev’ry step; go where He leads.Give of your meager store when one’s in need.Search for the lonely heart with eyes attuned.Loving each child of God can diminish wounds.How can I be like Christ, ev’n as I am?He gives sure promises; I am His lamb.As I go where He leads, gath’ring His souls,My love will shepherd them where Christ makes each whole.
$1.99
Wherever He Leads I'll Go
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Piano seul
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FACILE
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Unknown
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Lea McShan
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Wherever He Leads I'll Go
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Lea Allyn Hughes
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1485510 By Unknown. By Unknown. Arranged by Lea McShan. Christian. Score. 3 pages. Lea Allyn Hughes #1062567. Published b...
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Piano Solo - Level 2 - SKU: A0.1485510 By Unknown. By Unknown. Arranged by Lea McShan. Christian. Score. 3 pages. Lea Allyn Hughes #1062567. Published by Lea Allyn Hughes (A0.1485510).
$6.00
Wherever He Leads I'll Go
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Chorale SATB
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INTERMÉDIAIRE
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Wilson Fong
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Wherever He Leads I'll Go
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Wilson Fong
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1028317 Composed by Wilson Fong. Christian. Octavo. 7 pages. Wilson Fong #4803429. Published by Wilson Fong (A0....
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Choral Choir (SATB) - Level 3 - SKU: A0.1028317 Composed by Wilson Fong. Christian. Octavo. 7 pages. Wilson Fong #4803429. Published by Wilson Fong (A0.1028317). Inspired by and based on the Text by B.B. McKinney, this is a new choral composition to express the thoughts, determination, and the joy of committing to Christ. .
$2.50
I Will Follow Him
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Chorale SATB
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Mary Taylor
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special music as well
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I Will Follow Him
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Mary A
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.949095 Composed by Mary Taylor. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Mary A #60...
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Choral Choir (Mixed) - Level 2 - SKU: A0.949095 Composed by Mary Taylor. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Mary A #6099835. Published by Mary A (A0.949095). This song has inspiring words added I will follow him no matter where he leads I will go . A beautiful piano arrangement for congregation singing in church. Can be used as special music as well in church.
$4.99
Wherever He Leads I'll Go by B.B. McKinney - Solo Organ
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Orgue
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B.B. McKinney
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Wherever He Leads I'll Go
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Musicnotes
B.B. McKinney - Wherever He Leads I'll Go - Falls Creek Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital s...
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B.B. McKinney - Wherever He Leads I'll Go - Falls Creek Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Solo Organ, instruments: Organ; 3 pages -- Hymn
$5.50
I Will Follow
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John van Gulik
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John van Gulik
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I Will Follow
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John van Gulik
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1309048 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christian,Contemporary,Contest,Festival,Religious. Brass Band. 37 pages. John van Gulik #898245. Published by John van Gulik (A0.1309048). Here's a great swing arrangement of the tune I will Follow Jesus.Down in the valley with my Savior I would go,Where the flowers are blooming and the sweet waters flow;Everywhere He leads me I would follow, follow on,Walking in His footsteps till the crown be won.Follow! follow! I would follow Jesus!Anywhere, everywhere, I would follow on!Follow! follow! I would follow Jesus!Everywhere He leads me I would follow on!Standard InstrumentationSoprano, 1st and 2nd CornetFlugel Horn1st and 2nd HornBaritone1st, 2nd, and Bass TromboneEuphoniumEb and Bb BassPercussion (drum kit)See https://jvgmusiconline.com for additional parts and other scores for brass band and other ensembles.
$20.00
The Doomsday Clock
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Blaze Scheuerman
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The Doomsday Clock
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Blaze Scheuerman
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1047338 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 10 pages. B...
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Piano Solo - Level 4 - SKU: A0.1047338 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 10 pages. Blaze Scheuerman #651896. Published by Blaze Scheuerman (A0.1047338). The Doomsday Clock is a piece that primarily shows anxiety and being overwhelmed. I composed this piece my senior year of high school. At the time I could feel the impending deadline of college piano auditions approaching, and this coupled with a hand injury caused me to be very stressed out and feel that I was unable to put in the time needed to practice and prepare. I chose the name “Doomsday Clock†as I felt that the event that was slowly creeping closer was actually going to be the destruction of my dreams. The intro starts up bleak as the main character feels lost and afraid. The baseline hints at something to come that keeps inching closer and closer. Then at measure 8 it hits him, the thing to come is inevitable and can’t be stopped. He tries to reason with it, but it does not budge. This forces him to go into a mad scuffle in order to keep up and be ahead, as seen in measure 13. What then proceeds is a series of highs and lows, such as in measure 24 where the main character is terrified of what is to come and in measure 33 where he begins to believe he can do it. The piece then modulates to C major, where the main character feels that he is ahead and going to be successful. But every time he states a confident line, it seems to deteriorate or break down. Eventually he leads back into the mad scuffle and reaches his lowest point in measure 74. Here he feels lost and is about to give up when something encourages him to keep on going. It manifests a childlike voice reminding him of why he started this journey in the first place, and it convinces him to not give up and instead keep on going (seen in the Eb major section in the style of the intro). He eventually reaches the end and makes it, almost collapsing at the finish.
$5.99
Trusting Jesus, Version 2
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Chorale SATB
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DÉBUTANT
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Bella Wu
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Trusting Jesus, Version 2
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Bella Chia-Yu Wu
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.974502 Composed by Bella Wu. Christian,Contemporary,Sacred. Octavo. 7 pages. Bella Chia-Yu Wu #6735899. Publishe...
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Choral Choir (SATB) - Level 1 - SKU: A0.974502 Composed by Bella Wu. Christian,Contemporary,Sacred. Octavo. 7 pages. Bella Chia-Yu Wu #6735899. Published by Bella Chia-Yu Wu (A0.974502). This song is a new take on the lyrics by Edgar P. Stites for the hymn of the same title, Trusting Jesus. It is from the collection Word of God, where Bible verses and texts from old hymns are adapted for lyrics. This song is ideal for encouragement during difficult times and fostering devotion and discipleship.Another version exists for this song.This song was written by Bella Wu, a Toronto-based Christian composer. Listen to her other songs written for the church choir on SoundCloud: https://soundcloud.com/bella-wu-641794580To contact the composer, email her at bellawumusic@gmail.com.Lyrics:Simply trusting every day.Trusting through a stormy way.Even when my faith is small,Trusting Jesus that is all.Brightly does His spirit shineInto this poor heart of mine.While He leads I cannot fall,Trusting Jesus that is all.Trusting as the moments fly,Trusting as the days go by,Trusting Him whate'er befall,Trusting Jesus that is all.Singing if my way is clear,Praying if the path be drear,If in danger for Him call,Trusting Jesus that is all.Trusting as the moments fly,Trusting as the days go by,Trusting Him whate'er befall,Trusting Jesus that is all.Trusting Him while life shall last,Trusting Him till earth be past;Till within the jasper wall,Trusting Jesus, that is all.Trusting as the moments fly,Trusting as the days go by,Trusting Him whate'er befall,Trusting Jesus that is all.
$2.49
Trusting Jesus
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Chorale SATB
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FACILE
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Musique Sacrée
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Bella Wu
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Trusting Jesus
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Bella Chia-Yu Wu
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.974497 Composed by Bella Wu. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 9 pages. Bella Chia-Yu Wu #632...
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Choral Choir (SATB) - Level 2 - SKU: A0.974497 Composed by Bella Wu. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 9 pages. Bella Chia-Yu Wu #6326803. Published by Bella Chia-Yu Wu (A0.974497). This song is a new take on the lyrics by Edgar P. Stites for the hymn of the same title, Trusting Jesus. It is from the collection Word of God, where Bible verses and texts from old hymns are adapted for lyrics. This piece is ideal for encouragement during difficult times and fostering devotion and discipleship. This song was written by Bella Wu, a Toronto-based Christian composer. Listen to her other songs written for the church choir on SoundCloud: https://soundcloud.com/bella-wu-641794580To contact the composer, email her at bellawumusic@gmail.com.Lyrics:Simply trusting every day.Trusting through a stormy way.Even when my faith is small,Trusting Jesus that is all.Brightly does His spirit shineInto this poor heart of mine.While He leads I cannot fall,Trusting Jesus that is all.Trusting as the moments fly,Trusting as the days go by,Trusting Him whate'er befall,Trusting Jesus that is all.Singing if my way is clear,Praying if the path be drear,If in danger for Him call,Trusting Jesus that is all.Trusting as the moments fly,Trusting as the days go by,Trusting Him whate'er befall,Trusting Jesus that is all.
$2.10
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
The William Bay Collection - Sacred Guitar Solo Anthology #2
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Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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The William Bay Collection - S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel...
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Guitar - Intermediate - SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List
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Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God?s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man?s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O?er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I?m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I?ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord?s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
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