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PIANO & CLAVIERS
Piano seul
5817
Piano grosses notes
3611
Piano Facile
3203
Orgue
1606
Piano, Voix et Guitare
1426
Piano, Voix
641
Piano (partie séparée)
396
1 Piano, 4 mains
197
Clavier
149
Instruments en Do
144
2 Pianos, 4 mains
86
Orgue, Piano (duo)
61
Accordéon
41
Clavecin
33
1 Piano, 6 mains
17
Piano Trio: piano, violon, violoncelle
11
Accompagnement Piano
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Accordéon, Piano
4
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
2
Accordéon et Orchestre
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1
Piano Quatuor: piano, 2 violons, violoncelle
1
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Ligne De Mélodie, (Paroles) et Accords
2126
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113
Guitare
50
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40
Guitare notes et tablatures
31
2 Guitares (duo)
16
Ukulele
8
Basse electrique
7
4 Guitares (Quatuor)
2
3 Guitares (trio)
1
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1
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1
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1
Dulcimer
1
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VOIX
Chorale SATB
852
Chorale 3 parties
203
Chorale Unison
202
Chorale 2 parties
179
Chorale TTBB
70
Voix Soprano, Piano
48
Voix haute
28
Chorale SSAA
26
Voix duo, Piano
15
Voix duo
13
Voix Mezzo-Soprano, Piano
9
Voix basse, Piano
7
Chorale SSATB
5
Soli, choeur mixte et accompagnement
5
Voix seule
4
Chorale
3
Voix Tenor
3
Voix moyenne, Piano
2
Voix Alto, Piano
2
Chorale SSAATTBB
1
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1
Voix, Guitare
1
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Hautbois, Piano (duo)
292
Flûte traversière et Piano
243
Saxophone Tenor et Piano
219
Clarinette
168
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157
Saxophone Alto et Piano
156
Flûte traversière
79
Flûte, Hautbois, Clarinette, Basson
56
Cor anglais, Piano
52
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42
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35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
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34
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26
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Saxophone Soprano et Piano
22
2 Clarinettes (duo)
21
Hautbois (partie séparée)
20
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2 Flûtes traversières (duo)
19
Quatuor de Flûtes : 4 flûtes
12
Ensemble de Clarinettes
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2 Flûte à bec (duo)
9
Saxophone Baryton, Piano
9
Saxophone Alto
9
Quatuor de Flûtes à bec
8
Flûte et Guitare
7
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6
Flûte, Clarinette et Basson
6
Flûte, Hautbois, Clarinette (trio)
5
3 Flûtes à bec (trio)
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Trio de Flûtes: 3 flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Clarinette (duo)
4
Flûte à bec Soprano, Piano
4
Flûte, Alto (duo)
3
Cor Anglais
3
Flûte, Basson et Piano
3
Flûte, Violon, Piano
3
Flûte à bec Alto
3
Clarinette, Basson (duo)
3
3 Saxophones (trio)
3
Flûte, Violoncelle
3
Flûte, Violoncelle, Piano (trio)
2
2 Saxophones, Piano
2
Ensemble De Flûte à bec
2
Flûte à bec Tenor
2
Hautbois, Basson (duo)
2
Ensemble de Flûtes
2
2 Clarinettes, Piano
2
Harmonica
2
Clarinette Basse, Piano
2
Hautbois, Basson et Piano
2
2 Flûtes traversières, Piano
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Ensemble de saxophones
1
2 Hautbois (duo)
1
Cor anglais, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Hautbois, Clarinette (duo)
1
Clarinette (partie séparée)
1
Ensemble à vent
1
Saxophone et Guitare
1
2 Hautbois, Piano
1
Hautbois, Violoncelle et Piano
1
Flûte traversière, Basse continue
1
Clarinette, Guitare (duo)
1
Saxophone Soprano
1
Cor anglais et Harpe (duo)
1
Flûte à bec Soprano
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Piano (trio)
1
Flûte et Quatuor à Cordes
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Flûte irlandaise
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CUIVRES
Trombone et Piano
176
2 Trompettes, Clavier (piano ou orgue)
133
Trompette, Piano
101
Trompette
96
Trombone
56
Cor anglais, Piano
52
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Cor et Piano
18
Trompette (partie séparée)
17
Tuba et Piano
10
Euphonium, Piano (duo)
9
2 Trompettes (duo)
8
Tuba
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Euphonium
7
Ensemble de Trombones
7
2 Trombones (duo)
6
Cor
6
Ensemble de Trompettes
6
3 Trombones (trio)
4
Cor Anglais
3
Trombone basse
3
Quatuor de cuivres: 4 trombones
3
2 Cors (duo)
3
Trompette, Trombone (duo)
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 cors
2
Trompette, Violoncelle et Piano
2
Trompette, Saxophone (duo)
2
3 Tubas (trio)
1
Cor anglais, Guitare (duo)
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Cor et Orgue
1
Cor anglais et Harpe (duo)
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
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CORDES
Violon et Piano
259
Violoncelle, Piano
251
Alto, Piano
190
Quatuor à cordes: 2 violons, alto, violoncelle
150
Trio à Cordes: violon, alto, violoncelle
66
Violon
62
Harpe et Piano
41
Violon, Violoncelle (duo)
36
Violoncelle (partie séparée)
24
Violon, Alto (duo)
20
Harpe
16
2 Violons (duo)
15
Alto seul
14
Alto (partie séparée)
13
2 Violoncelles (duo)
13
Trio à Cordes: 2 violons, violoncelle
8
Contrebasse, Piano (duo)
7
Ensemble de Violons
6
Ensemble d'Altos
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
2 Altos (duo)
6
Trio à Cordes: 3 violoncelles
6
Violon, Guitare (duo)
4
Harpe, Flûte (duo)
4
Violoncelle
4
Violoncelle, Orgue
3
Trio à Cordes: 2 violons, alto
2
Alto, Violoncelle (duo)
2
Violon (partie séparée)
2
Contre Basse
2
Trio à cordes: 3 violins
2
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Autoharp
1
Quatuor à cordes: 4 violons
1
Alto, Guitare (duo)
1
Harpe, Voix
1
2 Harpes (duo)
1
2 Altos, Piano
1
Harpe, Violon, Violoncelle
1
Violoncelle, Basse continue
1
2 Violoncelles, Piano
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
406
Cloches
242
Orchestre d'harmonie
239
Orchestre
202
Jazz combo
124
Ensemble de Percussions
110
Orchestre à Cordes
93
Orchestre de chambre
68
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
50
Ensemble de cuivres
32
Batterie
12
Percussion
7
Big band
7
Marimba
7
Instrumentation Flexible
6
Ensemble d'École
5
Xylophone ou Marimba ou Vibraphone
5
Fanfare
4
Vibraphone
2
Percussion (partie séparée)
1
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1
Pachelbel: Canon for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pach…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 â1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
27.02 €
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Euphonium, Piano (duo)
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Adagio from BWV 974 for Euphonium and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1208386 Composed by Johann Seb…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1208386 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 6 pages. Diego Marani #806495. Published by Diego Marani (A0.1208386). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for C or Bb euphonium with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
8.39 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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Diego Marani
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Adagio from BWV 974 for Euphonium and Piano
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Diego Marani
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SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-G…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the âcombinedâ piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounodâs original arrangement transposed Bachâs keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a âharmonic weaknessâ (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.42 €
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Euphonium, Piano (duo)
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Baritone
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Colin Kirkpatrick Publications
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SheetMusicPlus
Jubilee for euphonium and piano
Euphonium, Piano (duo)
Instrumental Duet Euphonium,Instrumental Duet,Keyboard - Level 4 - Digital Download SKU…
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Instrumental Duet Euphonium,Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.918776 Composed by David Gaines. 20th Century,Contemporary. Score and parts. 8 pages. David Gaines #2113311. Published by David Gaines (A0.918776). A very short and fun work for euphonium and piano....very lighthearted and rhythmic. -- Adam Frey, euphonium soloist; Yamaha Performing Artist; euphonium instructor, Georgia State University.......This short, highly rhythmic prelude was inspired by the unique dancing movements of ferrets and was a semifinal round selection for the student division of the 25th Annual Leonard Falcone International Euphonium Competition in 2010.......A recording featuring euphoniumist Robert Kozanek (principal trombone, Czech Philharmonic Orchestra) is available on the Navona Records album Conversations: Keyboard and Chamber Music by John Bilotta and David Gaines (Catalogue #NV5829).
$3.99
3.72 €
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Euphonium, Piano (duo)
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David Gaines
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Yamaha Performing Artist
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Jubilee for euphonium and piano
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David Gaines
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 â1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.75 €
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Euphonium, Piano (duo)
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
One More Sleep
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1112082 By Leona Lewis. By Bra…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1112082 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stannard. Arranged by Phil Thrift. Christmas,Pop. Score and part. 12 pages. Phil Thrift #714264. Published by Phil Thrift (A0.1112082). The Leona Lewis hit One More Sleep has all the ingredients that make up a successful song for the holiday season. This is the euphonium + keyboard edition (in a different key) of the original recording for trombone and rhythm section, which you can hear on SoundCloud. Parts in bass clef and Bb treble clef are included. The solo part is also suitable for trombone, bassoon or Bb bass clarinet.
$4.99
4.66 €
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Euphonium, Piano (duo)
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Leona Lewis
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Phil Thrift
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One More Sleep
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Phil Thrift
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Barth…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.75 €
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Euphonium, Piano (duo)
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâs most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.62 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâs most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.62 €
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Euphonium, Piano (duo)
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Alexander Scriabin
#
James M
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
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