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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
no have
Sheetmusicplus
Non classifié
1 234
Piano & claviers
Piano seul
845
Piano, Voix
290
Piano Facile
174
Piano, Voix et Guitare
134
Instruments en Do
97
Orgue
76
Accompagnement Piano
33
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
11
Piano (partie séparée)
5
2 Pianos, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano grosses notes
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
Clavecin
1
+ 15 instrumentations
Retracter
Guitares
Guitare
79
Guitare notes et tablatures
64
2 Guitares (duo)
20
Ligne De Mélodie, (Paroles) et Accords
16
Basse electrique
13
Piano, Guitare (duo)
11
Guitare (partie séparée)
10
Ukulele
10
Dulcimer
6
Banjo
4
4 Guitares (Quatuor)
4
Ensemble de guitares
2
Mandoline, Guitare (duo)
2
Mandoline
2
3 Guitares (trio)
2
Paroles et Accords
1
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
256
Chorale 3 parties
75
Chorale TTBB
33
Chorale 2 parties
33
Chorale Unison
18
Chorale SSAA
18
Voix Soprano, Piano
14
Voix Baryton, Piano
8
Voix seule
7
Voix duo, Piano
6
Voix duo
5
Voix haute
4
Voix Tenor, Piano
3
Voix Alto, Piano
3
Voix basse, Piano
2
Voix Tenor
2
Voix Soprano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
143
Flûte traversière et Piano
94
Clarinette et Piano
77
Quatuor de Saxophones: 4 saxophones
74
2 Saxophones (duo)
65
2 Flûtes traversières (duo)
58
Quatuor de Clarinettes: 4 clarinettes
56
Hautbois, Piano (duo)
55
Flûte, Hautbois, Clarinette, Basson
51
Saxophone Alto et Piano
47
Clarinette
47
Flûte traversière
38
2 Clarinettes (duo)
34
Saxophone Tenor et Piano
34
3 Saxophones (trio)
30
Quintette de Saxophone: 5 saxophones
29
Ensemble de Clarinettes
29
Saxophone (partie séparée)
29
Hautbois, Basson (duo)
29
Hautbois (partie séparée)
28
Saxophone Soprano et Piano
28
Quatuor de Flûtes : 4 flûtes
25
Flûte, Hautbois, Clarinette (trio)
22
Ensemble de saxophones
21
Saxophone Alto
20
Flûte, Clarinette (duo)
19
Quintette de Clarinettes: 5 clarinettes
18
Ensemble de Flûtes
18
2 Hautbois (duo)
17
3 Clarinettes (trio)
17
Saxophone Baryton, Piano
16
Saxophone Tenor
15
Hautbois, Clarinette (duo)
13
Quintette de Flûte : 5 flûtes
11
Hautbois, Clarinette, Basson (trio d'anches)
9
Cor anglais, Piano
9
Flûte et Guitare
8
Clarinette Basse, Piano
8
Hautbois, Flûte
7
Hautbois
7
Flûte à bec Soprano
6
Saxophone Soprano
6
Saxophone Baryton
6
Quatuor de Flûtes à bec
6
Flûte, Alto (duo)
5
Clarinette, Guitare (duo)
5
Clarinette et Alto
5
Flûte, Violoncelle
5
Flute (partie séparée)
5
Trio de Flûtes: 3 flûtes
4
2 Flûte à bec (duo)
4
Saxophone, Clarinette (duo)
3
Flûte, Clarinette et Basson
3
Clarinette (partie séparée)
3
3 Flûtes à bec (trio)
3
Flûte à Bec
3
2 Flûtes traversières, Piano
2
Flute, harpe et violon
2
Flûte irlandaise
2
Clarinette, Violon (duo)
2
Saxophone
2
5 Flûtes à bec
2
2 Cors Anglais Et Pianoforte
2
Flûte, Violon
2
Ocarina
2
Flûte à bec Alto, Piano
2
2 Clarinettes, Piano
2
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Trompette (duo)
1
Hautbois, Guitare (duo)
1
2 Flûtes traversières, Harpe
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Flûte à bec Alto
1
Ensemble de Hautbois
1
Saxophone et Orgue
1
Flûte, Hautbois, Basson
1
Cor anglais, Guitare (duo)
1
2 Clarinettes, Basson
1
Cor Anglais
1
Flûte à bec Tenor
1
Flûte à bec Soprano, Piano
1
Flûte, Violon et Violoncelle
1
Hautbois, Harpe
1
Clarinette, Orchestre
1
Flûte, Violon, Piano
1
Piccolo, Piano
1
Clarinette, Trompette (duo)
1
Clarinette, Basson (duo)
1
Ensemble De Flûte à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte de Pan
1
+ 89 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
98
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trompette, Piano
50
Trombone et Piano
48
Cor et Piano
39
Trompette
37
Trombone
28
Trombone (partie séparée)
25
2 Trombones (duo)
21
Tuba
21
Trompette, Trombone (duo)
21
2 Trompettes (duo)
20
Tuba et Piano
19
Trompette (partie séparée)
18
Ensemble de Trompettes
18
Cor
18
Euphonium, Piano (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Quatuor de Cuivres
14
Trombone, Tuba (duo)
12
2 Cors (duo)
10
Cor anglais, Piano
9
Quatuor de cuivres: 4 trombones
9
Cor (partie séparée)
8
Ensemble de Trombones
7
Quatuor de cuivres: 4 cors
7
Trio de Cuivres
6
Tuba (partie séparée)
6
Trompette, Cor (duo)
4
2 Euphoniums et 2 Tubas
4
2 Tubas (duo)
4
Quatuor de cuivres: 4 trompettes
3
Euphonium
3
Tuba et Orgue
3
4 Tubas
3
2 Euphoniums (duo)
2
Euphonium, Tuba (duo)
2
3 Trompettes (trio)
2
2 Cors Anglais Et Pianoforte
2
Trompette, Saxophone (duo)
2
Ensemble de Cors
2
3 Cors (trio)
1
3 Tubas (trio)
1
Cor anglais, Guitare (duo)
1
3 Trombones (trio)
1
Cor Anglais
1
Bass Clef Instruments
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Cor (duo)
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
264
Violon et Piano
109
Harpe
109
Violoncelle, Piano
93
Trio à Cordes: violon, alto, violoncelle
76
Alto, Piano
63
Violon
53
Violon, Violoncelle (duo)
48
Violon, Alto (duo)
38
Violoncelle
37
2 Violons (duo)
31
Alto seul
29
2 Violoncelles (duo)
26
2 Altos (duo)
20
Contrebasse, Piano (duo)
19
Trio à Cordes: 2 violons, violoncelle
18
Contre Basse
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violon, Guitare (duo)
13
Violoncelle, Contrebasse (duo)
13
2 Harpes (duo)
8
Alto (partie séparée)
8
4 Violoncelles
7
Violon (partie séparée)
7
Violoncelle , Guitare (duo)
7
Flûte, Contrebasse (duo)
7
Contrebasse (partie séparée)
7
Harpe, Violon (duo)
5
Piano Trio: Violon, Alto, Piano
4
Quatuor à cordes: 4 violons
4
Alto, Violoncelle (duo)
4
Ensemble de Violons
3
Ensemble de Violoncelles
3
Trio à cordes: 3 violins
3
Harpe, Voix
3
Trio à Cordes: 3 violoncelles
3
4 Contrebasses
3
3 Harpes
2
Violoncelle (partie séparée)
2
5 Harpes
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
1
Ensemble d'Altos
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Harpe, Flûte (duo)
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
186
Orchestre à Cordes
141
Orchestre
93
Ensemble de cuivres
73
Ensemble Jazz
54
Orchestre de chambre
50
Cloches
44
Batterie
34
Marimba
26
Jazz combo
13
Ensemble de Percussions
8
Batterie (partie séparée)
4
Fanfare
3
Percussion (partie séparée)
2
Percussion
2
2 Marimbas
1
2 Xylophones
1
Orchestre, Violon
1
+ 13 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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SheetMusicPlus
Partitions à imprimer
7 909 partitions trouvées
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7901
Mozart: Serenade No 10 in Bb "Gran Partita" K361 - symphonic wind
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Classique
#
Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Serenade No 10 in Bb &
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RayThompsonMusic
#
SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.553778 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Standards,Wedding. Score and parts. 2...
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Large Ensemble - Level 5 - SKU: A0.553778 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Standards,Wedding. Score and parts. 230 pages. RayThompsonMusic #4312367. Published by RayThompsonMusic (A0.553778). The Serenade No. 10 for winds in B-flat major, K. 361/370a, is a serenade by Wolfgang Amadeus Mozart scored for thirteen instruments: twelve winds and string bass. The piece was probably composed in 1781 or 1782 and is often known by the subtitle Gran Partita, though the title is a misspelling and not in Mozart's hand. It consists of seven movements.The serenade is in seven movements as follows:I. Largo. Molto AllegroII. MenuettoIII. AdagioIV. Menuetto. AllegrettoV. Romance. AdagioVI. Tema con variazioniVII. Finale. Molto AllegroThe work is scored for 2 oboes, 2 clarinets, 2 basset horns, 2 bassoons, 4 horns and double bass. The double bass is occasionally replaced by contrabassoon; however, the part is clearly for the former as there are pizzicato markings at points.I have created 2 additional flute parts to cover a dectet group.(who have 2 additional clts playing with them.The horn 1/2 parts have the important 3/4 solos as cues.There are alternative parts provided (for those groups who haven't got the full instrumentation) as follows:Basset Horns 1/2: clarinets Bassoons1/2: Bass ClarinetsHorns 3/4 In Bb: Horns in F.
$19.95
Monteverdi First Book of Madrigals - No 2. Se Per Havervi Oime
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi First Book of Madri
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Lyons Music Services
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767145 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Concert,Renaissance. Score and parts. 14 pages...
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Brass Ensemble - Level 3 - SKU: A0.767145 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Concert,Renaissance. Score and parts. 14 pages. Lyons Music Services #3056973. Published by Lyons Music Services (A0.767145). The second madrigal from Monteverdi's First Book of Madrigals of 1587. Se Per Havervi Oime.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)I have transcribed the whole of the first book, but I am also releasing each madrigal on its own.
$5.99
Air (Orchestral Suite No. 3 in D major), BWV 1068
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Quatuor de Saxophones: 4 saxophones
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FACILE
#
Classique
#
Johann Sebastian Bach
#
Benjamin Karaca
#
Air
#
Benjamin Karaca
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.946354 Compos...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.946354 Composed by Johann Sebastian Bach. Arranged by Benjamin Karaca. Baroque,Chamber,Christian,Classical,Multicultural,World. 11 pages. Benjamin Karaca #6342517. Published by Benjamin Karaca (A0.946354). This piece is also known as Air on the G String. It is the second movement from Bach's Orchestral Suite No. 3 and is one of Bach's most famous compositions. Originally composed for two violins, viola, and basso continuo.I originally wrote this arrangement for a Saxophone Quartet in the classical SATB lineup (Soprano, Alto, Tenor, and Baritone Sax). However, the second part also works well for Soprano Sax, and the third part can be played by an Alto Saxophone. Apart from a few minor changes, I stayed very true to the original composition. I haven't added any articulations and have retained the key of D major.Note: Having two Sopranos in a Sax Quartet is highly unusual. If you have the opportunity, I strongly recommend giving it a try. Especially in the SSAB lineup, this piece has a lot of potential.Saxophone Quartet SATB (and other lineups). Duration: 5:00 min. Level: 2/5.Part 1: Soprano SaxPart 2: Soprano Sax / Alto SaxPart 3: Alto Sax / Tenor SaxPart 4: Baritone Sax / Bass SaxScore in CA high-quality arrangement by a professional musician. It also includes interesting information about the piece and helpful tips for interpretation. For more information, please visit my website: www.benjaminkaraca.com.
$17.45
I have no name
#
Classique
#
David Babin
#
I have no name
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral Choir,Choral,Piano,Voice - SKU: HX.1323393 Composed by David Babin (Babx) and William Blake. This edition: scorch. Classical. 4 pages. Hal Leonar...
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Choral Choir,Choral,Piano,Voice - SKU: HX.1323393 Composed by David Babin (Babx) and William Blake. This edition: scorch. Classical. 4 pages. Hal Leonard - Digital #IHaveNoName. Published by Hal Leonard - Digital (HX.1323393).
$4.99
Intermezzo Opus 13 No. 3
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Clarinette
#
Charles Villiers Stanford
#
Intermezzo Opus 13 No. 3
#
FLEX Editions - Digital Sheet Music
#
SheetMusicPlus
Bb Clarinet, Piano - Grade 4 - SKU: FX.FX071436-3 Composed by Charles Villiers Stanford. Edited by Renaud Escriva. The Must-Haves for Clarinet. Classica...
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Bb Clarinet, Piano - Grade 4 - SKU: FX.FX071436-3 Composed by Charles Villiers Stanford. Edited by Renaud Escriva. The Must-Haves for Clarinet. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071436-3. Published by FLEX Editions - Digital Sheet Music (FX.FX071436-3). A must-have for Clarinet. The anglo-Irish composer, Sir Charles Villiers Stanford, composed seven works for clarinet. Of these compositions, the Three Intermezzi Op.13 and the Sonata Op.129 are well-known.This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists.
$5.95
Fugue No. 22 In B Flat Minor, Bwv 867
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Classique
#
Johann Sebastian Bach
#
Nathan Wollmann
#
Fugue No. 22 In B Flat Minor,
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Nathan Wollmann
#
SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.546077 Composed by Johann Sebastian Bach. Arranged by Nathan Wollmann....
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.546077 Composed by Johann Sebastian Bach. Arranged by Nathan Wollmann. This edition: Interactive Download. Classical. Score and parts. 18 pages. Duration 155. Nathan Wollmann #7jW1lNU2qFmYeJg9K7pQhT. Published by Nathan Wollmann (A0.546077). Key: Bb minor.This fugue is very chorale-like. It is a five voice fugue and so this arrangement is one voice per instrument. Fugues with less voices are often arranged for quintet because keyboard instruments don't have the limitations like breathing and the difficulty of large jumps. The rhythmic simplicity of this fugue though lends itself better to one fugue-voice, one instrument arrangement. Breathing and range may still be a challenge. I believe that Bach voiced fugues and put them in certain keys for good reason, and thus those elements haven't been altered. But there is a lot of voice-crossing in this fugue and I favored comfortable range over maintaining fugue-voice to keep the individual parts as simple as possible.
$4.00
Funeral March from Piano Sonata No. 2
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Classique
#
Frederic Chopin
#
Jami Marie Kidwell Chavez
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Funeral March from Piano Sonat
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Jami Kidwell Chavez
#
SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.799902 Composed by Frederic Chopin. Arranged by Jami Marie Kidwell Chavez. Classical,Contemp...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.799902 Composed by Frederic Chopin. Arranged by Jami Marie Kidwell Chavez. Classical,Contemporary,Halloween,Romantic Period,Traditional. 18 pages. Jami Kidwell Chavez #6495047. Published by Jami Kidwell Chavez (A0.799902). The third movement of Piano Sonata No 2, the Marche funèbre (Funeral March) is an easily recognized piece that plays very well in a flute choir setting. This arrangement has been transposed to A Minor to make the key more easily accessible for a wider range of players. Scored for Piccolo, 3 C Flutes, Alto Flute, Bass Flute, Contra Flute and Sub Contra Flute.
$9.99
No Tears Left To Cry
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Ariana Grande
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Brian Haverkate
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No Tears Left To Cry
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Brian Haverkate
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SheetMusicPlus
Choral 4-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1413992 By Ariana Grande. By Ariana Grande, Ilya, Max Martin, and Savan Kotecha. Arranged by Brian...
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Choral 4-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1413992 By Ariana Grande. By Ariana Grande, Ilya, Max Martin, and Savan Kotecha. Arranged by Brian Haverkate. A Cappella,Contemporary,Pop. 15 pages. Brian Haverkate #995759. Published by Brian Haverkate (A0.1413992). Perfect for middle school, high school, or any small ensemble looking to capture a singable arrangment of Taylor Swift's hit song! SSAA a cappella 4 part + solo The Alto 2 part could be done by a tenor Contact me for part tracks or other Custom Arrangements Second song in the YouTube link.
$2.25
No Excuses
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Chorale TTBB
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FACILE
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Pop musique
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Meghan Trainor
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Brian Haverkate
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No Excuses
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Brian Haverkate
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.972567 By Meghan Trainor. By Andrew Wells, Jacob Kasher Hindlin, and Meghan Trainor. Arranged by Brian Haverkate...
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Choral Choir (TTBB) - Level 2 - SKU: A0.972567 By Meghan Trainor. By Andrew Wells, Jacob Kasher Hindlin, and Meghan Trainor. Arranged by Brian Haverkate. Pop. Octavo. 9 pages. Brian Haverkate #6361503. Published by Brian Haverkate (A0.972567). Fun take on the Meghan Trainor song for a men's ensemble!
$2.99
(there's No Place Like) Home For The Holidays
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Chorale TTBB
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FACILE
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Jazz
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Perry Como
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Brian Haverkate
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(there's No Place Like) Home F
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Brian Haverkate
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.972633 By Perry Como. By Robert Allen. Arranged by Brian Haverkate. Jazz. Octavo. 5 pages. Brian Haverkate #6511...
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Choral Choir (TTBB) - Level 2 - SKU: A0.972633 By Perry Como. By Robert Allen. Arranged by Brian Haverkate. Jazz. Octavo. 5 pages. Brian Haverkate #6511133. Published by Brian Haverkate (A0.972633). Perfect for a Men's group or a quartet for the holiday season!
$2.99
No Tears Left To Cry
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Chorale 3 parties
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FACILE
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Pop musique
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Ariana Grande
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Brian Haverkate
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No Tears Left To Cry
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Brian Haverkate
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.972604 By Ariana Grande. By Ariana Grande, Ilya, Max Martin, and Savan Kotecha. Arranged by Brian Haverkate. Pop....
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Choral Choir (SSA) - Level 2 - SKU: A0.972604 By Ariana Grande. By Ariana Grande, Ilya, Max Martin, and Savan Kotecha. Arranged by Brian Haverkate. Pop. Octavo. 15 pages. Brian Haverkate #6362229. Published by Brian Haverkate (A0.972604). Great for an SSAA ensemble!
$2.99
Sonatina in C Major - Op. 1, No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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John-Thomas Chavez
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Sonatina in C Major - Op. 1, N
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John-Thomas Chavez
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1392387 Composed by John-Thomas Chavez. 19th Century,Classical. Score. 4 pages. John-Thomas Chavez #975915. Published by ...
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Piano Solo - Level 4 - SKU: A0.1392387 Composed by John-Thomas Chavez. 19th Century,Classical. Score. 4 pages. John-Thomas Chavez #975915. Published by John-Thomas Chavez (A0.1392387). Composed in the style of Mozart, Haydyn, CLementi, and early-career Beethoven, this piece was created as a way not only to explore better and understand the workings of Classical Music Theory but also to pay tribute to such legendary composers and bring back a style of composition that's seldom seen today.(Note, Mp3 tempo might not be fully accurate to what the composer had in mind.).
$2.99
Beethoven: Zwölf Contretänzes (Twelve Countredances) WoO 14 No.3 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Zwölf Contret&
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.553604 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday. 8 pages. Ra...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.553604 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday. 8 pages. RayThompsonMusic #3222695. Published by RayThompsonMusic (A0.553604). Beethoven Country Dances Beethoven wrote 12 Country Dances WoO14 for orchestra .(composed 1791 - 1802.) They are all quite short: some have trios. Douze Contredanses (Fr.) or Zwölf Contretänzes (Ge.) They are probably better known as  a set of 3 piano pieces called  Contre-Tanzes  which are noted frei bearbeitet von Isidor Wilhelm Seiss (freely adapted by  Isidor Wilhelm Seiss) Arrangements of those pieces are available on this site. I have arranged the first six dances by Beethoven for wind quintet. I have used Beethoven’s natural horn parts as a guide for my horn part, so each dance has a horn part for a different natural horn. I also include a horn part in F Some of the dances have parts for clarinet in A.(I have included a clarinet in Bb part for those cases) Dances are as follows, with melody instruments listed No.1in C major (Hn in C basso) Melody flute/oboe No.2 in A major (Hn in A) Melody oboe No.3 In D major (Hn in D)( Clt in A) Melody clt, fl, ob) No.4 in Bb major (Hn in Bb alto) Melody Clarinet No.5 in Eb major (Hn in Eb) Melody horn/clarinet No.6 in C major (Hn in C basso) Melody Flute/Clarinet A complete book of all six dances is also available.
$2.99
Beethoven: Zwölf Contretänzes (Twelve Countredances) WoO 14 No.1 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Zwölf Contret&
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.553603 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday,Wedding. 7 p...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.553603 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday,Wedding. 7 pages. RayThompsonMusic #3222683. Published by RayThompsonMusic (A0.553603). Beethoven Country Dances Beethoven wrote 12 Country Dances WoO14 for orchestra .(composed 1791 - 1802.) They are all quite short: some have trios. Douze Contredanses (Fr.) or Zwölf Contretänzes (Ge.) They are probably better known as  a set of 3 piano pieces called  Contre-Tanzes  which are noted frei bearbeitet von Isidor Wilhelm Seiss (freely adapted by  Isidor Wilhelm Seiss) Arrangements of those pieces are available on this site. I have arranged the first six dances by Beethoven for wind quintet. I have used Beethoven’s natural horn parts as a guide for my horn part, so each dance has a horn part for a different natural horn. I also include a horn part in F Some of the dances have parts for clarinet in A.(I have included a clarinet in Bb part for those cases) Dances are as follows, with melody instruments listed No.1in C major (Hn in C basso) Melody flute/oboe No.2 in A major (Hn in A) Melody oboe No.3 In D major (Hn in D)( Clt in A) Melody clt, fl, ob) No.4 in Bb major (Hn in Bb alto) Melody Clarinet No.5 in Eb major (Hn in Eb) Melody horn/clarinet No.6 in C major (Hn in C basso) Melody Flute/Clarinet A complete book of all six dances is also available.
$2.99
Beethoven: Zwölf Contretänzes (Twelve Countredances) WoO 14 No.5 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Zwölf Contret&
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1102025 Composed by Ludwig van Beethoven. Arranged by Ray Thomps...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1102025 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 8 pages. RayThompsonMusic #705417. Published by RayThompsonMusic (A0.1102025). Beethoven Country Dances Beethoven wrote 12 Country Dances WoO14 for orchestra .(composed 1791 - 1802.) They are all quite short: some have trios. Douze Contredanses (Fr.) or Zwölf Contretänzes (Ge.) They are probably better known as  a set of 3 piano pieces called  Contre-Tanzes  which are noted frei bearbeitet von Isidor Wilhelm Seiss (freely adapted by  Isidor Wilhelm Seiss) Arrangements of those pieces are available on this site. I have arranged the first six dances by Beethoven for wind quintet. I have used Beethoven’s natural horn parts as a guide for my horn part, so each dance has a horn part for a different natural horn. I also include a horn part in F Some of the dances have parts for clarinet in A.(I have included a clarinet in Bb part for those cases) Dances are as follows, with melody instruments listed No.1in C major (Hn in C basso) Melody flute/oboe No.2 in A major (Hn in A) Melody oboe No.3 In D major (Hn in D)( Clt in A) Melody clt, fl, ob) No.4 in Bb major (Hn in Bb alto) Melody Clarinet No.5 in Eb major (Hn in Eb) Melody horn/clarinet No.6 in C major (Hn in C basso) Melody Flute/Clarinet A complete book of all six dances is also available.
$2.99
Beethoven: Zwölf Contretänzes (Twelve Countredances) WoO 14 No.6 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Zwölf Contret&
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1102020 Composed by Ludwig van Beethoven. Arranged by Ray Thomps...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1102020 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 8 pages. RayThompsonMusic #705413. Published by RayThompsonMusic (A0.1102020). Beethoven Country Dances Beethoven wrote 12 Country Dances WoO14 for orchestra .(composed 1791 - 1802.) They are all quite short: some have trios. Douze Contredanses (Fr.) or Zwölf Contretänzes (Ge.) They are probably better known as  a set of 3 piano pieces called  Contre-Tanzes  which are noted frei bearbeitet von Isidor Wilhelm Seiss (freely adapted by  Isidor Wilhelm Seiss) Arrangements of those pieces are available on this site. I have arranged the first six dances by Beethoven for wind quintet. I have used Beethoven’s natural horn parts as a guide for my horn part, so each dance has a horn part for a different natural horn. I also include a horn part in F Some of the dances have parts for clarinet in A.(I have included a clarinet in Bb part for those cases) Dances are as follows, with melody instruments listed No.1in C major (Hn in C basso) Melody flute/oboe No.2 in A major (Hn in A) Melody oboe No.3 In D major (Hn in D)( Clt in A) Melody clt, fl, ob) No.4 in Bb major (Hn in Bb alto) Melody Clarinet No.5 in Eb major (Hn in Eb) Melody horn/clarinet No.6 in C major (Hn in C basso) Melody Flute/Clarinet A complete book of all six dances is also available.
$2.99
Beethoven: Zwolf Contretänzes (Twelve Countredances) WoO 14 No.4 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Zwolf Contretä
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1102026 Composed by Ludwig van Beethoven. Arranged by Ray Thomps...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1102026 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 7 pages. RayThompsonMusic #705419. Published by RayThompsonMusic (A0.1102026). Beethoven Country Dances Beethoven wrote 12 Country Dances WoO14 for orchestra .(composed 1791 - 1802.) They are all quite short: some have trios. Douze Contredanses (Fr.) or Zwölf Contretänzes (Ge.) They are probably better known as  a set of 3 piano pieces called  Contre-Tanzes  which are noted frei bearbeitet von Isidor Wilhelm Seiss (freely adapted by  Isidor Wilhelm Seiss) Arrangements of those pieces are available on this site. I have arranged the first six dances by Beethoven for wind quintet. I have used Beethoven’s natural horn parts as a guide for my horn part, so each dance has a horn part for a different natural horn. I also include a horn part in F Some of the dances have parts for clarinet in A.(I have included a clarinet in Bb part for those cases) Dances are as follows, with melody instruments listed No.1in C major (Hn in C basso) Melody flute/oboe No.2 in A major (Hn in A) Melody oboe No.3 In D major (Hn in D)( Clt in A) Melody clt, fl, ob) No.4 in Bb major (Hn in Bb alto) Melody Clarinet No.5 in Eb major (Hn in Eb) Melody horn/clarinet No.6 in C major (Hn in C basso) Melody Flute/Clarinet A complete book of all six dances is also available.
$2.99
Beethoven: Zwölf Contretänzes (Twelve Countredances) WoO 14 No.2 - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
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Ray Thompson
#
Beethoven: Zwölf Contret&
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RayThompsonMusic
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1102126 Composed by Ludwig van Beethoven. Arranged by Ray Thomps...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1102126 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 8 pages. RayThompsonMusic #705524. Published by RayThompsonMusic (A0.1102126). Beethoven Country Dances Beethoven wrote 12 Country Dances WoO14 for orchestra .(composed 1791 - 1802.) They are all quite short: some have trios. Douze Contredanses (Fr.) or Zwölf Contretänzes (Ge.) They are probably better known as  a set of 3 piano pieces called  Contre-Tanzes  which are noted frei bearbeitet von Isidor Wilhelm Seiss (freely adapted by  Isidor Wilhelm Seiss) Arrangements of those pieces are available on this site. I have arranged the first six dances by Beethoven for wind quintet. I have used Beethoven’s natural horn parts as a guide for my horn part, so each dance has a horn part for a different natural horn. I also include a horn part in F Some of the dances have parts for clarinet in A.(I have included a clarinet in Bb part for those cases) Dances are as follows, with melody instruments listed No.1in C major (Hn in C basso) Melody flute/oboe No.2 in A major (Hn in A)( Clt in A) Melody oboe No.3 In D major (Hn in D)( Clt in A) Melody clt, fl, ob) No.4 in Bb major (Hn in Bb alto) Melody Clarinet No.5 in Eb major (Hn in Eb) Melody horn/clarinet No.6 in C major (Hn in C basso) Melody Flute/Clarinet A complete book of all six dances is also available.
$2.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 page...
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Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
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Ensemble de Bassons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
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