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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
pensive to exuberant
Piano & claviers
Piano seul
1
Piano, Voix
1
Guitares
Voix
Chorale SSAA
1
Chorale SATB
1
Vents
Flûte traversière et Piano
1
Flûte, Violon
1
Quatuor de Saxophones: 4 saxophones
1
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1
Orchestre & Percussions
Orchestre
2
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
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Partitions Numériques
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Partitions numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
pensive to exuberant
Partitions à imprimer
11 partitions trouvées
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1
On Our Way Rejoicing!
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Piano seul
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Musique Sacrée
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Rodney Abriol
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On Our Way Rejoicing!
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Piano - Moderately Advanced - SKU: LX.70-2161L Inspiring Hymns of Praise for Piano Solo. Arranged by Rodney Abriol. General, Sacred. Church Piano...
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Piano - Moderately Advanced - SKU: LX.70-2161L Inspiring Hymns of Praise for Piano Solo. Arranged by Rodney Abriol. General, Sacred. Church Piano. 40 pages. Lorenz Publishing - Digital Sheet Music #e70/2161L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2161L). ISBN 9780787765965.Designed to lift up Christ Jesus as our Creator, Savior, Helper, Friend, and King, these ten piano pieces explore a variety of hymns that will enhance worship services and sacred concerts. They are presented with a classical flair and cover a wide spectrum of emotions from pensive to exuberant--a reflection of life.
$19.95
Selections from Light Upon Silver, Volume 1
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Piano, Voix
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James Sclater
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pensive to exuberant
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Selections from Light Upon Sil
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James S Sclater
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.961263 Composed by James Sclater. 20th Century,Concert,Contemporary. Score. 62 pages. James S Sclater #5990635. Published by...
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Piano,Vocal,Voice - SKU: A0.961263 Composed by James Sclater. 20th Century,Concert,Contemporary. Score. 62 pages. James S Sclater #5990635. Published by James S Sclater (A0.961263). Ten songs from Light Upon Silver, a large 25-song collection by the composer. Lots of variety here; pensive to exuberant. For the experienced singer and pianist.
$20.00
Irish Sketchbook
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Flûte traversière et Piano
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AVANCÉ
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James Sclater
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Irish Sketchbook
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James S Sclater
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.961226 Composed by James Sclater. 20th Century,Concert,Contemporary,Holiday. Score a...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.961226 Composed by James Sclater. 20th Century,Concert,Contemporary,Holiday. Score and parts. 37 pages. James S Sclater #5985361. Published by James S Sclater (A0.961226). Irish Sketchbook is a suite of three movements for flute and piano. It was commissioned in 2006 by the Mississippi Music Teachers Association and premiered by Sybil Cheesman and Angela Willoughby. The fast - slow - fast structure of the suite captures a variety of moods, from pensive to exuberant. Good recital material.
$14.95
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
#
Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Farewell and Fare-thee-well for solo flute, tinwhistle, or violin
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Flûte, Violon
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FACILE
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Celtique/Irlandais
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Matt Schwarz
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Farewell and Fare-thee-well fo
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Matthew H Schwarz
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Violin - Level 2 - SKU: A0.1011232 Composed by Matt Schwarz. Celtic,Contemporary,Folk,World. Score and parts. ...
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 2 - SKU: A0.1011232 Composed by Matt Schwarz. Celtic,Contemporary,Folk,World. Score and parts. 2 pages. Matthew H Schwarz #6079933. Published by Matthew H Schwarz (A0.1011232). An Irish flute solo I wrote for my Grandfather's funeral. It starts off pensive and sentimental, to reflect the sorrow of losing a loved one, but then takes on an exuberant feel to celebrate a life well lived. There are two pages - page 2 is in D Minor for classical C flute and other C instruments (to match the recording), while the first page is in E Minor for Irish flute or tinwhistle in D. The overall range is just over 2 octaves: C4 (middle C) to D6 for C flute or D4 to E6 for D flutes. It also plays well on violin.
$2.00
Gloria
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Sam Smith
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Whitney Lussier
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Gloria
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Rosesong Music
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1171043 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. A Cappella,Classical...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1171043 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. A Cappella,Classical,Contemporary,Pop. Octavo. 5 pages. Rosesong Music #771380. Published by Rosesong Music (A0.1171043). An arrangement of Sam Smith's classical/gospel mashup, Gloria from their 2023 album Gloria. Described by Smith as their queer love hymn, this song takes listeners on a two minute emotional journey from pensive doubt to realization and exuberant self-acceptance. This a capella arrangement makes Gloria accessible to most SSAA choirs while remaining true to Smith's original version. Here, the piece is transposed into a lower, more comfortable key, with parts adjusted for treble choir ranges.  A simplified solo part is provided, but Gloria can be performed with or without a soloist!Other voicings available: SATB SATB (advanced)
$1.99
Gloria
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Sam Smith
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Whitney Lussier
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Gloria
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Rosesong Music
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1173740 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. Cla...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1173740 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. Classical,Contemporary,Pop. Score and parts. 9 pages. Rosesong Music #773890. Published by Rosesong Music (A0.1173740). A brass quartet version of Sam Smith's classical/gospel mashup, Gloria from their 2023 album Gloria. Described by Smith as their queer love hymn, this song takes listeners on a two minute emotional journey from pensive doubt to realization and exuberant self-acceptance.This chorale-style arrangement is in a brass-friendly key, and is closely adapted from the original SATB choral parts! The trombone and tuba are featured in the opening lyrical section, and every instrument gets a turn to show off their technical skills in the bombastic polyphonic section. Blend, balance and articulation matching are also emphasized, providing an excellent, student-friendly introduction to brass ensemble playing!Includes a full score and individual parts.
$12.99
Gloria
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Sam Smith
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Whitney Lussier
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Gloria
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Rosesong Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1175095 By Sam Smith. By Foy...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1175095 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. Classical,Contemporary,Pop. 8 pages. Rosesong Music #775246. Published by Rosesong Music (A0.1175095). A sax quartet version of Sam Smith's classical/gospel mashup, Gloria from their 2023 album Gloria. Described by Smith as their queer love hymn, this song takes listeners on a two minute emotional journey from pensive doubt to realization and exuberant self-acceptance.This chorale-style arrangement is closely adapted from the original SATB choral parts. The tenor and bari are featured in the opening lyrical section, and every player gets to display their technical skills in the bombastic polyphonic section. Blend, balance and articulation matching are also emphasized, providing an excellent, student-friendly introduction to ensemble playing!Includes a full score and individual parts.
$12.99
Gloria
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Sam Smith
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Whitney Lussier
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Gloria
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Rosesong Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1174190 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1174190 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. Classical,Contemporary,Pop. Score and parts. 8 pages. Rosesong Music #774354. Published by Rosesong Music (A0.1174190). A string quartet/string orchestra version of Sam Smith's classical/gospel mashup, Gloria from their 2023 album Gloria. Described by Smith as their queer love hymn, this song takes listeners on a two minute emotional journey from pensive doubt to realization and exuberant self-acceptance.This chorale-style arrangement is in a string-friendly key, and is closely adapted from the original SATB choral parts. The cello is featured in the opening lyrical section, and every instrument gets to display their technical skills in the bombastic polyphonic section. Blend, balance and articulation matching are also emphasized, providing an excellent, student-friendly introduction to ensemble playing!Includes a full score and individual parts.
$12.99
Gloria
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Chorale SATB
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AVANCÉ
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Sam Smith
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Whitney Lussier
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Gloria
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Rosesong Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1169297 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. A Cappella,Classical...
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Choral Choir (SATB) - Level 5 - SKU: A0.1169297 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. A Cappella,Classical,Contemporary,Pop. Octavo. 5 pages. Rosesong Music #769651. Published by Rosesong Music (A0.1169297). An arrangement of Sam Smith's classical/gospel mashup, Gloria from their 2023 album Gloria. Described by Smith as their queer love hymn, this song takes listeners on a two minute emotional journey from pensive doubt to realization and exuberant self-acceptance.This a cappella arrangement is in the original key and is a near-transcription of the original SATB choral parts, combining elements of Smith's live performances and the recorded album version.  Can be performed with or without a soloist!Please note this is an advanced arrangement due to range demands. Follow the link for a slightly modified version in a friendlier key: Gloria SATB (Lower Key)
$1.99
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pensive to exuberant