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--INSTRUMENTS--
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precise ensemble
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36
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32
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10
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6
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4
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1
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1
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1
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1
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9
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
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Partitions à imprimer
244 partitions trouvées
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226
Toccata (Dorian) for 8-part Trombone Ensemble
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Ensemble de Trombones
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Sauer, Ralph
#
precise ensemble
#
Toccata
#
Gordon Cherry
#
SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792143 Composed by Johann Sebastian Bach. Arranged by Sauer, Ralph. Baroque. Score and parts. 32 pages. Gord...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792143 Composed by Johann Sebastian Bach. Arranged by Sauer, Ralph. Baroque. Score and parts. 32 pages. Gordon Cherry #3668021. Published by Gordon Cherry (A0.792143). A great transcription of Bach's Dorian Toccata BWV 538 for Trombone Octet by Ralph Sauer, Principal Trombonist of the Los Angeles Philharmonic. Mr. Sauer's scoring for this work shows his great skill as a Bach Brass Expert. Instrumentation is for 6 Tenors (parts 1-5 in tenor clef, 6th in bass) and 2 Bass trombones. Range goes to a high D for the 1st part in the final bars. Otherwise, range is moderate with no heavy endurance problems. This piece bounces along at a good clip and shows off technique & precise ensemble. A great choice for advanced performers.
$20.00
Fugue in C minor from The Well-Tempered Clavier, Book 1 for Trumpet Ensemble
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Ensemble de Trompettes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Charles Decker
#
Fugue in C minor from The Well
#
Charles Decker Music Press
#
SheetMusicPlus
Trumpet Ensemble Trumpet - Level 4 - SKU: A0.817114 Composed by Johann Sebastian Bach. Arranged by Charles Decker. Baroque,Chamber,Contest,Festival,Inst...
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Trumpet Ensemble Trumpet - Level 4 - SKU: A0.817114 Composed by Johann Sebastian Bach. Arranged by Charles Decker. Baroque,Chamber,Contest,Festival,Instructional. 20 pages. Charles Decker Music Press #3542579. Published by Charles Decker Music Press (A0.817114). Looking for a challenge other than another fanfare for your ambitious trumpet ensemble? Adding this fugue from Bach's monumental Well-Tempered Clavier to the group's repertoire will help develop precise rhythmic skills and attention to balance. The audio file is an actual trumpet ensemble performance and not a computer playback of the score.See 40+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Kendor Music for more of my trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.
$6.95
Canon in D for Trumpet Ensemble
#
Ensemble de Trompettes
#
AVANCÉ
#
Classique
#
Johann Pachelbel
#
Charles Decker
#
Canon in D for Trumpet Ensembl
#
SheetMusicPlus
Trumpet, 8 Bb Trumpets - Advanced - Composed by Johann Pachelbel (1653-1706). Arranged by Charles Decker. Baroque Period, Repertoire, Technique Trai...
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Trumpet, 8 Bb Trumpets - Advanced - Composed by Johann Pachelbel (1653-1706). Arranged by Charles Decker. Baroque Period, Repertoire, Technique Training, Recital. Score, Set of Parts. 32 pages. Published by Charles Decker Music Press
This unabridged arrangement of the familiar Pachelbel Canon is a showpiece for ambitious trumpet ensembles challenging performers and impressing audiences with its demands for precise rhythmic execution and careful attention to balance. Three pairs of trumpeters perform the original three violin parts and a fourth pair repeats the basso continuo. An alternate set of C trumpet parts is included for parts one to six as an option to the B-flat parts. The sound file is an actual trumpet ensemble performance and not a computer playback of the score.
$14.95
5 Ringtones for Percussion Ensemble: Ringtone 3
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Russell Woodford
#
5 Ringtones for Percussion Ens
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Russell Woodford
#
SheetMusicPlus
Percussion Quintet Conga Drum,Snare Drum,Vibraphone,Xylophone - Level 4 - SKU: A0.1346735 Composed by Russell Woodford. 21st Century,Chamber,Instruction...
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Percussion Quintet Conga Drum,Snare Drum,Vibraphone,Xylophone - Level 4 - SKU: A0.1346735 Composed by Russell Woodford. 21st Century,Chamber,Instructional. 9 pages. Russell Woodford #931516. Published by Russell Woodford (A0.1346735). A set of challenging miniatures for 5-player percussion ensemble. Tempo is a guide only, and the ensemble should choose a tempo that allows them to play precisely and rhythmically - and have fun!
$4.99
5 Ringtones for Percussion Ensemble: Ringtone 2
#
Russell Woodford
#
5 Ringtones for Percussion Ens
#
Russell Woodford
#
SheetMusicPlus
Percussion Quintet Conga Drum,Snare Drum,Vibraphone,Xylophone - Level 4 - SKU: A0.1346621 Composed by Russell Woodford. 21st Century,Chamber,Instruction...
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Percussion Quintet Conga Drum,Snare Drum,Vibraphone,Xylophone - Level 4 - SKU: A0.1346621 Composed by Russell Woodford. 21st Century,Chamber,Instructional. 9 pages. Russell Woodford #931400. Published by Russell Woodford (A0.1346621). A set of challenging miniatures for 5-player percussion ensemble. Tempo is a guide only, and the ensemble should choose a tempo that allows them to play precisely and rhythmically - and have fun!
$4.99
5 Ringtones for Percussion Ensemble: Ringtone 4
#
Russell Woodford
#
5 Ringtones for Percussion Ens
#
Russell Woodford
#
SheetMusicPlus
Percussion Quintet Conga Drum,Snare Drum,Vibraphone,Xylophone - Level 4 - SKU: A0.1349104 Composed by Russell Woodford. 21st Century,Chamber,Instruction...
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Percussion Quintet Conga Drum,Snare Drum,Vibraphone,Xylophone - Level 4 - SKU: A0.1349104 Composed by Russell Woodford. 21st Century,Chamber,Instructional. 9 pages. Russell Woodford #933845. Published by Russell Woodford (A0.1349104). A set of challenging miniatures for 5-player percussion ensemble. Tempo is a guide only, and the ensemble should choose a tempo that allows them to play precisely and rhythmically - and have fun!
$4.99
5 Ringtones for Percussion Ensemble: Ringtone 5
#
Russell Woodford
#
5 Ringtones for Percussion Ens
#
Russell Woodford
#
SheetMusicPlus
Percussion Quintet Conga Drum,Snare Drum,Vibraphone,Xylophone - Level 4 - SKU: A0.1349107 Composed by Russell Woodford. 20th Century,21st Century,Chambe...
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Percussion Quintet Conga Drum,Snare Drum,Vibraphone,Xylophone - Level 4 - SKU: A0.1349107 Composed by Russell Woodford. 20th Century,21st Century,Chamber. 12 pages. Russell Woodford #933847. Published by Russell Woodford (A0.1349107). A set of challenging miniatures for 5-player percussion ensemble. Tempo is a guide only, and the ensemble should choose a tempo that allows them to play precisely and rhythmically - and have fun!
$4.99
Love Is A Losing Game
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Ensemble Jazz
#
FACILE
#
Amy Winehouse
#
Johan Verhey
#
Love Is A Losing Game
#
DaimlerMusic
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1118481 By Amy Winehouse. By Amy Winehouse. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwriter. 70 pag...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1118481 By Amy Winehouse. By Amy Winehouse. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwriter. 70 pages. DaimlerMusic #720003. Published by DaimlerMusic (A0.1118481). Love Is A Losing Game is the story of a woman who is disillusioned with love. She has fallen head over heels for the man of her dreams. But what seemed like a beautiful promise turned out to be just an illusion. Outwardly self-confident and convinced of himself, but inwardly not up to the challenges of a relationship, he cowardly flees out of fear. Leaving her in loneliness and pain. This arrangement is for music fans and inspired Big Bands interested in telling an incredible story with authentic instrumentation. Johan Verhey is a professional musician and composer, as well as arranger. He knows how it feels to play a piece “in the pocket†with the intention of the original composer always in mind. His arrangements honour the Artist who wrote the original piece to express their soul. Each measure is created with precise attention to the intention of the lyrics. The instrumentation carries forward the story with dynamic harmonies. Johan Verhey understands the nuances of this piece and creates a dynamic and engaging arrangement. He also understands the power of the moment when the musician feels equally inspired and free to soar within the structure. The ability to play this arrangement does not require a specific skill level; only the heart , soul and intention is mandatory.More music from Johan Verhey, see: www.bestarrangementsforbands.com.
$60.00
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Skyfall
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Adele
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Kevin P Holdgate
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Skyfall
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.790973 By Adele. By Adele Adkins and Paul Epworth. Arranged by Kevin P Holdgate. Pop,R & B. Score and parts. 32 pages...
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Brass Ensemble - Level 4 - SKU: A0.790973 By Adele. By Adele Adkins and Paul Epworth. Arranged by Kevin P Holdgate. Pop,R & B. Score and parts. 32 pages. Kevin P Holdgate #4350515. Published by Kevin P Holdgate (A0.790973). James Bond for Brass Band CollectionA few years ago I decided to base my summer programme around a central theme of the James Bond movies. Audiences loved the concept and the pieces because they knew the tunes and could sing along. We also had a wonderfully versatile vocalist. This arrangement is one of the ones I did for her.There is such a rich collection of theme songs available which people know and love. This particular arrangement is with a vocal Solo and is not simple. But is very playable by any competent brass band. There is nothing overly clever or difficult technically but rhythmically it needs to be precise. It will be enjoyable and playable by all levels of brass band. .
$24.99
The Chase - 2 flutes & 2 clarinets
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Ensemble de Clarinettes
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Contemporain
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Paul Hemmer
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2 clarinets
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The Chase - 2 flutes & 2 c
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PJMS MUSIC
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SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.798346 Composed by Paul Hemmer. Contemporary. 8 pages. PJMS MUSIC #6022085. Published by PJMS MUSIC (A0.798346).
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Woodwind Ensemble Clarinet - SKU: A0.798346 Composed by Paul Hemmer. Contemporary. 8 pages. PJMS MUSIC #6022085. Published by PJMS MUSIC (A0.798346). The Chase (based on Bach Invention #1) features 2 flutes & 2 clarinets. Each instrument has a primary role in the short composition which is designed to stimulate blending instruments and precise counting. Instrumentalist will discover it fun to perform.
$15.00
Live And Let Die
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Wings
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Kevin P Holdgate
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Live And Let Die
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.790966 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin P Holdgate. Film/TV. Score and parts. 25 pa...
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Brass Ensemble - Level 4 - SKU: A0.790966 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin P Holdgate. Film/TV. Score and parts. 25 pages. Kevin P Holdgate #4347261. Published by Kevin P Holdgate (A0.790966). James Bond for Brass Band CollectionA few years ago I decided to base my summer programme around a central theme of the James Bond movies. Audiences loved the conceptt and the pieces because they knew the tunes and could sing along.There is such a rich collection of theme songs available which people know and love. This particular arrangement is based on the Bob Curnow arrangement for Big Band and is not simple. But is very playable by any competent brass band. There is nothing overly clever or difficult technically but rhythmically it needs to be precise. It will be enjoyable and playable by all levels of brass band.
$24.99
Klarifications for Clarinet Choir
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Ensemble de Clarinettes
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AVANCÉ
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Contemporain
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John Gibson
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Klarifications for Clarinet Ch
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.581881 Composed by John Gibson. Contemporary. 90 pages. JB Line...
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.581881 Composed by John Gibson. Contemporary. 90 pages. JB Linear #3012617. Published by JB Linear (A0.581881). Klarifications for Clarinet Choir is a three movement piece for a large clarinet choir. It is set for Eb Soprano (one player), Bb clarinet 1-2-3, 2 alto clarinets, 2 bass clarinets, and Bb Contra. This would be best in a clarinet choir with at least two on a part in the Bb clarinet section. Here is what Margaret Thornhill wrote about this piece in The Clarinet magazine, June 2017: The dramatic first movement is a dialogue between an eefer (Eb clarinet) and the rest of the ensemble, incorporating paraphrases of excepts from Bach to Bizet. It is followed by a surprising second movement chorale with slap tongue, flutter tongue and finger popping intended to be individually miked. The final movement is an exciting montuno, including a section where each person can choose which riffs to play.The 1st movement, Canons Firing From an Ever Rising Staircase, Or, Heed the Effer's Frantic Calls To explain the title just a bit, the ever rising staircase is an aural trick that, if done precisely, sounds like the music keeps rising without really doing so. This was derived from what is called a Shepard's Tone. The canons firing are not cannons! The bass instruments play small sections of actual canons (like fancy rounds) written by J S Bach, Mozart, and others. Each time the solo Eb clarinet (the Effer) announces the coming canon firing in a frantic sort of way. The 2nd movement (Close Encounters with Basses) makes use of a number of unusual sounds on clarinet (or parts thereof) along with a few extended techniques that are fairly easy to play with the clear instructions provided. The altos, basses, and contra should be closely miked to be heard.The 3rd movement (Sometimes Free - A Montuno) starts off with a rich beat in the basses and gradually joined with the rest of the clarinets. In the montuno section there are 4 bar phrases each player can choose from to play during the 32 bars. They may choose what they will, either playing a different variation each time, using the same one each time, or choosing to not play for a particular 4 bar section. This is not a free improvisation, however! This is definitely for an advanced group of players. The 1st movement is also available separately. The sample recording uses Finale software in the 1st and 3rd movement, and John Gibson's recording of the 2nd movement.
$22.95
Canons Firing From an Ever Rising Staircase for Clarinet Choir
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Ensemble de Clarinettes
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AVANCÉ
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Contemporain
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John Gibson
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Bb clarinets 1,2, and 3
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Canons Firing From an Ever Ris
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.581878 Composed by John Gibson. Contemporary. 66 pages. JB Linear #3007591. Publishe...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.581878 Composed by John Gibson. Contemporary. 66 pages. JB Linear #3007591. Published by JB Linear (A0.581878). Canons Firing From an Ever Rising Staircase, Or, Heed the Effer's Frantic Calls This is the 1st movement of a piece for clarinet choir written by John Gibson called Klarifications. The complete is also available. This movement is set for solo Eb clarinet; Bb clarinets 1,2, and 3; 2 Alto clarinets (with alternate Bb parts); 2 Bass clarinets; Bb Contrabass clarinet (with an alternate Eb Contra Alto part). To explain the title just a bit, the ever rising staircase is an aural trick that, if done precisely, sounds like the music keeps rising without really doing so. This was derived from what is called a Shepard's Tone. The canons firing are not cannons! The bass instruments play small sections of actual canons (like fancy rounds) written by J S Bach, Mozart, and others. Each time the solo Eb clarinet (the Effer) announces the coming canon firing in a frantic sort of way. Considering the Eb clarinet part, and the need for the Bb clarinets to carry the rising staircase, this is for an advanced group. It runs a little over 3 minutes in length. The recording is computer generated, although I plan to record a live version someday.
$14.50
Tango... for three? for bassoon trio
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3 Bassons
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FACILE
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Latin/Musique du monde
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Jazz
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Fran Griffin
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Tango... for three? for bassoo
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Gryphon Music Australia
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - SKU: A0.787454 Composed by Fran Griffin. Contemporary,Instructional,Jazz,Latin,Standards. 7 pages. G...
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Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - SKU: A0.787454 Composed by Fran Griffin. Contemporary,Instructional,Jazz,Latin,Standards. 7 pages. Gryphon Music Australia #3053071. Published by Gryphon Music Australia (A0.787454). A bassoon tango! The parts are quite easy, with limited range and in an easy key. Parts 1 and 2 are of similar difficulty, part 3 is for a player who likes to go low on the instrument. With catchy rhythm and satisfying harmony, this tango is ideal for practicing precise ensemble playing and clear articulation.
$9.50
Americana: God's Bottles (Downloadable)
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Chorale SSAA
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Randall Thompson
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Americana: God's Bottles
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSAA choir (a cappella) - SKU: MQ.2549-E Composed by Randall Thompson. 9 pages. E. C. Schirmer Music Company - Digital #2549-E. Published by E. C. Schir...
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SSAA choir (a cappella) - SKU: MQ.2549-E Composed by Randall Thompson. 9 pages. E. C. Schirmer Music Company - Digital #2549-E. Published by E. C. Schirmer Music Company - Digital (MQ.2549-E). A tour-de-force for SSAA chorus, unaccompanied. For today’s singers and audiences, the text is as tongue-in-cheek as they come. Yet it was written in a leaflet issued by the National Women’s Christian Temperance Union and was intended to be quite, quite serious! Apples and grapes are God’s bottles! “Some men take the juice of apples and grapes and make drinks that will harm our bodies!†But “We will drink from GOD’S BOTTLES.†A fun exercise in precise ensemble techniques with changing tempi, articulations, and dynamics.
$2.65
Handel's Hornpipe in D for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Dave Prudon
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Handel's Hornpipe in D for Str
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Prudon String Ensembles
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.732612 Composed by George Frideric Handel. Arranged by Dave Prudon. Baroque,Easter,Sa...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.732612 Composed by George Frideric Handel. Arranged by Dave Prudon. Baroque,Easter,Sacred,Wedding. Score and parts. 14 pages. Prudon String Ensembles #4571417. Published by Prudon String Ensembles (A0.732612). Of all the arrangements of this baroque standard out there on the market, this one stands out as one of the most musically satisfying for the players and the audience. Great care was taken to be sure that the harmonic structure is precise without sacrificing any of Handel's rich lyricism. To give the Trio another performance option, a Violin 2 part is included in the set. To see a Trio arrangement of the other Hornpipe (the one in D), along with many other nice string ensemble arrangements, take a peek at: Prudon String Ensembles Sheet Music.
$9.99
Intermediate Serial Studies for Trumpet
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Charles Decker
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Intermediate Serial Studies fo
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Charles Decker Music Press
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SheetMusicPlus
Trumpet - Level 4 - SKU: A0.817142 Composed by Charles Decker. Contemporary,Instructional. Educational Exercises. 25 pages. Charles Decker Music Press #...
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Trumpet - Level 4 - SKU: A0.817142 Composed by Charles Decker. Contemporary,Instructional. Educational Exercises. 25 pages. Charles Decker Music Press #4112429. Published by Charles Decker Music Press (A0.817142). Cited by the International Trumpet Guild Journal as a great introduction to the world of atonal music, Intermediate Serial Studies for Trumpet bridges the gap between tonal music and more difficult atonal literature with 20 short twelve-tone studies set primarily in the middle and lower registers. Settings vary from lyrical to marcato and tempos range from adagio to allegro. Using serial twelve-tone technique, each study's tone row is used only in original and retrograde (reversed) forms. Interval review in the studies begins with seconds and gradually expands to focus on thirds, fourths, tritones, fifths, sixths and sevenths. While 14 different time signatures are presented, beat subdivisions are not complex to facilitate precise rhythmic execution. Atonal music need not be barren of musical expression as applying creative interpretation with technical accuracy can make the music vibrant and exciting.See also with Charles Decker Music Press at Sheet Music Plus my Supplemental Practice Approaches for Trumpet and First Technical Studies for Trumpet that help develop trumpeters' skills and musicianship.If looking for trumpet solo features with brass quintet check out my SMP editions of Clarke’s Carnival of Venice, Puccini’s Che Gelida Manina from La Boheme, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this link to Kendor Music for my editions of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$9.95
Kansas City Stomp - Woodwind Quintet score & parts
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Francesco Leone
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Francesco Leone
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Kansas City Stomp - Woodwind Q
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Glissato Edizioni Musicali
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1512475 By Francesco Leone. By Ferdinand Jelly Roll Morton. Arra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1512475 By Francesco Leone. By Ferdinand Jelly Roll Morton. Arranged by Francesco Leone. Ragtime. 24 pages. Glissato Edizioni Musicali #1087496. Published by Glissato Edizioni Musicali (A0.1512475). Kansas City Stomp by Jelly Roll Morton: A Spirited Woodwind Quintet Arrangement by Francesco LeoneImmerse yourself in the vibrant rhythms and infectious melodies of early jazz with Francesco Leone's arrangement of Kansas City Stomp by the legendary Ferdinand Jelly Roll Morton, now beautifully adapted for woodwind quintet. This piece, originally composed by one of jazz's foundational figures, brings the lively atmosphere of Kansas City's jazz scene to the classical woodwind ensemble, offering an intermediate-level challenge that is both enjoyable and educational.Arrangement Highlights:Instrumentation: Crafted for Flute, Oboe, B♭ Clarinet, French Horn in F, and Bassoon, this arrangement captures the essence of Morton's jazz classic, allowing each instrument to shine through solo passages and tight ensemble sections. The inclusion of alternative parts for E♭ Horn and B♭ Bass Clarinet (in lieu of Bassoon) provides flexibility for ensembles to tailor the sound to their unique strengths and preferences.Score and Parts (7): The e-book package includes a comprehensive score and seven individual parts, all meticulously prepared to ensure a seamless rehearsal process. The clear and accessible notation allows intermediate players to navigate Morton's syncopated rhythms and melodic intricacies confidently.Educational Value: This arrangement not only entertains but also educates, introducing woodwind musicians to the fundamentals of jazz performance within a classical ensemble context. It's an excellent opportunity for players to expand their repertoire beyond traditional genres, exploring the rich textures and dynamic expressions of early jazz music.Exclusive Online Resources:Prepare for an engaging performance with the aid of an audio demo available at www.glissato.it. This invaluable resource offers a precise reference for tempo, articulation, and ensemble balance, enabling musicians to capture the spirited essence of Kansas City Stomp. It's a crucial tool for both individual practice and group rehearsals, ensuring a cohesive and lively rendition of this jazz classic.Dive into the World of Jazz with Your Woodwind Quintet:Francesco Leone's arrangement invites intermediate woodwind quintets to explore the exuberant world of Kansas City Stomp, offering a piece that is as educational as it is enjoyable. Whether for a concert, competition, or simply the pleasure of playing, this arrangement promises to delight audiences and performers alike, bringing the joy and spontaneity of Jelly Roll Morton's jazz to the classical stage. Embrace this unique musical journey and let your ensemble swing with the best of them.
$16.99
Mexican Hat Dance
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Traditional
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Ionut Cosarca
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Mexican Hat Dance
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Music4Gigs
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1471204 Composed by Traditional. Arranged by Ionut Cosarca. Classical,Folk,Traditio...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1471204 Composed by Traditional. Arranged by Ionut Cosarca. Classical,Folk,Traditional. 8 pages. Music4Gigs #1048865. Published by Music4Gigs (A0.1471204). Bring the vibrant energy and lively rhythms of the Mexican Hat Dance to your string quartet repertoire with this dynamic arrangement. Perfect for professional ensembles, advanced students, and lovers of traditional music, this arrangement captures the festive spirit and cultural richness of this iconic Mexican tune.Key Features:Authentic and Spirited: Faithfully arranged to preserve the lively tempo and joyful melodies of the traditional Mexican Hat Dance.High-Quality Digital Format: Available for immediate download in PDF, providing clear and precise notation for flawless performance.Versatile Use: Ideal for concerts, festivals, cultural events, and educational purposes.Performance Ready: Expertly notated with attention to detail in dynamics, articulation, and ensemble balance.Why Choose This Arrangement?Cultural Richness: Celebrates Mexican musical heritage with an engaging and authentic rendition of a beloved traditional tune.Accessible Yet Engaging: Suitable for advanced players, offering both technical enjoyment and audience appeal.Professional Presentation: Includes full score and individual parts, designed for ease of use and efficient rehearsals.Add Festive Flair to Your Repertoire: Enhance your performances with the festive and energetic Mexican Hat Dance. Whether you're entertaining an audience or practicing with your ensemble, this arrangement will infuse your music with the spirited joy of traditional Mexican culture.
$16.00
Cum enim quietum silentium contineret omnia, ...
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Janusz Krzysztof Korczak
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Cum enim quietum silentium con
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB/SATB/SATB/SATB) - advanced - SKU: S9.Q46315 Composed by Janusz Krzysztof Korczak. This edition: choral score. Distinguished Choral Mus...
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Mixed choir (SATB/SATB/SATB/SATB) - advanced - SKU: S9.Q46315 Composed by Janusz Krzysztof Korczak. This edition: choral score. Distinguished Choral Music. Downloadable, Choral score. Duration 4 minutes. Schott Music - Digital #Q46315. Published by Schott Music - Digital (S9.Q46315). Latin.For his choral piece Cum enim quietum silentium contineret omnia, ..., the composer, choir director and organist Janusz Krzysztof Korczak, born in Cracow in 1994, was awarded the 3rd prize at the International Composition Competition 'Musica Sacra Nova' 2016. This demanding Latin choral work is written for four four-part a cappella ensembles (SATB/SATB/SATB/SATB), including a plan of the ensembles' precise positions provided by the Polish composer. In this church music work which is divided into several thematic sections for which Korczak has a maximum of four singers for each part in each ensemble in mind, he has tried, by his own account, to set to music 'a kind of programmatic visualization' of the words borrowed from the Liber Sapientiae 18, 14-15b. As a consequence, performance instructions like soft or sharp whispering, singing with open and closed mouth, parts to be recited 'ad libitum', a general rest with explicit indication of seconds, strong dynamic accents as well as an abruptly descending glissando at the end are among the striking features of this 16-part a cappella choral work. Ideal literature for singers who are eager to experiment.
$4.99
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