Digital Pack includes:

1. This Land (from The Lion King) (arr. Robert Longfield) - Flute
2. This Land (from The Lion King) (arr. Robert Longfield) - Conductor Score (Full Score)
3. This Land (from The Lion King) (arr. Robert Longfield) - Oboe
4. This Land (from The Lion King) (arr. Robert Longfield) - Bassoon
5. This Land (from The Lion King) (arr. Robert Longfield) - Bb Clarinet 2
6. This Land (from The Lion King) (arr. Robert Longfield) - Bb Clarinet 1
7. This Land (from The Lion King) (arr. Robert Longfield) - Eb Alto Saxophone 2
8. This Land (from The Lion King) (arr. Robert Longfield) - Bb Bass Clarinet
9. This Land (from The Lion King) (arr. Robert Longfield) - Bb Tenor Saxophone
10. This Land (from The Lion King) (arr. Robert Longfield) - Eb Alto Saxophone 1
11. This Land (from The Lion King) (arr. Robert Longfield) - Eb Baritone Saxophone
12. This Land (from The Lion King) (arr. Robert Longfield) - Bb Trumpet 1
13. This Land (from The Lion King) (arr. Robert Longfield) - F Horn
14. This Land (from The Lion King) (arr. Robert Longfield) - Bb Trumpet 2
15. This Land (from The Lion King) (arr. Robert Longfield) - Trombone/Baritone B.C.
16. This Land (from The Lion King) (arr. Robert Longfield) - Baritone T.C.
17. This Land (from The Lion King) (arr. Robert Longfield) - Tuba
18. This Land (from The Lion King) (arr. Robert Longfield) - Percussion 1
19. This Land (from The Lion King) (arr. Robert Longfield) - Percussion 2
20. This Land (from The Lion King) (arr. Robert Longfield) - Mallet Percussion
21. This Land (from The Lion King) (arr. Robert Longfield) - Timpani

Digital Pack includes:

1. Jurassic World: Fallen Kingdom (arr. Robert Longfield) - Violin 1
2. Jurassic World: Fallen Kingdom (arr. Robert Longfield) - Conductor Score (Full Score)
3. Jurassic World: Fallen Kingdom (arr. Robert Longfield) - Violin 3 (Viola Treble Clef)
4. Jurassic World: Fallen Kingdom (arr. Robert Longfield) - Violin 2
5. Jurassic World: Fallen Kingdom (arr. Robert Longfield) - Viola
6. Jurassic World: Fallen Kingdom (arr. Robert Longfield) - Cello
7. Jurassic World: Fallen Kingdom (arr. Robert Longfield) - Bass
8. Jurassic World: Fallen Kingdom (arr. Robert Longfield) - Piano
9. Jurassic World: Fallen Kingdom (arr. Robert Longfield) - Percussion

Digital Pack includes:

1. My Dear Redeemer, Lord And King - Full Score
2. My Dear Redeemer, Lord And King - Oboe
3. My Dear Redeemer, Lord And King - Piano
4. My Dear Redeemer, Lord And King - Violin 1
5. My Dear Redeemer, Lord And King - Violin 2
6. My Dear Redeemer, Lord And King - Viola
7. My Dear Redeemer, Lord And King - Cello
8. My Dear Redeemer, Lord And King - Double Bass
9. My Dear Redeemer, Lord And King - Keyboard String Reduction

Digital Pack includes:

1. Glory And Honor To The Newborn King - Flute
2. Glory And Honor To The Newborn King - Bb Clarinet
3. Glory And Honor To The Newborn King - Bassoon
4. Glory And Honor To The Newborn King - F Horn
5. Glory And Honor To The Newborn King - Bass

Digital Pack includes:

1. Thinking Out Loud - Oboe
2. Thinking Out Loud - Flute
3. Thinking Out Loud - Bassoon
4. Thinking Out Loud - Bb Clarinet 3
5. Thinking Out Loud - Bb Clarinet 1
6. Thinking Out Loud - Bb Clarinet 2
7. Thinking Out Loud - Bb Bass Clarinet
8. Thinking Out Loud - Bb Tenor Saxophone
9. Thinking Out Loud - Eb Alto Saxophone 2
10. Thinking Out Loud - F Horn
11. Thinking Out Loud - Trombone
12. Thinking Out Loud - Eb Baritone Saxophone
13. Thinking Out Loud - Bb Trumpet 2
14. Thinking Out Loud - Baritone B.C.
15. Thinking Out Loud - Tuba
16. Thinking Out Loud - Bass
17. Thinking Out Loud - Percussion 2
18. Thinking Out Loud - Percussion 1
19. Thinking Out Loud - Mallet Percussion
20. Thinking Out Loud - Timpani
21. Thinking Out Loud - Baritone T.C.
22. Thinking Out Loud - Conductor Score (Full Score)
23. Thinking Out Loud - Bb Trumpet 1
24. Thinking Out Loud - Eb Alto Saxophone 1

Whether you have a full flute choir or just a few flutes, this version of "Oh Worship the King" is flexible for your needs! It can be played with as little as 4 flutes (parts 1-4), but there are optional flute 5, piccolo, alto flute, and bass flute/flute 6 parts for a fuller sound. It would be perfect for an offertory or prelude for a church service, or as a learning tool for students to practice expanding their range and learning to blend.

Length: approximately 3 minutes, suggested bpm 90-100
Contains: 27 pages, includes score and parts
Level: 2-3, some 16th note passages in several parts, and upper 3rd register for parts 1 and 3.

Digital Pack includes:

1. Kingdom of the Sun and Moon - Full Score
2. Kingdom of the Sun and Moon - Flute
3. Kingdom of the Sun and Moon - Oboe
4. Kingdom of the Sun and Moon - Bassoon
5. Kingdom of the Sun and Moon - Bb Clarinet 1
6. Kingdom of the Sun and Moon - Bb Clarinet 2
7. Kingdom of the Sun and Moon - Bb Clarinet 3
8. Kingdom of the Sun and Moon - Bb Bass Clarinet
9. Kingdom of the Sun and Moon - Eb Alto Saxophone 1
10. Kingdom of the Sun and Moon - Eb Alto Saxophone 2
11. Kingdom of the Sun and Moon - Bb Tenor Saxophone
12. Kingdom of the Sun and Moon - Eb Baritone Saxophone
13. Kingdom of the Sun and Moon - Bb Trumpet 1
14. Kingdom of the Sun and Moon - Bb Trumpet 2
15. Kingdom of the Sun and Moon - F Horn
16. Kingdom of the Sun and Moon - Trombone
17. Kingdom of the Sun and Moon - Baritone B.C.
18. Kingdom of the Sun and Moon - Baritone T.C.
19. Kingdom of the Sun and Moon - Tuba
20. Kingdom of the Sun and Moon - String Bass
21. Kingdom of the Sun and Moon - Percussion 1
22. Kingdom of the Sun and Moon - Percussion 2
23. Kingdom of the Sun and Moon - Mallet Percussion
24. Kingdom of the Sun and Moon - Timpani

Digital Pack includes:

1. Kingdom Dance (from Tangled) - Conductor Score (Full Score)
2. Kingdom Dance (from Tangled) - Solo Fiddle
3. Kingdom Dance (from Tangled) - Violin 2
4. Kingdom Dance (from Tangled) - Violin 1
5. Kingdom Dance (from Tangled) - Violin 3 (Viola Treble Clef)
6. Kingdom Dance (from Tangled) - Viola
7. Kingdom Dance (from Tangled) - Bass
8. Kingdom Dance (from Tangled) - Cello
9. Kingdom Dance (from Tangled) - Piano
10. Kingdom Dance (from Tangled) - Percussion 1
11. Kingdom Dance (from Tangled) - Percussion 2

Digital Pack includes:

1. Walking to the Sky - Conductor Score (Full Score)
2. Walking to the Sky - Flute
3. Walking to the Sky - Oboe
4. Walking to the Sky - Bassoon
5. Walking to the Sky - Bb Clarinet 1
6. Walking to the Sky - Bb Clarinet 2
7. Walking to the Sky - Bb Clarinet 3
8. Walking to the Sky - Bb Bass Clarinet
9. Walking to the Sky - Eb Alto Saxophone 1
10. Walking to the Sky - Eb Alto Saxophone 2
11. Walking to the Sky - Bb Tenor Saxophone
12. Walking to the Sky - Eb Baritone Saxophone
13. Walking to the Sky - Chorus
14. Walking to the Sky - Bb Trumpet 1
15. Walking to the Sky - Bb Trumpet 2
16. Walking to the Sky - Bb Trumpet 3
17. Walking to the Sky - F Horn 1
18. Walking to the Sky - F Horn 2
19. Walking to the Sky - Trombone 1
20. Walking to the Sky - Trombone 2
21. Walking to the Sky - Baritone B.C.
22. Walking to the Sky - Baritone T.C.
23. Walking to the Sky - Tuba
24. Walking to the Sky - String Bass
25. Walking to the Sky - Percussion 1
26. Walking to the Sky - Percussion 2
27. Walking to the Sky - Percussion 3
28. Walking to the Sky - Percussion 4
29. Walking to the Sky - Mallet Percussion
30. Walking to the Sky - Timpani

Recorded by Nicolas Horvath on Grand Piano records (GP822)

Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.

The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.

Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bédier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!

Robert Orledge

Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.

Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwal and that ?Isolde of the white hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.

The idea of a Tristan that restorced its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.

Unforunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bédier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!

I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically
bringing my Debussy works to public attention in their solo piano formats, both through his recent
recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are
true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores
(like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral
versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world
première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording):

[After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap-
pears once again where the clock should be ? briefly

This is a book of 5 solo arrangements with piano accompaniment (or backing tracks). It contains some of the most beautiful and lyrical slow melodies ever composed. They range from Intermediate to Advanced level in difficulty; a solo part and a piano accompaniment are provided for each piece, as is a backing track on YouTube. This is the full list:


1. Nessun Dorma
2. Vocalise
3. The Swan (from Carnival of the Animals)
4. Gymnopédie No.1
5. Träumerei (from Kinderszenen)

Free backing tracks are provided for each piece; these can be heard by visiting https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhA and this link is also printed in the front of the book for future use.