Thisnew collection of Thanksgiving and Harvest hymns contains all your favorites,or at least, most of them. It?s probably all you?ll ever need for thanksgivingand harvest festivals and the arrangements can be used for virtually anycombination of stringed instruments. This is an essential title for any stringlibrary or for any string ensembles that are called upon to provide music forschools, Thanksgiving events or churches.

Thearrangements can be used with string quartet, string quintet or string ensembleor performed as solo pieces. There?s also an optional but useful simplifiedkeyboard part intended for less experienced keyboard players. The piano parttoo means that you can use the arrangements as solos, duets or trios. Thesearrangements are intended either as stand-alone pieces that could be used asinterludes in a service, or they could be used to accompany solo, choral orcongregational singing. To make the music accessible to less experienced stringplayers, the range of the notes has been kept fairly low so that many of thearrangements can be played in first position. However, to produce a brighterand richer sound, a few of the more experienced violinists could play an octavehigher. You could also use the arrangements as flute or oboe solo pieces, with thewind instrument playing the 1st violin part. Each hymn has a four-staff scoreand parts are provided for Violin 1, Violin 2, Viola, Cello and optional Doublebass. The scores and all the parts are contained in a single PDF file. Becausestring-friendly keys are used, these arrangements are NOT compatible with thosein the wind collection of the same name.

Thefollowing 25 hymns are included: AllCreatures of our God and King (Lasst uns Erfreuen); As the Sun doth Daily Rise(Innocents); All Things Bright and Beautiful (Bright and Beautiful); Bringingin the Sheaves (Sowing in the Morning); Come Ye Thankful People Come (StGeorge?s Windsor); Fair Waved the Golden Corn (Holyrood); Fill your Hearts withJoy and Gladness (Ode to Joy); For the Beauty of the Earth (Dix); For theFruits of His Creation (Ar Hyd y Nos); Glorious Things of Thee are Spoken(Austrian Hymn); Immortal, Invisible (St Denio); Let all Things now Living (AshGrove); Let us with a Gladsome Mind (Monkland); Now Thank we all Our God (Nundanket); Praise and Thanksgiving (Bunessan); Praise God for the Harvest(Stowey); Praise my Soul the King of Heaven (Lauda anima); Praise to the Lordthe Almighty (Lob den herren); Rejoice the Lord is King (Darwall?s 148th);Sing to the Lord of Harvest (Wie lieblich ist der maien); This is my Father?s World(Terra Beata); To thee, O Lord, our Hearts we Raise (Golden Sheaves); We GatherTogether (Kremser); We Plough the Fields and Scatter (Wir pflügen) and PraiseGod from whom all Blessings Flow (Old Hundredth)

"Hallelujah" is a song written by Canadian singer Leonard Cohen, and was originally released in 1984. It has grown in popularity over the years and is now widely used in both secular and sacred settings. It was also featured in the film Shrek in 2001.

This arrangement is for String Trio, and as with most Zene Strings arrangements, gives each player an opportunity to play the melody.

There is a violin II part (treble clef) as well as a viola part (alto clef) included, so this trio can be played with either two violins and a cello, or a violin, viola and cello.

Enjoy -- from your friends at Zene Strings!

'The Crown' is an award winning Netflix series that has won the hearts of many people around the world. Hans Zimmer wrote the theme for the main title with Rupert Gregson-Williams, from Wiltshire, composing music for the first series, joined by Lorne Balfe, a Scottish composer for series two.


I have made an arrangement for String Quartet and hope to make more for different combinations of instruments and piano in the future.

As usual my arrangement can be played by professionals for concerts, weddings and events but also tackled by young people. The key is the original one, D minor, which is easy for strings, and younger players can make use of open strings and take as many bows as they need. I have included some bowing as a guide. Most of the double stopping includes one open string but less experienced players can leave out one of the notes where necessary, especially of it is doubled by one of the other players. I have included some 'commas' in this arrangement and recommend recovering the bow and watching the leader like a hawk!

The long ?piano? sections will need lots of crescendo and decrescendo markings to sound effective. I put down some ideas, but feel free to experiment. The main thing is that they grow and decay again, to keep up the tension. Without that movement, those soft passages might sound boring, albeit the chords are gorgeous.

I have included a crescendo in the penultimate bar before each new dynamic, but ideally a long crescendo is needed between each new dynamic marking. The texture becomes gradually thicker, which will help, but I am looking forward to Capriccio Quartet recording this one as they are so good at building up excitement.

There must be a great deal of drama at letters D and O. After a massive increase in dynamic I am hoping for a ?breath? at the comma, and a very sudden softness for the chords that follow. I also like harmonics for the viola at bars 21-22, giving way to a natural note on the fourth beat of 22. I would like the harmonic in viola to be almost imperceptible as the piece closes out. I haven?t marked it as such, and I couldn?t write a ?simile? on the page without clashes of staves or an extra page. I intended it to be a harmonic to the end though.

Please send me any recordings you make because I love to hear people playing my arrangements, even if it is a phone recording, and especially younger players! I am on facebook and I have a Youtube Channel too. Helen Marple-Horvat Songwriter, Arranger, Composer.

O God, Beyond All Praising (Thaxted) (Bb) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of "O God, Beyond All Praising", a hymn tune based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of "Jupiter" (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.
The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, "Jupiter, the Bringer of Jollity", Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked "Andante Maestoso", perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem "I Vow to Thee, My Country" by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named "Thaxted", named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn "I Vow to The, My Country", other settings of this hymn tune also include "O God, Beyond All Praising", by Michael Perry in 1982 and "We Praise You and Acknowledge You, O God", a paraphrase of the "Te Deum Laudemus" by Stephen P. Starke in 1999.
Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a String Quintet, consisting of 2 Violins, 1 Viola (which has the lead), 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of "O God, Beyond All Praising" based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years to come.

We Will Rock You is a classic Queen favorite - arranged here for String Trio. The second violin/viola starts with the melody, with the first violin alternating. The instrumental interlude section is a rollicking good time for all, with each of the upper strings playing the guitar riffs. From your friends at Zene Strings - enjoy!

As with all of our string trio arrangements, the middle part is included in both treble and alto clef giving you the flexibility of performing the piece with either two violins and a cello, or a violin, viola and cello. From your friends at Zene Strings - enjoy!

Another fun-to-play arrangement from your friends at Zene Strings! Melody alternates between the two top parts. There is a violin 2 (treble clef) and an alternate viola part (alto clef) part included to give you greater performance flexibility.

Our arrangements are designed to be easily played by gigging professionals -- and enjoyed by all.

"Lara's Theme" is the theme written for the film Doctor Zhivago (1965) by composer Maurice Jarre, which is better known as the song "Somewhere My Love".

This arrangement is for string trio, and can be played by either two violins and a cello, or a violin, viola and cello. The middle part is included in both treble clef (when played by violin 2) and alto clef (when played by viola).

From your friends at Zene Strings - enjoy!
To see our other great arrangements visit: www.ZeneSheetMusic.com.
Questions or comments? Email us at Music@ZeneSheetMusic.com. We're here to help!

String Trios will love playing this arrangement and wowing the audience with such a monumental orchestral favorite. Carefully scored in such a way as to retain all of Bach's exciting melodies & harmonies, each part has a chance to shine. The parts are very nicely laid out and give each musician ample time to turn pages. To give the ensemble an alternate performance option, a second violin part is included in this set. To see tons of very nice arrangements for strings, visit: Prudon String Ensembles Sheet Music, on SMP.com.

This is a gig or church service-ready arrangement of Kari Jobe and Cody Carnes's "The Blessing" for string quartet. A great addition to your gig book for weddings or your musical catalog for worship/church bands that feature strings. Included with the quartet score and parts is a slash/chord lead sheet if you wish to perform this with along with guitar, piano or full band.

The form follows pretty much exactly what is on the "Radio Version" of this tune, although you may cut and/or loop the repeated sections in order to tailor it to the performance time that you require. I have also taken the liberty of transposing this from the original key of B into the much more string and band-friendly key of C (you're welcome, cellists.) While I've added a couple fun harmonics and just a bit of "rhythmic interest" into some of the inner parts, I would describe this chart as 100% sight-readable for most professional players, and still well within the technical capability of high school or recreational ensembles with just a bit of practice.

Performance time - approximately 4:30 with repeats taken, 3:30 if you skip the verse/chorus repeat. Lots of other exit/entry points can be easily incorporated at most of the rehearsal marks.

Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.

An iconic song from 1977, this is one of David Bowie's most popular tracks. Voted no.1 in both Uncut's "David Bowie's 30 Best Songs" of 2008 & NME's "David Bowie's 40 Greatest Songs" of 2014, this song has also been included in numerous other Top selections including no.3 in NME's "100 Greatest Songs in NME's Lifetime...So Far" in 2012. This arrangement retains the insistence of the rhythm section, along with the interplay between the vocal & lead guitar.

"Toxic," made famous by Britney Spears. Arranged for String Quartet by Martin Wray. This high-energy version has enthralled audiences time after time, made available now for public purchase through Sheet Music Plus. Perfect as a concert encore or for corporate functions and weddings. 3 pages per part, score and parts included.

Martin Wray is a viola player based in London, working regularly with The London Philharmonic Orchestra and other ensembles across the U.K, Europe and the world. He arranges for private clients and has built an extensive portfolio of arrangements for strings and other ensembles over the past decade.

Londonderry Air arranged for String Orchestra.

A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).

"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant?s Causeway.

On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.

There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.

The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly?s intent.

Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can?t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".

Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.

In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board?s History of Derry.)

The linguistic outcome of all this today is that, if you think that King James?s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it?s confusing for kings to be going around changing the names of places all the time for no good reason.

You can find plenty of discussion about the political side of the question elsewhere, but here let?s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn?t have a title. What do we call it?

If you were a proper Victorian, there?s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill?s theory that Australia was inhabited by "convicts and Irishmen".)

My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:

Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP?s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger?s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there?s another variant on the name for it. It doesn?t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger?s original comments.

The references to Londonderry Air that I?ve seen don?t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby?s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn?t come into the war in 1940.

Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com

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An easily accessible early level arrangement of this festive Christmas Carol for String Orchestra, optional Piano and Orchestral Percussion. A violin II which doubles the viola part is also included. Accompaniment & part-dominant rehearsal tracks are also available for your entire ensemble to rehearse and perform with from www.paulbarkermusic.com

Level: Early Level Strings - Grade 2
Duration: 1:30
Occasion: Concert - Formal/Informal Christmas Holiday Events
Instrumentation: String Orchestra ? Piano ? Orchestral Percussion

The famous C Major prelude (#1) from the Well-Tempered Clavier book 1 by J.S. Bach is here arranged for string quartet. Division of parts into pizzicato and arco is used to emulate the attack and decay of a piano. A score and set of parts are included with every purchase.

Already, there are lots of arrangements of this spicy tune on the market for sale but not so many for String Trio and none as nice as this one. A nicely-written harmony part along with a jazzy bass line help capture all of the sultry flavors of this popular tune. String Trios can play it for a special event or just for fun but in any case, it will be a nice one add to the repertoire list. To give ensembles an alternate performance option, a second violin part is included in this set.
If you take a look at: Prudon String Ensembles Sheet Music, you'll see hundreds of other nice string arrangements.

There are lots of arrangements of this beautiful tune on the market for sale, but not so many as well-written for String Trio as this one is. With a beautiful mix of suspensions and rich harmony, this arranger has put together a gorgeous rendition which is sure to delight the performer as well as the listener. String Trios that are in the business of playing for special occasions will like having this on their repertoire list. To give the ensemble another performance option, a 2nd violin part is included in this set. Search for: Prudon String Arrangements Sheet Music to see tons of nice string arrangements.