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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
some was not
Non classifié
1 041
Piano & claviers
Piano seul
443
Piano, Voix
194
Piano, Voix et Guitare
78
Piano Facile
57
Instruments en Do
34
Accompagnement Piano
33
Orgue
31
1 Piano, 4 mains
17
Piano Trio: piano, violon, violoncelle
9
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
2
Piano grosses notes
1
2 Pianos, 8 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
67
Guitare
59
2 Guitares (duo)
17
Mandoline
10
Ligne De Mélodie, (Paroles) et Accords
9
Ukulele
6
Banjo
4
3 Guitares (trio)
3
Basse electrique
3
Piano, Guitare (duo)
3
Ensemble de guitares
2
2 Mandolines (duo)
1
Dulcimer
1
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
183
Chorale 3 parties
40
Chorale TTBB
24
Chorale 2 parties
23
Chorale SSAA
15
Voix Alto, Piano
11
Chorale Unison
11
Voix duo, Piano
6
Voix Soprano, Piano
5
Voix Tenor
4
Voix haute
4
Voix duo
3
Voix Baryton, Piano
3
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
1
Voix Tenor, Piano
1
Voix Soprano
1
Voix basse, Piano
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
115
Quintette de Saxophone: 5 saxophones
104
Ensemble de saxophones
87
Flûte traversière et Piano
51
Clarinette et Piano
46
Flûte à bec Soprano
44
Quatuor de Saxophones: 4 saxophones
42
Ensemble de Clarinettes
38
Hautbois, Piano (duo)
29
Quatuor de Clarinettes: 4 clarinettes
29
2 Flûtes traversières, Piano
25
Ensemble de Flûtes
25
Saxophone Alto et Piano
25
Saxophone Alto
24
Flûte, Hautbois, Clarinette, Basson
24
3 Saxophones (trio)
20
2 Saxophones (duo)
19
Flûte traversière
18
Saxophone Tenor et Piano
18
Clarinette
15
Saxophone Soprano et Piano
15
Quintette de Flûte : 5 flûtes
14
Saxophone Baryton, Piano
13
Quatuor de Flûtes : 4 flûtes
12
Cor anglais, Piano
11
Quintette de Clarinettes: 5 clarinettes
10
3 Clarinettes (trio)
10
Flûte et Guitare
10
2 Clarinettes (duo)
9
2 Flûtes traversières (duo)
8
Trio de Flûtes: 3 flûtes
8
2 Flûte à bec (duo)
7
Saxophone Tenor
6
Hautbois (partie séparée)
6
Clarinette Basse, Piano
4
Ocarina
4
3 Flûtes à bec (trio)
4
Harmonica
4
Quatuor de Flûtes à bec
4
Clarinette, Basson (duo)
3
2 Clarinettes, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Flute, harpe et violon
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Clarinette (duo)
3
Flûte à bec Alto
3
Clarinette, Guitare (duo)
3
Flûte à Bec
2
Flûte, Alto et Piano
2
Clarinette, Harpe (duo)
2
Cor Anglais
2
Saxophone (partie séparée)
2
Flûte irlandaise
2
Piccolo
2
5 Flûtes à bec
2
Saxophone
2
Flûte à bec Alto, Piano
1
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois (duo)
1
Flûte à bec Soprano, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Guitare (duo)
1
Clarinette Basse
1
Ensemble de Hautbois
1
Saxophone et Piano
1
Saxophone et Orgue
1
Flûte, Clarinette et Basson
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Tenor
1
Saxophone Soprano
1
2 Saxophones, Piano
1
Hautbois, Harpe
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec, Piano
1
+ 71 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
83
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
Ensemble de Trombones
21
Trombone et Piano
19
Ensemble de Trompettes
18
Cor et Piano
17
Trompette
17
Quatuor de Cuivres
14
Trompette, Piano
13
Cor anglais, Piano
11
Euphonium, Piano (duo)
10
Trombone
9
Tuba
8
Ensemble de Cors
8
Quatuor de cuivres: 4 trombones
6
2 Trompettes (duo)
4
Trompette, Trombone (duo)
4
2 Cors (duo)
4
Tuba et Piano
4
4 Tubas
3
Quatuor de cuivres: 4 trompettes
3
2 Trombones (duo)
3
Cor
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
2
Cor Anglais
2
Trombone, Cor (duo)
1
Tuba et Orgue
1
Bass Clef Instruments
1
Trompette, Cor (duo)
1
Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
1
3 Trompettes (trio)
1
3 Tubas (trio)
1
3 Cors (trio)
1
3 Trombones (trio)
1
2 Euphoniums et 2 Tubas
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
128
Violon et Piano
60
Violoncelle, Piano
46
Trio à Cordes: violon, alto, violoncelle
45
Harpe
45
Alto, Piano
42
Violon
35
Violon, Violoncelle (duo)
28
Violoncelle
21
2 Violons (duo)
14
Trio à Cordes: 2 violons, violoncelle
14
Ensemble de Violons
11
Ensemble d'Altos
11
2 Violoncelles (duo)
9
Violon, Alto (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Alto seul
7
Contrebasse, Piano (duo)
6
Trio à Cordes: 3 violoncelles
6
Violon, Guitare (duo)
5
Contre Basse
4
4 Violoncelles
4
2 Altos (duo)
4
Violoncelle , Guitare (duo)
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
3
Alto (partie séparée)
3
Trio à cordes: 3 altos
3
Alto, Violoncelle (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Voix
2
Harpe, Flûte (duo)
2
4 Contrebasses
2
Trio à cordes: 3 violins
2
Harpe et Piano
1
Violoncelle, Orgue
1
Alto et Harpe
1
Alto, Guitare (duo)
1
3 Harpes
1
Harpe, Trombone (duo)
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
120
Orchestre
69
Orchestre à Cordes
67
Ensemble de cuivres
43
Orchestre de chambre
25
Ensemble Jazz
22
Jazz combo
12
Cloches
10
Ensemble de Percussions
9
Marimba
5
Fanfare
3
Vibraphone
3
Piano et Orchestre
1
2 Marimbas
1
Bongos
1
Batterie
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Pertinence
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Nouveautes
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Partitions à imprimer
4 967 partitions trouvées
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4951
What Was I Made For?
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Pop musique
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Film/TV
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Billie Eilish
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Daniel Roberts
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What Was I Made For?
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Daniel P Roberts
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1374764 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Daniel Roberts. 21st Century,Fil...
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Solo Guitar - Level 3 - SKU: A0.1374764 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Daniel Roberts. 21st Century,Film/TV,Pop,Singer/Songwriter. Individual part. 5 pages. Daniel P Roberts #959294. Published by Daniel P Roberts (A0.1374764). What Was I Made For? from the movie Barbie.Arranged for 6-string guitar with TABI used to float, now I just fall downI used to know but I'm not sure nowWhat I was made forWhat was I made for?Takin' a drive, I was an idealLooked so alive, turns out I'm not realJust something you paid forWhat was I made for?'Cause I, II don't know how to feelBut I wanna tryI don't know how to feelBut someday, I mightSomeday, I mightWhen did it end? All the enjoymentI'm sad again, don't tell my boyfriendIt's not what he's made forWhat was I made for?'Cause I, 'cause II don't know how to feelBut I wanna tryI don't know how to feelBut someday I mightSomeday I mightThink I forgot how to be happySomething I'm not, but something I can beSomething I wait forSomething I'm made forSomething I'm made for.
$4.99
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Siman Tov, Mazel Tov (guitar solo, in standard notation with TAB)
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Guitare notes et tablatures
#
INTERMÉDIAIRE
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Rock
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Traditional
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Geofonica Artistworks
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Siman Tov, Mazel Tov
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Geofonica Artistworks
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.948714 Composed by Traditional (Arr. by Bradley Powell). Arranged by Geofonica Artistworks. Concert,Jewish,Wedding,World. Gui...
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Guitar - Level 3 - SKU: A0.948714 Composed by Traditional (Arr. by Bradley Powell). Arranged by Geofonica Artistworks. Concert,Jewish,Wedding,World. Guitar Tab. 6 pages. Geofonica Artistworks #6888891. Published by Geofonica Artistworks (A0.948714). Guitar solo in standard notation with TAB (also available in standard notation only)...this is a very popular Jewish traditional wedding song, arranged by Bradley Powell (The Candlelight Guitarist), from his CD The Wedding of Dulcinea and Don Quixote. Intermediate level blend of folk-jazz and classical-fingerstyle guitar (a trademark style blend of The Classical Guitarist.) It's a lively and very fun piece, with some interesting musical twists, perfect for weddings, recitals and general repertoire.ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventure at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.COMMENTS FROM ESTABLISHED REVIEWERS...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!
$4.99
Yesterday, When I Was Young (hier Encore)
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Piano seul
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AVANCÉ
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Roy Clark
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Timothy Stapay
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Si...
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Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99
Someone You Loved
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Trompette
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DÉBUTANT
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Lewis Capaldi
#
Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arran...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117500. Published by M das Melodias (A0.505838). Sheet music of the song Someone You Loved for trumpet in Bb. Singer Lewis Capaldi. Sheet music on the easy-to-play level. #trumpet #Bbtrumpet #someoneyouloved #lewiscapaldi I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
BEAUTIFUL ISLE OF SOMEWHERE
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Chorale TTBB
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FACILE
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Jesse Brown Pounds
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Paul A
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BEAUTIFUL ISLE OF SOMEWHERE
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522449 Composed by Jesse Brown Pounds. Arranged by Paul A. Jorg. A Cappella,Christian,Contemporary,Sacred. Octav...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522449 Composed by Jesse Brown Pounds. Arranged by Paul A. Jorg. A Cappella,Christian,Contemporary,Sacred. Octavo. 2 pages. Paul A. Jorg #6141409. Published by Paul A. Jorg (A0.522449). Here is a bit of history from Hymnary,org of the composer, Jesse Brown Pounds, a young lady from a suburb of Cleveland, OH. She was not in good health when she was a child so she was taught at home. She began to write verses for the Cleveland newspapers and religious weeklies when she was fifteen. After an editor of a collection of her verses noted that some of them would be well suited for church or Sunday School hymns, J. H. Fillmore wrote to her asking her to write some hymns for a book he was publishing. She then regularly wrote hymns for Fillmore Brothers. She married Rev. John E. Pounds, a pastor of the Central Christian Church in Indianapolis in1896, and one year after marriage, wrote this hymn. The arrangement is for 4 part male harmony (TTBB) a cappella. .
$4.59
Amazing Grace (And Then Some)
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Orchestre d'harmonie
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Musique Sacrée
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Marc Oliver
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Amazing Grace
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733028 Composed by Marc Oliver. Arranged by Ayotte Custom Musical Engravings. Praise & Worship,Sacred,Spiritual. Score and parts....
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Concert Band - SKU: A0.733028 Composed by Marc Oliver. Arranged by Ayotte Custom Musical Engravings. Praise & Worship,Sacred,Spiritual. Score and parts. 42 pages. Ayotte Custom Musical Engravings #2347283. Published by Ayotte Custom Musical Engravings (A0.733028). Almost everybody and his mother on the Planet have written their own arrangements of Amazing Grace so I guess I should not be the exception. Amazing Grace (And Then some) is written for Solo Tuba, accompanied by a wind band. I was inspired to write this chart by a young man named Brandon Jones who lives in the Mobile, Alabama area. He was about 20 years old at the time of this writing (in 2012). He wanted to dedicate it to his father who had died when Brandon was about 4 or 5 years old. My arrangement of Amazing Grace (And Then Some) is not just another theme and variations type of work. Instead, I have interwoven two additional hymns (Praise to the Lord, the Almighty and I Will Sing of My Redeemer) in order to break up the monotony of just the one hymn (hence the subtitle And Then Some) Oh, did I mention that Brandon plays a C tuba that was passed down from his father?
$49.99
What Was I Made For?
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Piano seul
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FACILE
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Film/TV
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Billie Eilish
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Thomas Gunther
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What Was I Made For?
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Thomas Gunther Music Productions
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SheetMusicPlus
Instrumental Solo - Level 2 - SKU: A0.1271184 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Thomas Gunther. Children,C...
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Instrumental Solo - Level 2 - SKU: A0.1271184 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Thomas Gunther. Children,Contemporary,Film/TV. Individual part. 4 pages. Thomas Gunther Music Productions #863576. Published by Thomas Gunther Music Productions (A0.1271184). About the arrangement This is pianist/arranger Thomas Gunther's beautiful and highly accurate piano solo arrangement of the 2023 Barbie Movie features Billie Eilish's song WHAT I WAS MADE FOR.  It includes even Billie's quiet humming passages.This solo piano version can be played all by itself, or with Billie's recording of the song.It is easy enough to learn for pianists that have no amazing techniqual skills, but can be challanging in different ways, as explained below. From the Arranger Thomas Gunther  The most challenging task when writing this solo piano arrangement of What I Was Made For was to notate Billie's rhythm accurately. Her melodic rhythm is very important as it supports the flow of the lyrics perfectly. Notating a singer's rhythm can unfortunately never be 100% perfect (notation is by definition quantized), but I think I got very close. An other challenge was to get the accompaniment sound like the original without stepping on the melody notes. Looking at my final version I think it is as good as it gets for a piano adaption of this highly emotional song.I really hope all you Billie Eilish fans out there will enjoy playing this arrangement! How difficult is it As mentioned earlier, the song looks simple, but to play it well there is a lot of things the pianist has to take care of. The most challenging aspect is to sustain some notes by either using clever fingering or employing the sustain pedal. Also, dynamics are really important, especially when ballancing the accompaniment against the melody. Fingering I included fingering numbers to give the pianist a starting point. But fingering is a highly subjective affaire. Every pianist should feel free to adapt her/his own fingering as see fit. Sustain pedal usage The sustain pedal usage is very important in this arrangement (I included sustain pedal markings for this very reason). For one, it helps sustaining some notes that can't be held otherwise, and of course to make the sound fuller (more cinematic). It is important to use the pedal to create a sense of space (distance). After all, the original recording uses a lot of reverb to achieve that. Chord Symbols I did not include pop chord symbols because the harmony to the the song is very simple and based around 4 diatonic chords. It would just cludder up the score. At PopJazzKeys.com/Barbie I talk a little bit about the chords.
$5.99
Someone You Loved
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Clarinette
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DÉBUTANT
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Clarinet Solo - Level 1 - SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by...
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Clarinet Solo - Level 1 - SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117503. Published by M das Melodias (A0.507363). Music score Someone You Loved for Clarinet in C. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
Someone You Loved
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Violoncelle
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Cello Solo - SKU: A0.505840 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Olive...
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Cello Solo - SKU: A0.505840 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117502. Published by M das Melodias (A0.505840). Music score Someone You Loved for Cello. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
Someone You Loved
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Violon
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DÉBUTANT
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.505824 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by J...
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Violin Solo - Level 1 - SKU: A0.505824 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. 1 pages. M das Melodias #117486. Published by M das Melodias (A0.505824). Music score Someone You Loved for violin. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
Love Somebody, Yes I Do - Fingerstyle Guitar (with TAB, Chords and Fingering)
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Guitare notes et tablatures
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DÉBUTANT
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Traditional
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Yuri Noronha
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Love Somebody, Yes I Do - Fing
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Yuri Noronha
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1289194 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional....
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1289194 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Tablature. 1 pages. Yuri Noronha #879966. Published by Yuri Noronha (A0.1289194). Love Somebody Yes I Do is a Traditional English Folk Song.This arrangement was written for fingerstyle guitar.Level is easy!1 Page.love sombody yes i do sheet music free, love sombody yes i do sheet music, love sombody yes i do guitar tab, love sombody yes i do guitar lesson, guitar sheet music for love sombody yes i do, love sombody yes i do guitar, love sombody yes i do on guitar, how to play love sombody yes i do on guitar, sheet music guitar love sombody yes i do, sheet music acoustic guitar love sombody yes i do, sheet music classical guitar love sombody yes i do, fingerstyle guitar love sombody yes i do, love sombody yes i do fingerstyle, love sombody yes i do classical guitar,.
$1.99
Somersetshire Wassail Easy Piano
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Piano Facile
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Noël
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Traditional Christmas Carol
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SilverTonalities
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Somersetshire Wassail Easy Pia
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SilverTonalities
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SheetMusicPlus
Easy Piano - SKU: A0.643213 Composed by Traditional Christmas Carol. Arranged by SilverTonalities. Christmas,Folk. Score. 3 pages. SilverTonalities #215...
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Easy Piano - SKU: A0.643213 Composed by Traditional Christmas Carol. Arranged by SilverTonalities. Christmas,Folk. Score. 3 pages. SilverTonalities #2153551. Published by SilverTonalities (A0.643213). Traditional English Carol for Easy PianoEasy Note Style Sheet MusicLetter Names of Notes embedded in each Notehead!
$2.99
Somewhere Only We Know
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Piano seul
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INTERMÉDIAIRE
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Keane
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Henry Newbury
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Somewhere Only We Know
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Mr Henry Newbury
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1269846 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Henry Newbury. Pop,Rock,Singer/Songwrit...
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Piano Solo - Level 3 - SKU: A0.1269846 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Henry Newbury. Pop,Rock,Singer/Songwriter,Wedding. Score. 3 pages. Mr Henry Newbury #862322. Published by Mr Henry Newbury (A0.1269846). This was transcribed by ear so almost certainly is not the same as the original score, however check out the mp3 and hopefully you'll feel it provides a good point for anyone wanting to learn the song's piano accompaniment. Something worth noting is that the original studio recording actually has several recorded piano parts recorded on top of each other in various places - the very beginning being a good example - spanning a couple of octaves, so if you're after that really full sound from the original recording you'll need to record a couple of similar parts spanning different areas of the piano for either live playback or for your recordings 😊Thanks and I hope that helps!Henry.
$4.99
Somewhere In My Heart
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Orchestre d'harmonie
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FACILE
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Aztec Camera
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John Ivor Holland
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Somewhere In My Heart
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1393874 By Aztec Camera. By Roddy Frame. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Rock,Singer/Songwriter...
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Concert Band - Level 2 - SKU: A0.1393874 By Aztec Camera. By Roddy Frame. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Rock,Singer/Songwriter. 44 pages. John Ivor Holland #977342. Published by John Ivor Holland (A0.1393874). Somewhere in My Heart is a song by Scottish band Aztec Camera. It was released as the third single from their third studio album, Love (1987). Released as a single in 1988, the track peaked at number three on the UK Singles Chart and became a top-40 hit in Australia and Ireland. Songwriter Roddy Frame said in 2014 that the song has been great for him, but at the time of creating the album, the song was not in keeping with the other songs. Around this time, Frame had become somewhat of a recluse, living in a remote wooden shack in Hollywood, Marple Bridge, in the hills above Manchester, going through periods of good and bad mental health, while continuing to write music, including the lyric from Westwood to Hollywood in the song. The distinctive saxophone sound is retained and towards the end is an opportunity for your star alto and tenor to solo or battle, to close out the song in the way that it is often performed live by Aztec Camera. The song is featured prominently in the 2019 film '47 Meters Down: Uncaged' and the 2020 Netflix series 'I Am Not Okay with This'.
$49.99
Sons of Mosiah, children's song from the Book of Mormon, Another Testament of Christ
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Sons of Mosiah, children's son
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Kevin G. Pace
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1370002 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Children,Christian,Praise & Worship,Religious,Sacred....
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Piano,Vocal,Voice - Level 4 - SKU: A0.1370002 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Children,Christian,Praise & Worship,Religious,Sacred. Score. 6 pages. Kevin G. Pace #954376. Published by Kevin G. Pace (A0.1370002). A children's song, telling the story of the sons of Mosiah from the Book of Mormon, Another Testament of Christ. Â Music by Kevin G. Pace. Â Text by Kathryn W. Hales.Text:The Lord told King Mosiah to let his sons go away, To the land of Nephi where for many years they'd stay. They wanted to preach the gospel in the Lord's ministry, To the sinful, wicked Lamanites who were their enemies.Now one of the sons was Ammon who had been a rebellious youth, But after Alma's change of heart, he wanted to know the truth. He became Lamoni's servant, watching over the king's sheep, He beat some robbers who came to steal, leaving a pile of arms at his feet.Then he taught King Lamoni the true source of his strength and might, That the king should change his ways, repent and do what's right. Lamoni believed what Ammon taught and all his people too, They became so very righteous because God's promises are true.Aaron was another son of Nephite King Mosiah, He taught of the Creation, of the Fall and God's Son who would die To save all men from death and sin, yea, Jesus, the Holy One, Who would come to earth at some future day to save each and ev'ry one.Omni and his brother Himnor were also Mosiah's sons, But not much is recorded about their missions. But they were faithful servants during all their trial filled days, They taught many people how to walk in God's own chosen way.Chorus:I want to be like Mosiah's sons and share God's holy word. I can be a missionary, a servant of the Lord. I can be so very courageous, I can the gospel teach, That all may know God's holy grace is within their loving reach.
$3.99
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
Holst: A Somerset Rhapsody Op.21 - symphonic wind dectet
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Classique
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Contemporain
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Gustav Holst
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Ray Thompson
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Holst: A Somerset Rhapsody Op.
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1319293 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Cham...
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A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1319293 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Chamber,Folk. 50 pages. RayThompsonMusic #907927. Published by RayThompsonMusic (A0.1319293). A Somerset Rhapsody Op.21Arranged symphonic wind dectet/bass(Double wind quintet)NB Clarinets in A as in original orchestra (Parts in Bb also provided)Holst: A Somerset Rhapsody, Op. 21, was composed by Gustav HOLST in 1906, and was dedicated to Cecil Sharp, the renowned collector of English folksong music. It began as a work for orchestra called Folk Songs of Somerset, making use of 10 songs from the collections of Sharp. That work (on manuscript)was rediscovered in 2017 in New Zealand Holst reworked four of the tunes from that piece into the Rhapsody:The Sheep-Shearing Song (also known as It’s a Rosebud in June), invokes idyllic pastoral settings and is played at the beginning by the oboe d’amore (English Horn in the wind band version). High Germany, is a song about marching off to war, and is also used by Holst’s colleague, Ralph Vaughan Williams, in his own Folk Song Suite.True Love’s Farewell, is a song about lovers saying goodbye, and is sometimes also known as Ten Thousand Miles. The final tune used is The Cuckoo.Curiously, The Cuckoo does not seem to be recognised as one of the folk tunes used in this piece...the program note in the transcription refers only to the three other folk melodies, and many program notes omit any reference to The Cuckoo whatsoever.Though not a programmatic work, the composer once divulged to a colleague that the work told a story:Into a quiet country scene comes the sound of approaching soldiers. A youth who is courting a girl is persuaded to enlist and go to war. The soldiers march into the distance and the pastoral quietness returns. The girl is left alone.â€It works well for wind dectet.
$24.95
A Culinary Tale - A fun message about food waste set to music for children to sing
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Judy Lane
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A Culinary Tale - A fun messag
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Judy Lane Music
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.915869 Composed by Judy Lane. Children,Instructional,World. 9 pages. Judy Lane Music #455681. Published by Judy Lan...
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Vocal Solo,Voice - Level 1 - SKU: A0.915869 Composed by Judy Lane. Children,Instructional,World. 9 pages. Judy Lane Music #455681. Published by Judy Lane Music (A0.915869). This fun song for school children is about the very topical subject of not wasting food. The song has 'Mister Lettuce' - part of a leftover salad - and 'Pasta Pete' - some leftover pasta - both fearing their fate of being thrown away. In the fridge they plot to combine with other items to create a tasty pasta bake. The song finishes - The lesson from this story, friends is easy to relate. Don't send your food to a land-fill tip when it should be on your plate! For children to sing with piano accompaniment. Judy Lane was a graduate student at the Royal Academy Of Music in London and studies under Michael Head. She has twice been awarded the Lennox Berkeley Cup in the open composition class at the Oxford Music Festival. Adjudicators/critics have said:- The tune is catchy and the song is enjoyable for children to sing Judy exhibits a flair for setting words to singable melodies and for inventing appropriate moods to suit the context and lyrics Judy's music is like a BREATH OF FRESH AIR 5 pages - Approx length - 2 minutes.
$5.99
The Head That Once Was Crowned with Thorns
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Norwich Cathedral Choir
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Lyndell Leatherman
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The Head That Once Was Crowned
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1296235 By Norwich Cathedral Choir. By Words: Thomas Kelly / Music: attr. to Jeremiah Clark. Arranged by Ly...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1296235 By Norwich Cathedral Choir. By Words: Thomas Kelly / Music: attr. to Jeremiah Clark. Arranged by Lyndell Leatherman. Christian,Lent,Religious,Sacred. Score. 2 pages. Leatherman Music Services #886479. Published by Leatherman Music Services (A0.1296235). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
The Popular Air, O, it Was Not For Me That I Heard the Bells Ringing
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Piano seul
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G
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The Popular Air, O, it Was Not
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.1434 Arranged by G. Kiallmark. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1434).
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Piano - SKU: LV.1434 Arranged by G. Kiallmark. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1434). The Popular Air, O, it Was Not For Me That I Heard the Bells Ringing. Arranged with Variations for the Piano Forte by G. Kiallmark. Published [n.d.] by J.G. Klemm, No. 3 South Third Street in Philadelphia. Composition of theme and variation with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Somersetshire Wassail Easy Piano with Colored Notation
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Piano Facile
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DÉBUTANT
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Noël
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Traditional Christmas Carol
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SilverTonalities
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Somersetshire Wassail Easy Pia
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.645935 Composed by Traditional Christmas Carol. Arranged by SilverTonalities. Christmas. Score. 4 pages. SilverTonalities...
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Easy Piano - Level 1 - SKU: A0.645935 Composed by Traditional Christmas Carol. Arranged by SilverTonalities. Christmas. Score. 4 pages. SilverTonalities #6645779. Published by SilverTonalities (A0.645935). Traditional English Carol for Easy Piano A SilverTonalities Arrangement! Â With Colored Notation to enable Beginner Pianists to read Music quickly and accurately! Â Â
$2.99
Someone To Watch Over Me
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE/AVANCÉ
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George Gershwin and Ira Gershw
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John Fries
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Someone To Watch Over Me
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.499612 Composed by George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,St...
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C Instrument - Level 4 - SKU: A0.499612 Composed by George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112904. Published by John Fries (A0.499612). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Someone to Watch Over Me is a 1926 song composed by George Gershwin with lyrics by Ira Gershwin, assisted by Howard Dietz who penned the title. It was written for the musical Oh, Kay! (1926), with the part originally sung on Broadway by English actress Gertrude Lawrence while holding a rag doll in a sentimental solo scene. The song was recorded by Frank Sinatra in 1946 for his first album The Voice Of Frank Sinatra, and again in 1954 for the film Young At Heart. Sinatra's popular recordings helped cement the standard slow style. Someone to Watch Over Me was notably covered by Ella Fitzgerald (1951), Chet Baker (1955), Sarah Vaughan (1957) and Dakota Staton (1960).
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