Famous flamenco guitar composition from Paco De Lucia's repertoire arranged for two guitars by Eugen Sedko. Notes + tablature + fingering details.

Short guitar piece in the style of Flamenco and rhythm of Malaguena. Easy to play, suitable for anybody who likes Flamenco music.

"Entre dos Aguas" guitar tab. The sheet music contains the melody in tablature and standard notation and the chords as chord symbols. Based on the studio version by Paco de Lucía.

Eugen Sedko's bulerias falseta, advaced level. The video tutorial is present on youtube (sedkolessons).

Tangos made in traditional Flamenco style, a composition by flamenco guitarist and teacher Eugen Sedko, "La Piedra Que No Se Pierda". Good composition for those who love traditional flamenco guitar music and want to have something new for their repertoire. Exact right and left hand fingering is included. Enjoy!

Soleá is one of the oldest flamenco forms (palos). Falsetas and paseo from soleá are the best musical elements for flamenco guitar beginners. All the elements are traditional, transcription and variations by Eugen Sedko.

Guitar music in the Spanish Flamenco style composed in Australia. In the YouTube Link you will find me playing this Bulerias. Hope you will like it. Thanks for watching and listening.

Lively flamenco guitar piece in the rhythm of Malaguena. MP3 audio clip is software generated from the same file as the PDF sheet music. If you would like to hear initial version of this piece played on real guitar by real person such as myself, please visit this soundcloud link: https://soundcloud.com/user-994845767/malaguena

Alegrias is a flamenco musical form. This Alegrias was composed in Sydney in August 2000 the day after my son was born to celebrate this joyous occasion. The tune is not complicated as the delivery went quite smoothly.

This La Rumba consists of 3 variations.First variation is first 28 bars ? rehearsal marks A B C, thesecond variation is next 28 bars ? rehearsal marks D E F and thethird variation is the following 28 bars ? rehearsal marks G H I.The ending is last 5 bars ? rehearsal marks J K. It is possible to play only some parts,not necessarily the whole piece from start to finish. Order in whichthe variations are played can be modified too; for example A D E G HI J K. There are many possible combinations. This piece can also be performed as aduo by 2 guitar players. The second variation can be played togetherwith either first or third variation at he same time.

Flamenco Guitar piece - Gypsy lament. There are 3 variations on the theme. It is part of Suite Flamenco - collection of several guitar tunes in flamenco style composed at about the same time in the nineties of last century.

This is aflamenco guitar arrangement of Malagueña, a piano piece written by Cubanpianist/composer Ernesto Lecuona. It was originally adapted for soloSpanish/Flamenco guitar by Carlos Montoya in 1961 and is widely believed tohave been originally written for the guitar. The fact that Lecuona wrote thepiece in the style of Spain is likely what makes the Spanish guitar arrangementfeel like it belongs to the instrument. Another reason for its association withSpanish guitar is the fact that the main melody from the piece was notLecuona?s invention but was taken from the ?Malagueña? flamenco form,originating out of Málaga, Spain, in the 19th century. ?Malagueña,? and themelodic lines associated with it, is one of the traditional styles ofFlamenco/Andalusian music. This rendition is ?in the style of Sabicas,? aSpanish Gypsy guitarist who is considered by many to be one of the finest flamenco sologuitarists of his time. Lecuona?sMalagueña is typically found as a solo piano piece in the key of C# Phrygian,whereas on the guitar, (as is the case with this arrangement) it is normallyarranged in E Phrygian.

A famous song by Hayedeh, composed by a legendary Persian musician Anoushirvan Rohani. Arranged for two guitars closer to rumba flamenco style. Notes & tabs for both guitars. Many oranmentations for the melody, how it must be) Enjoy!

Complete PDF score, 7 pages, including standard notation and the corresponding tab notation, plus precise left hand - right hand original fingering for easy read.
Available also in GuitarPro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the software dynamically (I painstakingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece. GP formats also include a percussion track!
(email me at teodorov[at]gmail.com for a quote).
Enjoy!

Complete PDF score, 13 pages, including standard notation and the corresponding tab notation, plus precise left hand - right hand original fingering for easy read.
Available also in GuitarPro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the sofware dynamically (I painstainkingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece. GP formats include also a 2nd guitar track!
(email me at teodorov[at]gmail.com for a quote).
Enjoy!

Complete PDF score, 10 pages, including standard notation and the corresponding tab notation, plus precise left hand - right hand original fingering for easy read.
Available also in GuitarPro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the sofware dynamically (I painstainkingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece.
(email me at teodorov[at]gmail.com for a quote).
Enjoy! .

Complete PDF score, 21 pages, including standard notation and the corresponding tab notation, plus precise left hand - right hand original fingering for easy read.
Available also in GuitarPro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the sofware dynamically (I painstainkingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece.
(email me at teodorov[at]gmail.com for a quote).
Enjoy!

Complete PDF score, 12 pages, including standard notation and the corresponding tab notation, plus precise left hand - right hand original fingering for easy read.
Available also in GuitarPro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the sofware dynamically (I painstainkingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece.
(email me at teodorov[at]gmail.com for a quote).
Enjoy!

Complete PDF score, 12 pages, including standard notation and the corresponding tab notation, plus precise left hand - right hand original fingering for easy read.
Available also in GuitarPro 5&6 formats. The great advantage of these two formats is that you can listen to the piece played by the sofware dynamically (I painstainkingly added the dynamics myself throughout the whole score), plus other nuances like ligados and slides, to give a better understanding and aire of the whole piece. 2nd percussions track also available in the GP formats !
(email me at teodorov[at]gmail.com for a quote).
Enjoy!