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Vous avez sélectionné:
time leap
Partitions à imprimer
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176
Leap Frog
Small Ensemble - Level 3 - Digital Download SKU: A0.887250 Composed by Martin Woodw…
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Small Ensemble - Level 3 - Digital Download SKU: A0.887250 Composed by Martin Woodward. Children,Film/TV,Instructional. Score and parts. 6 pages. Martin Woodward #3386153. Published by Martin Woodward (A0.887250). Leap Frog This is called Leap Frog because it leaps around a fair bit and should be played in a sort of ‘leapy froggy’ sort of way. Although in mainly 3/4 timing, this is far from a waltz as it’s fairly upbeat and there are many accents across the beats which are marked throughout. And there’s also a couple of 4/4 bars, so watch for them. This composition is a good example of the use of ‘diatonic chords’ (all the chords found naturally within the scale of C major). And also a great finger exercise although perhaps a little tricky especially towards the end where the theme is played in thirds. This is probably the most difficult piece in the collection. Although I’ve included the chord symbols, you will not find a suitable auto accompaniment due to the 4/4 bars and the accents. But these four bars could easily be omitted if you want to. Eventually (as I get time), I will be adding suitable mp3 accompaniment files to my website for this and some of the other tunes, so watch out for these if you are interested. This piece can be played on a 49 note C - C (4 octaves) keyboard. I would rate this as MODERATELY DIFFICULT.
$1.99
1.81 €
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Martin Woodward
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Leap Frog
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Martin Woodward
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SheetMusicPlus
The Leap For Life. Song and Quartette
Chorale SATB
Piano and voice (SATB quartet) - Digital Download SKU: LV.11886 Composed by Bernard…
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Piano and voice (SATB quartet) - Digital Download SKU: LV.11886 Composed by Bernard Covert. Clipper ships, Children misbehaving, Danger, Ship equipment and rigging, Fathers and children, Prayer, Deception, Rescues, Distress, Love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11886). The Leap For Life. Song and Quartette. Poetry by G.P. Morris, Esq. Music Composed by Bernard Covert. Published 1850 by n.p. in n.p. Composition of strophic with piano and voice (satb quartet) instrumentation. Subject headings for this piece include Clipper ships, Children misbehaving, Danger, Ship equipment and rigging, Fathers and children, Prayer, Deception, Rescues, Distress, Love. First line reads Old Irsonsides at anchor lay in the harbor of Mahon.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Chorale SATB
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Bernard Covert
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The Leap For Life. Song and Quartette
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Leap For Life. Song & Quartette
Chorale SATB
Piano and voice (SATB quartet) - Digital Download SKU: LV.11885 Composed by Bernard…
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Piano and voice (SATB quartet) - Digital Download SKU: LV.11885 Composed by Bernard Covert. Clipper ships, Children misbehaving, Danger, Ship equipment & rigging, Fathers & children, Prayer, Deception, Rescues, Distress, Love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11885). The Leap For Life. Song & Quartette. Poetry by G.P. Morris, Esq. Music Composed by Bernard Covert. Published 1850 by in n.p. Composition of strophic with piano and voice (satb quartet) instrumentation. Subject headings for this piece include Clipper ships, Children misbehaving, Danger, Ship equipment & rigging, Fathers & children, Prayer, Deception, Rescues, Distress, Love. First line reads Old Irsonsides at anchor lay in the harbor of Mahon.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Chorale SATB
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Bernard Covert
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The Leap For Life. Song & Quartette
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Stag Leap. Polka Redowa
Piano seul
Piano - Digital Download SKU: LV.9718 Composed by Johann Munck. Forests, Deer. Lest…
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Piano - Digital Download SKU: LV.9718 Composed by Johann Munck. Forests, Deer. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9718). The Stag Leap. Polka Redowa. Composed by Johann Munck. Published 1852 by William Hall & Son, 239 Broadway in New York. Composition of sectional with piano instrumentation. Subject headings for this piece include Forests, Deer. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Piano seul
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Johann Munck
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The Stag Leap. Polka Redowa
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Murray - A Leap of Faith - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.823974 Composed by TK Tim Murray. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.823974 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and part. 21 pages. TK (Tim) Murray #4758279. Published by TK (Tim) Murray (A0.823974). 'A Leap of Faith' for Flute & Piano is a journey from uncertainty and hesitancy to Joyful daring - taking the risk to dive into the unknown. It has thrilled audiences through it's journey of abrupt contrasts of mood from dark to vibrant light, percussive rhythm and gentle melody to it's final soaring ending full of joie de vivre. Commissioned by Ruth Artmonsky and premiered by Siobahn Greally and TK Murray it has been recorded by Julian Sperry (Flute) and Kathron Sturrock (Piano). (c. 9 mins.)Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).contact; tkmurraycomp@aol.com
$12.95
11.79 €
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Flûte traversière et Piano
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TK Tim Murray
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Murray - A Leap of Faith - Flute & Piano
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TK
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SheetMusicPlus
Leaps and Bounds
Orchestre d'harmonie
Concert Band - Grade 2 - Digital Download SKU: B0.PDF-BAND211 Composed by Jeffrey P…
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Concert Band - Grade 2 - Digital Download SKU: B0.PDF-BAND211 Composed by Jeffrey Parthun. Leaps and Bounds is a compelling choice for Grade 2 level band students. Multicultural. Score and Parts. 38 pages. PDF Band Music #PDF-BAND211. Published by PDF Band Music (B0.PDF-BAND211). 8.5 x 11 inches.There comes a time in a young band musician's career when technical challenges become easier and he/she is ready to take off by leaps and bounds. This Grade 2 Band, band piece is written for those students. The piece, written in Bb concert, attempts to get developing players through at least an octave of range. The piece reinforces beginning to intermediate rhythms and articulations. .
$50.00
45.53 €
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Orchestre d'harmonie
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Jeffrey Parthun
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Leaps and Bounds
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PDF Band Music
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SheetMusicPlus
Leapfrog Rag, op. 9, #1
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.947007 Composed by Sam Post. Contem…
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Piano Solo - Level 5 - Digital Download SKU: A0.947007 Composed by Sam Post. Contemporary,Folk,Ragtime. Score. 8 pages. Sam Post, composer/pianist #5741809. Published by Sam Post, composer/pianist (A0.947007). A barnstorming rag with a brooding middle section, with influences from Chopin in its brilliant coda, to Bach in its harmonic arc.
$7.00
6.37 €
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Piano seul
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Sam Post
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Leapfrog Rag, op. 9, #1
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Sam Post, composer/pianist
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SheetMusicPlus
time leap
Piano seul
Piano Solo - Digital Download SKU: A0.1030080 Composed by icoiero. Contemporary. Sc…
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Piano Solo - Digital Download SKU: A0.1030080 Composed by icoiero. Contemporary. Score. 1 pages. Icoiero #6047269. Published by icoiero (A0.1030080).
$2.00
1.82 €
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Piano seul
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icoiero
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time leap
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icoiero
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SheetMusicPlus
Bizet : Jeux d'enfants, Opus 22 – N° 10 Saute-mouton
Piano seul
Téléchargez la partition Piano Jeux d'enfants, Opus 22 – N° 10 Sa…
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Téléchargez la partition Piano Jeux d'enfants, Opus 22 – N° 10 Saute-mouton de Bizet. Partition pour Piano à quatre mains -- Classique
4.99 €
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Piano seul
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Bizet
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Jeux d'enfants, Opus 22 – NÂ
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Tomplay
Adages II for Bass Trombone and Piano
Trombone et Piano
Instrumental Duet Bass Trombone,Instrumental Duet - Level 4 - Digital Download SKU: A0.…
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Instrumental Duet Bass Trombone,Instrumental Duet - Level 4 - Digital Download SKU: A0.755280 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 47 pages. Sy Brandon #4886103. Published by Sy Brandon (A0.755280). Adages II is the second in a series of compositions based on familiar sayings. It is composed for Dr. Joseph Murrell and is for bass trombone and piano. There are five movements in this composition. 1. Strike while the iron is hot – This movement is in a fast tempo with a lot of syncopation and irregular meter change. The piano frequently plays two loud chords that indicate the striking. 2. Opposites attract – The opposites in this movement are a swing style and a classical style. Each has its moments to shine and yet one clearly influences the other. 3. Stop and Smell the roses – This movement is lyrical representing the beauty of smelling roses. A motif that contains rests is a reminder to stop and take time for the beautiful things in life. A contrapuntal middle section with steady sixteenth notes builds in intensity as another reminder that one needs to take time from the hectic pace of life to enjoy beauty. 4. Curiosity killed the cat – This movement is mostly soft, staccato, and furtive representing the curiosity of the cat. A loud chord or succession of chords indicates the cat getting into trouble. This happens a total of nine times representing the cat’s nine lives before the cat is finally doomed. 5. Look before you leap – As the adage implies, there are a lot of melodic leaps in this movement. Any scalar material or repeated note figures serve as a warning to look before one leaps.
$14.99
13.65 €
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Trombone et Piano
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Sy Brandon
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Adages II for Bass Trombone and Piano
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Sy Brandon
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SheetMusicPlus
Praludien und Fugen, Opus 56
Piano seul
Piano - Digital Download SKU: BQ.979-0-50179-190-3 Composed by Salomon Jadassohn. E…
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Piano - Digital Download SKU: BQ.979-0-50179-190-3 Composed by Salomon Jadassohn. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. Opus 56. 72 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-190-3). ISBN 9790501791903.Making the artistic leap from Bach's Well-Tempered Klavier via Beethoven, Liszt and Wagner, the nine preludes and fugues of Salomon Jadassohn set a new benchmark for the form at a time when the Romantic piano was soaring to new technical heights and simultaneously plumbing new depths of sentimentality. Technically rigorous and yet emotionally disciplined, the composer takes the performer on a sublime journey far removed from mere affectation towards an almost transcendental state of pure musical being.
$16.95
15.43 €
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Piano seul
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Salomon Jadassohn
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Praludien und Fugen, Opus 56
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Bisel Classics - Digital
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SheetMusicPlus
Breakdancing to Faure's Pavane (For Flute, Double Bass and Trumpet
Small Ensemble Double Bass,Flute,Trumpet - Level 4 - Digital Download SKU: A0.1031811
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Small Ensemble Double Bass,Flute,Trumpet - Level 4 - Digital Download SKU: A0.1031811 Composed by Gabriel Faure. Arranged by Matthew Jones. Concert,Contemporary,Romantic Period. Score and parts. 3 pages. Matthew Jones #3578829. Published by Matthew Jones (A0.1031811). This is a Trio I composed in 3 hours in preparation for a recital the same night. The parts have been rehearsed with the appropriate instruments and the ensemble seems to work fantastically.This arrangement aims to act as a short but effective representation of the capabilities of this ensemble. I believe this arrangement adds a sense of intensity which I usually strive for when listening to the arrangement. Notes are added to this arrangement in response to the breif time we had to rehearse this. The trumpet and flute parts work fine, although the double bass part does require a decent amount of virtuosity, for example, when it comes to playing a short solo it is given, and, sometimes, leaps in accompanying parts can be difficult.
$1.99
1.81 €
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Gabriel Faure
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Matthew Jones
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Breakdancing to Faure's Pavane
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Matthew Jones
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SheetMusicPlus
The Counter of The Point
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99
1.81 €
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directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing
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Jonah Koppitz
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The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
Etude in C, Le Couppey-Nolte
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte …
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
3.63 €
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Piano seul
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Eric Paul Nolte and Felix Le Couppey
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né àDouala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller àl'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé àLa Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé àParis où il a commencé des études d'anglais àla Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique àla mode àcette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait àde nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre àjouer de l'instrument lui-même.Il a commencé àcomposer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain àParis), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile àconcilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique àl'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment àtravers le piano àpouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun àla Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité àse produire, àdonner des conférences ou àrencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité àfaire partie du jury d'un concours de guitare classique àCaracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès àla fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.6 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
EVERYTHING LIKE BEFORE
Piano seul
Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1012713). Music and song composed by me ALL AS BEFORE Tired flower bends the head photos in carved marble sad smell of the past along your tree-lined avenue how much peace in this place where you stand hidden cobwebs on your time and the scent of regret while I touch your beautiful face I ask myself who decided that your time would stop and that for you all would be over I, minstrel of my time, tell a thousand stories chronicles written in pencil real-life stories story now finished my fingers still drive, find notes and then the enchantment to disperse them in the wind there was a king in love, by a bewitched spell, with the madwoman his queen and everything comes back as before there tucked away in a corner There is a pathetic clown Look closer: it’s a little girl and everything comes back as before You clown what would you do? You want to approach the king and then you want to tell him of her polluted heart but him, he does not want to be touched and you have to amuse her smile and do not tire continue your ... dance ... in the void and silence suspended in time for your queen and everything comes back as before before your leap do you want to fly high mixed-up Icarus you have fallen into emptiness the beating of the heart makes too much noise rumbles here within into emptiness and silence no, do not love me, now or ever and hang on till the ultimate pain she'll pressure you and insinuate herself into your mind and end by doing you harm but I invisible to your eyes and I want to hug you, you do not want I would like to tell you what you do not know of me and then on swings of fantasy my hand close to yours we'll soar to the heights where she is not there if you want I will reinvent myself for you And I may please you ,I know but with your eyes you’ve already answered me and hidden I'll go .. The winter does not end the cold seems eternal here the sun dies ,effaces itself and then disappears Once upon a time there was or still is, who knows a minstrel that no longer has a court and he belongs to nobody, and no one will stop him while closing the door ,the king will delete him abracadabra here in my Kingdom nothing caresses, no kiss of goodby my name in history was written in pencil to be able to delete from a faded page the mind has its woodworm and you can not heal it past, present and she who reigns everywhere pages of your life flowing through my fingers for a king, tired and sick, who has not had a happy ending the spell is broken and now the veil has fallen regret makes its way into him and the minstrel would approach him puppet in love ,now disconnected from your wires seek your child and there is nothing like before there is the sunset in your eyes but I'm here by your side a daddy and his little girl and there is nothing like before .... ..... the be.
$5.00
4.55 €
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Piano seul
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Monica Bergo
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EVERYTHING LIKE BEFORE
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Moni Bergo
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SheetMusicPlus
50 Menuets (1728) for Two Violins or Mandolins; or Oboe, Recorder or Flute with Mandolin or Violin
Large Ensemble Flute,Mandolin,Oboe,Soprano Recorder,Tenor Recorder,Violin - Level 2 - Digi…
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Large Ensemble Flute,Mandolin,Oboe,Soprano Recorder,Tenor Recorder,Violin - Level 2 - Digital Download SKU: A0.917070 Composed by Georg Philipp Telemann. Arranged by John Goodin. Instructional. Score and parts. 52 pages. Rosie and Earl Music #4347897. Published by Rosie and Earl Music (A0.917070). G.P. Telemann was one of the most prolific composers in history. According to Steven Zohn in his Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works (Oxford University Press, 2008) the menuets in this collection were first published by the composer in Hamburg in 1728 under the title Sept fois sept et un menuet (Seven times Seven plus One Menuets), and most likely were issued to subscribers in groups of seven throughout the year. While only a combined score with melody lines in the treble clef and figured bass has survived, an advertisement from the time suggests that either part may have been available on its own. These arrangements have been created by raising the bass line into the treble clef, creating a part playable by mandolin, violin or any other instrument capable of reaching the G below middle C. I was able to preserve the shape of the bass lines in most cases although I did sometimes have to ignore octave leaps and, in two or three spots (with great reluctance), I was forced to change a note.These duos are both educational and fun. They are suitable for both private enjoyment and public performance and make excellent teaching tools.
$15.00
13.66 €
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Georg Philipp Telemann
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John Goodin
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50 Menuets
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Rosie and Earl Music
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SheetMusicPlus
At The Edge
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1498091 Composed by Whitney Hawker.…
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Piano Solo - Level 2 - Digital Download SKU: A0.1498091 Composed by Whitney Hawker. 21st Century,New Age,Rock. Score. 3 pages. Whitney Hawker #1074399. Published by Whitney Hawker (A0.1498091). You know the moment before you take off down that mountain path, or the split second before you jump into the lake below that cliff? This piece portrays the adreneline pumping moment before you leap into whatever adventure is next. With quick syncopation in both hands and plenty of pickup notes, this piece was written to push students to the next level with their counting.Inspired by a short 3 note motive and plenty of cool rhythms, students won't be able to stop jamming to this beat. And the small glissando at the end makes this a recital hit! Written especially for my active boy students, the strong bass keeps the beat going without complicating matters when it's time to practice the hands together!
$5.99
5.45 €
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Piano seul
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Whitney Hawker
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At The Edge
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Whitney Hawker
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SheetMusicPlus
Lockdown？ (God help me) Opus 70a
Flûte traversière
Flute Solo - Level 4 - Digital Download SKU: A0.1392878 Composed by Ivan Lyran. 21s…
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Flute Solo - Level 4 - Digital Download SKU: A0.1392878 Composed by Ivan Lyran. 21st Century,Classical,Contemporary. Individual part. 4 pages. IVAN LYRAN #976403. Published by IVAN LYRAN (A0.1392878). Lockdown? God help me! Opus 70a was composed in 2020 duringthe tragic pandemic that shook the world. The melody is tense anddistressing, there are also abrupt changes in the time signature, thusportraying the difficult period of uncertainty that we all go throughduring this period. Finally, in the last two bars, hope is born that allthis will pass and we will return to our normal lives, with thehighest note taking a leap towards freedom.
$2.99
2.72 €
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Flûte traversière
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Ivan Lyran
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Lockdown？
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IVAN LYRAN
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SheetMusicPlus
I Love, I Love The Free
Piano, Voix
Piano and voice - Digital Download SKU: LV.2934 Composed by Henry Russell. Birds, B…
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Piano and voice - Digital Download SKU: LV.2934 Composed by Henry Russell. Birds, Bodies of water, Sailors, Liberty. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2934). I Love, I Love The Free. The Music Composed by Henry Russell. Published 1840 by Oakes & Swan, 8 1/2 Tremont Row in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Birds, Bodies of water, Sailors, Liberty. First line reads The wild streams leap with headlong sweep, in their curbless course o'er the mountain steep.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Piano, Voix
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Henry Russell
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I Love, I Love The Free
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
I Love, I Love The Free
Piano, Voix
Piano and voice - Digital Download SKU: LV.2933 Composed by Henry Russell. Birds, B…
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Piano and voice - Digital Download SKU: LV.2933 Composed by Henry Russell. Birds, Bodies of water, Sailors, Liberty. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2933). I Love, I Love The Free. Third Edition. The Music Composed by Henry Russell. Published 1840 by Wm. H. Oakes, 13 Tremont Row in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Birds, Bodies of water, Sailors, Liberty. First line reads The wild streams leap with headlong sweep, in their curbless course o'er the mountain steep.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Piano, Voix
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Henry Russell
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I Love, I Love The Free
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Goodbye Yellow Brick Road
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.547874 By Elton John. By Bernie Ta…
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Flute,Piano - Level 3 - Digital Download SKU: A0.547874 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073383. Published by jmsgu3 (A0.547874). ALTO FLUTE & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages. Duration 3' 11 at half note = 60. 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.ÂÂ
$53.95
49.13 €
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Flûte traversière et Piano
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
Goodbye Yellow Brick Road
Clarinette et Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.547881 By Elton John. By…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.547881 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073401. Published by jmsgu3 (A0.547881). CLARINET in Bb & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.ÂÂ
$53.95
49.13 €
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Clarinette et Piano
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
The Burton Quadrille's
Piano seul
Piano - Digital Download SKU: LV.7806 Composed by Henry Tissington. Portraits. Lest…
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Piano - Digital Download SKU: LV.7806 Composed by Henry Tissington. Portraits. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7806). The Burton Quadrille's. (1) Charles Dimple (Leap Year); (2) Breach of promise); (3) Aminadab Sleek (Serious Family); (4) Mr. Pillicoddy; (5) Mr. Timothy Toodl. Composed and Arranged for the Piano Forte by Henry Tissington, Flautist at Burtons Theatre, Chamber St. Published 1850 by Jollie, 300 Broadway in New York. Composition of five da capo movements with piano instrumentation. Subject headings for this piece include Portraits. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Piano seul
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Henry Tissington
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(2) Breach of promise)
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The Burton Quadrille's
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Goodbye Yellow Brick Road
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.547873 By Elton John. By…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.547873 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073381. Published by jmsgu3 (A0.547873). ALTO CLARINET & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly and expectantly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.ÂÂ
$53.95
49.13 €
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Clarinette
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
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