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1651
Fanfare and Scherzo for Horn solo with Piano reduction
Cor et Piano
Piano Accompaniment, Horn in F - Advanced - Digital Download Composed by Fred Stride.…
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Piano Accompaniment, Horn in F - Advanced - Digital Download Composed by Fred Stride. 20th Century, Classical Period, Modern. Piano Reduction, Solo Part. 29 pages. Published by Cherry Classics Music
Fred Stride composed his dynamic work Fanfare and Scherzo for solo Horn, Strings and Timpani in the 1980's for horn virtuoso Martin Hackleman. It was first performed with the CBC Radio Orchestra of Vancouver.<br> <br> The work has many dimensions, from the angular Fanfare, flashy scales, dance-like syncopations and calm bridge sections of the Scherzo.<br> <br> This edition is the reduction of the chamber string version, is about 9 minutes in length, is appropriate for advanced performers and is available for Horn with Piano reduction accompaniment.Fred Stride composed his dynamic work Fanfare and Scherzo for solo Horn, Strings and Timpani in the 1980's for horn virtuoso Martin Hackleman. It was first performed with the CBC Radio Orchestra of Vancouver.<br> <br> The work has many dimensions, from the angular Fanfare, flashy scales, dance-like syncopations and calm bridge sections of the Scherzo.<br> <br> This edition is the reduction of the chamber string version, is about 9 minutes in length, is appropriate for advanced performers and is available for Horn with Piano reduction accompaniment.
$27.50
25.04 €
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Cor et Piano
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Fred Stride
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Fanfare and Scherzo for Horn solo with Piano reduction
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Cherry Classics Music
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SheetMusicPlus
Romantic Concerto for Trombone with Piano reduction accompaniment
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin …
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin (1944-). 21st Century, 20th Century, Romantic Period, Modern. Piano Reduction, Solo Part. 33 pages. Published by Cherry Classics Music
Item Number: S0.703425<br> <br> Jan Freidlin's lush and beautiful Romantic Concerto for Trombone and Piano (reduction) was composed in 2004 and is in the traditional three movements. The 15-minute work is appropriate for advanced performers.<br> <br> Below is what the composer has written about his work:<br> <br> "Written in 2004 , this composition combines three contrasting movements, however their style is not typical of a classical concerto, nor of a romantic work.<br> <br> The 1st movement - Moderato has a long recitative-like introduction performed by the soloist over a background of aleatoric sounds. The tonality is indefinite with many harmonic changes.<br> <br> The music gradually builds up more and more leading the listener to the 2nd movement - Vivace energico in which there is, added rhythmic complexity. In the 2nd movement the main motive from the 1st movement is reintroduced and the mood gains in intensity with various syncopated rhythmic phrases as the piano and solo Trombonist accelerate together into a major climax.<br> <br> With the energy drained out of the music by the conclusion of the 2nd movement the listener is brought to the 3rd movement - Adagietto. This movement is absolutely lyrical, elegiac and unexpectedly tonal. Its main melody has an atmosphere of nostalgia leading to the emotional center of the whole work, the softest climax of the Concerto . The soloist plays it in many tonalities, then gradually this warm wave eases, leaving the listener in a cathartic condition.<br> <br> The Concerto contains many virtuosic moments for the soloist that sound very expressive and heroic."<br> <br> Jan Freidlin <br> <br> The mp3 sample contains a segment of each movement from a live performance of the Concerto performed by the Odessa Philharmonic Chamber Orchestra, Conductor Igor Shavruk and Trombone solist Andrei Sokolov.Item Number: S0.703425<br> <br> Jan Freidlin's lush and beautiful Romantic Concerto for Trombone and Piano (reduction) was composed in 2004 and is in the traditional three movements. The 15-minute work is appropriate for advanced performers.<br> <br> Below is what the composer has written about his work:<br> <br> "Written in 2004 , this composition combines three contrasting movements, however their style is not typical of a classical concerto, nor of a romantic work.<br> <br> The 1st movement - Moderato has a long recitative-like introduction performed by the soloist over a background of aleatoric sounds. The tonality is indefinite with many harmonic changes.<br> <br> The music gradually builds up more and more leading the listener to the 2nd movement - Vivace energico in which there is, added rhythmic complexity. In the 2nd movement the main motive from the 1st movement is reintroduced and the mood gains in intensity with various syncopated rhythmic phrases as the piano and solo Trombonist accelerate together into a major climax.<br> <br> With the energy drained out of the music by the conclusion of the 2nd movement the listener is brought to the 3rd movement - Adagietto. This movement is absolutely lyrical, elegiac and unexpectedly tonal. Its main melody has an atmosphere of nostalgia leading to the emotional center of the whole work, the softest climax of the Concerto . The soloist plays it in many tonalities, then gradually this warm wave eases, leaving the listener in a cathartic condition.<br> <br> The Concerto contains many virtuosic moments for the soloist that sound very expressive and heroic."<br> <br> Jan Freidlin <br> <br> The mp3 sample contains a segment of each movement from a live performance of the Concerto performed by the Odessa Philharmonic Chamber Orchestra, Conductor Igor Shavruk and Trombone solist Andrei Sokolov.
$35.00
31.87 €
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Trombone et Piano
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Jan Freidlin (1944-)
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Romantic Concerto for Trombone with Piano reduction accompaniment
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Cherry Classics Music
#
SheetMusicPlus
Concerto for Trumpet with Piano Reduction
Trompette, Piano
Piano,Trumpet - Level 5 - Digital Download SKU: A0.1028166 Composed by Graeme Culpe…
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Piano,Trumpet - Level 5 - Digital Download SKU: A0.1028166 Composed by Graeme Culpepper. Contemporary. Score and part. 47 pages. Graeme Culpepper #6866343. Published by Graeme Culpepper (A0.1028166). Concerto for Trumpet and Orchestra Composer: Graeme Culpepper Year: 2022 Program Notes: I feel that there is a time in every composer's life when they decide to write a concerto. Writing a concerto is as intriguing as it is difficult, as finding a balance between soloist and ensemble can prove to be a tricky task. What’s more, is deciding upon said ensemble. In today’s musical climate, the supporting ensemble can be a variety of different instrumental groups ranging from a chamber ensemble consisting of just a few musicians to a full symphony orchestra. In my humble opinion, with a genre as grand as a concerto, especially one involving the trumpet, I find it fitting to use the orchestra to accompany the trumpet. However, I opted to use an orchestra without a trumpet section to better support the soloist. This concerto’s first movement is built upon a couple of form-defining motifs. One in the form of an ostinato that is constantly changing meter, and another that is a simple short rhythmic cell that is able to fit in a variety of different textures throughout the movement. This movement also introduces the main motif throughout the entire concerto: a melodic sequence consisting of a minor third, a perfect fifth, followed by another minor third which resolves down by half step. This is the unifying motif of the entire concerto. I often ponder as to where the material in the second movement came from. After a long time of reflection, I have come to the conclusion that it is a subconscious expression of myself that comes from deep within. The second movement is perhaps the most vulnerable I have ever been with any of the music I have written, and the experience I personally have when listening to it is one that is very intimate. The third movement is a thrilling romp that is entirely built on the unifying motif mentioned earlier. The whole movement is essentially one big variation of itself. This movement is arguably the most technical and gives the trumpet soloist a great opportunity to show off their skill. This movement is also built upon a one-bar rhythmic ostinato so that the tension in this movement is never fully resolved until the very last bar, in hopes that this will keep the listener on their toes at all times. Performed live in Recital Hall at Indiana University Jacobs School of Music on March 1st, 2022Purchase includes Full Score + Solo Trumpet Part.
$19.99
18.2 €
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Trompette, Piano
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Graeme Culpepper
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Concerto for Trumpet with Piano Reduction
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Graeme Culpepper
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SheetMusicPlus
Willow Creek (An American Idyll) for 2 Pianos
2 Pianos, 4 mains
Composed by Chris Gordon. 20th Century, Romantic Period, Repertoire. Piano Reduction…
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Composed by Chris Gordon. 20th Century, Romantic Period, Repertoire. Piano Reduction. 16 pages. Published by Cool Wind Music Digital
Evocative and lyrical tone poem inspired by the beautiful mountains, rivers and forests of Northern California. Extremely satisfying to play, well-written with innovative and evocative melodies which linger in the mind for a long time. Well worth its low, low price.<br> Cool Wind Music will allow one photocopy of the score for performance purposes so that only ONE copy of Willow Creek need be bought.Evocative and lyrical tone poem inspired by the beautiful mountains, rivers and forests of Northern California. Extremely satisfying to play, well-written with innovative and evocative melodies which linger in the mind for a long time. Well worth its low, low price.<br> Cool Wind Music will allow one photocopy of the score for performance purposes so that only ONE copy of Willow Creek need be bought.
$18.50
16.85 €
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2 Pianos, 4 mains
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Chris Gordon
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Willow Creek
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Cool Wind Music Digital
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SheetMusicPlus
The Year of the Trumpeter (piano reduction)
Trompette, Piano
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sac…
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sacred, Funeral. Piano Reduction, Solo Part. 14 pages. Published by Musica Nova USA
Year of the Trumpeter (El Año del Trompetista) is a piece for solo trumpet and band. Duration is 5 minutes, Grade for band and soloist is Grade 3. This is the piano reduction. It was composed in 2010 as an homage to four friends of mine who played trumpet and passed away in 2009. <br> <br> Fred Mills played trumpet with the Canadian Brass for 24 years. I met him when I performed with Harvey Phillips and his Tuba Consort when we joined the Canadian Brass in a Christmas concert at Carnegie Hall. I arranged a piccolo descant trumpet part for Fred that he played with the tuba group. We also worked together in Cordoba Argentina in 2006.<br> <br> Linares Rodriguez was a member of the La Armonica Band of Buñol. After he retired from playing, hebecame the manager for the society’s buildings. When I first lived in Buñol in 1996 we became goodfriends and sometimes took walking excursions together.<br> <br> Bill Maloof was my first boss as he was Chair of Composition during my first ten years as a facultymember at Berklee College of Music in Boston.<br> <br> Nedo Pandolfi was considered a great musical force in Rhode Island. His last concert with the Rhode Island Philharmonic Orchestra in 1983 was my first performance with the orchestra. At that time heplayed French Horn but his original instrument was trumpet.<br> <br> Year of the Trumpeter was premiered March 8, 2014 by Antonio Cambres Rodriguez and the CIM La Armonica, David Fiuza, Conductor in Buñol (Valencia), Spain. The version for trumpet and piano was premiered in Magallon, Spain, July 2017 by Antonio Cambres with the composer playing piano. The band version was recorded by Cambres and the CIM La Armonica, David Fiuza, Conductor. It is on the CD Music for Wind Orchestraon La Armonica Records.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Reneé Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.<br> <br> Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.<br> <br> He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.Year of the Trumpeter (El Año del Trompetista) is a piece for solo trumpet and band. Duration is 5 minutes, Grade for band and soloist is Grade 3. This is the piano reduction. It was composed in 2010 as an homage to four friends of mine who played trumpet and passed away in 2009. <br> <br> Fred Mills played trumpet with the Canadian Brass for 24 years. I met him when I performed with Harvey Phillips and his Tuba Consort when we joined the Canadian Brass in a Christmas concert at Carnegie Hall. I arranged a piccolo descant trumpet part for Fred that he played with the tuba group. We also worked together in Cordoba Argentina in 2006.<br> <br> Linares Rodriguez was a member of the La Armonica Band of Buñol. After he retired from playing, hebecame the manager for the society’s buildings. When I first lived in Buñol in 1996 we became goodfriends and sometimes took walking excursions together.<br> <br> Bill Maloof was my first boss as he was Chair of Composition during my first ten years as a facultymember at Berklee College of Music in Boston.<br> <br> Nedo Pandolfi was considered a great musical force in Rhode Island. His last concert with the Rhode Island Philharmonic Orchestra in 1983 was my first performance with the orchestra. At that time heplayed French Horn but his original instrument was trumpet.<br> <br> Year of the Trumpeter was premiered March 8, 2014 by Antonio Cambres Rodriguez and the CIM La Armonica, David Fiuza, Conductor in Buñol (Valencia), Spain. The version for trumpet and piano was premiered in Magallon, Spain, July 2017 by Antonio Cambres with the composer playing piano. The band version was recorded by Cambres and the CIM La Armonica, David Fiuza, Conductor. It is on the CD Music for Wind Orchestraon La Armonica Records.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Reneé Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.<br> <br> Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.<br> <br> He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$15.00
13.66 €
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Trompette, Piano
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Gregory Fritze
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The Year of the Trumpeter
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Musica Nova USA
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SheetMusicPlus
An American in Valencia - Trumpet Solo with Band (piano reduction)
Trompette, Piano
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Rep…
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published by Musica Nova USA
An American in Valencia was commissioned by the United States Army Band “Pershing’s Own” in Washington, DC in 1999. The Premiere Performance was May 22, 1999 at the Casa de Cultura in L’Alcudia (Valencia), Spain by Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English, Principal Trumpet the U. S. Army Band "Pershing's Own" as was the soloist.<br> <br> The piece is in three movements in a Spanish style suggesting the grand gesture of Bull fighting.The trumpet soloist portrays a toreador with the splendor of the corrida. The first movement represents theentrance of the toreador with all of the fanfare and showmanship as he bows to the audience. The second movement is a love song in a waltz tempo. The third movement starts with the raging bull coming out ofit’s corral, ready for the fight. The trumpet soloist is able to contain the bull with dashing melodic figures and a cadenza leading to the final bow in victory.<br> <br> An American in Valencia was awarded Finalist in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. It is recorded on Mark Records with Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English is the soloist.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize.<br> <br> He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.An American in Valencia was commissioned by the United States Army Band “Pershing’s Own” in Washington, DC in 1999. The Premiere Performance was May 22, 1999 at the Casa de Cultura in L’Alcudia (Valencia), Spain by Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English, Principal Trumpet the U. S. Army Band "Pershing's Own" as was the soloist.<br> <br> The piece is in three movements in a Spanish style suggesting the grand gesture of Bull fighting.The trumpet soloist portrays a toreador with the splendor of the corrida. The first movement represents theentrance of the toreador with all of the fanfare and showmanship as he bows to the audience. The second movement is a love song in a waltz tempo. The third movement starts with the raging bull coming out ofit’s corral, ready for the fight. The trumpet soloist is able to contain the bull with dashing melodic figures and a cadenza leading to the final bow in victory.<br> <br> An American in Valencia was awarded Finalist in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. It is recorded on Mark Records with Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English is the soloist.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize.<br> <br> He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.21 €
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Trompette, Piano
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Gregory Fritze
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An American in Valencia - Trumpet Solo with Band
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Musica Nova USA
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SheetMusicPlus
Concertino for Tuba (piano reduction)
Tuba et Piano
Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- …
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Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Published by Musica Nova USA
Concertino for Tuba was written in 2016 as a piano transcription to both the versions for band and orchestra, composed in 2003 and 2005, respectively. The duration is 13 minutes. The band version is grade 4 with the solo tuba grade 5. The solo tuba and band orchestration was adapted from Concertino for Euphonium and Band commissioned by the United States Army Band “Pershing’s Own” in 1995. In 2002 Gary Bird asked me to compose a piece for him with band that was to be premiered by the Volga Band of Saratov, Russia conducted by Mary Ann Craig in 2004. Gary knew several of my compositions and asked me to compose a piece similar my Concertino for Euphonium and Band that was composed for Bob Powers and the United States Army Band. In 2004 Gary told my that he would be playing a solo with the Johnstown Symphony Orchestra and asked me to do a version for symphony orchestra. It was premiered by the Johnstown Symphony Orchestra; Istvan Jaray, Conductor in 2006. The orchestral version was recorded by Gary Bird and the Oak Grove Symphony Orchestra; Jack Stamp, Conducting. It is on the CD Tuba Safari on Albany Records. The band version was recorded by Gary Bird and the IUP Wind Ensemble; Jack Stamp, Conducting. Concertino for Tuba and Orchestra was a Semi Finalist Winner in the American Prize Composition Competition – Orchestra Division in 2017, the only concerto awarded a prize in the Orchestra Division that year.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Reneé Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.<br> <br> Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.<br> <br> He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.Concertino for Tuba was written in 2016 as a piano transcription to both the versions for band and orchestra, composed in 2003 and 2005, respectively. The duration is 13 minutes. The band version is grade 4 with the solo tuba grade 5. The solo tuba and band orchestration was adapted from Concertino for Euphonium and Band commissioned by the United States Army Band “Pershing’s Own” in 1995. In 2002 Gary Bird asked me to compose a piece for him with band that was to be premiered by the Volga Band of Saratov, Russia conducted by Mary Ann Craig in 2004. Gary knew several of my compositions and asked me to compose a piece similar my Concertino for Euphonium and Band that was composed for Bob Powers and the United States Army Band. In 2004 Gary told my that he would be playing a solo with the Johnstown Symphony Orchestra and asked me to do a version for symphony orchestra. It was premiered by the Johnstown Symphony Orchestra; Istvan Jaray, Conductor in 2006. The orchestral version was recorded by Gary Bird and the Oak Grove Symphony Orchestra; Jack Stamp, Conducting. It is on the CD Tuba Safari on Albany Records. The band version was recorded by Gary Bird and the IUP Wind Ensemble; Jack Stamp, Conducting. Concertino for Tuba and Orchestra was a Semi Finalist Winner in the American Prize Composition Competition – Orchestra Division in 2017, the only concerto awarded a prize in the Orchestra Division that year.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Reneé Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.<br> <br> Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.<br> <br> He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.21 €
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Tuba et Piano
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Gregory Fritze
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Concertino for Tuba
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Musica Nova USA
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SheetMusicPlus
Concerto No 1 in F Minor for Viola (with piano reduction) - Piano accompaniment and click track
Piano seul
Piano - Digital Download SKU: A0.1070502 Composed by Tim Yarham. 20th Century,Conte…
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Piano - Digital Download SKU: A0.1070502 Composed by Tim Yarham. 20th Century,Contemporary. Accompaniment. Duration 896. True Art is Angsty #4854063. Published by True Art is Angsty (A0.1070502). Piano accompaniment (Left channel) and click track (Right channel) for Concerto No 1 in F Minor for Viola (with piano reduction). .
$2.00
1.82 €
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Piano seul
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Tim Yarham
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Concerto No 1 in F Minor for Viola
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True Art is Angsty
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SheetMusicPlus
Concerto No 2 in A Minor for Clarinet in Bb (with piano reduction) - Piano accompaniment and click t
Piano seul
Piano - Digital Download SKU: A0.1070504 Composed by Tim Yarham. 20th Century,Conte…
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Piano - Digital Download SKU: A0.1070504 Composed by Tim Yarham. 20th Century,Contemporary. Accompaniment. Duration 1637. True Art is Angsty #4854093. Published by True Art is Angsty (A0.1070504). Piano accompaniment (Left channel) and click track (Right channel) for Concerto No 2 in A Minor for Clarinet in Bb (with piano reduction). .
$2.00
1.82 €
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Piano seul
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Tim Yarham
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Concerto No 2 in A Minor for Clarinet in Bb
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True Art is Angsty
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SheetMusicPlus
Concerto No 5 in G Minor for Bb Clarinet (with piano reduction)
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.1005073 Composed by Tim Yarham.…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.1005073 Composed by Tim Yarham. 20th Century,Contemporary. Score and part. 66 pages. True Art is Angsty #4885131. Published by True Art is Angsty (A0.1005073). The clarinet has an incredible range in both pitch and dynamics, as well as the ability to be one of the most lyrical instruments in the orchestra. This concerto features the full range of the clarinet, with passages that are technically challenging through to lyrically mellow and beautiful.This edition features a piano reduction. .
$20.00
18.21 €
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Clarinette et Piano
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Tim Yarham
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Concerto No 5 in G Minor for Bb Clarinet
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True Art is Angsty
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SheetMusicPlus
Concerto No 1 in F Minor for Viola (with piano reduction)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1005069 Composed by Tim Yarham. 20…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1005069 Composed by Tim Yarham. 20th Century,Contemporary. Score and part. 68 pages. True Art is Angsty #4854059. Published by True Art is Angsty (A0.1005069). This concerto features and highlights the mellow voice of the viola, in 15 minutes of music that presents as complex and exciting, providing a challenge for intermediate players and a pleasure for more advanced players. This edition includes a piano reduction of the orchestral score.
$15.00
13.66 €
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Alto, Piano
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Tim Yarham
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Concerto No 1 in F Minor for Viola
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True Art is Angsty
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SheetMusicPlus
Concerto No 2 in A Minor for Clarinet in Bb (with piano reduction)
Clarinette et Piano
Clarinet,Piano - Digital Download SKU: A0.1005070 Composed by Tim Yarham. 20th Cent…
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Clarinet,Piano - Digital Download SKU: A0.1005070 Composed by Tim Yarham. 20th Century,Contemporary. Score and part. 63 pages. True Art is Angsty #4854091. Published by True Art is Angsty (A0.1005070). Concerto No 2 in A Minor features the clarinet in all its glory, from the low chalumeau to the soaring heights, and the large dynamic range available.This edition features a piano reduction of the orchestral score.
$25.00
22.76 €
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Clarinette et Piano
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Tim Yarham
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Concerto No 2 in A Minor for Clarinet in Bb
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True Art is Angsty
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SheetMusicPlus
Concerto No 3 in C Minor for Violincello (with piano reduction)
Violoncelle, Piano
Cello,Piano - Digital Download SKU: A0.1005072 Composed by Tim Yarham. 20th Century…
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Cello,Piano - Digital Download SKU: A0.1005072 Composed by Tim Yarham. 20th Century,Contemporary. Score and part. 56 pages. True Art is Angsty #4854405. Published by True Art is Angsty (A0.1005072). The cello is one of the more beautiful and exotic instruments in an orchestra, with its deep voice from low in the register to beautiful high tones. Concerto No 3 in C Minor features a solo cello with piano accompaniment, stretching the range of the cellist and showing off the technical fluidity and soaring voice as well as the deepest notes.
$20.00
18.21 €
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Violoncelle, Piano
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Tim Yarham
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Concerto No 3 in C Minor for Violincello
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True Art is Angsty
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SheetMusicPlus
ZATTEN Concerto for Trumpet with Piano accompaniment
Trompette, Piano
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Petrich, Roger. …
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Petrich, Roger. 21st Century. Piano Reduction, Solo Part. 24 pages. Published by Cherry Classics Music
Zatten was commissioned in 2005 by Trumpeter Paul Neebe during the composer's vacation to do ancestral research in the town of Zatten, currently part of Poland.<br> <br> Roger Petrich writes the following about his Zatten Concerto for Trumpet:<br> <br> "The 'DNA' of this compostion tracks back to my great-grandfather and the tiny Plattdeutsch village where he was born. Zatten, [then] located in the eastern part of Berlin/Brandenburg is in an area of forest and small farms dating back to the 1600's. My grandfather R. T. Petrich, whose initials I bear, was six years old when he, along with his parents, sister, and older brother left Prussia to start a new life in the USA.<br> <br> My own childhood memories include many visits to the family homestead in Dakota Territory, where I used to play in the barn which hosted many summer dances. The Dakota sky was vast by day, and nights could become magical with the addition of the Northern Lights. Though not a professional musician, my father kept up his trumpet playing all his life. In a special way it was his "voice" - a sound that deeply imprinted all my growing up years. All of this is mixed together in my Zatten Concerto"<br> <br> The Zatten Concerto is in three movements, the two outer movements faster and the middle is a Largo. This work is written for Trumpet in C and is appropriate for advanced performers.<br> <br> The title Zatten (the name of the small village in Germany where his family was located before immigrating to the USA) is spelled out in Morse Code in the very opening eight bars of the work. The Concerto is originally written for Trumpet and String Orchestra, this version using a reduction for Piano.Zatten was commissioned in 2005 by Trumpeter Paul Neebe during the composer's vacation to do ancestral research in the town of Zatten, currently part of Poland.<br> <br> Roger Petrich writes the following about his Zatten Concerto for Trumpet:<br> <br> "The 'DNA' of this compostion tracks back to my great-grandfather and the tiny Plattdeutsch village where he was born. Zatten, [then] located in the eastern part of Berlin/Brandenburg is in an area of forest and small farms dating back to the 1600's. My grandfather R. T. Petrich, whose initials I bear, was six years old when he, along with his parents, sister, and older brother left Prussia to start a new life in the USA.<br> <br> My own childhood memories include many visits to the family homestead in Dakota Territory, where I used to play in the barn which hosted many summer dances. The Dakota sky was vast by day, and nights could become magical with the addition of the Northern Lights. Though not a professional musician, my father kept up his trumpet playing all his life. In a special way it was his "voice" - a sound that deeply imprinted all my growing up years. All of this is mixed together in my Zatten Concerto"<br> <br> The Zatten Concerto is in three movements, the two outer movements faster and the middle is a Largo. This work is written for Trumpet in C and is appropriate for advanced performers.<br> <br> The title Zatten (the name of the small village in Germany where his family was located before immigrating to the USA) is spelled out in Morse Code in the very opening eight bars of the work. The Concerto is originally written for Trumpet and String Orchestra, this version using a reduction for Piano.
$30.00
27.32 €
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Trompette, Piano
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Petrich, Roger
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ZATTEN Concerto for Trumpet with Piano accompaniment
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Cherry Classics Music
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SheetMusicPlus
London Town Fantasy for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Ga…
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50
25.04 €
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Trombone et Piano
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Antonio J
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London Town Fantasy for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
Tsarina the Musical Vocal-Piano Score
Piano, Voix
Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here&qu…
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Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here". Arranged by Deborah Johnson. Musicals, World, Folk, Pop. Piano Reduction, Score. 134 pages. Published by DJWorks Music
With 134 pages you will love playing and singing through all the songs in this entire grand musical! It includes all piano parts written out with chords, tempo markings and vocals. The musical is also available for licensing (live, virtual & streaming) with all instrumental tracks, SFX, script, directors notes and even a separate historical study guide for students. More information on https://TsarinaTheMusical.com <br> <br> STORY: The love of Nicholas (Nick) & Alexandra (Alix) endures in the face of political intrigue, jealousy, greed and revolution. TSARINA takes us through time, beginning with their love letters and concluding with their fateful end. Historical events meet an expanded fictional story line with a message of strength and hope in the face of fear and upheaval. TSARINA is Les Misérables of the Russian Revolution. “Les Mis meets Dr. Zhivago.”With 134 pages you will love playing and singing through all the songs in this entire grand musical! It includes all piano parts written out with chords, tempo markings and vocals. The musical is also available for licensing (live, virtual & streaming) with all instrumental tracks, SFX, script, directors notes and even a separate historical study guide for students. More information on https://TsarinaTheMusical.com <br> <br> STORY: The love of Nicholas (Nick) & Alexandra (Alix) endures in the face of political intrigue, jealousy, greed and revolution. TSARINA takes us through time, beginning with their love letters and concluding with their fateful end. Historical events meet an expanded fictional story line with a message of strength and hope in the face of fear and upheaval. TSARINA is Les Misérables of the Russian Revolution. “Les Mis meets Dr. Zhivago.”
$59.99
54.63 €
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Piano, Voix
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Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here"
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Deborah Johnson
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Tsarina the Musical Vocal-Piano Score
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DJWorks Music
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SheetMusicPlus
Christmas Adventures for Flute and Piano
Flûte traversière et Piano
Flute - Intermediate - Digital Download Composed by Traditional. Arranged by Colin …
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Flute - Intermediate - Digital Download Composed by Traditional. Arranged by Colin Kirkpatrick. Christmas, Recital. Piano Reduction, Set of Parts. 21 pages. Published by Colin Kirkpatrick Publications
Here are three refreshing new modernarrangements of three popular traditional carols “like you ain’t never heardthem before”. Intended for the intermediate flute player (or players) and areasonably competent pianist, they are sure to brighten up your Christmasevents whether at home, school, church or recital hall. You can of course use the music with any number of flute players. The pieces could be usedduring a Christmas service or as stand-alone pieces at an end-of-termpresentation. The audio sample includes recordings of all three pieces.<br> <br> The King Rides Out(based on “Good King Wenceslas”) starts conventionally enough but turns into acountry-style song and then there’s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly – or Possibly Ivy (based of course on “The Hollyand the Ivy”) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the flute player’s tone quality. The Merry Gentleman goLatin is a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> ColinKirkpatrick studied composition, cello and piano at London’s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teaching service.<br> <br> Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.Here are three refreshing new modernarrangements of three popular traditional carols “like you ain’t never heardthem before”. Intended for the intermediate flute player (or players) and areasonably competent pianist, they are sure to brighten up your Christmasevents whether at home, school, church or recital hall. You can of course use the music with any number of flute players. The pieces could be usedduring a Christmas service or as stand-alone pieces at an end-of-termpresentation. The audio sample includes recordings of all three pieces.<br> <br> The King Rides Out(based on “Good King Wenceslas”) starts conventionally enough but turns into acountry-style song and then there’s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly – or Possibly Ivy (based of course on “The Hollyand the Ivy”) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the flute player’s tone quality. The Merry Gentleman goLatin is a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> ColinKirkpatrick studied composition, cello and piano at London’s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teaching service.<br> <br> Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.
$7.95
7.24 €
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Flûte traversière et Piano
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Traditional
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Colin Kirkpatrick
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Christmas Adventures for Flute and Piano
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SheetMusicPlus
Never Gonna Give You Up / Rick Roll Meme (Early Intermediate Piano with Lyrics)
Piano seul
Piano Solo, Easy Piano, Piano Accompaniment - Early Intermediate - Digital Download …
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Piano Solo, Easy Piano, Piano Accompaniment - Early Intermediate - Digital Download By Rick Astley. Arranged by Chelsey Joy. Individual Part, Piano Reduction, Sheet Music Single. 5 pages. Published by Chelsey Joy
An early intermediate to intermediate piano arrangement of Never Gonna Give You Up by Rick Astley, also known as the "Rick Roll" meme. This arrangement includes the lyrics for easier follow along, one flat throughout, and all sections of the original song. It is five pages long with several repeats.<br> <br> Duration: 3-5 min<br> Pages: 5<br> Key: F/Dm<br> Level: Early Intermediate - Intermediate <br> <br> Arranged by Chelsey Joy: New Age Pianist, Composer, and Educator<br> www.youtube.com/chelseyjoymusic An early intermediate to intermediate piano arrangement of Never Gonna Give You Up by Rick Astley, also known as the "Rick Roll" meme. This arrangement includes the lyrics for easier follow along, one flat throughout, and all sections of the original song. It is five pages long with several repeats.<br> <br> Duration: 3-5 min<br> Pages: 5<br> Key: F/Dm<br> Level: Early Intermediate - Intermediate <br> <br> Arranged by Chelsey Joy: New Age Pianist, Composer, and Educator<br> www.youtube.com/chelseyjoymusic
$4.99
4.54 €
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Piano seul
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Rick Astley
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Chelsey Joy
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Never Gonna Give You Up / Rick Roll Meme
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Chelsey Joy
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SheetMusicPlus
Killing Me Softly With His Song Solo Funky Piano
Piano seul
Piano Solo - Advanced Intermediate - Digital Download By Roberta Flack. Arranged by …
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Piano Solo - Advanced Intermediate - Digital Download By Roberta Flack. Arranged by Dimitris Anousis. Piano Reduction. 7 pages. Published by Dimitris Anousis
Killing Me Softly With His Song solo piano "funky" version (3:50).<br> This is the well known composition of Charles Fox in an amazing professional made arrangement by the accomplished pianist, composer and arranger Dimitris Anousis. This is the real deal! Made from a pianist for pianists written in a understandable way to be "pianistic" but to have the whole orchestral feeling while playing, not for the piece to sounds "poor". Ideal for all kinds of recitals, events, cocktail piano etc. Appropriate also for advanced students.<br> If you like you can contact Dimitris Anousis at https://www.dimitrisanousis.com<br> You can hear a full version of the arrangement here: https://youtu.be/BfDgMTMq3nEKilling Me Softly With His Song solo piano "funky" version (3:50).<br> This is the well known composition of Charles Fox in an amazing professional made arrangement by the accomplished pianist, composer and arranger Dimitris Anousis. This is the real deal! Made from a pianist for pianists written in a understandable way to be "pianistic" but to have the whole orchestral feeling while playing, not for the piece to sounds "poor". Ideal for all kinds of recitals, events, cocktail piano etc. Appropriate also for advanced students.<br> If you like you can contact Dimitris Anousis at https://www.dimitrisanousis.com<br> You can hear a full version of the arrangement here: https://youtu.be/BfDgMTMq3nE
$9.99
9.1 €
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Piano seul
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Roberta Flack
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Dimitris Anousis
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Killing Me Softly With His Song Solo Funky Piano
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SheetMusicPlus
Canon in D for Violin and Piano (With Chords)
Violon et Piano
Composed by Johann Pachebel. Baroque Period, Christian, Praise & Worship, Wedding,…
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Composed by Johann Pachebel. Baroque Period, Christian, Praise & Worship, Wedding, Graduation. Individual Part, Lead Sheet, Piano Reduction, Score, Set of Parts. 10 pages. Published by Cadenza Editions
Canon in D for Violin and Piano with ChordsCanon in D for Violin and Piano with Chords
$6.99
6.36 €
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Violon et Piano
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Johann Pachebel
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Canon in D for Violin and Piano
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Cadenza Editions
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SheetMusicPlus
Canon in D for Violin and Piano (with Chords)
Violon et Piano
Composed by Johann Pachelbel (1653-1706). Baroque Period, Christian, Praise & Wors…
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Composed by Johann Pachelbel (1653-1706). Baroque Period, Christian, Praise & Worship, Wedding, Graduation. Individual Part, Lead Sheet, Piano Reduction, Score, Set of Parts. 10 pages. Published by Cadenza Editions
Canon in D for Violin and Piano with ChordsCanon in D for Violin and Piano with Chords
$6.99
6.36 €
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Violon et Piano
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Johann Pachelbel (1653-1706)
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Canon in D for Violin and Piano
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SheetMusicPlus
Mad At Disney (Piano Solo Grade 2 - 3 with alphabets and finger numbers)
Piano Facile
By Salem Ilese. Arranged by Harmony Valarie @ Teacher Valarie. Piano Reduction, Scor…
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By Salem Ilese. Arranged by Harmony Valarie @ Teacher Valarie. Piano Reduction, Score, Solo Part. 6 pages. Published by Published Harmony Valarie
This is a very good song and relates to most young people. Now it is available for Piano Solo Grade 2 - 3 (early intermediate) which is easy to self learn, easy to teach over the internet, as it is included with note names and finger numbers. .This is a very good song and relates to most young people. Now it is available for Piano Solo Grade 2 - 3 (early intermediate) which is easy to self learn, easy to teach over the internet, as it is included with note names and finger numbers. .
$4.99
4.54 €
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Piano Facile
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Salem Ilese
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Mad At Disney
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Published Harmony Valarie
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SheetMusicPlus
Merry-go-round Of Life (Howl's Moving Castle) | Piano Solo Beginners with note names & finger number guides
Piano Facile
Piano Solo, Easy Piano - Easy/Beginner - Digital Download By Joe Hisaishi. Arranged b…
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Piano Solo, Easy Piano - Easy/Beginner - Digital Download By Joe Hisaishi. Arranged by Harmony Valarie @ Teacher Valarie. Piano Reduction, Score, Solo Part. 5 pages. Published by Published Harmony Valarie
Good news, this music is now available in BEGINNER Piano Solo. It is very suitable for self-learning pianists who needs guidance in finger numbers and also note names. The key of the music is in A minor but finishes in A major in in this case. The range of notes used is two-octave range from left hand E to right hand middle E and one high E. Enjoy!!!Good news, this music is now available in BEGINNER Piano Solo. It is very suitable for self-learning pianists who needs guidance in finger numbers and also note names. The key of the music is in A minor but finishes in A major in in this case. The range of notes used is two-octave range from left hand E to right hand middle E and one high E. Enjoy!!!
$4.99
4.54 €
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Piano Facile
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Joe Hisaishi
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Merry-go-round Of Life
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Published Harmony Valarie
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SheetMusicPlus
Euphonistic Dance - Piano and Euphonium
Euphonium, Piano (duo)
Composed by Gregory Fritze. 20th Century, Neo-Classical, Jazz, Repertoire, Recital. …
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Composed by Gregory Fritze. 20th Century, Neo-Classical, Jazz, Repertoire, Recital. Piano Reduction, Solo Part. 22 pages. Published by Musica Nova USA
Euphonistic Dance is a short feature piece for euphonium with piano – about 5 minutes. It is for recitals and includes some opportunities for improvisation. There is a written out option for those not wanting to improvise. It is at early intermediate level of difficulty for euphonium and piano with range up to Gb for the euphonium. It is often played by tubists who double on euphonium (I call them Bydlo level). Euphonistic Dance was premiered by myself (euphonium) with Michael Dewart (piano) at Mansfield State College in Pennsylvania March 19, 1983. It has been played by many times by high school and college players since.<br> <br> There are two recordings - on Mark Records performed by Mary Ann Craig (youtube https://www.youtube.com/watch?v=Xit7xBP9szM) and on Albany records by Ed Morse (youtube https://www.youtube.com/watch?v=yMF0MayUgAo)Euphonistic Dance is a short feature piece for euphonium with piano – about 5 minutes. It is for recitals and includes some opportunities for improvisation. There is a written out option for those not wanting to improvise. It is at early intermediate level of difficulty for euphonium and piano with range up to Gb for the euphonium. It is often played by tubists who double on euphonium (I call them Bydlo level). Euphonistic Dance was premiered by myself (euphonium) with Michael Dewart (piano) at Mansfield State College in Pennsylvania March 19, 1983. It has been played by many times by high school and college players since.<br> <br> There are two recordings - on Mark Records performed by Mary Ann Craig (youtube https://www.youtube.com/watch?v=Xit7xBP9szM) and on Albany records by Ed Morse (youtube https://www.youtube.com/watch?v=yMF0MayUgAo)
$15.00
13.66 €
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Euphonium, Piano (duo)
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Gregory Fritze
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Euphonistic Dance - Piano and Euphonium
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Musica Nova USA
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SheetMusicPlus
The Sea-Shells Waltz for Trombone and Piano
Trombone et Piano
Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by …
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Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by Frederick N. Innes. Arranged by Chris Buckholz. 20th Century, Romantic Period, Patriotic, Old-time, Americana. Piano Reduction, Solo Part. 21 pages. Published by Cherry Classics Music
The Sea-Shells Waltz was written in 1880 as part of a musical challenge Innes posed to the great French cornetist, Jules Levy. They were both in New York performing as soloists with the legendary Gilmore band for some summer concerts. Levy would play a solo and Innes would follow with an even more elaborate one. One day Levy brought in a new solo in which he injected his own extemporaneous cadenza made up of everything he could do on the cornet. When his turn came to play, Innes also had something up his sleeve. He had written a brand new solo for the trombone, entitled The Sea-Shells Waltz with a minute and one-half cadenza.<br> <br> This legendary musical duel brought forth a delightful solo that has been rediscovered and edited by Trombonist Chris Buckholz. The solo is about 8-minutes in length for advanced performers.<br> <br> Below is a gorgeous sample of some of the concert band version of the work (soon to be published) beautifully performed by Chris Buckholz, from his double CD album Versatility.The Sea-Shells Waltz was written in 1880 as part of a musical challenge Innes posed to the great French cornetist, Jules Levy. They were both in New York performing as soloists with the legendary Gilmore band for some summer concerts. Levy would play a solo and Innes would follow with an even more elaborate one. One day Levy brought in a new solo in which he injected his own extemporaneous cadenza made up of everything he could do on the cornet. When his turn came to play, Innes also had something up his sleeve. He had written a brand new solo for the trombone, entitled The Sea-Shells Waltz with a minute and one-half cadenza.<br> <br> This legendary musical duel brought forth a delightful solo that has been rediscovered and edited by Trombonist Chris Buckholz. The solo is about 8-minutes in length for advanced performers.<br> <br> Below is a gorgeous sample of some of the concert band version of the work (soon to be published) beautifully performed by Chris Buckholz, from his double CD album Versatility.
$17.50
15.94 €
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Trombone et Piano
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Frederick N
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Chris Buckholz
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The Sea-Shells Waltz for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
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