| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
C Instruments [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.
(14)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The New Broadway Fake Book C Instruments Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. ...(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway, Musicals.
Softcover. 696 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Little New Broadway Fake Book C Instruments [Fake Book] Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover....(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway. Softcover.
696 pages. Published by Hal
Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chant Commun Xxii Choralies - 2016 Choral SATB SATB A Cappella A Coeur Joie
Composed by Markus Miklos, Mathilde Giraud, Lajos Bardos. Collection. Secular. C...(+)
Composed by Markus Miklos, Mathilde Giraud, Lajos Bardos. Collection. Secular. Choir part. 118 pages. Published by Editions a Coeur Joie (CJ.A135300071).
$23.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Scots Guards Standard Settings Of Pipe Music Volume 1 Bagpipe - Intermediate Paterson Ltd For Bagpipes.
Traditional. Sheet Music.
290 pages. Published by
Paterson Ltd.
(1)$53.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Weihnachtslieder fur Kinder gesungen von Kindern Carus Verlag
SKU: CA.8301400 Composed by Various. Songs for children, Christmas Carols...(+)
SKU: CA.8301400 Composed by Various. Songs for children, Christmas Carols, Advent, Christmas. Compact Disc. Carus Verlag #CV 83.014/00. Published by Carus Verlag (CA.8301400). Most tellingly, Christmas songs render the joy and anticipation of children at Christmastime. The children's choir SingsalaSing of the Landesakademie for young musicians in Baden-Wurttemberg, Ochsenhausen, sings 26 traditional and new yuletide songs from Germany and neighboring countries. These are especially suited to children in elementary school. The colorful and diverse arrangements are by Bobby Fischer, Markus Munzer-Dorn, Veit Hubner, Christoph Muller. This CD is an invitation to children and their families to join in singing together during the Advent and Christmas seasons. This CD is part of the Lieder project which promotes and benefits singing with children. This project presents texts, music and recordings of songs to sing. It emphasizes quality and is designed especially for children. The goal is to once again focus on singing together in families. To date, 100 solo singers, vocal ensemble, choirs, instrumentalists and over 300 children have offered their time and talents to the Carus Lieder project. Profits derived from the sale of books and CDs in the Lieder project have now reached 400,000 Euros - these proceeds are being donated to causes which further singing with children. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rounds For Children Children choir [Sheet music] Music Sales
For Melody Instrument. Traditional, Children's. Sheet Music. 64 pages. Published...(+)
For Melody Instrument. Traditional, Children's. Sheet Music. 64 pages. Published by Music Sales.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hungry I Come Choral SATB SATB Fred Bock Music Company
By Craig Curry. (SATB). Fred Bock Publications. Sacred. 10 pages. Published by ...(+)
By Craig Curry. (SATB). Fred Bock Publications. Sacred. 10 pages. Published by Fred Bock Music Company.
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Appalachian Fiddle Music Violin Mel Bay
Fiddle - Beginning; Intermediate; Advanced SKU: MB.30091 Featuring 43 ...(+)
Fiddle - Beginning; Intermediate; Advanced SKU: MB.30091 Featuring 43 Fiddlers and 188 of Their Tunes. Perfect binding. Folk. Book. 212 pages. Mel Bay Publications, Inc #30091. Published by Mel Bay Publications, Inc (MB.30091). ISBN 9781513466378. 8.75 x 11.75 inches. Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together. $24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Songs of Praise Now Let Us Ring Handbells Lorenz Publishing Company
(Creative Medleys of Praise and Worship Songs Blended with Traditional Hymn Tune...(+)
(Creative Medleys of Praise and Worship Songs Blended with Traditional Hymn Tunes). Composed by Sandra Eithun. For handbell choir (3-5 octaves) / handchimes (3-5 octaves). Handbell collection. Level 2. Collection. Lorenz Publishing Company #20/1577L. Published by Lorenz Publishing Company
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Chord Songs Fake Book All Instruments [Fake Book] - Easy Hal Leonard | | |
| The Ultimate Country Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Publis...(+)
Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.
(8)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| On the Beaten Path Drums [Sheet music + CD] Alfred Publishing
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich ...(+)
The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich Lackowski. For Drum Set. Percussion - Drum Set Method or Collection. Instructional Book and Examples CD. 244 pages. Published by Alfred Publishing.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ao Bao Xiang Hui (Let Us Meet at the Aobao) Choral SATB Gentry Publications
Choral (SATB) SKU: HL.1197742 Arranged by Brent Wells. Gentry Publication...(+)
Choral (SATB) SKU: HL.1197742 Arranged by Brent Wells. Gentry Publications. Octavo. 12 pages. Duration 300 seconds. Gentry Publications #JG2622. Published by Gentry Publications (HL.1197742). UPC: 196288134732. 6.75x10.5x0.029 inches. Here is something truly different - Brent Wells' new arrangement of the Chinese folk song Ao bao Xiang Hui, “Let Us Meet at the Aobao.†The arrangement begins with a brief choral introduction, where the Erhu (violin) presents the melody of the folk song, complete with traditional ornamentation. The tenor and bass verse recounts the story of a young man who goes to the aobao, only to find that his true love is not there. The sopranos and altos answer, giving voice to her reassuring words: “If you wait patiently, I will run to your side.†Finally, they find one another - and under the clear moonlit sky, sing together. Your singers will enjoy the challenge of a different language, presented in the setting of a charming love story. High school, college, and festival choirs will savor learning and performing this unusual piece. $3.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hungry, I Come - Rehearsal CD Fred Bock Music Company
Choral (rehearsal CD) SKU: HL.8747282 Fred Bock Publications. Fred Bock M...(+)
Choral (rehearsal CD) SKU: HL.8747282 Fred Bock Publications. Fred Bock Music Company #BGTD2502. Published by Fred Bock Music Company (HL.8747282). UPC: 884088165772. 5.5x5 inches. Craig Curry's communion chorus became a worship favorite when first introduced in the “Seasons of Praise” collection. This anthem setting merges his poignant praise chorus with the spiritual, “Let Us Break Bread Together,” meeting the mission statement of the Seasons of Praise series – to meld contemporary and traditional musical elements together. Have the choir sing the anthem, then later have the congregation sing the praise chorus. Again, worship enhancements that make a difference. Accompaniment track available separately. Rehearsal Trax available separately. $19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 3e Symphonie en ut mineur, op. 78 - Advanced Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5 SKU: BA.BA10303-01 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01). ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann. The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.
I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.
You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...
No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.
On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:
Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.
As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.
It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.
When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.
In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$566.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Christmas Carols for Marimba Marimba GIA Publications
Composed by Patrick Roulet. Music Education. 48 pages. GIA Publications #121...(+)
Composed by Patrick Roulet.
Music Education. 48 pages.
GIA Publications #121882.
Published by GIA Publications
$16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Yuletide Tapestry Concert band [Score and Parts] - Intermediate/advanced Alfred Publishing
Arranged by Gary E. Parks. Concert Band. Concert Band; Part(s); Score. Alfred Co...(+)
Arranged by Gary E. Parks. Concert Band. Concert Band; Part(s); Score. Alfred Concert Band. Christmas; Sacred; Secular; Winter. Grade 4. 284 pages. Published by Alfred Music Publishing
$78.00 $74.1 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Grateful Tail Orchestra Subito Music
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercurio. Vocal/Choral, Opera. CD (Audio). Subito Music Corporation #91580100. Published by Subito Music Corporation (SU.91580100). A Grateful Tail - Movement by Movement Siriusly, Dog Star Sirius, the brightest star in the night sky, has been used by travelers and navigators for thousands of years as a guiding star and so it is here as the opening movement for the symphony. Sirius, the cornerstone to the constellation Canis Maggiore or Big Dog sits at the foot of Orion, the hunter, leading the way. Highly cinematic, the movement evokes both a musical and visual sense of the mythological and mysterious elements of Sirius and its Dog Godstar secrets. From the clarion call of the opening, Sirius theme, the sound is buoyant and frisky emulating the nature of doggy playtime. Puppy pleasures abound as a doggy four-step, my turn on the traditional American two-step dance, is introduced. The movement transforms into an actual orchestrated frolic of small, large and medium dog barks beginning with the winds (smaller dogs) and ultimately, the big dog, brass. The movement climaxes with the coda or, Dog Park, where the winds and the brass bark and play together over the, doggy ostinato four-step rhythm, culminating with the final call of the Sirius theme. Let Sleeping Dogs Lie, Peacefully It's all in a dog's day and life. Tranquility presides over this supremely gentle, intermezzo-like movement. After a day of play, every dog needs rest. Let Sleeping Dogs Lie, is a lyrical andante inspired by the profound serenity and beauty of a dog at rest. The Last Will and Testament of Silverdene Emblem O'Neill Based on a powerful piece of prose written by the American playwright, Eugene O'Neill this text was intended as a consolation piece for Carlotta, his wife, who had become grief-stricken over the loss of their beloved dog, the Dalmatian known as Blemie.Written for a singing actor who personifies the role of Blemie, a dog at the end of his life, the movement plays like a one act, musical drama as we follow Blemie through a wonderfully three-dimensional, emotional and psychological journey writing his Last Will and Testament, for those who have loved him. Wagging the Tail: Ossia Fido's Lament A life-affirming rumba/samba using Blemie's final words from O'Neill's text, this final movement employs the most unique American musical invention, the gospel choir. In order to make the dances come alive, this movement also calls upon the colors of a rhythm section. Creating the spirit of an Irish Funeral, the movement is a joyful and revival-like celebration of a dog's life as its spirit lives on forever in the hearts and minds of dog lovers everywhere. Remember Me, remember me! My spirit is wagging a grateful tail. Published by: Subito Music Publishing Release Date: July 9, 2013. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sunday Morning Companion
Piano solo [Sheet music] - Intermediate Alfred Publishing
33 Traditional Hymns Arranged in a Variety of Styles for Solo Piano. Arranged by...(+)
33 Traditional Hymns Arranged in a Variety of Styles for Solo Piano. Arranged by Victor Labenske. For Piano. Piano Collection. Sacred Performer Collections. 0. Sacred. Level: Intermediate / Late Intermediate (grade 6). Book. 128 pages. Published by Alfred Publishing.
(2)$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Thrill of Hope Choral SATB PraiseSong
A New Service of Lessons and Carols. By Point of Grace, Michael W. Smith, Ch...(+)
A New Service of Lessons and
Carols. By Point of Grace,
Michael W. Smith, Christy
Nockels, Keith and Kristyn
Getty, Hillsong, and Lauren
Daigle. Arranged by Joseph M.
Martin and Heather Sorenson.
PraiseSong Christmas Series.
Advent, Cantata, Christmas,
Epiphany, Sacred. Softcover.
142 pages. Published by
PraiseSong
$9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Yuletide Tapestry Concert band - Intermediate/advanced Alfred Publishing
Concert Band - Grade 4 SKU: AP.37830S Arranged by Gary E. Parks. Concert ...(+)
Concert Band - Grade 4 SKU: AP.37830S Arranged by Gary E. Parks. Concert Band; Performance Music Ensemble; Single Titles. Alfred Concert Band. Christmas; Sacred; Secular; Winter. Score. 24 pages. Alfred Music #00-37830S. Published by Alfred Music (AP.37830S). UPC: 038081429878. English. Just as the title implies, this arrangement weaves five holiday favorites together into an enjoyable and accessible medley. The percussionists have a chance to show off their varied skills as the band plays through styles ranging from traditional to Latin jazz. Holiday favorites featured are Sing We Now of Christmas, God Rest Ye Merry Gentlemen, The Holly and the Ivy, and Deck the Halls. $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| L'Esprit du Tour: A Fanfare for Lance Concert band Alfred Publishing
By Randol Alan Bass. By Randol Alan Bass. For Concert Band. Concert Band. Alfred...(+)
By Randol Alan Bass. By Randol Alan Bass. For Concert Band. Concert Band. Alfred Concert Band. Level: 5 (Difficult) (grade 5). Conductor Score and Parts. Duration 4:45:00. Published by Alfred Publishing.
$75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| One Bread, One Body Choral Unison Unison/2-part, Piano [Octavo] Alfred Publishing
By John Foley. Arranged by Mark Hayes. For Choir. (Unison or 2-Part). Choral Oc...(+)
By John Foley. Arranged by Mark Hayes. For Choir. (Unison or 2-Part). Choral Octavo. Level: Level 1 (grade L1). Choral Octavo. 12 pages. Published by Alfred Publishing.
$2.50 $2.375 (5% off) See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| One Bread, One Body Choral SATB SATB [Octavo] - Intermediate Alfred Publishing
By John Foley. Arranged by Mark Hayes. For Choir. (SATB). Choral Octavo. Level:...(+)
By John Foley. Arranged by Mark Hayes. For Choir. (SATB). Choral Octavo. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.
(2)$2.50 $2.375 (5% off) See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Christmas Carol Trilogy - Easy Carl Fischer
Band Bass, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarine...(+)
Band Bass, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Sleigh Bells, Snare Drum, Suspended Cymbal and more. - Grade 2.5 SKU: CF.YPS223 Composed by Traditional Christmas Songs. Arranged by Russell Robinson Michael J. Miller. Folio. Yps. Set of Score and Parts. 8+2+4+4+2+2+5+2+2+4+4+4+6+3+2+3+4+1+2+6+24 pages. Duration 4 minutes, 10 seconds. Carl Fischer Music #YPS223. Published by Carl Fischer Music (CF.YPS223). ISBN 9781491156643. UPC: 680160915187. 9 x 12 inches. Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson's vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic (To be used if band alone) Large Chorus (1 dynamic lower) Small Chorus (2 dynamics lower) mf f ff mp mf f p mp mf Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.) Option 1 (Woodwind Sextet) Flute (Oboe) Clarinet 1 Clarinet 2 Alto Saxophone Tenor Saxophone (Bassoon) Baritone Saxophone (Bass Clarinet) Option 2 (Brass Quintet) Trumpet 1 Trumpet 2 Horn Trombone (Baritone) Tuba (Baritone Saxophone) A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments. Notes to the Conductor This adaptation of Christmas Carol Trilogy was arranged to accompany the choral arrangement of the same title by Russell Robinson. It can be played with Robinson’s vocal arrangements with band and chorus together or as a stand-alone piece for band. If performed together with a chorus, it is recommended that the performers play one to two dynamic levels lower than written (depending on the size of the chorus) so as not to overpower the singers. Please see the chart below for further explanation. Written Dynamic(To be used if band alone)Large Chorus(1 dynamic lower)Small Chorus(2 dynamics lower)mffffmpmff pmpmf  Another possibility for performance is for a small group of wind instruments with chorus. Here, performers would play the written dynamics. Below are a few recommended chamber ensembles that would work with a variety of choruses, though there are several other alternatives. In any case, the conductor should be careful to choose a set of instruments that is both balanced in register (soprano, alto, tenor, bass) and in role (melody, countermelody, bass line, etc.)Option 1 (Woodwind Sextet)Flute (Oboe)Clarinet 1Clarinet 2Alto SaxophoneTenor Saxophone (Bassoon)Baritone Saxophone (Bass Clarinet)Option 2 (Brass Quintet)Trumpet 1Trumpet 2HornTrombone (Baritone)Tuba (Baritone Saxophone)A final option is to perform with one player per instrumental part. In all instances, the conductor should pay close attention to the balance of the percussion instruments. $70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
Next page 1 31 |