SKU: HL.49028014
SKU: HL.49028011
SKU: HL.49028015
SKU: HL.49028016
SKU: HL.49028012
SKU: HL.49028013
SKU: HL.50488142
ISBN 9790080042748. A/4 inches. Janos Szebenyi; Imre Sulyok.
Franz Anton Hoffmeister (1754-1812) was a popular, very creative composer of his age. His oeuvre consists of nine operas, sixty-six symphonies, forty-two string quartets, eighteen string trios, eleven piano trios, five piano quintets, serenades and ecclesiastical works. He composed especially numerous chamber music works for flute in various arrangements (duets, trios, quartets, quintets etc.). Out of his twenty-four flute concertos the one hereby published is marked No. 18 in the catalogue of Hoffmesiter's works, published in 1800. (A copy of that catalogue has been preserved at the Belgian Royal Library, Brussels.) The contemporary handwritten orchestral part-material ofthe concerto is to be found at the King Stephen Museum at Szekesfehervar, it had got there in 1951 as part of the music collection of the family Verebi-Vegh. Franz Anton Hoffmeister (1754-1812) ist einer der beliebten und fruchtbaren Komponisten seiner Zeit. Er komponierte 9 Opern, 66 Symphonien, 42 Streichquartette, 18 Streichtrios, 11 Klaviertrios, 5 Klavierquintette, Serenaden und Kirchenmusik. Besonders fur Flote schrieb er viele Kammerwerke in verschiedenen Gruppierungen (Duette, Trios, Quartette, Quintette u. s. w.) Unter seinen 24 Flotenkonzerten ist das jetzt veroffentliche Konzert mit Nummer 18 in dem im Jahre 1800 erschienenen Katalog seiner Werke versehen. (Ein Exemplar des Kataloges befindet sich in der Brusseler Koniglich Belgischen Bibliothek.) Das handschriftliche Orchestermaterial aus dieser zeit befindet sich imSzekesfehervar Konig Stephan Museum, wohin es im Jahre 1951 mit der Notensammlung der Familie Verebi-Vegh belangt ist.
SKU: FZ.50138
ISBN 9790049501385. 21.00 x 29.70 cm inches.
This facsimile of an original by Franz Anton Hoffmeister is part of our Facsimusic collection. Wien, Artaria, (s. d. = 1799). Theme and variations for forte-piano or harpsichord. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HL.49002118
ISBN 9790001117111. 9.0x12.0x0.184 inches.
Der Komponist und Verleger Franz Anton Hoffmeister gehört zu den bekanntesten und beliebtesten Meistern der Wiener Klassik.
SKU: HL.49045624
ISBN 9790001161633. UPC: 841886028487. 9.0x12.0x0.25 inches.
Franz Anton Hoffmeister is one of the most skillful and productive composers of sophisticated entertainment music at the turn of the 18th and 19th centuries. With his string quintet he helped the genre to gain significant distinction from the string quartet. Like his friend W.A. Mozart, he strived for clarity in the voices. In the D major quintet he succeeds in doing this by the ingenious processing of all voices as well as the concertante passages in violins and violas.
SKU: BR.OB-15114-19
In Cooperation with G. Henle Verlag
ISBN 9790004339800. 10 x 12.5 inches.
Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).
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