Violin, organ - Level 4

SKU: BA.BA07653

Composed by Zsigmond Szathmary. Edited by Zsigmond Szathmary. Stapled. Organova 4. Performance score. Composed 1994. 20 pages. Baerenreiter Verlag #BA07653_00. Published by Baerenreiter Verlag (BA.BA07653).

ISBN 9790006504237. 24 x 33 cm inches.

Violin, Violin, String Ensemble, Organ

SKU: HL.50016960

Score. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. Orchestra. Solo and Concerto. Score Only. Composed 1984. Ricordi #PR590. Published by Ricordi (HL.50016960).

UPC: 073999855968. 8.0x10.75x0.125 inches.

Violin, Organ - Level 4

SKU: BA.BA11087

Composed by Thomas Daniel Schlee. Stapled. Urauffuhrung 01.06.2017, Wien. Performance score, Part (1). Composed 2015. 21/6 pages. Baerenreiter Verlag #BA11087_00. Published by Baerenreiter Verlag (BA.BA11087).

ISBN 9790006565078. 30 x 23 cm inches.

In a wide-reaching form the music develops increasing density in texture, dynamics und sound quality. The work can be performed as an anthemic coda together with the „Cantus“ requiring the same instrumentation (BA 7455).

Violin, String Ensemble and Organ

SKU: HL.50036990

Score. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. Orchestra. Solo and Concerto. Score Only. Composed 1984. Ricordi #PR708. Published by Ricordi (HL.50036990).

6.75x10.5 inches.

Oboe, Oboe, Bassoon, Horn, Horn, Violin, String Ensemble, Organ

SKU: HL.50039790

Score. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. Orchestra. Score Only. Composed 1984. Ricordi #PR1000. Published by Ricordi (HL.50039790).

6.75x10.5 inches.

Violin, String Ensemble and Organ

SKU: HL.50039680

Score. Composed by Antonio Vivaldi. Edited by Gianfranco Prato. String Solo. Solo & Concerto. Score Only. Composed 1984. Ricordi #PR1053. Published by Ricordi (HL.50039680).

6.75x10.5 inches.

Violin, String Ensemble and Organ

SKU: HL.50040160

Score. Composed by Antonio Vivaldi. Edited by Gian Francesco Malipiero. String Solo. Solo and Concerto. Score Only. Composed 1984. Ricordi #PR681. Published by Ricordi (HL.50040160).

6.75x10.5 inches.

Orchestra version: Violin solo, Cello solo, 2 Violins, Viola, Cello, Contrabass, Organ; Trio version: Violin, Cello, Organ

SKU: CA.5014914

Composed by Josef Gabriel Rheinberger. Suite In C. Orchesterfassung. Single Part, Violin 2. Composed 1887. Op. 149. 8 pages. Duration 33 minutes. Carus Verlag #CV 50.149/14. Published by Carus Verlag (CA.5014914).

ISBN 9790007080082. Key: C minor. Language: all languages.

The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! (Wurttembergische Blatter fur Kirchenmusik May 1993, p. 192). Score and part available separately - see item CA.5014900.

Orchestra version: Violin solo, Cello solo, 2 Violins, Viola, Cello, Contrabass, Organ; Trio version: Violin, Cello, Organ

SKU: CA.5014949

Composed by Josef Gabriel Rheinberger. This edition: Paperbound. Suite In C. Orchesterfassung. Reduction for organ. Composed 1887. Op. 149. 52 pages. Duration 33 minutes. Carus Verlag #CV 50.149/49. Published by Carus Verlag (CA.5014949).

ISBN 9790007080129. Key: C minor. Language: all languages.

The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! (Wurttembergische Blatter fur Kirchenmusik May 1993, p. 192). Score available separately - see item CA.5014900.

Orchestra version: Violin solo, Cello solo, 2 Violins, Viola, Cello, Contrabass, Organ; Trio version: Violin, Cello, Organ

SKU: CA.5014916

Composed by Josef Gabriel Rheinberger. Suite In C. Orchesterfassung. Single Part, Cello. Composed 1887. Op. 149. 8 pages. Duration 33 minutes. Carus Verlag #CV 50.149/16. Published by Carus Verlag (CA.5014916).

ISBN 9790007080105. Key: C minor. Language: all languages.

The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! (Wurttembergische Blatter fur Kirchenmusik May 1993, p. 192). Score and part available separately - see item CA.5014900.

Orchestra version: Violin solo, Cello solo, 2 Violins, Viola, Cello, Contrabass, Organ; Trio version: Violin, Cello, Organ

SKU: CA.5014912

Composed by Josef Gabriel Rheinberger. Suite In C. Orchesterfassung. Single Part, Cello Solo. Composed 1887. Op. 149. 12 pages. Duration 33 minutes. Carus Verlag #CV 50.149/12. Published by Carus Verlag (CA.5014912).

ISBN 9790007080068. Key: C minor. Language: all languages.

The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! (Wurttembergische Blatter fur Kirchenmusik May 1993, p. 192). Score and part available separately - see item CA.5014900.

By Charles Callahan. For organ and various instruments. Chamber Music. Level: Medium. Published by MorningStar Music Publishers.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, Tuba, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.2719011

Composed by Anton Bruckner. Edited by Ernst Herttrich. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; Carus sheet music series: Vocal scores XL. Violin 1. Innovative practice aids, Sacred vocal music, Praise and thanks. Single Part, Violin 1. WAB 45. 12 pages. Duration 25 minutes. Carus Verlag #CV 27.190/11. Published by Carus Verlag (CA.2719011).

ISBN 9790007200749. Text language: Latin.

Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ. Score and part available separately - see item CA.2719000.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS160F

From Three Short Pieces for Organ. Composed by Samuel Coleridge-Taylor. Arranged by Robert Debbaut. Cas. Full score. Duration 3 minutes. Carl Fischer Music #CAS160F. Published by Carl Fischer Music (CF.CAS160F).

ISBN 9781491165454. UPC: 680160924363. Key: C major.

The story of Samuel Coleridge-Taylor is of a rising star composer, one with a significant gift for melody and a simple lyricism, who embraced the previously unexplored song and dance forms from his father’s native west Africa and incorporated them into his own very European art music. Coleridge-Taylor began playing the violin at age five and by age fifteen wasadmitted to London’s Royal College of Music, where he studied both violin and composition and composed his first works. The simply-titled Melody is taken from Three Short Pieces for Organ - a set of pieces originally published in Novello’s Album for the Organ, No. 3 (1898). While certainly typical of the late 19th century, many of Coleridge-Taylor's creations display inspiration by African musical elements much like spirituals inspired Dvořák’s “New World” Symphony.