SKU: HL.128725

ISBN 9780936661636. UPC: 888680012588. 8.5x11.0x0.038 inches.

Castle on a Cloud is sung by the child Cosette in Les Miserables. It is a hopeful song of her imaginary world where life is beautiful, and she is not subjected to the drudgery of her hard existence. Sylvia Woods has arranged this lilting song for lever or pedal harp. There are 7 lever changes in the piece, so it is for lower intermediate to intermediate level players. Fingerings and lyrics are included, as well as lever and pedal changes. Two, 2-page versions are included: one for lever harps tuned to C, and the other for lever harps tuned to flats. Pedal harpists can play either version. The arrangement for lever harps tuned to C is in the key of D (2 sharps), with A and C lever changes needed. The arrangement for lever harps tuned to flats is in the key of C, with B and G lever changes needed. Either version may be played on most small harps with about 26 strings if you play everything an octave higher than written. There are special instructions in the introduction telling you what you'll need to change if you have a small harp.

SKU: FG.55011-885-0

Whizzing, growling and rattling – you can produce all kinds of sounds with the harp, not just the fairy-tale shimmer and glissandos that you first think of. Lotta Wennäkoski composed Sigla for harp and orchestra (2021-2022) in close collaboration with the harpist Sivan Magen, to whom the concerto is dedicated. The title of the concerto, Sigla, has different meanings in different languages. In Italian, it means a jingle; in Icelandic, it means sailing; and in Tagalog, spoken in the Philippines, it means vivaciousness or enthusiasm. Wennäkoski has not specifically referenced these in the movements of the concerto as such, but she does allow that the various meanings of the word may be identified with the music according to the listener’s perception.

The recording of the work (Ondine ODE1420-2) was premiered with the Gramophone award as the the best release in the contemporary category in October 2023.

This product is the solo part.

The orchestral material is available for hire from the publisher.

Duration: 19'
Instrumentation:
Harp solo – equipped with paint brush, tuning key and a plastic hair clip
2 Flutes (2nd doubling piccolo)
2 Oboes
2 Clarinets in Bb
2 Bassoons
2 Horns in F
2 Trumpets in C – trumpets and trombone doubling an egg slicer
Bass trombone attached to a piece of wood or a flat cardboard box
Percussion (2 players)
Percussion I: crotales, vibraphone, 5 gongs (a#, bn, c’, e’, f’), bass drum, cymbal, guiro, bell tree, shell chimes, whip, lion’s roar and different beaters including a bow, superball stck and wire brushes
Percussion II: tam-tam, cymbal, snare drum, 2 cowbells, 2 temple blocks (med/lg), triangle (small/med), vibraslap and different beaters including a bow, wire brushes and superball stick
Piano – equipped with a plectrum, wire brushes and 2 soft percussion beaters
Strings.

SKU: HL.14043600

9.0x12.0x0.058 inches.

Simon Holt 's the man in the wind and the west moon was composed for Solo Harp in 2013, having been commissioned by The Tanza Trust. The piece takes its title from a line in a Dylan Thomas poem named 'And death shall have no dominion'. The four sections of the work see shifting harmonies throughout, with the first section repeating but also changing ever so subtly. The unique thing about the piece is that each section is dynamically different, but is left open to interpretation by the player.  The man in the wind and the west moon  was   first performed on the 2nd of June 2014 at Milton Court Concert Hall in London by Alex Rider. The piece lasts around 7minutes, and the bottom C and D strings should be tuned to C# and D# respectively.