Instrumental Play-Along-Solo arrangements of 31 Irish favorites with great-sounding online audio accompaniment tracks. Includes: Danny Boy ? I Once Loved a Lass ? The Little Beggarman ? The Minstrel Boy ? My Wild Irish Rose ? The Wearing of the Green ? and dozens more!

for String Quartet. Par . / Date parution : 2023-01-24/ Répertoire / Quatuor à Cordes

Traditional Irish And American Fiddle Tunes Arranged For Viola. Par HOFFHEIMER MICHAEL. Très probablement la plus grande collection de musique de violon pour alto jamais publié ! Contient une richesse de matériel pour violoneux cherchant une transition à l'alto et/ou les altistes à la recherche d'une collection de musique de violon traditionnel. Conçu pour atteindre la popularité croissante du rôle de la viola dans la musique folk, la musique dans ce livre sont regroupées en C, G, D, F, si bémol et doigté majeure de mi bémol. La musique dans ce livre est imprimée sur les Etats-majors parallèles. Le sommet est notation traditionnelle Alto dans la clef de l'alto tandis que le fond est la musique même dans la transposition de la notation de violon, permettant des violoneux qui lisent le g ou treble clef à jouer de l'alto par doigté il comme s'il s'agissait d'un violon. / Niveau : Intermédiaire / Fiddle Tunes - Solos / Recueil / Alto

60 Traditional Pieces. Violist and composer Benedict Taylor presents a collection of 60 pieces for solo viola. Drawn from the rich tradition of Irish folk music the collection covers a range of styles including Jigs, Reels, Hornpipes and Marches. The volume includes notes on playing styles, and is accompanied by a CD with a recording of all tunes. German and French translations of all texts are available as PDF downloads from the Schott Music website. Suitable for players of grades 3-8.

Four Tunes from the Scottish Island of Sanday-Start Point is a collection of four tunes written for the Sanday Fiddle Club. First performed in their entirety in 2006 at the St Magnus Festival the names of the tunes are names of places on the Orkney Islands. Evocative and unassuming the appealing character and flexibility of these works reflects their genesis. They are suited to a variety of purposes and could be played by both string quartet and string ensemble. Accessible by standard and style to the extent that they are rooted in the community they form an illustration of Maxwell Davies' engagement with his locality where he has lived since the 1970s.

Viola Violin 3 and Ensemble Score-This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs reels hornpipes slip jigs strathspeys waltzes and airs. The harmonies are written so thatvarious combinations from solo instrument with piano to duets and trios to full string quartet/orchestra are possible. The viola book includes melody (solo) viola viola harmony third violin and full score including violin viola and cello parts with piano accompaniment. All of the Celtic Tunes for Solo and Ensemble books (Violin Viola and Cello/Bass) are written as ensemble books so they can be played as solo books or together as ensemble.

A superb collection containing five varied folk tunes set for Viola or Cello with Piano accompaniment. Taken from the vast Petrie collection of Ancient Irish Music these traditional melodies have been freely and imaginatively adapted by Howard Ferguson to form a suite of concert and recital pieces. Part of the ABRSM syllabus.

A wonderfully diverse collection of Viola music from around the world with audio backing and performance tracks. All twenty-one pieces have been selected and arranged by Edward Huws Jones for Viola with Piano or CD accompaniment. Included are both full melody and easy Viola parts as well as a further Viola accompaniment making this suitable for new starters to intermediate players.

Instrumentation: 2Vln.Vla.Vc Editor: Rowland-Jones, S. Format: Score & Parts Details: Each volume of this edition includes: • Full Score • Fold-out Pages, as required in the separate parts, eliminating page-turns within movements • Historical background to the quartets, as well as information on performance practice • Extensive Critical Commentary Contents: Joseph Haydn was born in Rohrau, Austria, on March 31st, 1732; he died in Vienna, Austria, on May 31st, 1809.